Manuale per l’uso Behringer Ultratwin GX212

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  • Behringer Ultratwin GX212 - page 1

    Version 1.0 May 2001 Users Manual ENGLISH ULTRATWIN ® GX212 ...

  • Behringer Ultratwin GX212 - page 2

    2 UL TRA TWIN GX212 This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosure  voltage that may be sufficient to constitute a risk of shock. This symbol, wherever it appears, alerts you to important operating and maintenance instructions in the accompanying literature. Read the manual. SAF ...

  • Behringer Ultratwin GX212 - page 3

    3 UL TRA TWIN GX212 FOREWORD Dear Customer, Welcome to the team of ULTRATWIN users and thank you very much for expressing your confidence in BEHRINGER products by purchasing the GX212. It is one of my most pleasant tasks to write this letter to you, because it is the culmination of many months of hard work delivered by our engineering team to reach ...

  • Behringer Ultratwin GX212 - page 4

    4 UL TRA TWIN GX212 GX212 ULTRATWIN ® Ultra-flexible 2 x 60 Watt Guitar Workstation with Digital Multi-Effects Processor s Powerful 2 x 60 Watt RMS Guitar Workstation with authentic VIRTUBE ® tube emulation s Two original 100 Watt heavy duty SHARK 12" guitar speakers model 12G100A s Two independent channels with separate volume controls, EQ ...

  • Behringer Ultratwin GX212 - page 5

    5 UL TRA TWIN GX212 T ABLE OF CONTENTS 1 . INTRODUCTION .. ................................................................................................................... 6 1. 1 Design concept .............................................................................................................. ................. 7 1.1.1 VIRTUBE technolo ...

  • Behringer Ultratwin GX212 - page 6

    6 UL TRA TWIN GX212 1. INTRODUCTION Thank you very much for expressing your confidence in BEHRINGER products by purchasing the ULTRATWIN GX212. With the ULTRATWIN, you have acquired a modern guitar workstation that sets new standards in guitar amp engineering. When developing the GX212, our top objective was to reproduce the authentic sound of clas ...

  • Behringer Ultratwin GX212 - page 7

    7 UL TRA TWIN GX212 1. 1 Design concept The philosophy behind BEHRINGER products guarantees a no-compromise circuit design and employs the best choice of components. The operational amplifiers used in the ULTRATWIN are exceptional: they boast extreme linearity and very low distortion characteristics. To complement this design, the choice of compone ...

  • Behringer Ultratwin GX212 - page 8

    8 UL TRA TWIN GX212 The mains connection of the ULTRATWIN is made by using the enclosed mains cable and a standard IEC receptacle. It meets all of the international safety certification requirements. + Please make sure that all units have a proper ground connection. For your own safety, never remove or disable the ground conductor of the unit or of ...

  • Behringer Ultratwin GX212 - page 9

    9 UL TRA TWIN GX212 8 The MID BOOST button allows you to raise the midrange frequencies in the OVERDRIVE channel. When the button is on, the associated control LED lights up. 9 Use the MORPHING control to crossfade between the various distortion characteristics available. 10 The PRESENCE control allows you to boost/cut the high midrange frequencies ...

  • Behringer Ultratwin GX212 - page 10

    10 UL TRA TWIN GX212 numbers will be stored with the channels and can be recalled using the footswitch or the front panel buttons. When MIDI is on, this assignment feature will be disabled, so that in this mode both channels and effects can be selected separately. 19 The DOWN button allows you to decrement the program number. 20 With the UP button ...

  • Behringer Ultratwin GX212 - page 11

    11 UL TRA TWIN GX212 32 The connectors EXT. LEFT and EXT. RIGHT allow for connecting external loudspeakers. Please always connect speakers with a minimum resistance of 4 W . Maximum power will be delivered if 8 W speakers are connected. Push down the INTERNAL OFF button (see ) to operate external speakers. 33 Use the INTERNAL OFF switch to mute the ...

  • Behringer Ultratwin GX212 - page 12

    12 UL TRA TWIN GX212 2. WIRING EXAMPLES 2. 1 Standard setup consisting of guitar, footswitch and external effects device To use your ULTRATWIN for rehearsals or on stage, please wire up the unit as shown in fig. 2.1. Of course, you can also use a wah-wah or other pedal effect instead of the external 19" effects unit, or simply work with the in ...

  • Behringer Ultratwin GX212 - page 13

    13 UL TRA TWIN GX212 Fig. 2.2: Expanded setup 2. 3 Master/slave setup 2.3 .1 The ULTRATWIN GX212 as master The SLAVE IN jacks can also be used to amplify the ULTRATWINs signal with an additional power amp. Use two conventional instrument cables (one conductor plus shielding) having a mono 1/4" plug on the one end, and a stereo 1/4" plu ...

  • Behringer Ultratwin GX212 - page 14

    14 UL TRA TWIN GX212 3. EFFECTS PROCESSOR A very special feature of your ULTRATWIN is its built-in effects processor, which offers the same audio quality and algorithms as our popular 19" effects devices VIRTUALIZER PRO and MODULIZER PRO. This effects module provides 31 different groups of first-class effects such as reverb, chorus, flanger, d ...

  • Behringer Ultratwin GX212 - page 15

    15 UL TRA TWIN GX212 Preset-N r. Eff ect Variation PARAMETER EFFECT A E FFECT B 1 SPRING short Pre- Delay Reverb Time Mix L Mix R 2 REVERB long Pre-Delay Reverb T ime Mix L Mix R 3 short Pre- Delay Reverb Time Mix L Mix R 4 long Pre-Delay Reverb T ime Mix L Mix R 5 short Pre- Delay Reverb Time Mix L Mix R 6 long Pre-Delay Reverb T ime Mix L Mix R 7 ...

  • Behringer Ultratwin GX212 - page 16

    16 UL TRA TWIN GX212 1 7 - 19 Wah/Delay/Distortion: In general, filters are used to provide some static equalization of a signals frequency response. The wah effect  combined with delay and distortion in this preset  allows the mid- range frequencies to pass, while it more or less suppresses the remaining frequency ranges. Guitarists such ...

  • Behringer Ultratwin GX212 - page 17

    17 UL TRA TWIN GX212 The LFO speed of all modulation effects is controlled by the PARAMETER control. EFFECT A controls the effect intensity or depth. High values produce a very intensive effect. In the case of the tremolo algorithm, EFFECT A adjusts the panning between left and right, and vice versa. 3 0 - 33 Phaser: From a technical point of view, ...

  • Behringer Ultratwin GX212 - page 18

    18 UL TRA TWIN GX212 4 3 - 47 Chorus/Delay: First, the signal is chorused with various intensities, then follows a delay effect with various feedback levels and adjustable delay time. Preset-N r. Eff ect Variation PARAMET ER EF FECT A EFFECT B 43 ultra Delay T ime Chorus Mix Delay Mix 44 s low Delay Tim e Chorus Mix Delay Mix 45 medium I Delay Time ...

  • Behringer Ultratwin GX212 - page 19

    19 UL TRA TWIN GX212 5 7 - 61 Flanger/Delay: The first element is a flanger with various intensity levels, then comes a delay effect with adjustable delay time. Preset-N r. Eff ect Variation PARAMET ER EFF ECT A EFFEC T B 57 ultra Delay T ime Flan ger Mix Delay Mix 58 s low Delay Tim e Flanger Mix Delay Mix 59 medium I Delay Time Flan ger Mix Delay ...

  • Behringer Ultratwin GX212 - page 20

    20 UL TRA TWIN GX212 6 9 -7 0 Magic Drive: This is an absolutely up-to-date effect combined with a delay. EFFECT A governs the basic character of the effect in 32 steps, PARAMETER adjusts the delay time, and EFFECT B controls the delay mix. As a little extra, this effect includes an LFO-controlled notch filter, which is added as of Variation #24. P ...

  • Behringer Ultratwin GX212 - page 21

    21 UL TRA TWIN GX212 7 5 - 81 Pitch Shifter: This effect shifts the pitch of the input signal and can be used to produce musical intervals and harmonies or simply to widen a single voice. Heavy detuning by several semi-tones up creates a Mickey-Mouse-type effect. The preset variations include various fixed intervals for the right channel, while the ...

  • Behringer Ultratwin GX212 - page 22

    22 UL TRA TWIN GX212 9 0- 91 Compressor: Often, the signal level exceeds the headroom of signal-processing devices and therefore needs to be limited in its dynamic range, so as to avoid distortion. This job is done by compressors and/ or limiters. Limiters abruptly limit the signal above a specific threshold, while compressors provide for a soft ...

  • Behringer Ultratwin GX212 - page 23

    23 UL TRA TWIN GX212 9 7 -9 9 Speaker Cabinet: This algorithm emulates three different types of speaker cabinets. Additionally, you can shift the speakers main resonance peak. Various degrees of resonance emphasis allow you to emulate different speaker characteristics. The PARAMETER control adjusts the cutoff frequency of the low-pass filter. EF ...

  • Behringer Ultratwin GX212 - page 24

    24 UL TRA TWIN GX212 Additionally, you can deactivate the LFO in LFO-controlled modulation effects, and modulate these effects with MIDI controller #15. To activate this MIDI controller, you need to set the LFO speed to zero, either on the ULTRATWIN or by means of the corresponding MIDI controller. Of course, you can also control the ULTRATWIN from ...

  • Behringer Ultratwin GX212 - page 25

    25 UL TRA TWIN GX212 5. INSTALLATION Your BEHRINGER ULTRATWIN was carefully packed in the factory and the packaging is designed to protect the unit from rough handling. Nevertheless, we recommend that you carefully examine the packaging and its contents for any signs of physical damage, which may have occurred during transit. + If the unit is damag ...

  • Behringer Ultratwin GX212 - page 26

    26 UL TRA TWIN GX212 Fig. 5.2: Wiring of a stereo headphones 1/4" plug 5.2. 1 Loudspeaker connection Your GX212 features two speaker jacks that allow you to hook up supplementary speakers. Optimum adaptation is ensured with 8 W loudspeakers. Use the INTERNAL OFF switch on the rear panel of the GX212 to activate the external speakers connected ...

  • Behringer Ultratwin GX212 - page 27

    27 UL TRA TWIN GX212 Range Default Range Default Range Default 1 s hort Pre-Delay Rev erb Time 1. .32 8 Mix L 0..50 10 Mix R 0 ..50 10 2 l o ng Pre-D elay Reverb Tim e 1..32 14 M ix L 0..50 10 M ix R 0..50 10 3 s hort Pre-Delay Rev erb Time 1. .32 5 Mix L 0..50 10 Mix R 0 ..50 10 4 l o ng Pre-D elay Reverb Tim e 1..32 14 M ix L 0..50 10 M ix R 0..5 ...

  • Behringer Ultratwin GX212 - page 28

    28 UL TRA TWIN GX212 Range Default Range Default Range Default 52 ultra Reverb Time 0. .63 20 Flanger Mix 0.. 99 50 Reverb Mix 0..50 10 53 slow Reverb T ime 0..6 3 20 Flanger Mix 0 ..99 40 Reverb Mix 0..50 10 54 medium I Reverb T ime 0. .63 50 Flanger Mix 0..99 50 Reverb Mix 0..50 10 55 medium II Reverb T ime 0. .63 50 Flanger Mix 0..99 50 Reverb M ...

  • Behringer Ultratwin GX212 - page 29

    29 UL TRA TWIN GX212 6.2 MIDI implementation MI DI Impleme ntation Chart Function T ransmitted Re cognized Rema rks Basi c Channel Default Changed X X OFF, 1 - 16 OFF, 1 - 16 memo ri z ed Mode Default Messages Altered X X X 1,2 X X Note Number True Voic e X X X X Velocity Note ON Note OFF X X X X After T ouch Keys Channels X X X X Pitch Bender XX C ...

  • Behringer Ultratwin GX212 - page 30

    30 UL TRA TWIN GX212 7. SPECIFICATIONS AUDIO INPUTS Connector 1/4" mono jack T yp e RF filtered input Guitar input impedance approx. 1 M W unbalanced Insert return impedance approx. 50 k W unbalanced Aux input impedance approx. 10 k W unbalanced Slave input impedance approx. 30 k W unbalanced T ape input connector RC A impedance approx. 10 k W ...

  • Behringer Ultratwin GX212 - page 31

    31 UL TRA TWIN GX212 The information contained in this manual is subject to change without notice. No part of this manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of BEHRINGER Spezielle Studiotechn ...

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