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Manual Acoustica Mixcraft 6

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  • Acoustica Mixcraft 6 - page 1

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  • Acoustica Mixcraft 6 - page 2

    C opyrights & Tra de m a rks Redi s tr i b uti ons of s ourc e c ode m us t retai n the ab ove c opy ri ght no ti c e, thi s l i s t of condi ti ons and the fol l ow i ng dis c l ai mer. Redi s tr i b uti ons i n b i nary form mu s t repr oduce the a b ov e c opy r i ght n oti c e, this l i s t of c ondi ti ons and the foll ow i ng d i s c l ai ...

  • Acoustica Mixcraft 6 - page 3

    3 C onte nts 3 © 20 12 A c ous ti c a, In c T abl e o f Con te n ts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Impo r tan t So u n d S e tup Infor ma ti o n . . . . . . . . . . . . . . . . . . . . . . . . . . ...

  • Acoustica Mixcraft 6 - page 4

    Mi x cra ft 6 Us e r Ma n ua l 4 © 20 12 A c ous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Merge 56 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...

  • Acoustica Mixcraft 6 - page 5

    5 C onte nts 5 © 20 12 A c ous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . W MV Re nde r S ettings 117 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...

  • Acoustica Mixcraft 6 - page 6

    Mi x cra ft 6 Us e r Ma n ua l 6 © 20 12 A c ous ti c a, In c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 9 C urs ors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...

  • Acoustica Mixcraft 6 - page 7

    I mpor t ant S ou nd Set up I nfor mati on - 7 © 20 12 A c ous ti c a, In c I mpor t ant Sound S etup Inf or mation W he n y ou f i rst s t art Mi x c raf t , y ou s ho uld mak e s ur e t ha t t he aud io l atency r espon s e i s s et up pro pe rly . Al l s oun d dev ic es an d s oun d c ar ds are not c r ea ted equ al and s ome hav e be tt er per ...

  • Acoustica Mixcraft 6 - page 8

    Mi x cra ft 6 Us e r Ma n ua l 8 © 20 12 A c ous ti c a, In c T his option i s av ailab le wh en W av e R T i s s elec t ed . Audio f rom ot he r pr ogr ams an d W ind ow s w ill not wo rk at t he s ame t im e t hat y ou are i n t his mode . AS I O X P, V i s t a & W in 7 T he best f or play ba c k and re c or ding s y nchr on iz at ion . Mus ...

  • Acoustica Mixcraft 6 - page 9

    I mpor t ant S ou nd Set up I nfor mati on - 9 © 20 12 A c ous ti c a, In c dr i v er s ar e ou t of da t e alre ady. ) ...

  • Acoustica Mixcraft 6 - page 10

    Mi x cra ft 6 Us e r Ma n ua l 10 © 20 12 A c ous ti c a, In c Quick Star t So y ou wa nt t o get s omet hin g don e in a hu rr y , eh? Le t ' s f ollow ou r f av or it e m us ic ian S oun d W ar rior (SW ) t hr oug h t he pa c es of usi ng M ix c ra f t ™. Lo a d i n sou nds o r l o o ps SW s t ar t s Mix c ra f t and c lic k s t he Lib ra ...

  • Acoustica Mixcraft 6 - page 11

    Qu ic k St art - 11 © 20 12 A c ous ti c a, In c Re c o rd s a Lea d Synth Pad SW hoo k s up his MID I k eyboa rd and c re ates a V irtual In s t ru m en t T rack . H e f ind s a gro ov y s y nth lea d and record s hims elf . In a f ew s pots , he played t he wr ong no te an d s o he s im ply go es t o t he Pi an o Ro ll E dit or and mov es t he n ...

  • Acoustica Mixcraft 6 - page 12

    Mi x cra ft 6 Us e r Ma n ua l 12 © 20 12 A c ous ti c a, In c C AV E c av e LADY lady" . He c li c k s on t he FX butt on on t r ack 3 and s elect s t he ef f ect " Dela y " f rom t he l is t . I n a s ud de n ins pir ation, he deci de s t ha t t he wh ole t hing nee ds rev er b s o t hat it s ou nd s lik e it ' s in a c av e. ...

  • Acoustica Mixcraft 6 - page 13

    Qu ic k St art - 13 © 20 12 A c ous ti c a, In c (O f c our s e, S W ha s pu rchased all A c oust i c a s of t w ar e be c au s e he k no w s it is s mart t o s up p or t goo d s of t wa r e! ) ...

  • Acoustica Mixcraft 6 - page 14

    Mi x cra ft 6 Us e r Ma n ua l 14 © 20 12 A c ous ti c a, In c Regis t r at ion N or m ally , M ix c raf t ha s a t rial per i od of 14 days . A f t er t he t r ial pe r iod is ov er , y ou will ne ed t o pu r c hase t he s of t w ar e in or der t o bu rn aud io CD s or m ix dow n. T o pu rchase a re gis t ra t i on c od e, c l ic k t he " B ...

  • Acoustica Mixcraft 6 - page 15

    R eg is t ra t ion - 15 © 20 12 A c ous ti c a, In c T y pe i n or c opy and pas t e y our " Re gis t ra t i on I D" (u s ually y our email add ress ) in t he S t ep 3 edit box an d t y pe in or c op y an d past e t he 20 c ha ract er " Re gis t ration Co de " (exc lud ing da s he s ) int o t he S t ep 4 edit box. (Mak e s ure ...

  • Acoustica Mixcraft 6 - page 16

    Mi x cra ft 6 Us e r Ma n ua l 16 © 20 12 A c ous ti c a, In c M ixcraft R eference T his will help y ou iden ti f y s pe c if ic s ect i on s of t he main M ix c raf t interf ac e. M e nus A m en u t o acc ess all t he awe s ome po w er of M ix c ra f t ! T o o l bar Ac c es s c omm on fu nc t ions s uc h as s av ing, load ing , un do and r ed o. ...

  • Acoustica Mixcraft 6 - page 17

    M ix c ra f t R efer en c e - 17 © 20 12 A c ous ti c a, In c T i m e li n e Add m ar k er s , mak e s elec t ions and ad just t empo, k ey and t i me s igna ture . T r ac k H e a ders Add ef f ect s , or gan iz e y our pr oject and arm y ou r t ra c k s . Ti p: T o quic k ly s c ro ll t he t ra c k s up and do w n, mov e t he m ou s e ov er t he ...

  • Acoustica Mixcraft 6 - page 18

    Mi x cra ft 6 Us e r Ma n ua l 18 © 20 12 A c ous ti c a, In c T r ans po r t C on trol play ba c k , re c or din g, loop mode , pun c h i n/out. V iew t he play ba c k t im e and adjust t he m ast er v olume. T abs Proje c t Soun d* Mix er Lib ra ry * If t he S oun d t ab is s ele c t ed , y ou will ha v e t he f ollow ing editors av ailable : Au ...

  • Acoustica Mixcraft 6 - page 19

    M ix c ra f t R efer en c e - Track s 1 9 © 20 12 A c ous ti c a, In c A d di ng T r ac ks Eac h ne w pro ject s t ar t s w it h 8 blan k t ra c k s . Y ou c an add t rack s by c lic k ing t he + Tra c k butt on ab ov e t he t r ack s t o t he lef t of t he t i me l ine. You c an als o c li c k A dd Tra c k f ollow ed by s elect i ng t he t y pe o ...

  • Acoustica Mixcraft 6 - page 20

    Mi x cra ft 6 Us e r Ma n ua l 20 © 20 12 A c ous ti c a, In c R e- s iz e a t ra c k by mov ing t he m ou s e t o t he bott om of a t r ack an d dr ag up or do w n. W hen t he mouse is in t he rig ht s pot t o r e- s iz e, t he c ur s or will become an up/dow n c ur s or . Al t er n ativ ely , y ou c an c l ic k on t he Track m en u > P ro pe ...

  • Acoustica Mixcraft 6 - page 21

    M ix c ra f t R efer en c e - Track s 2 1 © 20 12 A c ous ti c a, In c T o mi x do w n t o a ne w au dio t r ack , c hoo s e Track m en u > M i x To Ne w A udi o Track or r igh t c li c k on a t ra c k hea de r an d c hoo s e M i x T o Ne w A ud io T r ack . Dup li ca t e T r a c k You c an dup lic ate or c opy all s ett ings and s oun ds on a ...

  • Acoustica Mixcraft 6 - page 22

    Mi x cra ft 6 Us e r Ma n ua l 22 © 20 12 A c ous ti c a, In c Selec t a new i mage and c li c k OK . A dd Y o ur Ow n I m a ge Or Ph oto You c an add an y im ag e or pho t o of y our ban d member s , y our dog or almos t an y t hing t hat i s in t he on e of t he f ollow ing im ag e f orma t s . . J PG . BM P . PNG . GI F C lic k on Add M y Ow n ...

  • Acoustica Mixcraft 6 - page 23

    M ix c ra f t R efer en c e - Track s 2 3 © 20 12 A c ous ti c a, In c Vo lume & Pa n Adjus t t he v olume and pan f or ea c h t rack . V o lu m e Eac h t r ack ha s it s own v olume w hic h c an be adju s t ed by t he s lider on t he t ra c k . Clic k dow n on t he s li de r and mov e i t lef t or r ight. T he v olu me c an be s et f r om 0% ...

  • Acoustica Mixcraft 6 - page 24

    Mi x cra ft 6 Us e r Ma n ua l 24 © 20 12 A c ous ti c a, In c T he han dle t ur ns re d s i gn if y ing t ha t y ou c an ad just t he recor ding l ev el f ro m t he c ur r en t i np ut. (T his is on ly f or aud io t ra c k s . ) Mu t e & So l o Mute an d/or s olo a t r ack . M ute I f y ou do no t wis h t o he ar a t ra c k , y ou c an m ute ...

  • Acoustica Mixcraft 6 - page 25

    M ix c ra f t R efer en c e - Track s 2 5 © 20 12 A c ous ti c a, In c N ew s ou n ds and re c or dings are add ed at t he c ar et po s it i on . A f t er add ing a new s oun d, t he c are t will mov e t o t he en d of t he s ou nd . T he c are t i s als o t he poin t at wh ic h s elect ed s oun ds will be s plit . You c an m ov e t he c ar et ar ...

  • Acoustica Mixcraft 6 - page 26

    Mi x cra ft 6 Us e r Ma n ua l 26 © 20 12 A c ous ti c a, In c T o ar m a t ra c k , c lic k t he Arm butt on on a t ra c k . Onc e a t rack i s ar med, it will high light in re d. A rm Toggl e C tr l + B C ho osi ng Re c or di n g Inp ut You c an record fr om mult iple s ou nd c ar d s and dif f er en t inp uts at t he s ame t im e. S ome s pe c ...

  • Acoustica Mixcraft 6 - page 27

    M ix c ra f t R efer en c e - Track s 2 7 © 20 12 A c ous ti c a, In c T o c hoo s e an inpu t , c lic k t he ar m ar r ow f or t rack 1. Clic k on " Le x ic on " or wh at ev er y ou r de v ic e is c alled an d c hoo s e " Lef t C ha nn el" . On t he s ec on d t ra c k , we ' d lik e t o record t he " Righ t Cha nne l ...

  • Acoustica Mixcraft 6 - page 28

    Mi x cra ft 6 Us e r Ma n ua l 28 © 20 12 A c ous ti c a, In c Some s oun d de v ic es i ncl ud e a f ea t ur e t ha t allow s y ou t o he ar wha t y ou ar e re c or ding. Many de v ic es (suc h as USB mic ro pho ne s ), t ho ug h, do no t allow y ou t o he ar wh at y ou ar e re c or din g. A nd other t i mes , y ou may wish t o m on it or y ou r ...

  • Acoustica Mixcraft 6 - page 29

    M ix c ra f t R efer en c e - Track s 2 9 © 20 12 A c ous ti c a, In c Vi rtua l I nst ru ment T ra c k s hav e t he ext ra ins t ru ment bu t t on t o t he lef t of t he mut e butt on . C lic k t he ins t ru m en t bu tt on t o c hoo s e an ins t ru men t . You m ay c on ne c t a M I DI k ey bo ar d t o re c or d an d play MI D I . Pl ay an optio ...

  • Acoustica Mixcraft 6 - page 30

    Mi x cra ft 6 Us e r Ma n ua l 30 © 20 12 A c ous ti c a, In c k ey bo ar d t o s ee if t his is pos s ible, t hou gh . Re c o rd in g Multip le T r a c ks Sim ul ta neousl y You c an record m ult iple V irtual In s t ru m en t (MI DI ) t r ack s at t he s ame t im e. Si mply c lic k t he ar m bu t t on f or eac h t ra c k t hat y ou wa nt t o rec ...

  • Acoustica Mixcraft 6 - page 31

    M ix c ra f t R efer en c e - Track s 3 1 © 20 12 A c ous ti c a, In c T ogg le t he t ra c k s y ou w an t an d c li c k OK . V i d e o T he V ideo T rack holds v ide o c l ips & image s or pho t os. T her e is only on e v i de o t ra c k . T o t og gle t he v ideo play ba c k wind ow , c l ic k t he " S how / Hide V i de o W indo w" ...

  • Acoustica Mixcraft 6 - page 32

    Mi x cra ft 6 Us e r Ma n ua l 32 © 20 12 A c ous ti c a, In c M a s t e r Eac h pr ojec t ha s on e M ast er T r ack . A ll t ra c k s ar e mix ed t o t he Mas t er T ra c k . T o v iew t he Mas t er T ra c k , c lic k Tra c k menu > S how M as te r Trac k . A lt ern ativ ely, c lic k t he + Tra c k bu tt on at t he t op of t he t rack s an d ...

  • Acoustica Mixcraft 6 - page 33

    M ix c ra f t R efer en c e - Track s 3 3 © 20 12 A c ous ti c a, In c Add a S en d T r ack t o t he pr oje c t . W e re na med t his on e t o be c alled " Rev e r b (SE ND )". Go t o t he t ra c k t hat y ou wa nt t o rou t e s igna l t o t he S end t rack . Ex pa nd t he t ra c k automati on po r ti on of t he t rack by c lic k ing t h ...

  • Acoustica Mixcraft 6 - page 34

    Mi x cra ft 6 Us e r Ma n ua l 34 © 20 12 A c ous ti c a, In c v olume adju s t ments . (PRE-Fad e r S en d) Pos t V olume A djust m en t - T he t rack 's aud io i s s ent t o t he S end T ra c k af t er app ly i ng i t s ow n v olume adju s t ments . (POS T -Fa de r Send ) T o c han ge t he S end V olume T y pe, righ t c lic k on t he Send k ...

  • Acoustica Mixcraft 6 - page 35

    M ix c ra f t R efer en c e - Track s 3 5 © 20 12 A c ous ti c a, In c POS T-Fa d e r S e nd * * Dep end ing on t he s en d v olume t y pe , t he aud io f ro m a t rack will be s ent at on e of t he s t ar r ed * po ints i n t he aud i o s i gn al f low . Ti p: W hen add ing an ef f ec t t o a Send T rack , it is recomm en de d t o c ho ose a pr e ...

  • Acoustica Mixcraft 6 - page 36

    Mi x cra ft 6 Us e r Ma n ua l 36 © 20 12 A c ous ti c a, In c I f y ou ha v e an aud io dev ic e wit h m ulti ple ou tputs , s im ply c lic k on t he ou t pu t dro p do w n of an ou t pu t t r ack an d c hoo s e t he ou t pu t . T he M ix er v iew als o allow s y ou t o ad just t he ro uting of t rack s t o outpu t s . T her e ar e many ways t ha ...

  • Acoustica Mixcraft 6 - page 37

    M ix c ra f t R efer en c e - Track s 3 7 © 20 12 A c ous ti c a, In c mix . T hat s en d t ra c k 's outpu t ha s be en s et t o t he Hea dph on e Out 1 output t ra c k , wh ic h ha s be en ro ut ed t o a s pe c if ic outpu t on t he aud io dev ic e. T he S end k no bs on each t r ack ar e t he n us ed t o c re ate a c us t om monitor mix f ...

  • Acoustica Mixcraft 6 - page 38

    Mi x cra ft 6 Us e r Ma n ua l 38 © 20 12 A c ous ti c a, In c R e w i r e R eW ire is a s t and ard c re at ed by P rop ellerh ea d S of t w ar e t ha t allow s M ix c ra f t t o i nter f ac e wit h other po pu l ar s of t w ar e. T his po w er f ul t ool allows M ix c raf t t o ac c es s s oun ds, v irtual ins t ru ments , and ot he r f eatur es ...

  • Acoustica Mixcraft 6 - page 39

    M ix c ra f t R efer en c e - Track s 3 9 © 20 12 A c ous ti c a, In c Au toma t i on You c an c ha ng e t he w ay t hings s oun d ov er t i me. Aut omation allow s y ou t o add po ints at s peci f ic loc ations on a t ra c k ' s automation l an e . Aut omation t y pe s : Volume Pan Send t ra c k s Any ef f ect or s y nt he s iz er par amet e ...

  • Acoustica Mixcraft 6 - page 40

    Mi x cra ft 6 Us e r Ma n ua l 40 © 20 12 A c ous ti c a, In c C lic k on an y po int i n t he au t omation bod y t o add a po int and t he n dr ag i t t o t he desired v alu e. M o vi ng T rac k A utom a t i on Po i nts T he glob al s na p v alue will ap ply w he n ad din g and edit ing au tomat ion po ints . I f y ou ar e ha v ing pro blems m ov ...

  • Acoustica Mixcraft 6 - page 41

    M ix c ra f t R efer en c e - Track s 4 1 © 20 12 A c ous ti c a, In c 1. Ch oo s e a v irtual ins t r umen t f or t he t rack . 2. Clic k t he automation dro p do w n t o s ho w t he automati on . 3. No w s elect t he v i rtua l ins t ru men t . C lic k on t he c on t ro l t it led " T ra c k V olume", f ollowe d by c li c k ing t he v ...

  • Acoustica Mixcraft 6 - page 42

    Mi x cra ft 6 Us e r Ma n ua l 42 © 20 12 A c ous ti c a, In c After t hat, we c an dr a w in automat ion po ints t o c han ge t he f ee db ac k ov er t im e. Re c o rd in g A ut o m a t i on You c an record automati on f or ef f ec t s or v i r t ua l ins t ru men t s by s ett i ng up y ou r MI D I dev ic e t o c on t ro l a par ameter. Once a M ...

  • Acoustica Mixcraft 6 - page 43

    M ix c ra f t R efer en c e - Track s 4 3 © 20 12 A c ous ti c a, In c A u t o m a t i n g W i t h A M I D I C o n t r o l l e r You c an s et up an y M I DI c ontro ller or k ey boa rd t o c on t r ol any ef fe c t pa r ameter or v irtual ins t ru ment pa r ameter . Eac h MI D I k ey boa rd or c on t ro l ler is dif fe ren t. T he ba s ic ide a i ...

  • Acoustica Mixcraft 6 - page 44

    Mi x cra ft 6 Us e r Ma n ua l 44 © 20 12 A c ous ti c a, In c Ho w T o Ma p A K n ob o r Sl i d e r T o A n Effec t I n or der t o c ontro l v ario us par amet er s of an ef fe c t , t he r e ar e s ev era l w ays t o do it . E ac h k nob or s li de r on a MI D I k ey boa r d ge ne r ates a M I DI CC mes s age . 1. C lic k t he M I D I Le ar n bu ...

  • Acoustica Mixcraft 6 - page 45

    M ix c ra f t R efer en c e - Track s 4 5 © 20 12 A c ous ti c a, In c Lo a di ng A nd Saving Effe ct Ma ppi ng s C lic k S av e or S av e A s . . . t o s av e y ou r mapp ing . R ecall i t at any t im e f ro m t he P r eset s . I f y ou wis h t o ge t rid of m ap pin g, s elec t it and t hen c li c k De lete . Eff ec ts You c an add ef f ec t s t ...

  • Acoustica Mixcraft 6 - page 46

    Mi x cra ft 6 Us e r Ma n ua l 46 © 20 12 A c ous ti c a, In c D e l e ting E mp ty L a ne s R igh t c li c k on an empty par t of a t ra c k an d c l ic k La ne s f ollow ed by De lete E mpty La ne s . D e l e te La ne A l t+K M uting La ne s You c an m ute or unmute all c lips on an y t ra c k by rig ht c l ic k ing on an empt y pa rt of a l an ...

  • Acoustica Mixcraft 6 - page 47

    M ix c ra f t R efer en c e - Clips 4 7 © 20 12 A c ous ti c a, In c M o vi ng T o mov e a c li p, s elec t it s t i t le bar and dr ag wh ile ho lding dow n t he mouse bu tt on.. (T he t i t le bar i s t he t op ar ea of t he c l ip whe re t he na me i s dis played.) B E FORE M OVE A FTE R M OVE You c an als o mov e a c l ip by us ing t he k ey b ...

  • Acoustica Mixcraft 6 - page 48

    Mi x cra ft 6 Us e r Ma n ua l 48 © 20 12 A c ous ti c a, In c Dele ting Selec t a c lip or gro up of c lips an d t hen s ele c t De lete f ro m t he E dit menu . Al t er n ativ ely , y ou c an push t he Dele t e k ey on y our k eyboa r d t o delete t hem. D e l e ting P a rts Of Cli ps I f y ou s elect par t of a c li p, it will only de lete t he ...

  • Acoustica Mixcraft 6 - page 49

    M ix c ra f t R efer en c e - Clips 4 9 © 20 12 A c ous ti c a, In c a lef t righ t r e- s iz e c ur s or . Si mply c lic k on t he l ef t or righ t ed ge of t he c lip, ho ld t he mouse do w n and dra g lef t or rig ht. Eac h loo p is re pre s en t ed by a t rian gle on t he t op and bo tt om of t he s oun d. T he c l ip will l oo p ba s ed on t ...

  • Acoustica Mixcraft 6 - page 50

    Mi x cra ft 6 Us e r Ma n ua l 50 © 20 12 A c ous ti c a, In c s hortc ut A l t Dr a g Copy a n d Pre s e rve Ti m e Of f s e t s hortc ut Sh i ft + Alt+d ra g (C opy N' P as t e mak es t he w or l d go ' ro und . Bec ome a f an of " Co py A nd P as t e" on y our f av or it e s oc ial ne twor k i ng s it e. ) Se lec ti n g Cli ...

  • Acoustica Mixcraft 6 - page 51

    M ix c ra f t R efer en c e - Clips 5 1 © 20 12 A c ous ti c a, In c You c an t ogg le t he s elec t ion of mult iple c lips by ho lding dow n t he C t rl k ey and c lic k ing t he t it le ba r of t he c lip. You c an s elect add it ion al c lips by ho lding dow n S hift k ey and c lic k ing t he t it l e bar of t he c l ip. Sele c t i ng A Pa rt ...

  • Acoustica Mixcraft 6 - page 52

    Mi x cra ft 6 Us e r Ma n ua l 52 © 20 12 A c ous ti c a, In c So u n d s T her e ar e t wo t y pe s of s oun ds: A udi o cli p s Vi rtua l I ns trume nt (MI DI) cl i ps C lip t empo and k ey c an be manip ula t ed in t he f ollow ing wa y s . T em po /T i m e A d j ustment s T i me t r av el m ay not be poss i ble y et , bu t y ou c an c ha ng e ...

  • Acoustica Mixcraft 6 - page 53

    M ix c ra f t R efer en c e - Clips 5 3 © 20 12 A c ous ti c a, In c You will k now t hat y ou are i n Fl exA udio ™ mode i f t he c ursor t ur ns int o t he Flex A udio ™ c ur s or . Le ar n mor e abo ut Flex A ud io™ her e. K e y / Pi t c h A dju st m ent s A s ou nd c an be pit c h s hif t ed li k e a c hipmun k or m ad e t o s ou nd l ik ...

  • Acoustica Mixcraft 6 - page 54

    Mi x cra ft 6 Us e r Ma n ua l 54 © 20 12 A c ous ti c a, In c T he or igina l de t ect ed t empo will s how up with an * next t o it in c as e y ou nee d t o rest or e it t o t he or i gina l de tec t ed t empo . Det ec tin g T e m po ( a udi o cli ps o nl y ) T he f ollow ing i nf or m ation i s f or aud i o c l ips on ly . I f A uto B ea t M at ...

  • Acoustica Mixcraft 6 - page 55

    M ix c ra f t R efer en c e - Clips 5 5 © 20 12 A c ous ti c a, In c H ow ev er , y ou c an ha v e m or e t ha n one k ey c ha ng e in a pr oje c t . A s oun d in Adjus t To P roje c t K ey mode will adjust t o t he c or rect numbe r of ha lf s t ep s in ord er t o pla y in t he c or r ect k ey based on t he mos t re c en t k ey c ha ng e. T o c o ...

  • Acoustica Mixcraft 6 - page 56

    Mi x cra ft 6 Us e r Ma n ua l 56 © 20 12 A c ous ti c a, In c You will k now t hat y ou are i n Fl exA udio ™ mode i f t he c ursor t ur ns int o t he Flex A udio ™ c ur s or . T i p s W i th F lexA ud i o™ U s e Fl exA udio™ t o c r ea t e pe rf ect loop s . I f y ou hav e a loop w it hou t a de t ect ed t empo, s et t he s na p t o meas ...

  • Acoustica Mixcraft 6 - page 57

    M ix c ra f t R efer en c e - Clips 5 7 © 20 12 A c ous ti c a, In c You hav e mult iple au d io c lips one t rack r ecord ed wit h t he s ame nois y air c ond it ione r in t he ba c k gr ou nd and y ou w an t t o re mov e t he noise in on e c ommand . Mer gin g t he c l ips t og e t he r allow s y ou t o re mov e t he nois e on e t im e. You hav ...

  • Acoustica Mixcraft 6 - page 58

    Mi x cra ft 6 Us e r Ma n ua l 58 © 20 12 A c ous ti c a, In c T his s ho w s a c l ip wit h t wo en v elop e po ints , ea c h at 10 0 % . Clic k on t he line t o c re ate a ne w v olume po int and t hen dr ag t o t he des ire d loc ation. I n t he i mage abo v e, t he v olu me of t he s ou nd now goe s f r om 100 % up t o abo ut 17 0% and t hen s ...

  • Acoustica Mixcraft 6 - page 59

    M ix c ra f t R efer en c e - Clips 5 9 © 20 12 A c ous ti c a, In c Pan c an be s et t o v alu es fr om 100 % lef t t o 100 % rig ht. Lo w A n d H igh P as s F i lt ers I n ad dition t o c han ging t he v olume and pan of a s oun d ov er t i me, Mix c ra f t allow s y ou t o c ha ng e t he low pa s s and high pass filter ov er t i me. W ha t Is A ...

  • Acoustica Mixcraft 6 - page 60

    Mi x cra ft 6 Us e r Ma n ua l 60 © 20 12 A c ous ti c a, In c T o ed it a s ou nd 's high pass filter c ut of f , go t o t he t oolba r an d mak e s ur e t ha t H igh P ass C utoff i s s elect ed. B y def au lt , all po ints on t his env elop e ar e at 0% , mean ing t ha t all s ou nd s ab ov e t he c utof f (i.e. ev eryt hing ) c an be he a ...

  • Acoustica Mixcraft 6 - page 61

    M ix c ra f t R efer en c e - Clips 6 1 © 20 12 A c ous ti c a, In c Do ubl e Cl i ck A T r ac k W he n y ou do ub le c lic k on an aud io t rack bo dy, y ou s et t he c ar et and s imult ane ou s ly brin g up a w ind ow l ett ing y ou c ho ose a s oun d. T he s ou nd will be plac ed whe re t he c ar et wa s . A d d A Sound From T h e Loo p Li br ...

  • Acoustica Mixcraft 6 - page 62

    Mi x cra ft 6 Us e r Ma n ua l 62 © 20 12 A c ous ti c a, In c R e cording Dire ctly To OGG I f y ou f i nd y ou r ha r d dr iv e f i lli ng up with hu ge W A V f iles , y ou c an re c or d dir ect l y t o OGG f il es. Recor din g t o OGG will t ak e up les s s pa c e on y our har d dr iv e. Go t o t he Re c or ding P re f er en c es , c lic k Co ...

  • Acoustica Mixcraft 6 - page 63

    M ix c ra f t R efer en c e - Clips 6 3 © 20 12 A c ous ti c a, In c E d it In Ex te rna l E ditor Mix c ra f t will wo r k in c on junct ion with an ext ern al s oun d editor in ord e r t o app ly per m an en t c ha ng es or ed it s t o t he s ou nd . F or ex ample, if y ou w an t t o re v er s e a s ou nd or edit out c lic k s and pop or s ome o ...

  • Acoustica Mixcraft 6 - page 64

    Mi x cra ft 6 Us e r Ma n ua l 64 © 20 12 A c ous ti c a, In c Edi t Name C ha ng e t he na me of a c li p. P re s s t he E nter k ey t o m ake t he c ha ng e. A lt er na ti v ely , c han ge t he na me and c lic k anywh er e els e. M ute /U nm ute C lic k t he s pe aker ic on t o t og gle a s oun d' s m uted s t at e. Lo c k or U n lo ck C li ...

  • Acoustica Mixcraft 6 - page 65

    M ix c ra f t R efer en c e - Clips 6 5 © 20 12 A c ous ti c a, In c C lic k t he [ < < ] S ho w /Hide C on trols bu t t on t o s ee more s ou nd data, ins t ea d of t he c on t ro l s . T his will t og gle be twee n s how ing and hiding t he c on t r ols . T o s how t he c ontro ls aga in, c l ic k t he [ > > ] bu tt on. N o i s e R e ...

  • Acoustica Mixcraft 6 - page 66

    Mi x cra ft 6 Us e r Ma n ua l 66 © 20 12 A c ous ti c a, In c an d dr ag ging t he N ois e S t ar t or No is e E nd c on trols . I f y ou w an t t he s of t w ar e t o automati c ally loc at e t he nex t be s t no is e pr i nt, c l ic k Nex t N ois e>> . T his ins t ru c t s M ix c raf t t o look fo r t he next bes t no is e s ample ba s ed ...

  • Acoustica Mixcraft 6 - page 67

    M ix c ra f t R efer en c e - Clips 6 7 © 20 12 A c ous ti c a, In c T his will s ho w t he bea ts in t he s ou n d. E ac h bea t point ha s t empo . T he s of t w ar e w ill no t s ho w all t he be at po ints de pe nding on y ou r z oo m lev el. Z oo m in t o s ee m or e de t ail an d be at poin ts . Ho v er y ou r mouse ov er a be at po int and ...

  • Acoustica Mixcraft 6 - page 68

    Mi x cra ft 6 Us e r Ma n ua l 68 © 20 12 A c ous ti c a, In c D ou ble c lic k a V i r t ua l I ns t ru ment T ra c k or r ight c li c k on a Vi rtua l I nst ru ment T r ack an d c l ic k A dd I nst rume nt Clip t o c re ate a bla nk V i r t ua l I ns t ru ment Clip. Re c o rd a V i rtua l In st r um e nt Cl i p. Arm a V i rtua l I ns t ru ment T ...

  • Acoustica Mixcraft 6 - page 69

    M ix c ra f t R efer en c e - Clips 6 9 © 20 12 A c ous ti c a, In c MID I E diti ng T her e ar e many ways t o ed it y our M I DI data. S im ply rig ht c l ic k on a V irtual I nst rume nt c l ip and s elect M I D I E diti ng f ollow ed by of t he f ollow ing op t ion s . Qua n tiz e . . . Adjus t no t es t o be c los er t o t he be at. H um a ni ...

  • Acoustica Mixcraft 6 - page 70

    Mi x cra ft 6 Us e r Ma n ua l 70 © 20 12 A c ous ti c a, In c No te T yp e Spec if i es t he s na p s et t ing t o qua nt iz e t o. Pl ea s e note t ha t i f y ou hav e t his s et t o eigh t h note and y ou ar e act ually qua ntiz i ng a wh ole no te, it w ill no t adjust t he leng t h of t he no t e t o an eigh t h note, but ra t he r align i t ...

  • Acoustica Mixcraft 6 - page 71

    M ix c ra f t R efer en c e - Clips 7 1 © 20 12 A c ous ti c a, In c A l l o r Se l e c t i on C ho ose w he ther t o qu an ti z e t he s ele c t ed no t es or all t he no tes in t he c ur r en t v irtual i nst rumen t c lip. (T his is only an option i f t he dialog was inv ok ed on t he piano roll ed it or . ) Q u a ntize Exa m pl e Bef ore qua n ...

  • Acoustica Mixcraft 6 - page 72

    Mi x cra ft 6 Us e r Ma n ua l 72 © 20 12 A c ous ti c a, In c M a x Di sta nce T he m axi mum no t e dur at ion t o human i z e t owa rds. Sta r t T i m e Spec if i es i f we ar e hu maniz ing t he s t ar t t i me. I f c he c k ed, y ou c an c ho ose fr om E ar ly , Late or R an do m ad jus t ments . Dur at i o n Spec if i es i f we ar e hu maniz ...

  • Acoustica Mixcraft 6 - page 73

    M ix c ra f t R efer en c e - Clips 7 3 © 20 12 A c ous ti c a, In c C ho ose Oc t av e( s ) or S emit one (s) f ro m t he Tra n s pose By. T he n enter i n t he amou nt and c lic k OK. I f y ou w an t t his t o app l y t o t he s elec t ed no t es only , c li c k t he S elect ion rad i o butt on. V e l o c i t i e s T he V eloci t ies dialo g all ...

  • Acoustica Mixcraft 6 - page 74

    Mi x cra ft 6 Us e r Ma n ua l 74 © 20 12 A c ous ti c a, In c O f f s e t s Of f s et No tes dialog allows y ou t o ad just all t he notes or t he s ele c t ed no t es t i me of f s et s . R igh t c li c k on a M I DI c l ip or MI D I data in t he P iano Roll and s elect M I DI E dit ing f ollow ed by Of f s ets . . . T his brin gs up t he Of f s ...

  • Acoustica Mixcraft 6 - page 75

    M ix c ra f t R efer en c e - Clips 7 5 © 20 12 A c ous ti c a, In c T his brin gs up t he No te Du ration win do w . A d j ust B y Adjus t t he no t es dur at ions by a per c en t ag e. F o rce T o For c e t he no t es t o a s pe c if ic note dur at ion. C ho ose f ro m: W ho le notes 1/2 notes 1/4 notes 1/8 notes 1/16 no t es 1/32 no t es 1/64 n ...

  • Acoustica Mixcraft 6 - page 76

    Mi x cra ft 6 Us e r Ma n ua l 76 © 20 12 A c ous ti c a, In c s oloiz ing S o un d tab ( P i a no R o ll ) T he S oun d t ab allow s y ou t o ren ame a s oun d, c han ge i t s leng t h, c han ge i t s t im e of f s et, m ute it , loc k it , c ha ng e it s t empo , pit c h s hif t or k ey . Edi t Name C ha ng e t he na me of a c li p. T y pe in a ...

  • Acoustica Mixcraft 6 - page 77

    M ix c ra f t R efer en c e - Clips 7 7 © 20 12 A c ous ti c a, In c T i m e Stre t c h / T em po Set t he mode of t he t im e s t re t c hing fo r t his s ou nd . Lea rn m or e ab ou t t i me s t re tc hing and t empo i n t he T empo/T ime S t r etc h s ec t ion . A d j usting P i t ch, K ey or T ransposi tion Set t he mode of t he pit c h s hif ...

  • Acoustica Mixcraft 6 - page 78

    Mi x cra ft 6 Us e r Ma n ua l 78 © 20 12 A c ous ti c a, In c I ns t ru men t C lip or righ t c li c k on a V i r t ua l I ns t ru ment Clip and s ele c t E dit t o br ing up t he P iano R oll Edit or . Eac h blu e box rep resents a no t e. T he no te is deter mined by how i t lines up wit h t he v er t ic al pian o, he nce, t he name 'p i a ...

  • Acoustica Mixcraft 6 - page 79

    M ix c ra f t R efer en c e - Clips 7 9 © 20 12 A c ous ti c a, In c D ou ble c lic k a note on t he piano roll k ey bo ar d an d all no t es of t hat v alu e will be c ome s elec t ed . C lic k an y wh e re bes ide s a note t o deselec t it or pre s s t he E s c k ey. Selec t ed no t es will app e ar dar k blue . You c an als o s elec t by dur at ...

  • Acoustica Mixcraft 6 - page 80

    Mi x cra ft 6 Us e r Ma n ua l 80 © 20 12 A c ous ti c a, In c E di tin g note s i n de ta i l You c an als o ed it a note or gro up of notes by righ t c li c k i ng and s elect i ng " E dit . . . " T he note ed it dia log will po p up an d allow y ou t o edit t he s peci f ic s , wh ic h i ncl ud e: St art t im e (Mea s ur e, be at and ...

  • Acoustica Mixcraft 6 - page 81

    M ix c ra f t R efer en c e - Clips 8 1 © 20 12 A c ous ti c a, In c D ra g C opy A l t+dra g C o n t r o l l e r I n f o r m a t i o n You c an edit MI D I c ontro ller da t a on t he bo tt om por t i on of t he P i an o R oll E ditor on t he Soun d t ab. C ho ose T he C o ntrol l er T yp e C lic k t he dr op dow n on t he l ef t ha n d s i de t ...

  • Acoustica Mixcraft 6 - page 82

    Mi x cra ft 6 Us e r Ma n ua l 82 © 20 12 A c ous ti c a, In c I f y ou ne ed m or e ro o m or pix els t o edit t he c ontro ller da t a, s i mply c l ic k on t he bar at t he t op of t he c on t ro l ler ar ea and dra g it up or dow n t o re- s i z e t he c on troller are a. T he s elec t ed no t e' s c orr es pon ding v eloc it y l ine ap p ...

  • Acoustica Mixcraft 6 - page 83

    M ix c ra f t R efer en c e - Clips 8 3 © 20 12 A c ous ti c a, In c Edit Co ntro ller D ele t e Co ntro ller D ele t e A ll C on troller s For ex ample, if y ou wa nt an ext ern al s y nthesi z er t o s witc h t o pa tc h 67, c hoo s e t he " P ro g ra m C ha ng e" c ontro ller , mov e t o t he s t ar t of t he t rack , righ t c li c k ...

  • Acoustica Mixcraft 6 - page 84

    Mi x cra ft 6 Us e r Ma n ua l 84 © 20 12 A c ous ti c a, In c Map Fil e - T he na me of t he f ile y ou jus t c re ated, ie: " Bi g A nd D umb Dr ums . t x t " VS T GUI D - T his i s a s pe c ial v alue un iqu ely ide ntif y ing t he V S T i . Ope n up y ou r Lo g f ile af t er ha v ing us ed t he plug- in t o get it s V ST GUI D. Y our ...

  • Acoustica Mixcraft 6 - page 85

    M ix c ra f t R efer en c e - Clips 8 5 © 20 12 A c ous ti c a, In c On c e y ou ar e s ati s f ied w it h t he loop , y ou c an ex t en d t he c li p in t he s es s ion ar ea t o loop i t as m an y t imes as y ou' d l ik e. See Loo pin g Clips S o un d tab ( N ota tion ) Mix c ra f t allow s y ou t o edit, v iew and pr i nt y our m us ic in ...

  • Acoustica Mixcraft 6 - page 86

    Mi x cra ft 6 Us e r Ma n ua l 86 © 20 12 A c ous ti c a, In c Le ngth C ha ng e t he leng t h of a s oun d by en t er i ng i n m inu t es, s econd s and m ill is ec ond s or us ing t he s pinne r c on t ro l s . (I f t he s oun d is made l on g en ou gh , t his will als o c ause i t t o loop . ) I f in B eat mode , t his ed it bo x es w ill be i ...

  • Acoustica Mixcraft 6 - page 87

    M ix c ra f t R efer en c e - Clips 8 7 © 20 12 A c ous ti c a, In c N o t a t i o n E d it o r Edi ting No te s Mix c ra f t allow s y ou t o edit a pian o ba r on t he s t af f dire c t ly . B y ed it ing t he s iz e an d posi t ion of t he pia no ba r , y ou c an c han ge t he wa y t he no tat ion is dis pla y ed. H er e is a t y pic al example ...

  • Acoustica Mixcraft 6 - page 88

    Mi x cra ft 6 Us e r Ma n ua l 88 © 20 12 A c ous ti c a, In c N ote s elect ion t ool. Add new notes with t he pen c il. R emov e no t es wit h t he er a s er . D ura tion But t ons - Ch oo s e a def au lt dur at ion w he n ad ding a ne w no te with t he pen c il t oo l. C ho ose f ro m wh ole no t e, ha lf note, qu ar t er no t e, eigh t h note, ...

  • Acoustica Mixcraft 6 - page 89

    M ix c ra f t R efer en c e - Clips 8 9 © 20 12 A c ous ti c a, In c R igh t c li c k on a c lef and c ho ose f rom t he f ollow ing: T reb le & B ass T reb le Bas s T his c ha ng es t he c l ef f or t he en ti re t rack . Pr i nting On c e a c li p is pr ope rly s elect ed, c l ic k t he P rint. . . butt on on t he No t ation V iew t oo lba r ...

  • Acoustica Mixcraft 6 - page 90

    Mi x cra ft 6 Us e r Ma n ua l 90 © 20 12 A c ous ti c a, In c nu mbe r f rom 1 t o 127 which de s c ribe s ho w f as t t he k ey wa s de pr es s ed. A v eloc it y of 1 w ou ld har dly be hea rd and a v eloc it y of 127 w ou ld be f ull v olume . Eac h MI D I No te mes s age c on t ain s t he f ollowin g inf orma t ion: No t e V alu e (C 0 - C1 0) ...

  • Acoustica Mixcraft 6 - page 91

    M ix c ra f t R efer en c e - Clips 9 1 © 20 12 A c ous ti c a, In c Vi de o c l ips I m ag es Le ar n mor e abo ut v i de o in t he v ide o s ec t ion Te x t C li p s A t ex t c l ip c on t ain s t ex t w it h as s oc iat ed ef f ec t s . Le ar n mor e abo ut t ex t c lips in t he v ideo s ec t ion R ecording R ecord i ng lets y ou re c or d au d ...

  • Acoustica Mixcraft 6 - page 92

    Mi x cra ft 6 Us e r Ma n ua l 92 © 20 12 A c ous ti c a, In c C lic k t he St op butt on t o s t op record i ng . T he re c or din g will be s av ed in y ou r P r oject f olde r . I f y ou wa n t t o re c or d mult iple t r ack s at a t im e, y ou ' ll nee d t o arm t hem s im ultane ou s ly and hav e t he re qu i re d inpu t s an d har dw a ...

  • Acoustica Mixcraft 6 - page 93

    M ix c ra f t R efer en c e - Re c or din g 93 © 20 12 A c ous ti c a, In c Re c o r ding Mod e T her e ar e t hr ee record i ng mode s . E ach t ra c k ' s re c or din g mode c an be s et by righ t c lic k ing or by us ing t he T ra c k m en u. Tra c k menu > R ecord i ng M o de > Tak es Ov erdub R eplace You c an s et up y our def au ...

  • Acoustica Mixcraft 6 - page 94

    Mi x cra ft 6 Us e r Ma n ua l 94 © 20 12 A c ous ti c a, In c I n t his mode , t he ex is t ing au dio is rep l aced. Ne w lan es are not c rea ted. Lo o p Re co rding Lo op record i ng allow s y ou r ecord m ult iple t ak es or ov er dub w it hou t hav ing t o s t op. T o c re ate a loop , c lic k t he Lo op m od e butt on on t he T ra nspor t. ...

  • Acoustica Mixcraft 6 - page 95

    M ix c ra f t R efer en c e - Re c or din g 95 © 20 12 A c ous ti c a, In c After s ett ing up a pu nc h ar ea, pr ess re c or d an d t he ne w re c or d ings will be c re ated ins ide t he pu nch s t ar t an d en d. Ti p: T o quic k ly s et t he pun c h in/ ou t ar ea, c r ea te a s ele c t ion and t ogg le P unch I n/Out. Use s nap t o s et v er ...

  • Acoustica Mixcraft 6 - page 96

    Mi x cra ft 6 Us e r Ma n ua l 96 © 20 12 A c ous ti c a, In c Se l e ct All S ounds I n Vi e w C tr l + A Li br a ry You c an c ho ose a s peci f i c li br ary or A ll . I f A ll is s elec t ed , s oun ds f r om all l oa de d libra r ies ar e c ho s en, inc ludin g any i mpo rted libra ries . T her e ar e t wo built in libr ar i es: Lo op s Soun ...

  • Acoustica Mixcraft 6 - page 97

    M ix c ra f t R efer en c e - Loo p Lib ra ry 9 7 © 20 12 A c ous ti c a, In c After a s ear c h is pe r f or med, Mi x c raf t will dis play ho w many it ems matc he d t he s ear c h qu er y . So rting & C o l um ns You c an s or t s ou nd s by c lic k ing on an y c olumn hea de r. T o s or t t he c olu mn in desc en din g or de r , c li c k ...

  • Acoustica Mixcraft 6 - page 98

    Mi x cra ft 6 Us e r Ma n ua l 98 © 20 12 A c ous ti c a, In c I f y ou w an t t o get acc ess t o t he s oun d on t he ha r d dr iv e, s im ply rig ht c l ic k on t he s oun d and c ho ose Op en C on taining Folde r. N ow y ou hav e ac c es s t o t he phys ic al loc ati on of t he aud io f ile an d may do w ha t y ou w an t wit h it . I mpo rt in ...

  • Acoustica Mixcraft 6 - page 99

    M ix c ra f t R efer en c e - Loo p Lib ra ry 9 9 © 20 12 A c ous ti c a, In c D ef au lt S on g K it - S elect or t y pe in a name f or t he s ong k it y ou wa nt t he im po r t ed s ou nd s t o be ass oci ated with. ( Y ou c an alw ay s edit i t later.) Gu ess (w hen i mpor t i ng i f not built into f i le t y pe .) St y le - I f a k ey wo r d i ...

  • Acoustica Mixcraft 6 - page 100

    Mi x cra ft 6 Us e r Ma n ua l 10 0 © 20 12 A c ous ti c a, In c Key - I f a k ey is f ou nd by it s elf , s uc h as " Ro c k -G", Mi x c raf t will as s ume t ha t " G" is t he k ey of t he s ou nd . I ns t ru men t - I f a k eywo rd i s f ou nd i n t he f i le c alled " l ib- ins t s -f or -impor t . t x t " , Mix c ...

  • Acoustica Mixcraft 6 - page 101

    M ix c ra f t R efer en c e - Loo p Lib ra ry 10 1 © 20 12 A c ous ti c a, In c To Ne w A udio Tra c k . No w c ro p t he re s ulti ng au d io c lip t o y our des ire d s iz e and add t his f il e t o t he libra ry . Dele ting S ou nds Si mply s ele c t t he s oun d or s ou nd s . R igh t c li c k and s elect De lete or pre s s t he [ De l ete] bu ...

  • Acoustica Mixcraft 6 - page 102

    Mi x cra ft 6 Us e r Ma n ua l 10 2 © 20 12 A c ous ti c a, In c t he " S epa r ated by C omma" option wit h a T ex t de lim it er of a qu ote ( " ). You m ay nee d t o c ha ng e t he f i le ex t en s ion t o . C SV bef or e ed it ing dep end ing on ho w y ou r s y s t em i s s etup. M LDB F i elds Eac h MLD B f ile ha s a numbe r o ...

  • Acoustica Mixcraft 6 - page 103

    M ix c ra f t R efer en c e - Loo p Lib ra ry 10 3 © 20 12 A c ous ti c a, In c T empo T he t empo of t he loop i f ap plic ab le. nu ll or v alid t empo s uc h as 120 or 141 . 23 D ate T he date t hat t he loop / s ou nd w as c re at ed / ad de d. A v alid date s uch as 01 /03/12 or mm / dd /y y f o rma t , w he r e dd=t he da y , mm = month and ...

  • Acoustica Mixcraft 6 - page 104

    Mi x cra ft 6 Us e r Ma n ua l 10 4 © 20 12 A c ous ti c a, In c Sho w/Hi d e T r ac ks You c an c he c k or un - c he c k t rack s un de r t he S how Tra c k s s ect i on . T his allows y ou t o s im plif y y ou r v iew an d only s ee t he t rack s t ha t y ou ar e c ur re nt ly m ix i ng . C lic k t he C he c k A ll butt on t o s ee all t r ack ...

  • Acoustica Mixcraft 6 - page 105

    M ix c ra f t R efer en c e - M i x e r 105 © 20 12 A c ous ti c a, In c Arm t he t ra c k f or re c or din g Solos t he au dio on t his t rack . ( Mut es ot he r no n- s olo ed t rack s . ) Mutes t he aud i o on t his t ra c k . Audio t ra c k s and V irtual I nst ru ment t ra c k s hav e an I n pu t s elect or. On an au dio t ra c k , t his let ...

  • Acoustica Mixcraft 6 - page 106

    Mi x cra ft 6 Us e r Ma n ua l 10 6 © 20 12 A c ous ti c a, In c T he def au lt is t he M ain M i x which is t he M ast er t ra c k . V ideo Mix c ra f t s upp or t s loa ding and s av ing of v i de o. I t i s designe d s o t ha t y ou c an do t he fo l low ing : Add a mus ic al s oun dtra c k t o a v i de o. Add s ou nd ef fe c t s t o a v i de o ...

  • Acoustica Mixcraft 6 - page 107

    M ix c ra f t R efer en c e - V ideo 107 © 20 12 A c ous ti c a, In c PNG GI F I f y ou w an t t o add m or e t ha n one i mage at a t im e, y ou c an s elect m ulti ple ph otos or i mage s an d add t he m all at once. T he i mage s w ill be add ed t o a v ide o t ra c k with ea c h i mage l ast i ng fiv e s ec ond s an d ov er lapp ed by one s ec ...

  • Acoustica Mixcraft 6 - page 108

    Mi x cra ft 6 Us e r Ma n ua l 10 8 © 20 12 A c ous ti c a, In c You c an alt er a v ide o by ad din g ef f e c t s . Y ou c an m ake it f ad e in, f ade t o black or l oo k lik e it s old f i lm. B e fore e ff e cts A ft e r us i ng the K a l e i dos cope a nd Gre e n cha nne l e ff e cts . Le ar n mor e abo ut v i de o ef f ec t s her e. M i xi ...

  • Acoustica Mixcraft 6 - page 109

    M ix c ra f t R efer en c e - V ideo 109 © 20 12 A c ous ti c a, In c You c an add an y ph oto or im ag e by c li c k ing t he V ideo m en u > A dd S til l I m age s . . . T his brin gs up a f i le dialog which allow s y ou t o s ele c t an im ag e or m ult iple im ag es. T he im ag es will be placed at t he c ar et loc ati on . T he f ollow in ...

  • Acoustica Mixcraft 6 - page 110

    Mi x cra ft 6 Us e r Ma n ua l 11 0 © 20 12 A c ous ti c a, In c C ho ose a dur at ion , s t ar t t i me an d ov er l ap t ime f or ea c h c lip. I f y ou ha v e a s elec t ion y ou c an c hoo s e Selec t ed C lips Only and on ly t he s elect ed c lips will be ad just ed. Vi d e o Cli ps I f y ou ha v e v ideo c lips in y our pr oject , t heir l e ...

  • Acoustica Mixcraft 6 - page 111

    M ix c ra f t R efer en c e - V ideo 111 © 20 12 A c ous ti c a, In c T his s ho w s t he au tomat ion lane . C ho ose f ro m v ar ious ef f ec t s and add po ints t o s hap e t he ef f ec t s . Clic k t o ad d poin t s an d edit poin t s jus t lik e au dio t ra c k automation . V i deo Effe ct Li st Lig htness Lig htness ( H igh CPU ) Gr ays c al ...

  • Acoustica Mixcraft 6 - page 112

    Mi x cra ft 6 Us e r Ma n ua l 11 2 © 20 12 A c ous ti c a, In c A d di ng T ext T her e ar e a f ew wa y s t o ad d t ex t . T he easi est i s t o c lic k V ide o m en u > A dd Tex t . . . T his w ill c re ate a t ext t rack and place a ne w t ext c lip on it an d laun c h t he t ex t ed it or . T o c re ate a s c rolling t ext object , c lic ...

  • Acoustica Mixcraft 6 - page 113

    M ix c ra f t R efer en c e - V ideo 113 © 20 12 A c ous ti c a, In c Edi ting T ext You c an m ov e t he mouse c ur s or t o any of t he re d s qua r es. T his allow s y ou t o re- s i z e t he t ex t ob jec t lik e a s t an da rd win do w . T he c ursor will t ur n int o a re- s iz e ar row wh en y ou are ov er a red s qu ar e an d c an re -s iz ...

  • Acoustica Mixcraft 6 - page 114

    Mi x cra ft 6 Us e r Ma n ua l 11 4 © 20 12 A c ous ti c a, In c C ha ng e t he t ext c olor or ba c k gr ou nd c olor , as we l l as t he Op aci t y . T he op aci t y is ho w s olid t he c olor is . B y m ov ing t he Op aci t y s lider , y ou ar e mov ing f r om t ran s pa r en t t o f u ll s olid c olor . N ote t hat i f y ou hav e s ome t ex t ...

  • Acoustica Mixcraft 6 - page 115

    M ix c ra f t R efer en c e - V ideo 115 © 20 12 A c ous ti c a, In c C ho ose a t ex t mas k c olor . T his i s t he c olor t hat f ill s t he no n- t ex t ar ea . In t he abo v e ex ample, t he t ext m ask c olor i s wh it e. D rop S ha dow C ho ose be twee n S mall, M ed ium and La r ge dr op s had ow s . F a de On t he Fad e t ab , y ou c an c ...

  • Acoustica Mixcraft 6 - page 116

    Mi x cra ft 6 Us e r Ma n ua l 11 6 © 20 12 A c ous ti c a, In c Mos t ev er y t hin g is t he s ame as no rma l t ex t ed it ing as w it h editi ng s c ro lli ng t ex t , ex c ept t ha t it is mis s ing a M o t ion t ab . For m or e he lp on editi ng s c ro lli ng t ex t , plea s e s ee t he E dit ing T ext s ect i on . Mixing Down C ho ose f ro ...

  • Acoustica Mixcraft 6 - page 117

    M ix c ra f t R efer en c e - V ideo 117 © 20 12 A c ous ti c a, In c File menu > M ix D ow n To > A V I W M V I f y ou w an t t o c han ge t he output qu alit y or s iz e, c li c k E dit De tails . . . Le ar n mor e abo ut c han g ing t he mix do w n s et t ing s her e: AV I R en de r s ett i ng s W MV Re nde r s ett i ng s A V I R e n d e ...

  • Acoustica Mixcraft 6 - page 118

    Mi x cra ft 6 Us e r Ma n ua l 11 8 © 20 12 A c ous ti c a, In c I f y ou do n' t wa nt t o t hink , c hoo s e P re s et Qua lit y and s lide t he s l ide r t o t he best f or m at. M ov e it all t he w ay t o t he lef t if y ou w an t t he s malles t po s s ible f il e s i z e or all t he wa y t o t he righ t t o c hoo s e t he high est qu a ...

  • Acoustica Mixcraft 6 - page 119

    M ix c ra f t R efer en c e - V ideo 119 © 20 12 A c ous ti c a, In c en c od ing met ho d w or k s best will gen era lly dif f er de pe nding on y our v ideo c on t en t, and y ou might hav e t o t ry m ult iple met ho ds and c ompa r e t hem. Bi t ra te als o has a big im pa c t on v ideo qua lit y . H igh er bit ra t es will result in hig he r ...

  • Acoustica Mixcraft 6 - page 120

    Mi x cra ft 6 Us e r Ma n ua l 12 0 © 20 12 A c ous ti c a, In c t o pr od uce s maller f i le s iz es , y ou' ll ne ed t o ex pe r iment t o fin d t he be s t s et t ing . Vi d e o Bit Ra te : T his s ett ing s pec if i es app ro x imat ely ho w muc h ban dw idt h y our v ideo will req uire , in k ilobits pe r s ec on d. I t 's one of t ...

  • Acoustica Mixcraft 6 - page 121

    M ix c ra f t R efer en c e - V ideo 121 © 20 12 A c ous ti c a, In c hig h aud io qua l it y s ett ing will ra re l y hav e muc h re lati v e ef f ec t on t he ov era l l s i z e of y ou r v ideo . 12 8 k bp s will us ua lly pro duc e goo d re s ults f or mus ic au dio qua lit y . Timeline T he t im eline dis plays i n t im e or be ats m od e. I ...

  • Acoustica Mixcraft 6 - page 122

    Mi x cra ft 6 Us e r Ma n ua l 12 2 © 20 12 A c ous ti c a, In c You c an c ha ng e t he s na p lev el on t he t ime line or by c lic k ing t he V iew m en u f ollow ed by c lic k ing S na p To Grid f ollow ed by c lic k ing t he de s ire d s nap s ett i ng . H er e ar e t he po s s ible s na p s et t ing s : Of f Measur e 1/2 Notes 1/4 Notes 1/8 ...

  • Acoustica Mixcraft 6 - page 123

    M ix c ra f t R efer en c e - Ti meline 123 © 20 12 A c ous ti c a, In c Ma r ke rs Mar k er s c an be used f or m ar k ing a s pec if i c t im e wit h t ex t s uc h as " C ho r us B egins He r e" or t he y c an c on t ain t empo , k ey or t i me s igna t ure c ha ng es . I n add i t ion, marker s c an indic ate ne w CD t rack s or m ix ...

  • Acoustica Mixcraft 6 - page 124

    Mi x cra ft 6 Us e r Ma n ua l 12 4 © 20 12 A c ous ti c a, In c mar k er y ou ' d lik e t o edit . Dele ting R igh t c li c k on a m ar k er on t he t im e l ine an d s elec t D ele t e t o r emov e a m ar k er . (N ote t hat y ou c an no t de lete t he fir s t mar k er an d may on ly edit i t . ) D e l e te All Ma rke rs C lic k t he M ix m ...

  • Acoustica Mixcraft 6 - page 125

    M ix c ra f t R efer en c e - Ti meline 125 © 20 12 A c ous ti c a, In c W he n mix ing do w n t o an aud io f ile or bur nin g an au dio C D , t he s of t wa re w ill c re ate a ne w CD t rack or aud io f ile if t he option Cr eate T rack For CD s or A udio Files is c heck ed. I SRC I f y ou ar e mak ing an of f ic ial aud i o CD f or m as t er i ...

  • Acoustica Mixcraft 6 - page 126

    Mi x cra ft 6 Us e r Ma n ua l 12 6 © 20 12 A c ous ti c a, In c T i me is s elec t ed on t he t i me- line. R igh t c li c k on t he t im e- l ine an d c ho ose Re m ov e Selec t ed Tim e. T i me is re mov ed an d ev er y t hing be y on d t he s elec t ion is m ov ed ov er . Au toma t i c Ma r ke r Wiz a r d T he t ra c k m ar k er wiz ar d is a ...

  • Acoustica Mixcraft 6 - page 127

    M ix c ra f t R efer en c e - E f f ec t s 12 7 © 20 12 A c ous ti c a, In c A d di ng Effe ct s T o ad d an ef f ec t , c l ic k t he dro p do w n labe led < S ele c t A n E f f ec t > an d c hoo s e an ef f ect . I f y ou w an t t o add ef fe c t s t o a t ra c k , y ou c an c lic k t he FX bu tt on on t he t ra c k t o brin g up it s ef f ...

  • Acoustica Mixcraft 6 - page 128

    Mi x cra ft 6 Us e r Ma n ua l 12 8 © 20 12 A c ous ti c a, In c D ele t e t he ef f ect c hain Re o rd e ri ng a nd Delet i ng Effe c t s Selec t an ef f ec t t o delete or re or der . T he or de r of t he ef fe c t s is impor t ant. Clic k on an ef f ect t o s elect it . After s elect ing an ef f ect , c l ic k on e of t he bu t t on s t o mov e ...

  • Acoustica Mixcraft 6 - page 129

    M ix c ra f t R efer en c e - E f f ec t s 12 9 © 20 12 A c ous ti c a, In c T his allows y ou t o au dition how t hing s s oun d withou t t ha t par ti c ular ef fe c t w it hou t l osi ng t he s ett ings . N ote : W hen a t ra c k is f ro z en , it s ef f ect s w ill no t be editable un t il t he t ra c k i s un f rozen. Edi ting Effe ct s Eac h ...

  • Acoustica Mixcraft 6 - page 130

    Mi x cra ft 6 Us e r Ma n ua l 13 0 © 20 12 A c ous ti c a, In c Loa d V S T P re s e t Fi l e (VS Ti 's onl y) Some V ST ef f ect and ins t r umen t m an uf act ure rs will dis t rib ute add it iona l ba nks of s ou nd s , in t he f or m of . f x b f iles . T he s e f iles re pla c e y ou r c ur r en t pre s ets wit h a ne w s et of pr eset ...

  • Acoustica Mixcraft 6 - page 131

    M ix c ra f t R efer en c e - E f f ec t s 13 1 © 20 12 A c ous ti c a, In c Eff ec ts I n c lud e d I n Mixc r aft T her e ar e s ev er al ef f ect s inc lude d by def au lt with Mix c ra f t and are detailed belo w . A coustica C ho r us C ho r us ef f ect s ar e us ed t o t hic k en up a s oun d, s uc h as a v oc al or guitar re c or ding. T hi ...

  • Acoustica Mixcraft 6 - page 132

    Mi x cra ft 6 Us e r Ma n ua l 13 2 © 20 12 A c ous ti c a, In c D ela y ef f ect s are of t en t he s i mplest and mos t mus ic ally us ef ul ef f ect s . Quie t s im ply , t he y t ake inc oming au dio , w ait a c er t ain amou nt of t im e, and play t he au dio ba c k , s omet imes at a low er v olume. T his c re ates an echo ef f ect , s uc h ...

  • Acoustica Mixcraft 6 - page 133

    M ix c ra f t R efer en c e - E f f ec t s 13 3 © 20 12 A c ous ti c a, In c bo ost or re duc e t he au dio f req uen c ies t hat mak e up t he s oun d of y our recor ding . If , fo r example, y ou r re c or ding s oun ds t inny , y ou c an bo ost t he bass f re qu en c ies . I f y our re c or din g s oun ds t oo 'b r igh t ' , y ou migh ...

  • Acoustica Mixcraft 6 - page 134

    Mi x cra ft 6 Us e r Ma n ua l 13 4 © 20 12 A c ous ti c a, In c B ro adc a st M ultib a nd C o m pr e ssor T his pow erf ul we ap on i n t he " loud ne s s wa r s " he lps y ou bo ost y ou r mus ic 's v olume s o t hat it s ou nd s lou de r t ha n ev er . I t c an als o l ow er loud er au dio pa rts with do w nw ard c ompr es s i o ...

  • Acoustica Mixcraft 6 - page 135

    M ix c ra f t R efer en c e - E f f ec t s 13 5 © 20 12 A c ous ti c a, In c T his ef fe c t is s imi lar t o t he A c ou s t ic a Ch oru s ef f ec t , with s ome add it iona l f eatur es and a un ique s ou nd . C l a ss i c C om pr es sor T his ef fe c t is s imi lar t o t he A c ou s t ic a Ch oru s ef f ec t , with s ome add it iona l f eatur e ...

  • Acoustica Mixcraft 6 - page 136

    Mi x cra ft 6 Us e r Ma n ua l 13 6 © 20 12 A c ous ti c a, In c Si mi lar t o t he Ac ou s t ic a E Q ef fe c t , t he C las s ic E Q ef f ect giv es y ou indiv idua l c on t ro l ov er t he lef t and rig ht c han ne l of y our re c or din g. T his c an be used, f or ex ample, t o c re a t e int er est ing s t er eo ef f ect s , w he r e one s pe ...

  • Acoustica Mixcraft 6 - page 137

    M ix c ra f t R efer en c e - E f f ec t s 13 7 © 20 12 A c ous ti c a, In c T his ef fe c t is s imi lar t o t he A c ou s t ic a Re v er b ef f ec t , with s ome add it iona l f eatur es and a un ique s ou nd . EZQ Equali ze r T her e ' s no ea s ier w ay t o E Q y ou r t r ack s t han wit h E Z Q! Ra ther t han t hinking abo ut y our m usi ...

  • Acoustica Mixcraft 6 - page 138

    Mi x cra ft 6 Us e r Ma n ua l 13 8 © 20 12 A c ous ti c a, In c Pl ug t his ef f ec t int o a t rack t ha t's armed fo r r ecord ing wit h a gu it ar wit h M on it or i ng t ur ned on , and GT une will wor k as a r ea l-tim e guitar t un er . M ake s ur e y our guitar is in per fe c t t un e bef ore y ou s t ar t re c or ding an d av oid los ...

  • Acoustica Mixcraft 6 - page 139

    M ix c ra f t R efer en c e - E f f ec t s 13 9 © 20 12 A c ous ti c a, In c T he S hr ed A m p S im ulator by A c m eBar Gig, a c omple t e guitar amp an d c abine t s uite c ontainin g 5 c las s i c amp hea ds , 17 c abine t m od els , an d 6 pow erf ul ef f ect s . Shre d f ait hf ully m od els c las s i c B ritis h an d A mer ic an t ube hea d ...

  • Acoustica Mixcraft 6 - page 140

    Mi x cra ft 6 Us e r Ma n ua l 14 0 © 20 12 A c ous ti c a, In c T his i s a uniqu e ef f ec t t hat doe s no t act ually pr oces s or c han ge t he aud i o and , i nst ead , allow s y ou t o v iew t he f re qu en c y s pect rum of t he aud io. T his is gre at f or lear ning ab ou t au d io fr equ en c ies an d f o r he lping y ou t o ana l y z e ...

  • Acoustica Mixcraft 6 - page 141

    M ix c ra f t R efer en c e - E f f ec t s 14 1 © 20 12 A c ous ti c a, In c 10 0% and t he Dr y M i x t o 0%. Us ing MI D I T o Con tr o l Eff e c ts An ef f ec t c an receiv e an d us e MID I data f rom any t rack . For ex ample, a pit c h c or re c t ion ef f ec t c an us e MI D I data t o s hif t t he aud io t o t he M I DI no t e c urr ently ...

  • Acoustica Mixcraft 6 - page 142

    Mi x cra ft 6 Us e r Ma n ua l 14 2 © 20 12 A c ous ti c a, In c Vir tua l Ins tr u me n t s Pr es e ts As s uming t he t ra c k is a V irtual In s t ru m en t T rack , c lic k t he ins t ru men t pian o k ey bo ar d bu t t on t o br ing up t he In s t ru m en t P r eset win do w . T his will brin g up t he ins t r umen t pre s et win do w f il le ...

  • Acoustica Mixcraft 6 - page 143

    M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 143 © 20 12 A c ous ti c a, In c C lic k on t he pre s et c olumn t o s elec t a pr eset . Le ar n mor e abo ut c re ating y our own v irtual i nst rume nts . < Re wi re De vi c e s> T his s ect i on will l is t any av ailable R eW ire ap plic ati on s t ha t ar e av ailab le on y our ...

  • Acoustica Mixcraft 6 - page 144

    Mi x cra ft 6 Us e r Ma n ua l 14 4 © 20 12 A c ous ti c a, In c Ed it ing Vir tua l Ins tr u me n t Pres e t s You c an m ak e y our own v irtual i nst rume nt pr eset s by lay er i ng mult iple s y nthesi z er s , ed it ing pr eset s , s ett i ng k ey ran ge and mor e! T o c re ate y ou r ow n V irtual I nst rume nt, c l ic k t he I nst rumen t ...

  • Acoustica Mixcraft 6 - page 145

    M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 145 © 20 12 A c ous ti c a, In c After s elect ing an ins t ru ment, y ou c an c han ge t he f ollow i ng par ame t er s : Pa ra m e te r D e s cription Preset Selec t a pre s et or pa t c h f ro m t he s y nt he s iz er Edit I f t he s y nthes iz er ha s an interf ac e, c lic k t he E dit b ...

  • Acoustica Mixcraft 6 - page 146

    Mi x cra ft 6 Us e r Ma n ua l 14 6 © 20 12 A c ous ti c a, In c Eac h ins t r umen t i nter f ac e will hav e t he s ame c on trols on t he t op of t he ef f ec t wind ow wh i c h allow y ou t o c hoo s e a ne w pr es et, s av e a pre s et or de lete a pr eset . Pre s e t Drop D ow n C ho ose a pr eset . I f t he pre s et is f ac t or y de f ault ...

  • Acoustica Mixcraft 6 - page 147

    M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 147 © 20 12 A c ous ti c a, In c w is h. Op t iona l ly , y ou c an ha v e t he c us t om ic on embed de d in t he pre s et f ile by c lic k ing t he E mb ed I c on c heck box . W hen ar e s at is f ied , c li c k S av e. New Pr e se t C lic k t his t o c r ea te a blank pr eset . I f y ou h ...

  • Acoustica Mixcraft 6 - page 148

    Mi x cra ft 6 Us e r Ma n ua l 14 8 © 20 12 A c ous ti c a, In c A dee p, bit ing ba s s s y nthesi z er ins pir ed by t he f amo us Ro land T B -3 03 ™ bas s s y nt he s iz er . I de al f or au then t ic ac id ba s s t one s , an d other fo rms of elec t ro nic m us ic . C om bo O rg an M o del F A recrea t i on of t he c las s ic Far fisa™ t ...

  • Acoustica Mixcraft 6 - page 149

    M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 149 © 20 12 A c ous ti c a, In c T his poly ph on ic ana l og - s t y l e s y nthesiz er i s mode led af t er s y nthesi z er s f rom t he ear l y 80s, and i s loa de d with c las s i c an alog s y nthesi z er t on es. Lo unge Lizard El e c tric Pi a no T he Rh od es™ and W urlitz er ™ e ...

  • Acoustica Mixcraft 6 - page 150

    Mi x cra ft 6 Us e r Ma n ua l 15 0 © 20 12 A c ous ti c a, In c T his i ncred ibly acc ur at e re c re ation of t he f a mous S equ en t i al Circuit s P ro ph e t 5™ s y nthesi z er t ak es t he c on c ep t ev en f ur t her , wit h inc re ased poly ph on y , ad de d ef f ec t s , and mor e. T his c las s i c an alog s y nt he s iz er do minate ...

  • Acoustica Mixcraft 6 - page 151

    M ix c ra f t R efer en c e - V irt ua l I nst rumen t s 151 © 20 12 A c ous ti c a, In c T he Ha mmond Or ga n™, inv en t ed by Lau r en s H ammond i n t he 193 0s , has had a major impact on ne ar ly ev er y po pu l ar m us ic gen r e, f r om gos pe l an d blue s t o ro c k and pop . P air ed wit h a Les lie™ s pe aker, t her e may be no m o ...

  • Acoustica Mixcraft 6 - page 152

    Mi x cra ft 6 Us e r Ma n ua l 15 2 © 20 12 A c ous ti c a, In c Tr ansport T his i s wh er e y ou ' ll f ind play ba c k , recor ding , l oo p mode an d mas t er v olume. C on t ro l s R e cord C lic k t he re c or ding bu t t on t o s t art re c or ding. A lt er na tely , pre s s Ctrl+ R or R. R e w i nd To Sta rt R eset s t he playback ind ...

  • Acoustica Mixcraft 6 - page 153

    M ix c ra f t R efer en c e - Tran s po r t 1 53 © 20 12 A c ous ti c a, In c T he m ast er v olume adjust s t he l ev e l of t he en t ire mix . Mov e t he s l ide r lef t or rig ht t o s et t he de s ired v olume. Al t er n ativ ely , y ou c an righ t c lic k on t he T ran s po r t an d s elec t M ast er V olume or c ho ose t he M ix m en u f ol ...

  • Acoustica Mixcraft 6 - page 154

    Mi x cra ft 6 Us e r Ma n ua l 15 4 © 20 12 A c ous ti c a, In c Punch In/O u t U s e P unch I n/ Out t o c r ea te a v er y pr ec is e and s ur gic al re c or din g at s pe c if ic t i me s ect i on . T o mark a s ect i on as a pu nch in/out ar ea , c lic k t he P un c h I n/ Ou t bu t t on . Adjus t t he P un c h I n ha ndle and P unch Out ha nd ...

  • Acoustica Mixcraft 6 - page 155

    M ix c ra f t R efer en c e - Tran s po r t 1 55 © 20 12 A c ous ti c a, In c R e cording M e tronom e I f c he c k ed, t he met ro no m e will s oun d dur ing recor ding . T ogg le Re c or din g M etro no m e A l t+O R e cording Count- I n Me a s ure s W he n C ou nt-I n is act i v at ed and t he Recor d butt on is pre s s ed, Mi x c ra f t will ...

  • Acoustica Mixcraft 6 - page 156

    Mi x cra ft 6 Us e r Ma n ua l 15 6 © 20 12 A c ous ti c a, In c M IDI Lea r n Mak e s ure y ou ha v e a MI D I dev ic e plugg ed i n t o y ou r c ompu t er . No w y ou c an as s ign a who l e li s t of op ti on s f rom play ba c k , m etro no me, arming , und o and red o. 1. C lic k M I DI Le ar n t o automati c ally as s ign c omman ds 2. C lic ...

  • Acoustica Mixcraft 6 - page 157

    M ix c ra f t R efer en c e - Tran s po r t 1 57 © 20 12 A c ous ti c a, In c M IDI C hanne l & D e vice I f y ou w an t t o s et up t he c on trol s ur f ace t o only re c eiv e on a s pe c if ic M I DI c han nel or dev ic e, c ho ose M I D I C ha nn el or D ev ic e and pic k t he de s ire d c han ne l an d de v ic e. For ex ample, if y ou t ...

  • Acoustica Mixcraft 6 - page 158

    Mi x cra ft 6 Us e r Ma n ua l 15 8 © 20 12 A c ous ti c a, In c Set S elect ed T ra c k P an Mute/ Un m ute S ele c t ed T r ack Solo/ U nsolo S elec t ed T rack Arm/ Dis ar m S elect ed T ra c k Monitor ing For Selec t ed T rack T ogg le Gu it ar T une r For S elec t ed T rack T ogg le EQ High F or S elec t ed T ra c k EQ M id For S elect ed T r ...

  • Acoustica Mixcraft 6 - page 159

    M ix c ra f t R efer en c e - P ro jec t 1 59 © 20 12 A c ous ti c a, In c Or Y our B a nd f or mak ing re c or dings f r om liv e ins t ru men t s or y ou r mi c ro ph one . B ui l d Loop & B e a t Ma tche d Mus i c T his option i s gr ea t f or DJ s or jus t an y on e c on s t ru c t ing mus ic w it h l oo ps. T his is a goo d c hoic e if y ...

  • Acoustica Mixcraft 6 - page 160

    Mi x cra ft 6 Us e r Ma n ua l 16 0 © 20 12 A c ous ti c a, In c T emplate (MX 6 T emplate). Al t er n ativ ely , y ou c an s av e t he pro j ect by c l ic k ing t he Sav e bu tt on on t he t oo lbar . Mi x i ng Dow n I f y ou w an t t o s av e y ou r pr ojec t as a s i ng le M P3, W A V, OGG or W M A file, y ou s hou ld m ix dow n y ou r pr ojec ...

  • Acoustica Mixcraft 6 - page 161

    M ix c ra f t R efer en c e - P ro jec t 1 61 © 20 12 A c ous ti c a, In c Pr o j ec t T emp o , Ke y A nd T i m e Si gnat u re C ho ose a mas t er or pro ject t empo, k ey and t i me s igna ture . Proj e ct Te m po * Al l s oun ds t hat hav e a t empo an d ar e s et t o A djust T o P ro ject T empo m od e will ad jus t ba s ed on t he pr ojec t & ...

  • Acoustica Mixcraft 6 - page 162

    Mi x cra ft 6 Us e r Ma n ua l 16 2 © 20 12 A c ous ti c a, In c Al t er n ativ ely , y ou c an t ogg l e A uto B ea t M atc h mode by c ho osing A ut omatic ally B eat M atc h Ne w Soun ds fr om t he M ix menu . Pr o j e c t F o l der Eac h pr ojec t ha s it s own record i ng f olde r wh i c h def au lt s t o t he Defau lt P ro ject Re c or din g ...

  • Acoustica Mixcraft 6 - page 163

    M ix c ra f t R efer en c e - P ro jec t 1 63 © 20 12 A c ous ti c a, In c Burn P roo f t y pe pr ot ect i on , y ou c an bu r n at max imum s pe ed wit ho ut wo rrying abo ut a bur n f ailure . Te s t Mo de I n t his mode , t he CD wr it er will not t ur n it s las er on f or wr it ing and will go t hr ou gh t he pro c ess of t ra ns f er ring t ...

  • Acoustica Mixcraft 6 - page 164

    Mi x cra ft 6 Us e r Ma n ua l 16 4 © 20 12 A c ous ti c a, In c Form a t De ta i l s T his s ho w s t he c ur r en t fo rmat details s uc h as bit rate and c ha nn els. Clic k E dit De t ails . . . t o c ha ng e t he fo rmat details f or t he c ur r en t f or m at. A wind ow will po p up an d allow y ou t o c han ge t he bit ra t e, c ha nn els a ...

  • Acoustica Mixcraft 6 - page 165

    M ix c ra f t R efer en c e - P ro jec t 1 65 © 20 12 A c ous ti c a, In c C ho ose a f old er , t y pe i n a name and c lic k " S av e". A f t er mi x ing dow n, y ou r de f ault v ide o player will be lau nched an d will s t ar t pla y ing y our v ideo . Co p y Pr o j e ct Fil es To .. . You c an c op y y our pro j ect and all t he s o ...

  • Acoustica Mixcraft 6 - page 166

    Mi x cra ft 6 Us e r Ma n ua l 16 6 © 20 12 A c ous ti c a, In c So u n d Dev ice C ho ose s ett i ng s f or y our s ou nd dev ic es . D rive r You c an c ho ose f rom W av e or A S I O or W av eR T mode . T his c hoic e c ha ng es t he re s t of t he c on t ro l s av ailab l e on t his pag e. T he A S I O option will be un av ailab l e if no A SI ...

  • Acoustica Mixcraft 6 - page 167

    M ix c ra f t R efer en c e - P re f er enc es 16 7 © 20 12 A c ous ti c a, In c A S I O P r e f e r e n c e s T hese ar e t he pr ef ere nce opti on s if A S I O mode i s s elec t ed on t he S oun d D ev ic e P re fere nces . A S I O is an alt er na t iv e dr i v er s y s t em t hat allow s f o r low er l atency and be tt er s y nchro niz at ion ...

  • Acoustica Mixcraft 6 - page 168

    Mi x cra ft 6 Us e r Ma n ua l 16 8 © 20 12 A c ous ti c a, In c B uff e r S i z e T he s i z e of t he buf f er als o deter mines t he l atency of t he s of t w ar e. La r ge r bu f f er s l ea d t o highe r latency . C ho osing dif f er en t buf f er s iz es m ay he lp t he s of t wa re wor k bett er with y ou r s oun d c ar d or s oun d de v ic ...

  • Acoustica Mixcraft 6 - page 169

    M ix c ra f t R efer en c e - P re f er enc es 16 9 © 20 12 A c ous ti c a, In c D i s pl a y V ol um e As : C ho ose be twee n De c ibels or P er c en tage . T his will af f ect t he t rack v olume s li de r s an d editing v olu me en v elop e po ints on t he s ou nd . D e fa ul t Tra ck Color C ho ose a def ault t r ack c olor . (T he def ault i ...

  • Acoustica Mixcraft 6 - page 170

    Mi x cra ft 6 Us e r Ma n ua l 17 0 © 20 12 A c ous ti c a, In c T he def au lt c opyrigh t notic e will be f i lled int o each ne w pr ojec t ' s au t ho r inf or mati on . Te m po T he def au lt t empo . (D ef au lt is 120 bpm . ) K e y T he def au lt k ey . (D ef ault is C ) Ti m e S i gna ture T he def au lt t ime s igna t ur e. (D ef aul ...

  • Acoustica Mixcraft 6 - page 171

    M ix c ra f t R efer en c e - P re f er enc es 17 1 © 20 12 A c ous ti c a, In c R e cording F orm a t C ho ose f ro m uncompr ess ed W A V or c ompr e s s ed OGG. OGG allows y ou t o s av e dis k s pa c e on y our ha r d dr iv es , if au dio qu ality do es not hav e t o be pe rf ect . I f y ou c ho ose OGG , y ou w ill be able t o als o c ho ose ...

  • Acoustica Mixcraft 6 - page 172

    Mi x cra ft 6 Us e r Ma n ua l 17 2 © 20 12 A c ous ti c a, In c D e fa ul t M I D I Se tt i ngs T his butt on will re v er t t his pag e back t o t he de f ault s ett ings. CD Burning B urni ng E ngi ne C ho ose be twee n P rimo , Gold en ha w k or IMAP I . Primo is t he def au lt an d re c ommend ed CD bur nin g eng i ne . It will bu r n aud io ...

  • Acoustica Mixcraft 6 - page 173

    M ix c ra f t R efer en c e - P re f er enc es 17 3 © 20 12 A c ous ti c a, In c C lic k t his bu t t on t o ad d, edit or de lete f older s t hat t he s of t wa re will s c an f or V S T plug- i ns. R e -Sca n All V S T P l ug-Ins Sc an s y our V S T f older s fo r ne w plug- i ns. A utoma tica l l y a dd a l l i n s tr um e nt ou t put tra cks f ...

  • Acoustica Mixcraft 6 - page 174

    Mi x cra ft 6 Us e r Ma n ua l 17 4 © 20 12 A c ous ti c a, In c f or ea s ily re o rg aniz ing y our pro ject files, or f or c ollabo rating with other s . For ex ample, y ou c an quic k ly z ip up y ou r pr ojec t , inc ludin g all inc lude d loop s , v i de os and record ed s ou nd s , an d e- mail it t o an othe r pe r s on . Mi x Dow n To T h ...

  • Acoustica Mixcraft 6 - page 175

    M ix c ra f t R efer en c e - M enu s & Too lb ar 17 5 © 20 12 A c ous ti c a, In c s pa nn ed m ult iple t ra c k s . C rop (C t rl+ Q) T his i s t he op po s it e of c ut. Cr opp ing s omething will k eep wha t i s s elec t ed an d dis c ar d ev er y t hing els e on t he s ele c t ed c li ps. D e l e te (D elete) T his will remo v e any s ou ...

  • Acoustica Mixcraft 6 - page 176

    Mi x cra ft 6 Us e r Ma n ua l 17 6 © 20 12 A c ous ti c a, In c R e w i nd To Sta rt ( [ H ome]) T his s ets t he P lay b ac k I ndic ator t o t he be ginn i ng or s t ar t of t he pr oject . I f t he pr oje c t is play ing aud i o, it w ill r est art playback f rom t he s t art, as w ell. Fa s t Forw a rd T o E nd ([ End]) T his s ets t he P lay ...

  • Acoustica Mixcraft 6 - page 177

    M ix c ra f t R efer en c e - M enu s & Too lb ar 17 7 © 20 12 A c ous ti c a, In c Trac k Men u A dd Tra ck T his app en ds a ne w aud io t rack . (C t r l+ G) or a ne w V irtual I nst rume nt T ra c k (C t rl+ E ) t o t he end of t he pr ojec t . I ns e rt Tra ck T his i nserts a ne w aud io t rack or a ne w V i rtua l I ns t ru ment T ra c ...

  • Acoustica Mixcraft 6 - page 178

    Mi x cra ft 6 Us e r Ma n ua l 17 8 © 20 12 A c ous ti c a, In c Mute All Mutes all c l ips on t he c lic k ed lane . U nm ute All U nmutes all c lips on t he c li c k ed lane . Se l e ct All Selec t all c li ps on t he c l ic k ed l an e. A rm For Re cording Arms t he s elec t ed t ra c k . Moni tor Al low s y ou t o hea r y our li v e r ecord in ...

  • Acoustica Mixcraft 6 - page 179

    M ix c ra f t R efer en c e - M enu s & Too lb ar 17 9 © 20 12 A c ous ti c a, In c Prop e rt i e s T his i s a s ub m en u with pr op erties . Mute Mutes or un mutes t he s elec t ed s ou nd . C ha nne l s Al low s y ou t o c ho ose t he ac t iv e/aud i ble c han ne l f or an au dio c lip. ** Audio c l ips on ly . Ph a s e C ho ose t he pha s ...

  • Acoustica Mixcraft 6 - page 180

    Mi x cra ft 6 Us e r Ma n ua l 18 0 © 20 12 A c ous ti c a, In c Lin k S elect ed Clips U nlink S elec t ed Clips I f a c l ip i s li nked, it will hav e a l ink bu tt on on it s t it le ba r : C lic k it t o ea s ily un link a li nked c l ip. Sp l i t (C t rl+ T) T his will s plit an y s elect ed s oun ds at t he t ime of f s et wh er e t he c ar ...

  • Acoustica Mixcraft 6 - page 181

    M ix c ra f t R efer en c e - M enu s & Too lb ar 18 1 © 20 12 A c ous ti c a, In c C ho ose t he c olor of t he ba c k gro und w he n t he re are n' t an y v i de o or i mage c lips . Sh ow / Hide V i de o W i nd ow T his will s ho w or hide t he v ide o play ba c k wind ow. Se t Pre vi e w W i ndow S i z e C ho ose f ro m s t and ar d v ...

  • Acoustica Mixcraft 6 - page 182

    Mi x cra ft 6 Us e r Ma n ua l 18 2 © 20 12 A c ous ti c a, In c Z ooms in or out s o t ha t t he en ti re pro ject i s v i s ible on t he s c r ee n. He lp Men u H e l p Cont e n t s . . . Bring s up t he he lp f ile. C he ck For U pda te . . . C he c k s t he I nter ne t t o s ee if t he r e is a new er or upd ated v er s ion of t his s of t wa ...

  • Acoustica Mixcraft 6 - page 183

    M ix c ra f t R efer en c e - M enu s & Too lb ar 18 3 © 20 12 A c ous ti c a, In c Z oom in f or a c los er v iew. Z o om Out Z oom ou t t o v i ew m or e t ime. Pre fe re nce s Bring s up t he P r ef er enc e dialo g. B uy or Re gi s te r M i x cra ft Purchase Mi x c ra f t and en ter y our reg is t ra ti on inf or mati on . M or e on pu r c ...

  • Acoustica Mixcraft 6 - page 184

    Mi x cra ft 6 Us e r Ma n ua l 18 4 © 20 12 A c ous ti c a, In c C T R L + arr ow ke y s m ov es +/ - 20 m i l l i s ec onds. C tr l + Sh i f t + arr ow k eys m ov e + /- 1 m i l li s ec ond . U p/dow n arr ow ke y s m ov e the s el ected c l i ps to a di f f er ent trac k. Movi ng the Ca re t If s n ap is on , t he ca r e t w ill m o ve at t h e ...

  • Acoustica Mixcraft 6 - page 185

    M ix c ra f t R efer en c e - K ey b oar d Co nt ro ls 185 © 20 12 A c ous ti c a, In c Snap A dj ust m ent s (T he s e s hor t c uts will not wo r k pr op er ly if t he M usi c al T y ping Key boa r d is v is ible. T he k ey s t ro k es m ay be us ed by t he M us ic al T y ping K ey bo ar d. ) Of f ~ Me a s ure 1 1/2 Not e s 2 1/4t h N ote s 3 1/ ...

  • Acoustica Mixcraft 6 - page 186

    Mi x cra ft 6 Us e r Ma n ua l 18 6 © 20 12 A c ous ti c a, In c Move N ote But Ke e p Of f s e t Sh i ft + Dra g Sele c t i ng C l i ps Se l e ct All C tr l + A Se l e ct All On Tra ck C tr l + S hi ft + A Se l e ct All On La ne C tr l + S hi ft + Alt+A Se l e ct Ne x t Cli p Ta b Se l e ct P re vious Cli p Sh i ft + Ta b U ns e l e ct All E s c ...

  • Acoustica Mixcraft 6 - page 187

    M ix c ra f t R efer en c e - K ey b oar d Co nt ro ls 187 © 20 12 A c ous ti c a, In c Zo om i ng/Scro l li ng Z o om To P roj e ct 0 Z o om I n - Z o om Out + Z o om Mous e w he e l Scrol l Horiz onta l Sh i ft + M ous e w he e l Scrol l V e rt i ca l C tr l + Mous e w he e l Scrol l Tra ck s U p Pa g e U p Scrol l Tra ck s D ow n Pa g e D ow n ...

  • Acoustica Mixcraft 6 - page 188

    Mi x cra ft 6 Us e r Ma n ua l 18 8 © 20 12 A c ous ti c a, In c B oos t Cli p 5% A l t+Ct rl + W R e duce Cli p 5% A l t+Ct rl + S B oos t Cli p 25% A l t+Ct rl + E R e duce Cli p 25% A l t+Ct rl + D B oos t Cli p 50% A l t+Ct rl + R R e duce Cli p 50% A l t+Ct rl + F Mus ical Typing K eyboard (MTK) I f y ou do no t hav e a M I DI k ey boa rd att ...

  • Acoustica Mixcraft 6 - page 189

    M ix c ra f t R efer en c e - M us ic al Typ ing K ey b oa rd (M TK ) 189 © 20 12 A c ous ti c a, In c K e yboa rd s ho rt cut : Ctrl + A lt + K Pl aying A nd Rec o r di ng N o te s T he M T K s pa n s 17 no t es or 1.5 oct av es wh ic h c an be play ed v ia t he c ompu ter' s k eyboa r d. Mak e s ur e t o add a V irtual I nst rumen t T ra c ...

  • Acoustica Mixcraft 6 - page 190

    Mi x cra ft 6 Us e r Ma n ua l 19 0 © 20 12 A c ous ti c a, In c I -B e a m T his c ur s or s ho w s t ha t a s elec t ion c an be made on a s oun d. Pe n cil T his c ur s or s ho w s t ha t y ou c an dr aw new notes or c on troller data. Pl a y S ound T his c ur s or s ho w s t ha t y ou c an play a s oun d in t he s ou nd l ibr ar y . R e -s i z ...

  • Acoustica Mixcraft 6 - page 191

    M ix c ra f t R efer en c e - Cu rsor s 191 © 20 12 A c ous ti c a, In c Troubleshoot ing H er e ar e s ome answer s t o c ommon pro blems and i s s ues. Playing C a n't P lay Sou nd You' v e ad de d s oun ds, but y ou c an' t play an y t hing . . . T her e ar e a f ew t hing s y ou c an c he c k . 1. A re t he s pe aker s on an d p ...

  • Acoustica Mixcraft 6 - page 192

    Mi x cra ft 6 Us e r Ma n ua l 19 2 © 20 12 A c ous ti c a, In c T his will rep ort how muc h C PU M ix c ra ft is us ing c ompa red t o t he en ti re c ompu ter' s CPU us ag e. So und I s De laye d O r Laggi ng (Lat enc y) T he opp osit e pr ob l em of s ou nd bre aking up or ga pp i ng is t hat t he s oun d will be de layed and hav e a late ...

  • Acoustica Mixcraft 6 - page 193

    Tro u b les ho oting - P lay ing 193 © 20 12 A c ous ti c a, In c mos t lik ely . C lic k on t he s ou nd and t he n c li c k on t he S ou nd t ab an d adju s t t he s oun d t o be in Tim e St retc h B y m od e ins t ead of A djus t To P ro jec t Tempo . W he n a s oun d play s ba c k at a dif f er ent s pe ed , i t c an s oun d od d if it 's ...

  • Acoustica Mixcraft 6 - page 194

    Mi x cra ft 6 Us e r Ma n ua l 19 4 © 20 12 A c ous ti c a, In c Adjus t t he s oun d manu ally U pd ate y ou r s ou nd c ar d' s dr iv ers if po s s ible. C he c k t he s oun d c ar d' s we bsi t e. Ge t a new s oun d dev ic e. Get a more pro f es s iona l s oun d c ar d desi gn ed fo r r ecord ing m us ic , if po s s ible. T ry s witc ...

  • Acoustica Mixcraft 6 - page 195

    Tro u b les ho oting - Re c or din g 195 © 20 12 A c ous ti c a, In c M y rec or di ng s a r e t o o l o ud and a re distor t i ng! W hat d o I d o ? D is t ortion c an ru in a go od record i ng , an d t he w or s t pa r t is , once y ou' v e r ecord ed dis t orted au dio , t he r e' s no wa y t o f ix it . If y ou r met er s ar e lighti ...

  • Acoustica Mixcraft 6 - page 196

    Mi x cra ft 6 Us e r Ma n ua l 19 6 © 20 12 A c ous ti c a, In c I f t he v ideo fa i ls t o load , i t is becaus e y ou ar e mos t li k ely m is s i ng t he c or r ect Dir ect X v ide o c ode c . T he best adv ic e is t o do one of t he fo l low ing : I ns t all t he s of t wa r e t hat c ame wit h y our v ide o c amera . It may als o hav e c ome ...

  • Acoustica Mixcraft 6 - page 197

    Tro u b les ho oting - E f f ec t s & P lug- i ns 19 7 © 20 12 A c ous ti c a, In c H ow ev er , if y ou ' d lik e t o hea r t he ef f ec t s dur i ng record i ng , y ou ' ll nee d t o dis able t he s ou nd de v ic e' s monitor ing an d us e M ix c r af t ' s monitorin g s y s t em. For ex ample, if y ou ar e mak ing a w ei ...

  • Acoustica Mixcraft 6 - page 198

    Mi x cra ft 6 Us e r Ma n ua l 19 8 © 20 12 A c ous ti c a, In c Shut dow n other pro gra ms and t empor arily s hut do w n y our v iru s c heck er dur i ng a bu rn . ( S hu tt i ng do w n y our v iru s c heck er s hou ld be don e at y our own ris k . M ak e s ure y ou ar e no t c on ne c t ed t o t he I nt er ne t and ha v e don e a fu l l v i ru ...

  • Acoustica Mixcraft 6 - page 199

    Tro u b les ho oting - V ideo 199 © 20 12 A c ous ti c a, In c V ideo V i deo Pl ayba c k Pr o bl e m s I f af t er l oa din g y our v ideo , M ix c ra ft do es one of t he fo l low ing : Mix c ra f t c rashes wit h an er r or wind ow Mix c ra f t f r ee z es and s t ops re s pon ding Mix c ra f t 's CPU us ag e go es way up t o abo v e 60% o ...

  • Acoustica Mixcraft 6 - page 200

    Mi x cra ft 6 Us e r Ma n ua l 20 0 © 20 12 A c ous ti c a, In c Mak e s ure t hat y ou are c on ne c t ed t o t he I nt er n et. T ry l au nching y our I nter ne t bro w s er and go ing t o a new s ar t i c le or web s it e t hat y ou hav en ' t bee n t o. (T his v er i f ies t hat y ou ar en ' t v iew ing c ac he d c ontent. ) Mak e s ...

  • Acoustica Mixcraft 6 - page 201

    Tro u b les ho oting - Co ntro l S ur f ac es 201 © 20 12 A c ous ti c a, In c M i xcra ft rec o gni zes som e knob s or butt o ns on m y control l er, bu t wo n't r es po nd to othe r kn ob s or butt on s. Mix c ra f t 's c ontrols c an be s et t o respon d t o M I DI Co ntinuo us Co ntro ller (C C) m ess ag e, or s pe c if ic no tes on ...

  • Acoustica Mixcraft 6 - page 202

    Mi x cra ft 6 Us e r Ma n ua l 20 2 © 20 12 A c ous ti c a, In c M ixcraft Pro St udio M i x cra f t Pro Stud i o 6 gi v e s prof e ss i o nal a udi o e ngi ne e rs the tool s the y ne e d to mi x a nd ma ste r c omme rcial - q ual i ty musi c w i th ease . M i x cr aft Pro S tudi o 6 e x p ands M i x cr aft 6 's al re ady- pow e rf ul tool s ...

  • Acoustica Mixcraft 6 - page 203

    M ix c ra f t Pro S t ud io - E f f ec t s 20 3 © 20 12 A c ous ti c a, In c Eff ect s I n ad dition t o t he 25 ef f ect s inc lude d with Mix c ra f t , Mi x c raf t P ro S t ud io als o inc lude s t he s e pr of ess iona l au dio an d mas t er ing ef f ec t s : A coustica 3 1 Ba n d EQ Perh ap s no ef f ec t is m or e im po r t an t fo r pr ope ...

  • Acoustica Mixcraft 6 - page 204

    Mi x cra ft 6 Us e r Ma n ua l 20 4 © 20 12 A c ous ti c a, In c T his i ntense de lay ef fe c t go es f ar beyond t he lim it s of t ra diti on al dela y s . Du bmast er c ombine s t empo -s y nc ed rh y t hmic l iqu id delay with po w er fu l LFO- driv en f ilt erin g and pha s e ef f ect s t o add atmos phe r e and a un iqu e s oun d t o y ou r ...

  • Acoustica Mixcraft 6 - page 205

    M ix c ra f t Pro S t ud io - E f f ec t s 20 5 © 20 12 A c ous ti c a, In c T his pow erf ul m ast erin g t ools add s s we et high f re qu en c ies , an alo g c olor s , c ry s t al an d t ra nspar ent t ra ns ients , and bo ldn ess t o any m ix . FS Q19 64 ad d s li f e an d s par k le t o ev en t he m ost basi c t ra c k s , s o t hey pop ou t ...

  • Acoustica Mixcraft 6 - page 206

    Mi x cra ft 6 Us e r Ma n ua l 20 6 © 20 12 A c ous ti c a, In c Perh ap s no c ompa ny i s be t t er k no w n f or c rea t i ng pr of es s i on al m ast erin g t oo ls t han iZ otope . F r om t he m ak er s of Oz on e, t he pr emi er e mas t er ing s uit e, c omes iZ otope M as t er i ng E s s en t ials . Mas t er ing Es s entials c ombines a gr ...

  • Acoustica Mixcraft 6 - page 207

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  • Acoustica Mixcraft 6 - page 208

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  • Acoustica Mixcraft 6 - page 209

    M ix c ra f t Pro S t ud io - E f f ec t s 20 9 © 20 12 A c ous ti c a, In c T he k ey t o a goo d mi x is pro pe r EQing, and t his gra ph i c par ametric equ aliz er i s one s er i ou s ly po w er f ul equ aliz ati on t ool. W i t h a gor ge ous interf ac e, 6 c olor - c od ed ba nd s , 6 f ilt er t y pe s , s pect rum an alys is , and t he abil ...

  • Acoustica Mixcraft 6 - page 210

    Mi x cra ft 6 Us e r Ma n ua l 21 0 © 20 12 A c ous ti c a, In c Adds s ub t le ana log w ar m t h or f i er c e ov er driv en t ub e gr i t t o y our t rack s . T his v int ag e t ube pre a mp ad ds 196 0' s c har m an d c har act er t o v oc als , guitar, dr ums , an d more . XB as s 40 00 L Ba ss Enha nce r X Bas s 400 0L ad d s t he wa rm ...

  • Acoustica Mixcraft 6 - page 211

    M ix c ra f t Pro S t ud io - I ns t ru ments 21 1 © 20 12 A c ous ti c a, In c An inc re dib ly re alis t ic emula t ion of t he Y amaha CS80™ ana l og s y nt he s iz er, amon g t he mos t po w er f ul and c ov eted an alog s y nthes iz er s ev er m ad e. T his amazi ng recrea t i on s up po r t s po ly pho nic af t er t ouch (ju s t li k e t h ...

  • Acoustica Mixcraft 6 - page 212

    Mi x cra ft 6 Us e r Ma n ua l 21 2 © 20 12 A c ous ti c a, In c T his high qu alit y , aw ar d- w innin g gr an d pian o f eature s 25 0MB of S t einw ay Mode l D™ pian o s amples c ombine d with po w er f ul piano m od eling t ec hno log y . ...

  • Acoustica Mixcraft 6 - page 213

    M ix c ra f t Pro S t ud io - I ns t ru ments 21 3 © 20 12 A c ous ti c a, In c Glos sar y A SI O AS I O pro v ides an int er f ac e betwe en y ou r au dio ap plic ation and t he s ou nd c ar d, an d s t and s f or: A ud io St rea m I npu t / Outpu t . I t wa s de v elop ed by S t einb er g Media T ec hno log ies and he lps manu fa c t ur ers and ...

  • Acoustica Mixcraft 6 - page 214

    Mi x cra ft 6 Us e r Ma n ua l 21 4 © 20 12 A c ous ti c a, In c T he deci be l (d B ) i s a l og ar i t hmic unit of re lati v e measur emen t us ed t o c ompa r e t he ra t i o of t he int en s it ies of t w o s i gn als. W hen an amplit ude dou bles, t he inc re ase c or r espon ds t o 6 dB. D e code r An algo r it hm or pro c ess f or t ak ing ...

  • Acoustica Mixcraft 6 - page 215

    Gloss ar y - 21 5 © 20 12 A c ous ti c a, In c Me tronom e A m etron ome is a de v ic e or s y s t em t hat pr od uces a reg ulat ed puls e, us ua lly used t o k ee p a bea t s t ead y in m usi c al c ompo s it i on s . MI DI MI D I is an ac ro nym f or Mus ic al In s t ru m en t D igit al In t erf ace an d is t he wa y t hat ph y s i c al an d v ...

  • Acoustica Mixcraft 6 - page 216

    Mi x cra ft 6 Us e r Ma n ua l 21 6 © 20 12 A c ous ti c a, In c t o be c onf used with byt es ). Co mm on ex amples of bit dep th inc lude CD aud io, which is record ed at 16 bits , an d DVD -Aud io wh ic h c an s upp ort up t o 24- bit aud i o. Sa m pl e Cha nne l s Sample c ha nn els des c rib es t he numbe r of c ha nn els c on t ain ed in eac ...

  • Acoustica Mixcraft 6 - page 217

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  • Acoustica Mixcraft 6 - page 218

    Mi x cra ft 6 Us e r Ma n ua l 21 8 © 20 12 A c ous ti c a, In c CH ANGE LI ST Ve rs i on 6 Cha nge s N ew i nter f ac e & ar t w or k Ov er 6, 00 0 loop s in v er s ion 6! ! ! Major i mpr ov eme nts t o MI D I editi ng , pia no roll Submix t rack s f or gr ou ping t ra c k s t oge t he r Mult iple lane s f or t ra c k s ( inc ludin g mult ipl ...

  • Acoustica Mixcraft 6 - page 219

    C ha ng e Lis t - 219 © 20 12 A c ous ti c a, In c N ew A LT dra g t o m ake a quic k c opy of a c li p N ew + 1 loop er bu t t on on c lips I m pr ov ed s upp or t f or fa ult y V S T s Lo w er CPU us ag e Bet t er har d dr iv e util iz at ion R ecord dire c t ly t o OGG m od e. Ve rs i on 4.5 Cha nge s Supp or t fo r s av ing pr oje c t s t o M ...

  • Acoustica Mixcraft 6 - page 220

    Mi x cra ft 6 Us e r Ma n ua l 22 0 © 20 12 A c ous ti c a, In c About A cous t ica Ac ou s t ic a wa s f oun de d in 19 9 8 and i s loc ated in t he f oothills of t he Yos emit e Valley . A c oust i c a' s mis s ion is t o c rea te high qua lit y , intuit iv e and pow erf ul s of twar e. W e v alue diligen c e, c rea ti v it y an d inn ov at ...

  • Acoustica Mixcraft 6 - page 221

    Fou nd ed i n 199 8 an d loc ated i n t he f oothills of t he Yos emit e V alley, Ac ou s t ic a’s m is s ion is t o c rea t e high qua lit y , intuit iv e, and pow erf ul s of t wa r e at af f or dab le pric es. A t A c oust i c a, t he c us t omer c omes fir s t ! ...

Manufacturer Acoustica Category Audio Software

Documents that we receive from a manufacturer of a Acoustica Mixcraft 6 can be divided into several groups. They are, among others:
- Acoustica technical drawings
- Mixcraft 6 manuals
- Acoustica product data sheets
- information booklets
- or energy labels Acoustica Mixcraft 6
All of them are important, but the most important information from the point of view of use of the device are in the user manual Acoustica Mixcraft 6.

A group of documents referred to as user manuals is also divided into more specific types, such as: Installation manuals Acoustica Mixcraft 6, service manual, brief instructions and user manuals Acoustica Mixcraft 6. Depending on your needs, you should look for the document you need. In our website you can view the most popular manual of the product Acoustica Mixcraft 6.

Similar manuals

A complete manual for the device Acoustica Mixcraft 6, how should it look like?
A manual, also referred to as a user manual, or simply "instructions" is a technical document designed to assist in the use Acoustica Mixcraft 6 by users. Manuals are usually written by a technical writer, but in a language understandable to all users of Acoustica Mixcraft 6.

A complete Acoustica manual, should contain several basic components. Some of them are less important, such as: cover / title page or copyright page. However, the remaining part should provide us with information that is important from the point of view of the user.

1. Preface and tips on how to use the manual Acoustica Mixcraft 6 - At the beginning of each manual we should find clues about how to use the guidelines. It should include information about the location of the Contents of the Acoustica Mixcraft 6, FAQ or common problems, i.e. places that are most often searched by users in each manual
2. Contents - index of all tips concerning the Acoustica Mixcraft 6, that we can find in the current document
3. Tips how to use the basic functions of the device Acoustica Mixcraft 6 - which should help us in our first steps of using Acoustica Mixcraft 6
4. Troubleshooting - systematic sequence of activities that will help us diagnose and subsequently solve the most important problems with Acoustica Mixcraft 6
5. FAQ - Frequently Asked Questions
6. Contact detailsInformation about where to look for contact to the manufacturer/service of Acoustica Mixcraft 6 in a specific country, if it was not possible to solve the problem on our own.

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