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Bedienungsanleitung SoundCraft MPM 12/2

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  • SoundCraft MPM 12/2 - page 1

    1 USER GUIDE ...

  • SoundCraft MPM 12/2 - page 2

    2 © Harman Inter national Industries Ltd. 2006 All rights reser ved P arts of the design of this product ma y be protected by w or ld wide patents. P art No. ZM0342-01 Soundcraft is a trading division of Har man International Industries Ltd. Infor- mation in this manual is subject to change without notice and does not repre- sent a commitment on t ...

  • SoundCraft MPM 12/2 - page 3

    3 Contents IMPORT ANT SAFETY INSTR UCTIONS 4 SAFETY SYMBOL GUIDE 6 INTRODUCTION 7 WIRING UP 8 BLOCK DIAGRAM 12 MONO INPUT CHANNEL 13 STEREO INPUT CHANNELS 16 MASTER SECTION 18 USING Y OUR MPM CONSOLE 22 FITTING OPTIONAL RA CK-MOUNT BRACKETS (MPM12/2) 24 DIMENSIONS 24 APPLICA TIONS 25 TYPICAL CONNECTING LEADS 28 MARK-UP SHEETS 30 TYPICAL SPECIFICA T ...

  • SoundCraft MPM 12/2 - page 4

    4 IMPORT ANT SAFETY INSTR UCTIONS Read these instr uctions. Keep these instructions. Heed all war nings. Follow all instructions. Do not use this apparatus near water . Clean only with a dr y cloth. Do not block an y ventilation openings. Install in accordance with the manufacturer’ s instr uctions. Do not install near an y heat sources such as r ...

  • SoundCraft MPM 12/2 - page 5

    5 with liquids, such as vases, on the apparatus. No naked flame sources, such as lighted candles, should be placed on the apparatus. V entilation should not be impeded b y covering the v entilation openings with items such as newspapers, table cloths, cur tains etc. THIS APP ARA TUS MUST BE EARTHED . Under no circumstances should the safety ear th ...

  • SoundCraft MPM 12/2 - page 6

    6 For your own safety and to a void inv alidation of the w a rr anty please read this section carefully . SAFETY SYMB OL GUIDE For y our own safety and to a v oid in validation of the warranty all text marked with these symbols should be read carefully . WARNINGS The lightning flash with ar rowhead symbol, is intended to aler t the user to the pres ...

  • SoundCraft MPM 12/2 - page 7

    7 INTRODUCTION Thank y ou for purchasing a Soundcraft MPM mixer . The MPM rang e is our most cost- effective mixing solution, bringing y ou all the features and perfor mance that y ou expect from a Soundcraft product, at an extraordinarily low price. The packaging , w hich y our MPM ar rived in, for ms part of the product and must be retained for f ...

  • SoundCraft MPM 12/2 - page 8

    8 WIRING UP Mic Input The MIC input accepts XLR-type connectors and is designed to suit a wide rang e of BALANCED or UNBALANCED lo w-lev el signals, whether from deli- cate vocals requiring the best lo w-noise perfor mance, or dr um kits needing maximum headroom. Professional dynamic, condenser or ribbon mics are best because these will be LO W IMP ...

  • SoundCraft MPM 12/2 - page 9

    9 A ‘Y’ lead ma y be required to connect to equipment with separate send and retur n jacks as sho wn below: Stereo Inputs STEREO 1/2 These accept 3-pole 6.35mm (1/4") jacks, or 2-pole mono jacks which will automatically ground the ‘cold’ input. Use these inputs for sources such as ke yboards, dr um machines, synths, tape machines or as ...

  • SoundCraft MPM 12/2 - page 10

    10 Polarity (Phase) Y ou will probably be familiar with the concept of polarity in electrical signals and this is of par ticular importance to balanced audio signals. Just as a balanced signal is highly effective at cancelling out unwanted interference, so two microphones picking up the same signal can cancel out, or cause serious degradation of th ...

  • SoundCraft MPM 12/2 - page 11

    11 PROBLEM SOL VING Basic problem solving is within the scope of an y user if a few basic r ules are follo wed. • Get to know the Block Diag ram of y our console (see pag e 12). • Get to know w hat all controls and/or connections in the system are supposed to do. • Learn where to look for common trouble spots. The Block Diagram is a represent ...

  • SoundCraft MPM 12/2 - page 12

    12 BLOCK DIA GRAM ...

  • SoundCraft MPM 12/2 - page 13

    13 MONO INPUT CHANNEL 1 Mic Input The MIC input accepts XLR-type connectors and is designed to suit a wide rang e of B ALANCED or UNBALANCED signals. Professional dynamic, condenser or ribbon mics are best because these will be LO W IMPEDANCE. Y ou can use low-cost HIGH IMPED ANCE mics, but the lev el of background noise will be higher . If y ou tu ...

  • SoundCraft MPM 12/2 - page 14

    14 The Send ma y also be tapped off as an alter native pre-fade, pre-EQ direct output if required, using a lead with tip and ring shor ted tog ether so that the signal path is not interr upted (see below). 5 Gain This knob sets how much of the source signal is sent to the rest of the mixer . T oo high, and the signal will distor t as it o verloads ...

  • SoundCraft MPM 12/2 - page 15

    15 POST -F ADE), but for Foldback or Monitor feeds it is impor tant for the send to be independent of the fader (this is called PRE-F ADE). A UX SENDS 1 and 2 are both globally switchable betw een pre and post-fade (see master section on pag e 21). Aux 3 is alwa ys post-fade. 8 P AN This control sets the amount of the channel signal feeding the Lef ...

  • SoundCraft MPM 12/2 - page 16

    16 STEREO INPUT CHANNELS 1 INPUTS STEREO 1/2 These inputs accept 3-pole 6.35mm (1/4") jacks. Use these inputs for sources such as ke yboards, dr um machines, synths, tape machines or processing units. The inputs are BALANCED for lo w noise and top quality from professional equipment, but y ou can use UNBALANCED sources b y wiring up the jacks ...

  • SoundCraft MPM 12/2 - page 17

    17 7 F ADER The 60mm F ADER gives y ou smooth control of the o verall signal le vel in the channel strip, allowing precise balancing of the v arious source signals being mixed to the Master Section. It is important that the input lev el is set cor rectly to giv e maximum tra vel on the fader w hich should nor mally be used at around the “0” mar ...

  • SoundCraft MPM 12/2 - page 18

    18 MASTER SECTION ...

  • SoundCraft MPM 12/2 - page 19

    19 1 POWER INDICA T OR This LED lights to show w hen pow er is connected to the console. 2 PHANT OM POWER Man y professional condenser mics need PHANTOM PO WER, which is a method of sending a po wering voltag e down the same wires as the mic signal. Press the switch to enable the +48V pow er to all of the MIC inputs. The adjacent LED illuminates wh ...

  • SoundCraft MPM 12/2 - page 20

    20 12 HEADPHONES SOCKET The PHONES output is a 3-pole 6.35mm (1/4") jack, wired as a stereo output, ideally for headphones of 200 Ω or g reater. 8 Ω headphones are not recommended. 13 METERS & AFL/PFL ACTIVE LED The three-colour peak reading BARGRAPH METERS normally show the le vel of the signal(s) selected b y the monitor source-selec ...

  • SoundCraft MPM 12/2 - page 21

    21 AUX 22 AUX MASTERS These three controls set the output lev els of the three Aux Outputs. 23 AFL These After F ade Listen switches route their respective aux output signal to the monitor/headphones out- puts. 24 PRE/POST SWITCHES These two s witches globally switch the A UX 1 and AUX 2 feeds, respectiv ely , on all the input modules to be either ...

  • SoundCraft MPM 12/2 - page 22

    22 USING Y OUR MPM CONSOLE The final output from y our sound system can only ev er be as good as the w eakest link in the chain, and especially important is the quality of the source signal because this is the star ting point of the chain. Just as y ou need to become familiar with the control functions of y our mixer , so y ou must recognise the im ...

  • SoundCraft MPM 12/2 - page 23

    23 • Repeat this procedure on other channels as required. As more channels are added to the mix, the meters ma y mov e into the red section. Adjust the o verall lev el using the Master Faders if necessar y . • Listen carefully for the characteristic sound of “feedback”. If y ou cannot achiev e satisfactor y input le v el setting without fee ...

  • SoundCraft MPM 12/2 - page 24

    24 FITTING OPTIONAL RA CK-MOUNT BRACKETS (MPM12/2) The rack-mount kit part number is RW5753 DIMENSIONS ...

  • SoundCraft MPM 12/2 - page 25

    25 APPLICA TIONS APPLICA TION 1 - LIVE SOUND REINFORCEMENT APPLICA TION 2 - MULTISPEAKER APPLICA TIONS This configuration demonstrates how multiple speak er configurations can be driven b y the EPM. ...

  • SoundCraft MPM 12/2 - page 26

    26 APPLICA TION 3 - PLACES OF W ORSHIP This configuration uses the A ux 3 output to driv e an induction loop for the hard of hearing . A ux 1 output is used to g enerate foldback monitoring for the speaker/sing er (A ux 2 could also be used for foldback but has been omitted for clarity). The main outputs are used to driv e the main speaker system. ...

  • SoundCraft MPM 12/2 - page 27

    27 APPLICA TION 4 - RECORDING The inser t points on channels 1-8 ma y be used to feed a multitrack recorder as shown (link the send and retur n signals). The Mix outputs are used for a preliminar y stereo mix on a D A T recorder . ...

  • SoundCraft MPM 12/2 - page 28

    28 TYPICAL CONNECTING LEADS ...

  • SoundCraft MPM 12/2 - page 29

    29 ...

  • SoundCraft MPM 12/2 - page 30

    30 MARK-UP SHEETS Y ou ma y freely copy these pag es, and use them to record the settings used for par ticular applications/gigs. ...

  • SoundCraft MPM 12/2 - page 31

    ...

  • SoundCraft MPM 12/2 - page 32

    32 WARRANTY 1 Soundcraft is a trading division of Har man International Industries Ltd . End User means the person who first puts the equipment into regular operation. Dealer means the person other than Soundcraft (if an y) from whom the End User purchased the Equipment, provided such a person is authorised for this purpose b y Soundcraft or its ac ...

Produzent SoundCraft Kategorie Music Mixer

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Die Bedienungsanleitung, auch bezeichnet als Benutzerhandbuch, oder einfach nur „Anleitung”, ist ein technisches Dokument, das dem Benutzer bei der Nutzung von SoundCraft MPM 12/2 hilfreich sein soll. Die Bedienungsanleitungen werden in der Regel von technischen Schriftstellern geschrieben, aber in einer Sprache, die für alle Nutzer von SoundCraft MPM 12/2 verständlich ist.

Eine gänzliche Bedienungsanleitung von SoundCraft sollte einige Grundelemente enthalten. Ein Teil von ihnen ist nicht so wichtig, wie z.B.: die Titelseite oder Autorenseiten. Die restlichen von ihnen jedoch, sollten Informationen liefern, die für den Nutzer von enormer Wichtigkeit sind.

1. Einführung und Hinweise, wie man sich in einer Bedienungsanleitung von SoundCraft MPM 12/2 bewegt - Am Anfang jeder Bedienungsanleitung sollten wir Hinweise bezüglich der Nutzungsart eines bestimmten Ratgebers finden. In ihr sollten sich Informationen über die Lokalisierung des Inhaltsverzeichnisses von SoundCraft MPM 12/2 befinden, FAQ oder über oft auftretende Probleme – also Stellen, die von den Benutzern in jeder Bedienungsanleitung am meisten gesucht werden
2. Inhaltsverzeichnis - Index aller Ratschläge bezüglich SoundCraft MPM 12/2, die wir im aktuellen Dokument finden
3. Ratschläge zur Nutzung der Grundfunktionen des Geräts SoundCraft MPM 12/2 - die uns die ersten Schritte während der Nutzung von SoundCraft MPM 12/2 erleichtern sollten
4. Troubleshooting - geordneter Tätigkeitslauf, der uns bei der Diagnose und als nächstes bei der Lösung wichtiger Probleme mit SoundCraft MPM 12/2 hilft
5. FAQ - häufig gestellte Fragen
6. Kontaktdaten Informationen darüber, wo man Kontakt zum Produzenten / Service von SoundCraft MPM 12/2 im bestimmten Land suchen kann, wenn es nicht gelingt, das Problem selbst zu lösen.

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