-
Sound Performance Lab Model 2049 - page 1
Model 2049 Manual S tereo Compr essor ...
-
Sound Performance Lab Model 2049 - page 2
2 Kultube (Model 2049) Manual Ve r s i o n 1.1 – 11/ 2004 R & D: Ruben T ilg ner The i nforma tio n in this document ha s been c aref ully ver if ie d and is as sumed to b e co r re c t . However S ound Per f or mance L ab (SPL) re ser ves the rig ht to modif y the product de scr ibed in this manual at any time. Change s without notice. This ...
-
Sound Performance Lab Model 2049 - page 3
3 Introduction .............................................................................................. 4 Pa rt icular Feature, Equi pment ................................................................... 4 Hookup & Securit y Ad vices ........................................................................ 5 Po wer Supply .............. ...
-
Sound Performance Lab Model 2049 - page 4
4 Th e Kultube is an e x t remely vers atile compre ssor w ith a broad r ange of control f ac ilities that cover all t ypic al compressor applic ations . From improved ste reo m ixes in the “MIDI Studio “ to surround mas tering with s ever al devices connec ted, all jobs c an be under taken to the hi ghe st deg ree of sound qualit y . Yo u c a ...
-
Sound Performance Lab Model 2049 - page 5
5 Car eful ly se lect a place for set t ing up the Kultube. The unit should be situated away f rom heat s ources and direc t sunlig ht. Avoid inst allation in env ironment s expos ed t o vi br ations , dust , heat , cold or moisture. Keep the unit away f rom tran sfo rmers or mot ors or any oth er u nit that co ul d gene rate large vari atio ns in ...
-
Sound Performance Lab Model 2049 - page 6
6 Connections Re ar Panel/Wiring Fu r ther Kultubes as slaves in multi- channel link mode 2 1 3 Pin wiring XLR Input: 1=GND 2=Hot (+) 3=Cold (-) 1 2 3 Pin wiring XLR Output: 1 = GND 2 = Hot (+) 3 = Cold (-) Pin wiring Stereo Jack Connector: T ip = Hot (+) Ring = Cold (-) Sleeve = GND Connection to console: Inser t Sends > Analog Inputs Inser t R ...
-
Sound Performance Lab Model 2049 - page 7
7 Aga i n, wh i l e K ul t ube‘s hou s ing is EMV-proof and protect s ag ains t HF-inter ference, placement of the unit is ver y impor t ant since it amplif ies microphone sig nal s as well a s o th e r un w an te d sig nal s. Be f or e c on ne c t i ng t h e Kultube or any other equipment turn of f all power . A djus t the voltage s et ting on t ...
-
Sound Performance Lab Model 2049 - page 8
8 Sidec hain inp ut s Thi s ja ck i s used as a s i dechain input for connec ting an e x ternal audio sig nal to con t rol th e Kultube (e. g. an equalizer for f requenc y dep endent processing ). It is conf igured as a s tereo RC A jack , with the lef t channel on the tip and the righ t ch an nel on the r ing. Id eally you should use a nor mal ins ...
-
Sound Performance Lab Model 2049 - page 9
9 Switches Control Elements Please no te also the inf ormat ion on var ious cont rols under „Under st anding and enjoying the Kultube“ star t ing page 12. RED / V U Thi s swi tch ch an ges the VU mete r over to Gain R educt ion mode. Th e indicator needle then jumps to the 0 dB value and moves to the lef t with increasing compression. T he s ca ...
-
Sound Performance Lab Model 2049 - page 10
10 Progressiv e Time Contro l: A T T ACK Thi s functio n al lows t o s w i t c h i n a n a d j u s t a b l e a u t o m a t i z a t i o n o f t h e t i m e constant s w hich is set up with the A T T ACK control . Pu t simply you can now inf luence the compres sion intensit y for r apid sig nal increas es, or w hen the f unc tion is tur ned of f dete ...
-
Sound Performance Lab Model 2049 - page 11
11 Controls Contr ol Elements THR ESHOLD Th e Threshold con trol deter mines t he compress or thresh old value. T he value scale fo r the THRESHOL D control indic ates th e level in dBu. T ur ning f ully C C W provides no control , and f ully C W prov ides compres sion star ting at a level of approx. – 40 dBu. RA T I O The RA TI O control is u se ...
-
Sound Performance Lab Model 2049 - page 12
12 TUBE HARM ONICS The TUBE HARMO NICS cont rol allows you to dr ive the tub e output s tage inf i- nitely variable to desper ation: the more the cont rol is tur ned in, the f ur ther the tube get s into s aturation and the more har monic s are pro duced. The o utput lev e l of this stag e is automatically adjus ted, ti.e. it keeps vir t ually the ...
-
Sound Performance Lab Model 2049 - page 13
13 The R at io c ontrol As i n di c a t ed a bo v e, t h i s determine s the ratio b et ween the in - and output level above the threshold s et ting. T he pres et value specif ies how the input dynamics s hould behav e wi th respec t to the output: a ratio of 1 to 2 means that only half of t he dy nam ic ch an ge w ill b e p r esent o n the out put ...
-
Sound Performance Lab Model 2049 - page 14
14 Operating Understanding and enjo ying the Kultube In the lat ter ca se the r atio changes dep ending on the in0ut sig nal. A s the preset threshold v alue is approache d the r atio is compar ati vely small (1: 1 . 5 ) and doesn’t reach the preset ma ximum value until high input le vel s are present . T he result is much le ss conspicuous compr ...
-
Sound Performance Lab Model 2049 - page 15
15 Pro ces sed in this way , dr ums ge t more self as ser tion and sound ‚f as ter ’ . The be st settin g is not alw ays ea sy to f ind, since you usually need to f ind a compromise. Ver y f a st s et ting s r un the r isk of producing audible dis tor t ions – especially in the c as e of low f reque ncies, since the compre ssor now tr ies to ...
-
Sound Performance Lab Model 2049 - page 16
16 Fi g. 5 s ho w s the control behav ior using a sinus burs t as an e x ample. In var ious settings it is cle arly t o see that the bu rst s igna l re mains almost unchanged in it s for m; only the intensit y changes . The PT C feature can provide out st anding results not only f or percus sive signal s but al so f or many other music al signal s ...
-
Sound Performance Lab Model 2049 - page 17
17 Operating Understanding and enjoying the K ultube The re leas e parameter is al so for the mos t par t responsible for unobtr u sive compression. T his means it is hard to f ind the per f ec t se t ting a s wit h the At tack control – p ar t icular ly in the c a se of comple x summe d sig nals a f i xed relea se time ma y hard ly be usa ble . ...
-
Sound Performance Lab Model 2049 - page 18
Operating Understanding and enjo ying the Kultube For settings with la rger averages the ch ange in the relea se time is eas y to recog nize. Wi th ver y small values t h e control volt age for the Gain Cell “s tick s” to t he r ec tif ie d signal and wor k s almos t like an envelope follower . Fi g. 8 o n th e ne x t page show s the var ious e ...
-
Sound Performance Lab Model 2049 - page 19
Understanding and enjoying the K ultube Operating Fig 8 „Rel ea se – P TC “ Summed sig nal pro ces sing The ma in applic ation area f or the Kultube is in stereo summed sig nal compres- sion together w ith an analog mi x ing console. Here the Kultube is looped into the inser t paths ( „ Inser t Send/ Retur n“). The i nser t pa ths are gen ...
-
Sound Performance Lab Model 2049 - page 20
Sidec hain Use of th e SIDECHA IN input s e xp ands the possibilities for cont rolling compression. A t ypical applic ation is f re quenc y-sele c tive compre ssion, whereb y an external equ ali zer is used to raise the f requencies at which the compress or should resp ond or to f ilter out the f requenc y ban d you wish the compress or to ign ore. ...
-
Sound Performance Lab Model 2049 - page 21
Using and enjoying the K ultube Multi- channel an d 5 .1 surroun d appl icati ons The Ku ltub e let s you use the MUL TI CH ANNEL L INK f unct ion to link any number of dev ices f o r multi- channel or surround applic ations. Simply def ine a mas ter for co ntro lli n g all the other units (slave s). Each slave mu st b e def ine d as a slave using ...
-
Sound Performance Lab Model 2049 - page 22
22 Mea sur ement s Frequen c y r ange (10 0 k H z = -3 dB) .......... 10 Hz-15 0 k Hz Common mode rejec tion (@ 0 dB u) ......... 1 k Hz: › 8 0 dB / 10 kHz: › 65 dB THD & N (@ 0 dB u) .................................. › 82 dB S/N (A- we ig hte d) .................................... 9 0 dBu Inpu t s Input impedance ...................... ...
-
Sound Performance Lab Model 2049 - page 23
23 SPL elec t ronic s GmbH ( h ereaf ter called SPL ) produc t s are war r anted only in the countr y where purchase d, through the author ized SPL dis tr ibutor in that countr y , ag ainst defec t s in mater ial or work manship. The spe cif ic perio d of this limited war rant y shall be that which is descr ibe d to the original ret ail purchaser b ...
-
Sound Performance Lab Model 2049 - page 24
24 Kultube – Manual Y our notes .................................................................................. .................................................................................. .................................................................................. ................................................................... ...
Haben Sie eine Frage bezüglich Sound Performance Lab Model 2049?
Nutzen Sie das untere Formular
Wenn Sie mit Hilfe der gefundenen Bedienungsanleitung Ihr Problem mit Sound Performance Lab Model 2049 nicht gelöst haben, stellen Sie eine Frage, indem Sie das untere Formular nutzen. Wenn einer der Nutzer ein ähnliches Problem mit Sound Performance Lab Model 2049 hatte, ist es möglich, dass er mit Ihnen die Lösung teilen möchte.