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Bedienungsanleitung Art Pro Channel

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Summary
  • Art Pro Channel - page 1

    Pro Channel TUBE MIC PREAMP / COMPRESSOR / EQUALIZER USER’S GUIDE ...

  • Art Pro Channel - page 2

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  • Art Pro Channel - page 3

    - 2 - Contents FEATURES ......................................................................... 5 OVERVIEW ........................................................................ 6 W HY USE AN EXTERNAL PROCESSING CHANNEL ? ............................... 6 D ESIGN N OTES ........................................................................... ...

  • Art Pro Channel - page 4

    - 3 - C LIP I NDICATOR .............................................................................. 13 E QUALIZER C IRCUIT ........................................................................ 13 Low Control ........................................................................................... 13 Low Switch ............................... ...

  • Art Pro Channel - page 5

    - 4 - G ROUNDING .................................................................................... 21 TUBE REPLACEMENT ..................................................... 21 WE’RE ON-LINE! .............................................................. 22 WARRANTY AND SERVICE INFORMATION .................... 22 L IMITED W ARRANTY ............ ...

  • Art Pro Channel - page 6

    - 5 - Fe a t u r e s The Pro Channel is a unique product. It c ontains three independent, award-winning circuit designs: one of the finest tube mi crophone preamplifiers available, one of the finest optical tube compressors available, a nd one of the m ost flexible EQs you’ve ever used. Developed in partnership with studio and live sound engineer ...

  • Art Pro Channel - page 7

    - 6 - Ov er view Why use an external processing channel? The best way to get a signal to tape is by using the shortest signal path. In most cases, the shortest path is as follo ws: mic to preamp to compressor to EQ to tape. (The signal doesn’t even go through a mixer!) This isn’t a new concept, but it has become more relevant with the availabil ...

  • Art Pro Channel - page 8

    - 7 - The compression circuit features a VCA- less design and utilizes either optical (Vactrol®) or tube, dual triode electronics for superior musical performance. The compressor is soft knee by design. Although it is capable of providing a thoroughly “squashed” signal, it was designed to exce l in areas where transparent and musical dynamics ...

  • Art Pro Channel - page 9

    - 8 - Installation The Pro Channel may be employed in a number of setups, including: • between a microphone and a digital reco rder, mixer, or analog recorder; • in a mixer’s channel insert points; • between a microphone and signal processors; and • between electronic musical instruments (s ynthesizers, guitars, basses, samplers, acoustic ...

  • Art Pro Channel - page 10

    - 9 - F r ont P anel Contr ols and Indica tor s Preamp Circuit Gain Control The Gain control sets the Pro Channel’s input gain. Turn the control clockwise to increase gain and counter-clockwise to decrease it. The front panel calibrations (-11dB to +30 dB) refer to the Gain Switch (see next section) in the “Norm” position with the input route ...

  • Art Pro Channel - page 11

    - 10 - before disconnecting microphones. Another Note: Most dynamic microphones won’t be affe cted or damaged if they are plugged into the Pro Channel when phantom power is turned on (we haven’t run across any). However, if the mic doesn’t need it, don’t use it . Some things are best left untested! Phase Switch The Phase switch is used to r ...

  • Art Pro Channel - page 12

    - 11 - +10dB of gain (when turned fully clockwise). When setting up the preamp, start with the Pre amp Output at its “0” position. Once you get the Gain control set the way you want it to sound, use the Preamp Output control to set the level out of the preamp (much like using the master volume control on a guitar amplifier). Use the Preamp Outp ...

  • Art Pro Channel - page 13

    - 12 - Attack Switch The Attack switch selects th e attack characteristics of both the tube and optical compressor circuits. The Fast position (in) allows the co mpressor to react quickly to fast-rising attacks. Note that the tube circu it has an inherently fa st response and can be aggressive on signals with quick transients , such as snare drums. ...

  • Art Pro Channel - page 14

    - 13 - clockwise increases the level to a maximum of +20dB of gain. While you can use the compressor to add gain to a signal, it is better to add gain before the compressor for the best signal to noise ratio. If you want to us e the compressor to add more gain, use the VU meter to monitor the Pro Channel’s output level, or use the me ter on your ...

  • Art Pro Channel - page 15

    - 14 - “weight” or “beef” to a week vocal and cutting it can “thin out” a signal that takes up too much room in the low end. Lo-Mid Control The Lo-Mid control is a dual concentric pot (i.e., there are two controls – one outer and one inner). The outer control is used to sel ect a frequency while the inner one is used to apply boost or ...

  • Art Pro Channel - page 16

    - 15 - “surgical” cutting of a frequency band without affecting adjacent frequencies too much. High Control The High control adjusts a shelving filter with a selectable corner frequency of either 6KHz or 18KHz. The two frequencies are se l ected with the High switch (see below). The high shelving filter affects all freque ncies above the corn e ...

  • Art Pro Channel - page 17

    - 16 - Master Contr ols Master Output Control The Master Output control sets the final output level leaving the Pro Channel. When the control is fully counterclockwise, there is no output. Turning the control clockwise increases the output level to a maximum gain of +10dB. When setting this control, refer to the VU Meter (set for the “Output” o ...

  • Art Pro Channel - page 18

    - 17 - R ear P anel Connections Input and Output Connections The Pro Channel’s XLR connectors follow the AES standard: Pin 1 = Ground, Pin 2 = Hot (+), and Pin 3 = Cold (-). The unbalanced ¼” phone jacks are the typical Tip = Hot (+) and Sleeve = Ground. Note: None of the Pro Channel’s circuitry is connected directly to the metal chassis. Ei ...

  • Art Pro Channel - page 19

    - 18 - The loops may also be utilized to “re-patch” the compressor and equa lizer circuits in a different order (i.e., signal flow = preamp to equalizer to compressor ). For information on how to do this, see Loop Connection Examples, below. Preamp - Compressor Loop A loop is provided between the preamp’s output and the compressor’s input. ...

  • Art Pro Channel - page 20

    - 19 - A pplica tions The Pro Channel’s main application is as a processing channel for a microphone, instrument, or line level source. To use th e Pro Channel as a mi c or line preamplifier only, simply press the B ypass switches to bypass the compression and equalizer circuitry. Plug a microphone directly into either input and set the Input and ...

  • Art Pro Channel - page 21

    - 20 - What is the best way to use EQ? There are two schools of thought on EQ: 1) Use as much as you need to make things sound good. 2) Don’t use any EQ. Most people follow the suggestion of “if it sounds good, it is good.” You need to use your ears and judge for yourself as their ar e no steadfast rules fo r EQ’ing. Here are a few pointers ...

  • Art Pro Channel - page 22

    - 21 - Special Effects For industrial, metal, or just “flavor” te xtures, experiment with the Pro Channel. Overdriving the preamp, compre ssor, and equalizer circuitry can add interesting textures when blended with vocals and other instrume nts. Purposely placing signals out of phase can also yield interesting resu lts. No harm will come to th ...

  • Art Pro Channel - page 23

    - 22 - W e’r e on-line! For Product information, questions, applica tions, tips, answers and general discussion with ART employees, look for ART on the Internet. Email us at support@artproaudio.com and check out our Web Site at www.artproaudio.com . W ar r anty and Ser vice Infor ma tion Limited Warranty Applied Research and Technology(A R T) wil ...

  • Art Pro Channel - page 24

    - 23 - 2) If you believe the ART unit is at fault, go to www.artproaudio.com . You may contact Customer Service for more as sistance, or directly request a Return Authorization for service in the “resources ” area of the website. 3) If you are returning the unit for service, pack the unit in its original carton or a reasonable substitute. The o ...

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    - 24 - ...

  • Art Pro Channel - page 26

    - 25 - A R T Pr o Channel Specifica tions Dimensions 6.5"D x 19"W x 3.50"H Weight 12.0 lbs. Maximum Gain XLR to XLR: 83dB, ¼” to ¼”: 65dB Dynamic Range >100dB (20-20KHz) Frequency Response 20Hz to 20KHz (±0.5dB) Low-Cut Filter Single-Pole Va riable: -3dB@10Hz to 250Hz Input/Output Connections XLR balanced and ¼” unbalanc ...

  • Art Pro Channel - page 27

    - 26 - www.artproaudio.com support@artproaudio.com Pro Channel – Tube Mic Preamp / Compressor / Equalizer 215-5004-102 ...

Produzent Art Kategorie Pre Amplifiers

Dokumente, die wir vom Produzenten des Geräts Art Pro Channel erhalten, können wir in mehrere Gruppen teilen. Unteranderem in:
- technische Zeichnungen Art
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Jede von ihnen ist wichtig, jedoch finden wir die wichtigsten Informationen für den Nutzer des Geräts in der Bedienungsanleitung Art Pro Channel.

Die Dokumentengruppe, die als Bedienungsanleitungen bezeichnet wird, wird ebenfalls in detaillierte Arten geteilt, solche wie: Montageanleitungen Art Pro Channel, Wartungsanleitungen, Kurzanleitungen oder Benutzeranleitungen Art Pro Channel. Abhängig vom Bedarf, sollten Sie das Dokument finden, das Sie brauchen. In unserem Service können Sie sich die populärste Bedienungsanleitung des Produkts Art Pro Channel ansehen.

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Die komplette Bedienungsanleitung des Geräts Art Pro Channel, wie sollte sie aussehen?
Die Bedienungsanleitung, auch bezeichnet als Benutzerhandbuch, oder einfach nur „Anleitung”, ist ein technisches Dokument, das dem Benutzer bei der Nutzung von Art Pro Channel hilfreich sein soll. Die Bedienungsanleitungen werden in der Regel von technischen Schriftstellern geschrieben, aber in einer Sprache, die für alle Nutzer von Art Pro Channel verständlich ist.

Eine gänzliche Bedienungsanleitung von Art sollte einige Grundelemente enthalten. Ein Teil von ihnen ist nicht so wichtig, wie z.B.: die Titelseite oder Autorenseiten. Die restlichen von ihnen jedoch, sollten Informationen liefern, die für den Nutzer von enormer Wichtigkeit sind.

1. Einführung und Hinweise, wie man sich in einer Bedienungsanleitung von Art Pro Channel bewegt - Am Anfang jeder Bedienungsanleitung sollten wir Hinweise bezüglich der Nutzungsart eines bestimmten Ratgebers finden. In ihr sollten sich Informationen über die Lokalisierung des Inhaltsverzeichnisses von Art Pro Channel befinden, FAQ oder über oft auftretende Probleme – also Stellen, die von den Benutzern in jeder Bedienungsanleitung am meisten gesucht werden
2. Inhaltsverzeichnis - Index aller Ratschläge bezüglich Art Pro Channel, die wir im aktuellen Dokument finden
3. Ratschläge zur Nutzung der Grundfunktionen des Geräts Art Pro Channel - die uns die ersten Schritte während der Nutzung von Art Pro Channel erleichtern sollten
4. Troubleshooting - geordneter Tätigkeitslauf, der uns bei der Diagnose und als nächstes bei der Lösung wichtiger Probleme mit Art Pro Channel hilft
5. FAQ - häufig gestellte Fragen
6. Kontaktdaten Informationen darüber, wo man Kontakt zum Produzenten / Service von Art Pro Channel im bestimmten Land suchen kann, wenn es nicht gelingt, das Problem selbst zu lösen.

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