-
Sony LCL90AM - page 1
© 201 1 Son y Ele ct ron ic s Inc. A ll r ig hts re se r ved . Rep ro duc tio n in w ho le o r in p ar t wi th ou t wri t ten p er mi ss io n is pr ohi bi ted . Features and specifica tions are subject to change without notice . Sony Electronics Digital Imaging Division 16530 Via Esprillo Drive San Diego, CA 92127 DI11012 a Lenses a Lenses ...
-
Sony LCL90AM - page 2
a c r e a t i on Phot ography is creativ e. A photogr apher must mak e a number of critical cho ic es t ha t wi ll d eterm in e th e ou tcom e. On e of th e mo st i nfl ue nti al cho ic es i s th e le ns i tse lf. Wha t is b ei ng p hotog rap he d, un de r wh at l ig htin g conditions, and where ? What lens wil l provide the necessar y contr ol ove ...
-
Sony LCL90AM - page 3
30 0m m F2.8 G SA L3 00 F28G Zoom Lenses Fixed Focal Length Lenses G Lenses Ca rl Zei ss L ens es E-mount Lenses 2x T ele conver ter SA L20TC Fisheye Conver ter V C L- E C F 1 10 m m ( 15 mm ) 1 .4x Tele c onv er te r S A L14T C Ultra Wide Conver ter V C L- E C U 1 12 m m ( 18 m m ) 70–20 0 mm F2.8 G S AL702 00 G 70– 3 00 mm F4.5 – 5.6 G SS M ...
-
Sony LCL90AM - page 4
Zoom and focus mec hanisms The job of varying f ocal length in a zoom lens r equires a fairly comple x mechanism that tr anslates zoom ring r otation int o precise gr oup mov ement along the optical axis of the lens. Zoom mechanisms must be pr ecisely manuf actured to e xacting toler ances so that all elements and gr oups stay in perf ect alignment ...
-
Sony LCL90AM - page 5
Aperture and e xposure The aperture in a lens—also kno wn as the “diaphr agm” or “iris”—is an ingenious piece of mechanical engineering that pr ovides a variable-size opening in the optical path oft en used to contr ol the amount of light that passes thr ough the lens. Aper ture and sh utter speed ar e the two primary means of contr oll ...
-
Sony LCL90AM - page 6
Other macro lens c haract eristics you should know about Macr o lenses are specif ically designed to deliver optim um optical performance at very short focusing distances , and will usually be sharpest at close range , but that doesn’ t mean that you can only use them for macr o photogr aphy . Many macr o lenses ar e also capable of excellent per ...
-
Sony LCL90AM - page 7
Use your lens hood! The lens hoods pr ovided with most int erchangeable-lenses ar e not just accessories to be used occasionally . They ar e an impor tant part of the lens’ s optical system and should alw ays be used in order t o ensure optim um performance. There ar e exceptions, such as when an on-camera f lash is used and the lens hood casts a ...
-
Sony LCL90AM - page 8
Snapshots The t erm “snapshot” ref ers to any phot o opportunity that arises spont aneously . Y ou’ re shooting snapshots when you tak e your camer a for a w alk in the park, or on vacation, or ev en when you’ re in “serious” str eet-shooting mode. The k ey is to captur e the moment, and that requir es mobility and speed. Some photogr a ...
-
Sony LCL90AM - page 9
Internal f ocusing mechanism In this type of lens, focusing is achiev ed by moving only the int ernal elements. The ov erall length of the lens r emains constant, and the filt er mounting thr ead at the front of the lens r emains stationary during focusing. The latter char acteristic is an advant age when using a polarizing filt er . Other advantag ...
-
Sony LCL90AM - page 10
Aspherical lens ED glass 100 80 60 40 20 03 69 12 Contrast (%) 100 80 60 40 20 03 69 12 Contrast (%) Distance from optical center of lens ( mm ) Distance from optical center of lens ( mm ) Spatial frequenc y 1 0 line pairs /mm 30 line pairs /mm R: Radial values T : Tangential values Max. aperture R R T T F8 aperture At 1 1 mm At 18 mm Wide - angle ...
-
Sony LCL90AM - page 11
Mid - range z oom DT 1 6 – 50mm F2.8 S SM S A L1 6 5 0 The SAL1650 packs f irst-class optical performance and a versatile zoom r ange into a lens that is r emarkably compact and lightweight. At the wide end you hav e a 16mm focal length that is ideal f or interiors , sweeping landscapes, or creating visual impact with po werful perspective. Zoom ...
-
Sony LCL90AM - page 12
Mid - range z oom DT 1 8 – 55 mm F3. 5 – 5.6 S AM S A L1 8 5 5 If you’ re the kind of phot o enthusiast who likes t o carry a camera at all times, whether actively shooting or not, you pr obably want one small, lightweight lens that won’ t be a burden while w alking around but will deliv er top quality and versatility when a phot ographic o ...
-
Sony LCL90AM - page 13
High magnification z oom DT 1 8 – 25 0 mm F3. 5 – 6 .3 S A L1 8 2 5 0 Although similar to the SAL18200 in zoom r ange and performance , the SAL18250 off ers a bit more “reac h” at the long end that can make a significant dif fer ence if you’ re shooting sports or wildlife, for ex ample. The tr adeoff is a small incr ease in weight and siz ...
-
Sony LCL90AM - page 14
T elepho to z oom DT 55 – 2 0 0 m m F4 – 5.6 SAM S AL55 20 0 - 2 Cov ering the medium to t elephoto str etch of the “standar d” zoom range with ample F5.6 brightness at the 200mm end, this lens is a lightweight, easy handling choice for shooting sports and other subjects that r equire some telephot o reach. On an APS-C format camer a the 35 ...
-
Sony LCL90AM - page 15
Fixed focal length lenses, commonly known as "prime lens" or simply as "primes," can complement your photographic vision in a number of ways. Although most of the focal lengths offered are also available with zoom lenses, some special-purpose lenses are only available as primes: fisheye lenses and most true macro lenses are exam ...
-
Sony LCL90AM - page 16
Ultra wide angle 2 0 mm F2 .8 S A L 2 0 F28 This rigor ously correct ed lens gives you a wide angle of vie w for images that benefit fr om dr amatic perspective with minimum dist or tion. It’ s an ideal choice for co vering spr ead-out scenes that you can’ t get far enough way fr om to cov er with a “normal” lens. But there’ s mor e: sinc ...
-
Sony LCL90AM - page 17
Normal DT 35mm F 1 .8 SAM SAL35F 1 8 Ther e’ s a very good reason why 35mm is one of the most popular f ocal lengths for use on APS-C format cameras . The full-fr ame equivalent focal length is 52.5mm, pro viding “normal” perspective—similar t o that experienced with the nak ed eye—and an angle of view that is suit able for an e xtremely ...
-
Sony LCL90AM - page 18
Mid - range t elephot o DT 50mm F 1 .8 SAM S A L 5 0 F 18 On APS-C format camer as, for which it is specif ically designed, the SAL50F18 functions as a moder ate telephot o lens ( equivalent t o 75mm on a full-fr ame camera ) that can be ideal f or shooting por traits as w ell as for fr aming and isolating areas of int erest in br oader , busier sc ...
-
Sony LCL90AM - page 19
T elepho to 1 35mm F2.8 [ T4 . 5 ] STF SAL 1 35F 28 This unique lens has been specif ically designed to deliver smooth tr ansitions between crisp in-focus ar eas and creamily def ocused backgr ound and for eground ar eas. It uses special apodization* optics to pr oduce images that seem to ha ve an extr a dimension, with high r esolution at the plan ...
-
Sony LCL90AM - page 20
M ac ro 50 mm F2.8 Macro SA L 5 0 M 28 Photogr aphers who ar e attract ed to det ails need a lens that lets them get in close when necessary , filling the fr ame with their diminutive but fascinating subjects . A lens lik e the SAL50M28, with a minimum f ocusing distance of just 20 centimet ers and up to 1:1 magnif ication, can open up a world of c ...
-
Sony LCL90AM - page 21
Son y G Lenses are an e xceptional breed. They inherit a distinguished pedigr ee from the original Minolt a ® lens line, with industry-leading Sony design and quality assur ance t echnology added to push their perf ormance to the f or efront of twenty-f irst century photogr aphy . G Lenses impar t a visual elegance t o every aspect of the images t ...
-
Sony LCL90AM - page 22
T elepho to z oom 7 0 –30 0mm F4.5 –5.6 G S SM S A L70 3 0 0 G The SAL70300G is the smallest and light est zoom in the current G Lens series, off ering an appealing combination of extended zoom r ange and handling, plus image quality that will satisfy the most demanding photo enth usiast or pr o. An ED lens element collabor ates with an adv anc ...
-
Sony LCL90AM - page 23
Wide - angle pri me 35mm F 1 .4 G SAL35F 1 4G 35mm prime lenses ar e a staple for man y photogr aphers. The angle of view pr ovided by this f ocal length is one of the most comfortable and versatile on both 35mm full fr ame format and APS-C format camer as, and with that, this lens can be used for anything fr om close-ups to landscapes . The SAL35F ...
-
Sony LCL90AM - page 24
1 . 4x T eleconv er ter S A L14 T C 2.0x T eleconv er ter S A L 2 0 TC T el econv er t er s The SAL14TC and SAL20TC t eleconverters ar e a great w ay to ext end your t elephoto r ange without having to carry more lar ge lenses. The SAL14TC pr ovides a 1.4x incr ease in focal length with a 1-stop light loss , so when used with the SAL300F28G, for ex ...
-
Sony LCL90AM - page 25
Wide - angle z oom V ario - Sonnar T * 1 6 –35mm F2.8 Z A S SM S A L1 6 3 5 Z Although it is a wide-angle zoom, and an ideal supplement to a high- performance mid-r ange zoom, the 16–35mm range of this lens will satisfy the cor e focal length requir ements of man y photogr aphers who shoot primarily indoors or in the city . At the other end of ...
-
Sony LCL90AM - page 26
Mid - range z oom V ario - Sonnar T * 2 4 – 70mm F2.8 ZA S S M SA L 24 70Z If you insist on prime-lens image quality but en vy the conv enience of variable f ocal length, here’ s a lens that brings the best of both worlds together . For many discriminating phot ographers it is a lens that will sta y on the camera most of the time. Its versatile ...
-
Sony LCL90AM - page 27
Mid - range t elephot o prime Planar T * 85mm F 1 .4 Z A SA L8 5F1 4Z 85mm focal length, F1.4 maximum aperture and pr ecision Carl Zeiss T* coated Planar optics: it all adds up to superlativ e performance and handling for portr aiture or medium-t elephoto landscapes. The delicat e, nuanced “drawing” of the Planar design makes it possible t o ca ...
-
Sony LCL90AM - page 28
E - m oun t Lenses These compact, high-performance lenses are the cornerstone of a new category of still and video cameras that attest to the paradigm-shifting power of Sony innovation. They have been designed from the ground up to be used with the newest generation of ultra-compact APS-C format Sony camera and camcorder bodies, delivering big-came ...
-
Sony LCL90AM - page 29
Wide - angle pri me E 1 6 mm F2.8 S E L16 F 2 8 Combine this compact wide-angle prime lens with any E-mount camer a for a t otally new phot ogr aphic experience. Mounted on an y of the slim bodies for which it is designed it becomes part of an extr aordinarily compact, por table phot ographic syst em that can slip comfortably into a coat pock et, r ...
-
Sony LCL90AM - page 30
Wide - angle pri me Sonnar T * E 24 mm F 1 .8 Z A S E L 2 4 F 18 Z Carl Zeiss quality r eally shows off the capabilities of the E-mount syst em, with outstanding r esolution and contr ast that can add legendar y Zeiss depth and dimensionality to y our images. This wide-angle prime lens delivers superior corner -to-corner sharpness ev en at the maxi ...
-
Sony LCL90AM - page 31
High magnification z oom E 1 8 – 20 0 m m F3 .5 – 6.3 OS S S E L1 8 2 0 0 If you’ re a phot ographer/videogr apher who needs maximum speed, versatility and mobility t o rapidly r espond to a wide r ange of shooting situations, from portraits and snapshots t o sports, this is a lens you should consider . It featur es an extensiv e 11x zoom ran ...
-
Sony LCL90AM - page 32
Mid - range t elephot o E 50 mm F 1 .8 OSS S E L 5 0 F 18 A focal length that is perf ect for portraitur e and a r ange of other subjects, a bright F1.8 maximum aperture, Optical SteadyShot ( OSS ) image stabilization and impr essive image quality . Put it all together in a lens that is surprisingly compact and lightweight and y ou have a winning c ...
-
Sony LCL90AM - page 33
Mount Category Page Description Model name Lens configuration ( group/element ) 35mm equivalent focal length ( APS-C ) 1 ( mm ) Angle of view ( APS-C ) 1 Angle of view ( 35mm full-frame ) No. of aperture blades Min. aperture ( F-Stop ) Max. magnification ratio ( x ) Min. focus ( m ) Distance encoder Filter dia. ( mm ) Hood shape/mount Dimensions: D ...
-
Sony LCL90AM - page 34
Lens Hood Lens Cap a lens accessories Front Le ns Ca p With log o. F i l te r d ia . 4 9 / 5 5 /6 2/6 7 / 72 / 7 7m m G Front Le ns Ca p Fil te r di a. 5 5/ 62/77 m m Carl Zeiss Front Lens Cap Fi lt er di a. 62/72/77mm Re ar Le ns C ap A LC - R 5 5 Re ar Le ns C ap A LC - R 1E M LCL - 60A M Fit s al l l en se s up to ( L ) 8 0 m m*, ( Dia. ) 8 0mm ...
-
Sony LCL90AM - page 35
© 201 1 So ny Ele ct ron ic s Inc. A ll r ig hts re se r ved . Rep ro duc tio n in w ho le o r in p ar t wi th ou t wri t ten p er mi ss io n is pr ohi bi ted . Features and specifica tions are subject to change without notice . Sony Electronics Digital Imaging Division 16530 Via Esprillo Drive San Diego, CA 92127 DI11012 a Lenses a Lenses ...
¿Tienes una pregunta acerca de Sony LCL90AM?
Utiliza el formulario que se encuentra abajo
Si con la ayuda del manual de instrucciones encontrado no has podido solucionar tu problema con Sony LCL90AM, haz una pregunta utilizando el formulario que se encuentra abajo. Si alguno de los usuarios ha tenido un problema parecido con Sony LCL90AM probablemente compartirá una forma de solucionarlo.