Manuel d’utilisation Gibson Guitars 1550-07 GUS

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  • Gibson Guitars 1550-07 GUS - page 1

    O W N E R ’ S M AN U A L ...

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    15 50-0 7 GUS ...

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    © 2 00 7 Gib son G uit ar Co rp . ...

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    T o th e ne w Gi bson ow ne r: C on gra tu l ati on s on th e p ur ch as e of you r new Gi bs on ele ct ri c gu it ar —t he wor ld ’ s mo st fam o us el e ct ri c gui t ar f ro m t he lea d er o f f ret t ed i ns tr u m e n t s . P le as e ta ke a fe w m inu t es to a cq uai n t yo ur se lf wit h t he i n for ma ti on in t hi s b oo kle t r e g ...

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    Th e Com pon en ts of t he S oli d bod y E lec tri c Gui ta r 4 G ibs on Inn ova t ion s 6 Th e His tor y o f Gi bso n Ele ctr ic Gui ta rs 8 DE SI GN AN D CO NST RUC TIO N B o d y 1 3 N ec k and H ead sto ck 1 3 P i c k u p s 1 4 C o n t r o l s 1 5 B r i d g e 1 7 T a i l p i e c e 1 8 CA RE A ND M AINT EN ANC E F i n i s h 1 9 Y our Gu ita r on ...

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    6 S t r a p B u t t o n S t o p b a r T a i l p i e c e T u n e - o - m a t i c B r i d g e Th e C om pon e nts o f th e So li db od y E lec tr ic Gu it ar Feat u rin g a Les Paul S t a n d a r d in Her itage C h e r ry S unb urs t 12 th Fr e t M a r k e r / I n l a y N e c k F r e t N u t H e a d s t o c k F i n g e r b o a r d T u n i n g K e y s ...

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    7 S t r a p B u t t o n S t o p b a r T a i l p i e c e T u n e - o - m a t i c B r i d g e T he Com po nen ts of the So li db od y E lec tr ic Gui ta r Feat u rin g a V -F act or F ade d in W o r n Cher ry 12t h F r e t M a r k e r / I n l a y N e c k F r e t N u t H e a d s t o c k F i n g e r b o a r d T u n i n g K e y s M a c h i n e H e a d s ...

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    6 H e r e are ju s t a f ew of t h e G ib so n in no v at io ns th at ha ve re sh ap e d th e gu it a r wo rl d : 18 94 – F i rst ar c ht op g ui ta r 19 22 – F i rst ƒ- ho le ar c ht op, t he L - 5 19 36 – F i rst pr of e ss ion a l q ual i ty el ec tr ic gu it ar , t he ES -1 5 0 19 47 – P -9 0 s i ngl e- co il p ic kup in t r o d u c e ...

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    7 1 95 8 – F i rs t s em i- ho ll ow bo d y g uit ar , th e E S- 335 1 96 1 – S G b od y s t yl e in t rod u ce d in t he L es Pa ul li ne 1 96 3 – F i r e b i r d gu it ar s a nd Th un de rb ir d b as se s int r o d u c e d 1 96 9 – L es Pa u l Pe rs o na l a nd Pr of es si on a l wi t h lo w- im pe d anc e p i ck up s i nt r o d u c e d 1 ...

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    8 A BRIE F HIS TO RY OF GIB SO N ELE C TR IC G UIT A R S G i b s o n ’ s le g e nd ary a co us ti c e n gi ne e r , L lo yd Lo ar , w as e xp er im en ti n g w it h e le ctr ic i n st r u m e n t s i n 19 24 , at th e d awn of el e ctr o ni c am pl i fi ca ti on . H owe v er , G ibs o n’ s st ru g gl e to do mi na te th e b an jo m ark et t oo ...

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    9 T he fi rs t p o st wa r G i bs on e le ct r ic s f ol l owe d t h e p re wa r c on ce pt o f an e le ct r ic gui t ar as a co nv ent i on al aco u st ic arc h to p w it h a p ick u p i ns ta ll ed on t he to p. Gi bs on ad de d a sec on d p ic ku p to th e ES -3 00 in 19 48 and th en bec a me the f ir st com p any t o o ffe r a th r e e - p i c ...

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    10 I n 1 95 4 t he gr owi n g p op ul a rit y o f t he Le s P au l Mode l pr om pt ed Gib s on to ex pa nd th e l in e. On t he h i gh e nd , th e Le s P aul Cus t om s por te d an Eb on y fin i sh a nd lo w fr et s fo r fa st act i on , an d i t i mme d ia te ly g ai n ed t wo n i ck na me s: th e B lac k Be a ut y a nd t he Fr et le s s W o n d e ...

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    11 T he b od y o f t he L es P au l J r . r ec ei ve d a pa ir o f r oun de d h orn s to b ec om e G ibs o n’ s fi rs t do u ble - c uta way s o lid bo d y . An d the fi n ish col or on th e Le s Pa ul Mod el wa s c ha ng ed to Ch er ry S un bu rs t, w hic h le t the gra i n of th e map l e top sho w thr o ug h. T he mo de l na me wa s cha ng ed ...

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    12 I n r e sp ons e to th e r i si ng de ma nd f or 19 50 s- s ty le Le s P au ls, t he c ar ve d- to p m ode l s w er e r e i n - t r od uc e d in 19 6 8. A ne w mod e l, th e Le s Pa u l Del ux e, f ea tu ri n g mi n i- hu mb uc ki ng pic ku ps a p p e a r e d i n 1 9 69. T he Sp ec ia l w as re vi ve d i n the 1 97 0 s a nd th e J r . r e a p p ...

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    13 D ESI GN AND CO NST RU CTI ON B o d y . T he so l idb od y g uit a r wa s inv e nt ed to in cr eas e sus t ai n, p rod u ce a br il lia nt to ne , a nd e li mi na te f eed b ac k ca us ed b y a v ib rat in g top . Th es e qu al it ie s ar e en ha nc ed b y w oo d wi th hi gh d e n s i t y , s uch a s map le . Le s Pa ul wo ul d ha v e p r e f e ...

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    14 N ec k Sp ec if ic a ti ons . G ibs o n des i gn s it s gu i tar nec ks t o com p le me nt and en ha nc e t he un iq u e c ha ra c ter is ti c s of e ac h mod e l. N ec k p r of il e s c a n be “ rou nd e d ’5 0s” or “ sl im ’6 0s” ( or a s li gh t V -s ha p e ava il ab le onl y on th e Bl ues H aw k) . Sc al e le ng th (s tr in g le ...

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    15 w it ho u t th e “d o g ear s” are n ick n am ed “s oa p ba r” b ec aus e th e or ig in al cr e a m - c o l o r e d p la st i c c ov er s on th e 19 52 Le s Pa ul Mo de l re se m ble d bar s o f s oa p. Wh en th e P- 90 wa s in tr o d u c e d i n 194 6, i t wa s th e mo s t pow e rf u l pi ck up of its k ind . An d it st il l is . Am on ...

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    16 V ol ume co nt r o l s : Th e tw o k nob s c lo s est to th e fi ng e rb oa rd co nt ro l the v ol um e o f th e pi ck u ps . T he vo l um e k no b n e ar es t t h e b ri dg e c o nt ro ls th e “f r ont ” or ne c k p ic ku p; t he k nob n ea re st t he e dg e of t he gu it ar co nt ro ls th e “b a ck ” o r b ri dg e p ic ku p. T on e con ...

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    17 T he T un e- o-m at ic Br idg e . Th e T un e- o- ma ti c b r id g e a llo w s fo r a dj us tm e nt i n o ve ra ll br i dg e h e ig ht a nd in di vi d ual s tr in g le ng th . He ig ht is adj u st abl e up and d own b y mea n s o f th um b wh ee ls u nd er t he b ri dg e a t e it he r e nd . E ac h st ri n g s a dd le i s adj u st ab le f or w a ...

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    18 T he t un e- o- ma t ic br id ge wa s d esi gn e d to ad ju st f or st ri ng ch a ng es (ga u ge or ty pe ) an d ot he r p hy sic a l c h ang es b ut n ot fo r p rob l em s w it h in to na t ion du e to st ri n g w ea r . S ho uld a st r ing l os e i ts int o na tio n d u e to w ea r , we st ro ng ly rec o mm en d cha ng i ng th e st rin g a nd ...

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    19 C ARE AND MA IN TEN AN CE F i n i s h . A Gi bs o n in st ru m ent al wa ys a tt ra ct s att e nt ion , w het h er i t is on a con ce r t st ag e be fo r e t hou s a nd s or on a gu i ta r st a nd in a ho me st ud io . Aft er th e cla ss ic bo dy li ne s o f a Gi bso n , t he f in is h m ak es th e st r on ge st im pr e s s i o n . P er sp ir at ...

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    20 H ea t a n d c ol d: G i b s o n ’ s n i tro c ell u l ose f in is h c a n e xp a nd or co n tra ct t o a d ju st t o e xt re me t em - p e r a t u r e s an d hu mi dit i es —b ut not to su dd e n c ha ng es i n te mp er at ur e or hu m idi ty . Ju st a s a h ot d rin k wi ll c rac k a c h ill e d g l ass , t he f in i sh of a Les P au l w i ...

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    21 A v oi d s ha r p b lo w s to any p ar t o f yo u r i ns tr um e nt . B e p a rti c ul ar ly al e rt t o p os si b le bl ow s t o th e b ac k of th e h ea ds toc k, mac h in e he ad s (t un er s) , an d in th e ne ck he el are a. Man y he ad st o ck b r ea ks ar e th e res ul t of a gu it ar bei n g kno ck ed ov er or dr opp e d wh ile it ’ s ...

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    22 W he n ch a ng in g st r ing s , we re co mm en d ch a ng in g on e s t rin g at a t im e in or de r t o ma in t ai n te n- s io n o n t he nec k an d br id ge . T he p r e s s u r e o f th e s tr in gs hol d s t he br id ge a n d sa d dle s i n p la ce , a nd rem o vi ng al l t he st ri ng s c ou ld ne ce ss it a te a ne w s et up . U se hig h ...

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    23 2 . Be certain the string is wrapped around the tuner post an adequat e n um be r of tim e s. Fo r un wo un d s tr i ng s, at l ea st f iv e t ur ns a ro un d th e m ac hi ne h ea d s te m a re n ec es s ar y . F or w ou nd st ri ng s, two o r t hr ee tu rn s a re ad eq ua te . W ha t g aug e str i ng s sh o ul d be use d? Y ou r Gib so n gui t ...

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    24 NE W TEC H NOLO G Y - THE GIB SO N RO BO T G UIT A R T he I m po ss ib le is No w Po s si bl e. I n t r o du ci ng th e G ib so n R ob ot Gu it ar , th e w or ld ’ s f irs t gui ta r wit h rob ot te ch n ol og y . G i b s o n ’ s Ro b ot Gu it ar is the o nly g ui tar av a il ab le wi th th e au to - tu ni ng sy st em d esc ri b ed h e r e i ...

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    25 T HE M ASTE R C ONT R OL KN OB (M CK ) T he M as ter Con tr ol Kno b not on ly ser ves as the mas te r co nt ro l for all as pec ts o f th is a maz i ng , se lf - tun i ng sy s tem , bu t it wi l l com m un ic at e wi th yo u as you le ar n it s “la n gu ag e .” T he MCK is qui t e pow er fu l an d has ma n y u se s, an d we bel i eve yo u w ...

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    26 c ha nge d to yo ur li kin g , bu t you c an al wa ys r e s t o r e t he fa ct or y d e fa ult s as l a ter de sc r ib ed i n th i s Ow ne r ’ s Ma n ual . T he M C K’ s L ED di s pla y w i ll s h ow v ar i ou s s ym bol s an d c ol o rs an d th e se wil l be e x pl ai ne d i n t he var iou s m o des of oper a ti on a vai la b le to y ou . D ...

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    27 PR EC AUT I ON S: • Nev er tr y to m a nu ally tur n t he tu ni ng p e gs on th e P ow er he ad s u nl es s t hey a re in th e dis e ng ag ed p osi ti on (p u ll ed o ut an d a way f rom the peg h ead ) . • Do not at te m pt to ope n t he co ve r of the p e gh ea d e le ct ron i c s, t he P owe rh e ads , or th e bod y CP U a s th i s w ill ...

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    30 GU ID E TO FU NC TIO NS AND DI SPL A Y MO DES DU RIN G TU N IN G OP ER A T I O N S F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s Instantly Activated T uning (440Hz, EADGBE is factory default) Regular T uning 440Hz, EADGBE E major T uning 440Hz, EBEG#BE Pull MCK out MCK out and turned all the way down to “0” (co ...

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    31 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s DADGAD T uning 440Hz, DADGAD Dropped D T uning 440Hz, DADGBE De lt a Blu es T unin g 44 0Hz, DG DGB D Pull MCK out and tur n to A LED Pull MCK out and tur n to D LED Pu ll MC K o ut and t urn to G LE D A LED shining blue D LED shining blue G L ED s hini ng b lu e Enter ...

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    32 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s E F lat T uni ng 4 4 0 H z , E b A b D b G b B b e b Do ubl e D r o p p e d D T uni ng D A D G B D Pul l MC K ou t and tur n to B LED Pul l MC K ou t and tur n to e L ED B L ED s hin in g blu e e LED s hin ing blu e Enter by pressing the display once— b, #, and all st ...

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    33 F u n c t i o n Dis p la y LE D s A c t i o n R e m a r k s R e f e r en ce T unin g ( T une to s ele cte d r e f e r ence p itc h) Pu ll MC K o ut an d t u r n t o I LE D I L ED s hini ng r e d Pu ll o ut (d ise nga ge) the peg of the Power h e a d yo u ch oos e to t une t o a r e f e r e nce p itc h. No w tu ne th is st rin g to m atch your ch ...

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    34 F u n c t i o n Dis p la y LE D s A c t i o n R e m a r k s Cu st om A lter e d T un in g Pu ll MC K o ut an d t u r n t o Peg LED T o c rea te yo ur ow n ”Cu sto m Al ter e d T un ing ,” d isen ga ge eac h P ower hea d of t he st rin g r e q u i r ed and tune it man ual ly to the pitch yo u wa nt. Then pr e s s th e dis play on ce, and th e ...

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    35 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s St rin g U p Mod e St rin g D own Mo de Pul l MC K ou t and tur n to R evol vi ng A rrow LE D Pul l MC K ou t and tur n to R evol vi ng A rrow LE D Re vo lvin g Ar ro w and # L ED s hin e gr e e n Re vo lvin g Ar ro w and # L ED s hin e gr e e n Activate String Up Mode ...

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    36 T O RE STR IN G YO UR ROB OT GU IT A R F ir st en s ur e th at all Pow e rh ea ds ar e d is en ga ge d by pu lli n g th e peg s a wa y fr om the peg he ad . T his i s ve r y i mpo r ta nt ! G uid e ea ch str in g th ro ug h yo ur tai lp i ece , ov er the cen te r of ea ch sa d dl e (w her e con ta ct is e ss en ti al ), an d t hr ou gh th e n ut ...

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    37 N ow y ou ar e re ady to en gag e S t ri ng Up Mod e . MCK s ho ul d be on the gr een re v ol vi ng a r r o w a s d e scr ib e d on th e pr ev io us p age . A ft er t he di sp la y is p res s ed fo r 3 s e con ds , al l st r ing s wil l w in d th e mse l ves cl os e to th eir cor r ec t pi tc hes , wh ere u po n yo u mu st fi ne tu ne yo u r gu ...

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    38 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s In to nati on Mode Activate Intonation Mode by pressing the display for 3 seconds. Strum one of the strings until the accor ding LED shines green. For example, D. After 2 seconds b LED turns off and # LED shines green Pick the same string now in the 12th fret and strum ...

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    39 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s In to nati on Mode For each green LED turn the screw half turn clockwise For each red LED turn the screw half turn counter - clockwise Now a color ed blink code displays the appropriate cor r ection for the intonation scr ew . For example: = 5 half turns clockwise For e ...

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    40 F u n c t i o n Dis p la y LE D s A c t i o n R e m a r k s C a l i b r a t i o n M o d e Pu ll MC K o ut an d t u r n t o C L ED C L ED s hine s r e d Ac ce ss Cal ib rati on Mo de b y pre ss ing the di spl ay f or 3 s ec ond s. Th e C LE D wi ll shi ne bl ue. Now t urn th e MC K to sel ect your fun da- men ta l fr equ enc y fr o m th e fol low ...

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    41 PL E ASE NOT E: O nce y ou h av e s el ec te d y our de si r ed f un d amen tal , p re ss th e d isp l ay d ow n f or thr e e se co nd s. N ow ch o os e a tu n in g and s tr u m t he s tr ing s. T he G lob a l C al i br at io n O f fs et is ap pli ed to ea ch s el ec te d t un in g. T o c h e ck t he s e l ec t e d G lo b a l Ca l i br at i on O ...

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    42 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s En te r Set up M ode Pul l MC K ou t and tur n all the way down to “0” ( c o u n t e r - c l o c k w i s e ) b a nd # shi ne r e d Press display for 3 seconds. When the display tur ns blue, r elease the display button. Now press the display again for 3 seconds. It w ...

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    43 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s Ex it S etu p M ode with out s avi ng ch ang es Ex it S etu p M ode; s avi ng ch ang es Pus h MCK bac k in Dep end en t on S etu p Mod e fu ncti on las t u t i l i z e d Setup Mode switches of f Setup Mode function applied Y ou can exit Setup Mode at any time Y our Setu ...

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    44 R e s t o r e F a c t o r y D ef ault s Di spl ay S of twa re R e l e a s e En ter S et up Mo de a nd t u r n t o LED D En ter S et up Mo de a nd t u r n t o E LE D a n d p r e ss En ter L E D D s hini ng b lue , Pe g LED sh in es wh ite Pe g LED fla shi ng seq uen c e indi cat es s o f t w a r e r e l e a s e e d i t i o n Res tor ing Fact ory ...

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    45 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s G l o b a l C a l i b r a t i o n O f f s e t On / Of f Ent er S etup Mo de t u r n to L ED C an d p r e ss dis pla y o nce L ED C s hin in g blu e, Pe g L ED sh ine s wh ite T urn MCK left (Counterclockwise) to switch of f Global Calibration r ed B LED indicates OFF T ...

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    46 F u n c t i o n MC K P osi ti on Dis p la y LE D s A c t i o n R e m a r k s I n s t a n t l y A c t i v a t e d L ast T u n i n g In st antl y Ac ti vate d P r e set T u n i n g Ent er S etup Mo de and turn to LED and pre ss En te r Ent er S etup Mo de and turn to LED and pre ss En te r T urn MCK to I and press Enter T urn MCK to one of the Pre ...

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    47 F u n c t i o n Dis p la y LE D s A c t i o n R e m a r k s Sp eed / A c c u r a c y S e t t i n g s En ter S et up Mo de a nd t urn to A LE D Pe gs sh in es w hite , A sh in es bl ue P r es s di spl ay on c e. C u r re nt S pee d / Ac cur acy sett in g wi ll be ind ica ted by fl ash in g gre en LE Ds (a s de scr ibe d be low) Th e Powe rt un e ...

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    48 Dy nam ic R un time C o n t r ol On / O ff e F u n c t i o n C o r r e c t i o n On / Of f En ter S et up Mo de t u r n t o G LED an d p r e ss En ter En ter S et up Mo de an d tur n to B LED , p r e ss di spl ay # wi ll be sh in ing g r e e n or b wil l b e shi nin g r e d , G L ED s hine s b lue , Peg LE D sh ine s whi te # wi ll be sh in ing ...

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    49 C A L I B R A TI NG PO WER HEA DS T he Rob ot Gui t ar wi ll b e p re- ca li br a ted f or a s t and ar d .0 10 -.0 4 6 set o f st r ing s . If you c h ang e s tr in g ga uge s , r e s t o r e fac t or y de fa ult s, or are i ns ta ll i ng the s ys te m yo u rs elf , y ou m a y f ir st wan t t o cal i b rat e th e Po we rh e ads in di vid u al l ...

  • Gibson Guitars 1550-07 GUS - page 52

    50 CH AR GI NG AND BA T T E R Y I NFO RMA T I O N T he R o bo t G ui tar c ome s wi th a b att e ry pa ck c on t ai nin g tw o r e c h a r gea b le b a tt er ie s. A spe c ia l c ha rge r is al so inc l ud ed wit h th e sy s tem . T he ba tter y c h ar ge l e vel is in dic at ed ea ch t im e y ou a ct iv at e yo u r sy st e m, a s in d ic at ed b e ...

  • Gibson Guitars 1550-07 GUS - page 53

    51 C h a r ge Mo de Pu ll MC K o ut, turn to C L ED an d pr e s s d i s p l a y Y our c urre n t cha r g e le ve l wil l be d isp la yed fo r a bou t 3 sec on ds. T he le vel of c har g e wi ll b e in dic at ed by ho w ma ny g ree n LE Ds y ou se e (b et weeen 1 a nd 1 0). Fo r op tim um pe r f o r m a n c e , y ou wi ll wa nt a ch a r g e le ve l ...

  • Gibson Guitars 1550-07 GUS - page 54

    EMERGENCY CHARGE MODE Th e sys tem has an Em ergen cy Charge Mod e (ECM) if it s r e c h a r ge able bat ter y pack goes c omplet ely ‘dead’ or too low in char ge to run the nor mal Char ge Funct ion . Pull out MCK a nd tu rn it to r ough ly the midd le posit ion . I t’ s OK if th e light s don ’t come on, ECM w ill fix th at. Put all the o ...

  • Gibson Guitars 1550-07 GUS - page 55

    53 Note: It is r ecommended not to store the guitar with the MCK out, as this will fully drain the battery eventually and Emergency Charge Mode must be employed. SHORT CIRCUIT W ARNING I n th e ev en t of a shor t ci r cu it f ro m n eg at iv e to g rou n d (S tr in gs E o r A to D o r G ) the whi t e peg s ymb o l wil l fl ash . Th is can be cau s ...

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    56 ...

  • Gibson Guitars 1550-07 GUS - page 58

    57 N O T E S _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ...

  • Gibson Guitars 1550-07 GUS - page 59

    58 N O T E S _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ...

  • Gibson Guitars 1550-07 GUS - page 60

    59 N O T E S _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ...

  • Gibson Guitars 1550-07 GUS - page 61

    60 N O T E S _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ ...

  • Gibson Guitars 1550-07 GUS - page 62

    7 ...

  • Gibson Guitars 1550-07 GUS - page 63

    6 30 9 Plu s Park Boul eva rd Nashv ille , T N 37 217 U SA 1. 800. 4GI BSO N www . g i b s o n . c o m ...

Fabricant Gibson Guitars Catégorie Guitar

Les documents que nous recevons du fabricant de l'appareilGibson Guitars 1550-07 GUS peuvent être divisés en plusieurs groupes. Ceux-ci sont, entre autres:
- dessins techniques Gibson Guitars
- manuels d’utilisations 1550-07 GUS
- fiches produit Gibson Guitars
- dépliants
- ou étiquettes-énergie Gibson Guitars 1550-07 GUS
Tous sont importants, mais les informations les plus importantes du point de vue de l'utilisation de l'appareil se trouvent dans le manuel d’utilisation Gibson Guitars 1550-07 GUS.

Un groupe de documents appelé manuels d’utilisation est également divisé en types plus spécifiques, tels que: Manuels d’installation Gibson Guitars 1550-07 GUS, manuels d’entretien, brefs manuels ou manuels de l’utilisateur Gibson Guitars 1550-07 GUS. Selon vos besoins, vous devriez chercher le document dont vous avez besoin. Sur notre site, vous pouvez voir le manuel le plus populaire d’utilisation du produit Gibson Guitars 1550-07 GUS.

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Manuel d’utilisation complet de l’appareil Gibson Guitars 1550-07 GUS, quelle devrait-elle être?
Le manuel d’utilisation, également appelé le mode d’emploi, ou tout simplement le manuel, est un document technique destiné à aider à utiliser Gibson Guitars 1550-07 GUS par les utilisateurs. Des manuels sont généralement écrits par un rédacteur technique, mais dans un langage accessible à tous les utilisateurs Gibson Guitars 1550-07 GUS.

Le manuel d’utilisation complet Gibson Guitars, devrait inclure plusieurs éléments de base. Certains d'entre eux sont moins importants, tels que: la couverture / page de titre ou pages d'auteur. Cependant, la partie restante, devrait nous fournir des informations importantes du point de vue de l'utilisateur.

1. Introduction et des conseils sur la façon d'utiliser le manuel Gibson Guitars 1550-07 GUS - Au début de chaque manuel, nous devrions trouver des indices sur la façon d'utiliser le document. Il doit contenir des informations sur l'emplacement de la table des matières Gibson Guitars 1550-07 GUS, FAQ ou des problèmes les plus fréquents - les points qui sont les plus souvent recherchés par les utilisateurs de chaque manuel
2. Table des matières - index de tous les conseils pour lGibson Guitars 1550-07 GUS qui peuvent être trouvés dans le document courant
3. Conseils sur la façon d'utiliser les fonctions de base de l’appareil Gibson Guitars 1550-07 GUS - qui devraient nous aider dans les premières étapes lors de l'utilisation Gibson Guitars 1550-07 GUS
4. Troubleshooting - séquence systématique des activités qui nous aideront à diagnostiquer et ensuite résoudre les principaux problèmes de Gibson Guitars 1550-07 GUS
5. FAQ - questions fréquemment posées
6. Détails du contact Informations sur l'endroit où chercher le contact avec le fabricant / service Gibson Guitars 1550-07 GUS dans un pays donné, si le problème ne peut être résolu par nous-mêmes.

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