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Manuale per l’uso ARRI 416

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Summary
  • ARRI 416 - page 1

    Instruction Manual As of: Dezember 2006 A ll Artwork , pictures And texts Are covered by our copyright . t hey must not be copied ( e . g . on cd-rom, disks or internet - sites ) or used in their entire form or in excerpts without our previous written Agreement . i f you Are downloAding pdf- files from our internet homep Age for your personAl use , ...

  • ARRI 416 - page 2

    release button for on board batter y remote-socket cover on magazine opening tape hook power supply socket mini monitor sockets PL-mount adjustable mirror shutter bre screen nder arm friction adjustment for nder arm lock for telecoping nder arm adjustment knob for manual image compensation locking button for manual image compensation ey ...

  • ARRI 416 - page 3

       1.Content Content 1. Contents ............................................................ 3 2. Safety Instructions and Legal Disclaimer ............... 7 2.1 Safety Instructions ............................................. 7 W arning signs .................................................. 7 General safety instructions ... ...

  • ARRI 416 - page 4

      Content 7. Camera Body ................................................. 43 7.1 Mechanically Adjustable Mirror Shutter ............ 43 Setting the Mirror Shutter Angle ....................... 43 Shutter Angle Measurement ............................. 44 Filming with HMI Light .................................... 45 7.2 Exchanging the Fib ...

  • ARRI 416 - page 5

      Content 10. Video Assist System ................................... 73 10.1 General Description of the IVS ....................... 73 New Features .................................................. 73 Main Features ................................................. 74 10.2 Setup ........................................................... ...

  • ARRI 416 - page 6

       Content 12. ARRIFLEX 416 Plus .................................... 185 12.1 General Description .................................... 185 12.2 Radio system .............................................. 186 12.3 Wireless Remote System ............................. 188 Lens Motors ................................................. 188 W ...

  • ARRI 416 - page 7

       2. Safety Instructions and Legal Disclaimer General safety instructions Read and understand all safety and operating i n st ru ct io ns b ef or e yo u op er at e or i ns ta ll t he s ys te m. Retain all safety and operating instructions for future reference. He ed all wa rni ng s o n t he sys tem an d i n t he saf ety and op erat ing in ...

  • ARRI 416 - page 8

       Do not operate the system in high humidity areas or expose it to water or moisture. Do not place the system on an unstable trolley , stand, tripod, bracket, or table. The system may fall, causing serious personal injur y and damage to the system or other objects. Operate the system using only the type of power source indicated in the ma ...

  • ARRI 416 - page 9

       Specic safety instructions Never run the camera without a lens or a protective cap in the lens mount receptacle! Never operat e the magazin e relea se mec hanism while the camera is running! As the iris ring end-stops of the ARRIMACRO lenses move when the lens is focussed, the ARRIMACRO lenses must not be used with the ARRI Wireless ...

  • ARRI 416 - page 10

     10 10 2.2 Disclaimer Before using the products described in this manual be sure to read and understand all respective instructions. The ARRIFLEX 416 and 416 PLUS is only available for commercial customers. The customer grants by utilization, that the ARRIFLEX 416/PLUS or other components of the system are only deployed for commercial use. Other ...

  • ARRI 416 - page 11

     11 11 any claim by third party , downtime, good-will, damage to or replacement of equipment or property , any costs or recovering of any material or goods associated with the assembly or use of our products, or any other damages or injur y of persons and so on or under any other legal theor y . In the case one or all of the forgoing clauses are ...

  • ARRI 416 - page 12

     1 1 GeneralDecription ...

  • ARRI 416 - page 13

     1 1 .GeneralDecriptionoftheARRIFLEX1 The ARRIFLEX 416 is a lightweight, modern Super 16 lm camera with a 35-style viewnder and a ver y low sound level. A completely new lightweight ergonomic design, integr ated e lectron ic acce ssories and c ompatib ility w ith the same lenses and accessories used b ...

  • ARRI 416 - page 14

     1 1 magazine opening cover loop protector Intallation ...

  • ARRI 416 - page 15

     1 1 .IntallationoftheCamera 4.1 Packing and T ranspor t In order to prevent damage to the mirror shutter , a protective cap must be in the lens mount receptacle at all times. When the ARRIFLEX 416 is transported or stored without a magazine, the magazine opening cover a photo should be in place. Loaded or empty magazi ...

  • ARRI 416 - page 16

     1 1 4 . 3 S p l i t B r i d g e P l a t e s B P - 1 0 & B P - 1 1 Th e Spl it B ridg e Pl ates fac ilit ate bala ncin g of the cam era on the tripod and elevate the 416 to proper height for the mo unt ing of accessories. They separate into two pieces to allow you to q uic kly chan ge b etwe en t ripo d an d ha nd-h eld op er ati on. T ...

  • ARRI 416 - page 17

     1 1 • Slide the Sled into the dovetail-guide of the Base Plate until the spring-loaded stop pin a photo snaps back audibly . The Sled‘s position can then be xed with the clamping lever . • Fit the camera onto the short dovetail-guide on the Sled. Slide it for ward until the spring-loaded catch a photo locks it in place. • Tight ...

  • ARRI 416 - page 18

     1 1 Removing the Split Bridge Plate from the Base Plate • Before removing the camera, make sure that all cables are disconnected and that the eyepiece levelling rod is detached. • For fast removal of the bridge plate from the base plate, loosen the sled clamping lever a photo , push in the stop pin a photo and then pull the camera wit ...

  • ARRI 416 - page 19

     1 1 4.4 Accessor y Carrier The Accessor y Carrier is a par t of the BP-10 & BP-11 Split Bridge Plates. It must be tted to the camera to work with a split bridge plate but, as its name suggests, it is also needed for mounting the following accessories: The 416 Shoulder Pad - SP-2 The SP-2 shoulder pad a photo is a comfortable sculpt ...

  • ARRI 416 - page 20

     0 0 The 416 Left Rod Bracket – LRB-2 a photo attaches to the left side of the Accessor y Carrier to allow the mounting of single 19 mm support rod. It is also tted with an Accessor y Rosette. left rod bracket LRB-2 Intallation ...

  • ARRI 416 - page 21

     1 1 4.5 Lens Suppor t Hea vy or l ong len ses re quir e s upp ort to av oid ove rst ress ing the camera‘s lens mount. Supporting a lens is achieved by using either the Lens Support LS-9 (snapped onto 19 mm support rods) a photo or the Lens Suppor t LS-10 (pushed onto 15 mm support rods) in conjunction with a lens support ring a photo at ...

  • ARRI 416 - page 22

       4.6 Grip System The multipurpose grip system on the ARRIFLEX 416 guarantees high stability through its xed connection to the camera body and provides numerous possibilities for attaching accessories. 3/8-16 inner threads allow attach- ment in various positions. 416 Standard Camera Handle SCH-2 The 416 Standard Camera Handle is ...

  • ARRI 416 - page 23

       The 416 Standard Camera Handle can be extended with the Handle Extension Block HEB-1 a photo . The Handle Ex te nsi on B lock can be moun ted to a ny o f th e 3/ 8-16 hol es by rs t plac ing the 2 pins a photo into the cor respond ing pin holes on the handle and then fastening the extension block screw a photo inside the extens ...

  • ARRI 416 - page 24

       Low Mode Support Set LMS-2 The Low Mode Support Set LMS-2 a photo is a sturdy triple post camera handle with integrated Steadicam low mode plate that attaches to the 416 camera body . It consists of the Low Mode Bracket a photo , the Low Mode Support Handle a photo and Low Mode Riser a photo . The Low Mode Bracket is mounted with ...

  • ARRI 416 - page 25

       a p hot o , one po sit ion ap pro xim ate ly 50 mm (2“ ) f orwar ds a n d a th ir d ap pr ox im at el y 10 0 mm ( 4“ ) fo rwa rd s. T he h an dl e can be mount ed in a ny of t he posi tions facing for wards or backwards; in this way , the grip balance can be adapted to best t the lens in use. The Low-Mode Bracket a photo al ...

  • ARRI 416 - page 26

       416 Lightweight Support L WS-5 The 41 6 Li ght weig ht Sup port L WS- 5 i s a stu rdy , thr ee poin t brack et for mountin g 15 mm light weight support rod s. The L WS-5 is tted with an Accessor y Rosette to replace the camera‘s rosette which is covered when the L WS-5 is tted a photo . • Fit the L WS-5 to the camera by ...

  • ARRI 416 - page 27

       4.7 Operation fr om the Shoulder • Fit the Accessor y Carrier to the camera base. • Attach the Shoulder Pad to the rear of the Accessor y Carrier a photo . • Position the handgrip on the rosette and fasten with the fastening screw a photo . • Plug the cable for starting and stopping the camera into the RS socket. accessory ...

  • ARRI 416 - page 28

       .PowerSupply The a cceptab le volt age ran ge to p ower t he came ra is f rom 20.6 to 35 V DC. The power supply cable is attached to the power supply socket on the camera. Available are: • the batter y NC 24/7 R with charger NCL 24 R • the mains unit NG 12/24 R. • the mains unit NG 12/26 R a photo . • the on-bo ...

  • ARRI 416 - page 29

       5.1 Batter y NC 24/7 R The b attery NC 24/7 R has a cap acity o f 7 am pere-h ours. • Ensure that the main switch on the camera is off. • Plug the batter y cable KC-20-S or the spiral batter y cable KC-29-S into the power supply socket on the camera and into the batter y socket. Note: If the batter y voltage is too low , the ? ...

  • ARRI 416 - page 30

     0 0 5.3 Mains Units NG 12/24 R and NG 12/26 R Us e of a ma ins unit is reco mmen ded for lmi ng i n th e st udio and when using electronic accessories with high power consumption. • First check that the correct mains voltage is set on the mains unit. • Ensure that the camera power is turned of f. • Set the voltage switch on the m ...

  • ARRI 416 - page 31

     1 1 The OBB-2 contains Lithium-Ion cells. The equivalent Lithium content is less than 8 grams. T ested according to UN manual of test and criteria chapter 38.3. T o reduce the risk of re burns do not disassemble, crush, puncture or short exter nal contacts. Do not dispose of in re or water . Do not expose to temperatures above 60°C ...

  • ARRI 416 - page 32

       Charging the OBB-2 • Connect the batter y to the charger a photo . • Connect the mains supply . • The LED on the charger glows orange when the batter y is empty • The LED on the charger glows yellow when the batter y is partly full • The LED on the charger glows green when the batter y is fully charged Do not charge belo ...

  • ARRI 416 - page 33

       5.5 Accessor y Power Supply 24 V Accessories The RS sockets supply the same voltage as the camera power supply . Ensure that the accessories to be used are suited to the available voltage! 24 V accessories are normally attached to the RS sockets a photo . 24 V can also be drawn from the “REMOTE“ co nne cto r . A t 24 V , the m ...

  • ARRI 416 - page 34

       Magazine ...

  • ARRI 416 - page 35

       .Magazine Only the SHM-3 416 Shoulder Magazine 120/400 can be used with the ARRIFLEX 416. Magazines from the 16 SR 1, 2 & 3 cameras are not compatible. 6.1 Loading the 416 Magazine Loadin g the magazin e shoul d be pr actise d in da ylight with a p iec e of wa ste lm un til the pr oced ure can be ca rrie d o ut ...

  • ARRI 416 - page 36

       • Swing the footage counter roller arm a photo away from the feed side core holder until it locks in place. • Remove the lm from the lm can and black bag. • Remove the tape from the lm head. Ensure that the tape i s comp letely removed and se cured out of the way . • Place the lm roll on the core holder so that ...

  • ARRI 416 - page 37

       loop mark transfer roller Step 2: The T ake-up Side The following procedures may be carried out in the light. • Flip the magazine over so that the take-up door is uppermost and the top of the magazine is facing you. The ARRI on the door will be upside down. • Open the take-up side magazine door and latch back the lay-on roller ...

  • ARRI 416 - page 38

       • Hold the lm between thumb and middle nger of your left hand, while using your index nger to push the lm head into the lower magazine throat slot. The angle at which the lm enters is not as critical as it is on the old SR magazines. • Keep pushing the lm in with your index nger until you see the sprockets ...

  • ARRI 416 - page 39

       6.2 Checking the Loop Size • T urn the magazine so the throat is pointing upwards with the feed side facing you. • Push the loop to the left so all the slack is below the pressure plate. • The end of the loop must fall within the white line marked in the lower throat chamber a photo . • If the loop length is not correct pu ...

  • ARRI 416 - page 40

     0 0 Magazine lay-on roller arm 6.3 Removing Exposed Film If o nly part o f t he  lm r oll has been exp osed and you int end leaving a ‘short end‘ in the magazine, cut the lm loop squarely through a perforation. The following steps should be carried out in total darkness in a darkroom or changing tent! • Open the take-up sid ...

  • ARRI 416 - page 41

     1 1 Magazine 6.4 T ranspor t and Storage Loaded or empty magazines should only be transported or stored with the loop protector a photo attached to avoid damage to the lm stock and the magazine throat assembly . It is recommended that when the ARRIFLEX 416 is transported without a magazine the magazine opening cover should be attach ...

  • ARRI 416 - page 42

       Magazine ...

  • ARRI 416 - page 43

       .CameraBody 7.1 Mechanically Adjustable Mirr or Shutter Th e m irr or shu tte r o n t he ARR IFL EX 416 ca n b e m ech ani cal ly adj ust ed w hil e th e c ame ra i s s wit ched off. The sh utt er a ngl e can be adjusted from 180° to 45°. The shutter locks in the following positions: 180°, 172.8°, 150°, 144°, 135 ...

  • ARRI 416 - page 44

       • T urn the shutter tool to set the shutter to the desired shutter opening. The shutter is held in its preset positions by a sprung-ball, which can be felt as the shutter is adjusted. Make sure the shutter registers properly at the set opening. • Remove the shutter tool and lm track cleaning rod Operation of the camera when ...

  • ARRI 416 - page 45

       Filming with HMI Light When lighting scenes with HMI/CID discharge lamps, the i n te ns it y of t he l ig ht w il l pu ls e wi th t he p ow er s up pl y fr eq ue nc y unless a icker-free ballast is used. T o achieve constant exposure, the camera’ s frame rate, the supply frequency of the lighting and the angle of the mirror s ...

  • ARRI 416 - page 46

       7.2 Exchanging the Fibre Screen • In St andby , bri ey pre ss the “PHASE ” butto n to po sition the shutter so the mirror surface is protected from damage as far as possible a photo . • Befor e excha nging t he bre screen , swit ch the camera’ s main switch off and disconnect the camera from the power supply! • R ...

  • ARRI 416 - page 47

       7.4 Attaching the Magazine • Move the magazine release lever safety catch to the open position a photo . • Press down the magazine release lever a photo and remove the magazine opening cover . • Remove the loop protector from the magazine. • Place the ma gazine’ s throat i n the c amera o pening and s l id e th e ma ga z ...

  • ARRI 416 - page 48

       7.5 Removing the Magazine • Stop the camera if it is running! • Move the magazine release lever safety catch to the open position a photo . • Push the magazine release lever down a photo and pull the magazine back and out of the camera. • Fit a loop protector to the magazine. • Replace the cover in the camera opening or ...

  • ARRI 416 - page 49

       Optic .Optic 8.1 Lenses All ARRIFLEX lenses with a PL-mount can be used. Lenses with a Ø 41 mm standard or bayonet mount can be used with a suitable adapter . Heavy and long lenses, such as zoom lenses, must be supported at all times. Attaching Lenses • Re mov e t he pro tec tiv e c ap fro m t he len s m oun t r ...

  • ARRI 416 - page 50

     0 0 8.2 V iewnder System The viewnder system on the ARRIFLEX 416 can be swivelled in two axes. The viewnder image is always upright and correct left-to-right when the viewnder is swivelled within the main axes a photo . An 80/20 beamsplitter for the video assist is integrated into the camera body . The viewnder and the vide ...

  • ARRI 416 - page 51

     1 1 Adjusting the Dioptre The dioptre compensation is tted with a scale a photo of 1 to 12. Position “6” is normal focus. • T o adjust, turn the ring right/left until the bre screen markings are totally in focus. Adjusting the Viewnder T urning the Eyepiece The eyepiece can be rotated 360° around the viewnder arm. The e ...

  • ARRI 416 - page 52

       Extending the Viewnder Arm The viewnder arm can be telescoped continuously by approx. 40 mm. • T urn the knurled ring a photo towards the “LOOSE” position. • Pull the viewnder arm a photo out to the desired length. • Retighten the knurled ring. Image Orientation Compensation The viewnder system is tted wit ...

  • ARRI 416 - page 53

       Note: The automatic image compensation locks in two positions 180° apart. This allows the image compensation to be set to provide an upright image when using a nder extension. If the viewnder image is inverted without the nder extension, the image compensation must be adjusted to the opposite locking position. Inverting ...

  • ARRI 416 - page 54

       ON/OFF button RUN button CameraOperation ...

  • ARRI 416 - page 55

       .CameraOperation 9.1 Main Camera Switch • If using a mains unit, switch it on. • Connect the camera to the mains unit or batter y . • Push the “ON/OFF” button a photo to turn the camera on. Push the “ON/OFF” button for approx. 3 seconds to turn the camera of f again. Note: If the camera power supply is in ...

  • ARRI 416 - page 56

       Running the Camera If th e o per ati on con tro l i ndi cat or glo ws red wh ile in St and by , the camera is not ready and will not run (see “Over view of Display Symbols”). • Briey press the “RUN” button. While the camera is running up to speed, the operation control indicator a photo glows red. Once the set frame r ...

  • ARRI 416 - page 57

       Inching The ca mera ca n be in che d by pr ess ing the “PH ASE ” b utto n wh ile th e c ame ra is in Sta ndb y . If t he “PH ASE ” b utt on is onl y pressed briey , the mirror shutter rotates a par t revolution to enable an unrestricted view of the lm gate (e.g. for checking the gate). If the “PHASE” button is he ...

  • ARRI 416 - page 58

       Overview of Display Modes Mode 1 is displayed: after switching on the camera, after pressing the “RUN” button or 30 seconds after the last operation. 1st Display Line 2nd Display Line Adjustment Possibility Mode 1 total exposed lm counter (m/ft) or frame rate (fps) or setting/re-setting of total exposed lm counter take c ...

  • ARRI 416 - page 59

       Overview of Display Symbols Symbol Meaning glows The display is in Mode 1. bat glows Batter y voltage too low asy glows Asynchronous operation (camera is not running at set frame rate) fps glows display shows current frame rate blinks ESU is connected and no sync-frequency is available 7 6 5.. glows Mode number N OR M glows camera ...

  • ARRI 416 - page 60

     0 Mode 1 total exposed lm or takelength Mode 3 take length or total exposed lm 0 Film Counter Displaying the Film Counting V alues (Modes 1 and 3) Film counting values are shown in Modes 1 and 3. T wo dif ferent counting values are shown respectively: • the total amount of exposed lm or • th e t ake le ngt h ( amo unt of l ...

  • ARRI 416 - page 61

     1 1 Resetting the Film Counter (Modes 1 and 3) • Change to the mode which shows the total exposed lm counter (“MODE” button). • The total exposed lm counter can be set to zero by pressing the “SET” button (for at least 1.5 seconds) while in Standby . • The take length counter is automatically reset each time the camera ...

  • ARRI 416 - page 62

       Frame Rates The ARRIFLEX 416 offers the possibility to set and store two frame rates. It is possible to select and store: • a st an da rd f ra me r at e (2 3. 97 6, 2 4, 2 5, 2 9. 97 a nd 3 0 fp s) • and a freely programmed frame rate between 1 and 75 fps in increments of 0.001 fps. Th e fra me r ate is a ctiv ated via the “ ...

  • ARRI 416 - page 63

       Setting a Programmed Frame Rate (Mode 2) Standby Operation • Change from Mode 1 to Mode 2 by pressing the “MODE” button once. • Press the “SEL” button repeatedly until the digit to be set blinks. • Press the “SET” button repeatedly until the desired value is reached. • Repeat this procedure until all digits are ...

  • ARRI 416 - page 64

       Shifting phase After the camera has run up, the frame rate can be temporarily increased by 0.2 fps while the button the “PHASE” is held pressed a photo . This is normally used when synchronizing to an interlaced video signal – look through the viewnder and hold the “PHASE“ button pre sse d un til the ba r i n th e v i ...

  • ARRI 416 - page 65

       Displaying On-board Battery information (Mode 3) The options in this section are only available when an OBB-2 on-board batter y is attached. • Ch an ge fr om Mo de 1 to M od e 3 by p re ss in g th e “M OD E” button twice. The display shows the batter y voltage. • Press the “SEL” button three and the display changes to ...

  • ARRI 416 - page 66

       Set tin g th e L ow Batt ery w arn ing lev el ( Mod e 3 ) When the 416 is not powered by an OBB-2, it is possible to set the threshold at which the Low Batter y warning is triggered. It can be set anywhere between 20.0 and 29.9 volts. • Change from Mode 1 to Mode 3 by pressing the “MODE” button twice. • Press the “SET“ ...

  • ARRI 416 - page 67

       Displaying the Timecode Time and Frame Rate (Mode 4) • Pr ess th e “ MOD E“ but ton un til th e d isp lay sh ows Mo de 4. The display shows the current timecode value. The top line shows “Hours:Minutes“. The bottom line shows “Seconds:TC generator frame rate“. Note: The timecode generator frame rate matches the camer ...

  • ARRI 416 - page 68

       Displaying and Setting the Timecode User Bits (Mode 5) User Bits are automatically input with the timecode signal but they may also be set manually in Mode 5. • Pr ess th e “ MOD E“ but ton un til th e d isp lay sh ows Mo de 5. • Us e th e “S EL ” bu tt on t o se l ec t th e di gi t y ou w is h to c ha n ge . The selec ...

  • ARRI 416 - page 69

       Display Beep on start Be ep on s to p LS _ _ off off LS – _ on of f LS _ – off on LS – – on on Switching the Beeper On and Off (Mode 6) Standby Operation • Pr ess th e “ MOD E“ but ton un til th e d isp lay sh ows Mo de 6. • By pressing the “SEL” button once, activate the display for setting the Beeper . • Wi ...

  • ARRI 416 - page 70

     0 0 Selecting a Preset ARRIGLOW Color (Mode 7) • Push the “+“ DIMMER button on the camera left side so you can see the ARRIGLOW in the viewnder . • Pr ess th e “ MOD E“ but ton un til th e d isp lay sh ows Mo de 7. • Press the “SEL” button to make the ARRIGLOW color number ash. • Pr es sin g th e “S ET“ butt ...

  • ARRI 416 - page 71

     1 1 Setting a User-Adjustable ARRIGLOW Color (Mode 7) • Push the “+“ DIMMER button on the camera left side so you can see the ARRIGLOW in the viewnder . • Pr ess th e “ MOD E“ but ton un til th e d isp lay sh ows Mo de 7. • Press the “SEL” button to make the ARRIGLOW color number ash. • Press the “SET“ button ...

  • ARRI 416 - page 72

       Video-Ait-Sytem switch check/hide menu on/off É /Y video with data or Y -Signal È /C clean video or C-signal mini-monitor connector icker-free on/off white balance automatic, indoor , oudoor, manual, one-push-white gain control activate on screen program mode or store position of inserted windows or store user tex ...

  • ARRI 416 - page 73

       10.VideoAitSytem 1 0. 1 G en e r a l D e s c ri p t i on o f t h e I V S The Integrated Video Assist System (IVS) for the ARRIFLEX 416 brings the highly praised video assist systems from the ARRIFLEX 435, ARRICAMS and ARRIFLEX 235 to the ARRIFL EX 416 . It re sembles the IV S 235 control struct ure and of c ...

  • ARRI 416 - page 74

       Main Features • Integrated into the camera body Instead of a bulky add-on, the video assist is integrated into the camera without additional cabling. • High sensitivity A high-speed lens with an aperture of 1 : 2.0 and one of th e most sensit ive CCD Chips availa ble on the ma rket combine to provide an excellent color video i ...

  • ARRI 416 - page 75

       Video-Ait-Sytem • Camera status display Camera status information, e.g. camera speed and lm counter data are passed on a bus interface from the camera to the video assist and can be displayed in a camera status line on the monitor . • Lens Data Information Lens information, such as lens type, focal distance, dep ...

  • ARRI 416 - page 76

       10.2 Setup 10.2.1 Installation A 3 mm Allen key is used for installation. • Undo the two screws holding the transport cover a photo and remove it. • Remove the IVS transport cover from the video assist by undoing the two screws on the IVS a photo . Note: It may be useful to screw the camera transport cover to the IVS transport ...

  • ARRI 416 - page 77

       • Attach the video assist to the ARRIFLEX 416 by tting it to the camera right side in the direction marked a photo . • Tighten the two screws on the camera right side of the IVS rst a photo and then tighten the third screw into the top of the camera a photo . Video-Ait-Sytem screws 3rd screw t IVS ...

  • ARRI 416 - page 78

       10.2.2 Cabling Outputs If it is int ended t o use c omposit e outp uts but it is not k nown whether the BNC connectors are s wi tc he d to c om po si te o r to Y /C , co nn e ct t he c ab le expecting the composite signal to the É /Y connector rst and check the settings (BNC OUT VB S o r Y /C) in th e m enu vi deo /te xt adj u ...

  • ARRI 416 - page 79

       Composite Video Outputs Composite video is only available when the output is switched to VBS out. • T o switch to composite video (VBS mode), enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds. Go to sub menu VIDEO/TEXT ADJUST . The menu line BNC OUT can be switched be tw ee n VB S an d Y/ C. S ee c ...

  • ARRI 416 - page 80

     0 0 Y/C Output Y/C output offers even better , S VHS quality , compared to the composite video output. There are also clean video and video with data signals available in Y/C mode. Y/C video is only available when the output is switched to Y/C out. • Use the on-screen program mode to switch between composite and Y/C. Enter the main menu ...

  • ARRI 416 - page 81

     1 1 • T o switch between clean video and video with data, use the on-screen program mode. Enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds. Go to sub menu VIDEO/TEXT ADJUST . The menu line Y/C DA T A, which can only be reached if BNC OUT is on Y/C, switches between clean video and vi deo wit h da ta on the ...

  • ARRI 416 - page 82

       Video-Ait-Sytem Black and White Output The Y part o f t he Y /C out put is a s tand ard bla ck and whi te signal. T o get black and white, use a standard BNC cable wi th 75 Ω c onne cted to the É /Y outp ut a nd s witc h to Y/C out. Black and white or Y signal is only available if the output is switched to Y/C out. ...

  • ARRI 416 - page 83

       Video-Ait-Sytem • T o switch between clean video and video with data, use the on-screen program mode. Enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds. Go to sub menu VIDEO/TEXT ADJUST . The menu point Y/C DA T A, which can only be reached if BNC OUT is on Y/C, switches between normal v ...

  • ARRI 416 - page 84

       Mini-Monitor Outputs The IVS has two mini-monitor connectors. T ypically one might be used for a standard mini-monitor and the other for a video transmitter . It is possible to switch between normal video and video with data on the Mini-Monitor output. • T o switch between normal video and video with data on the mini monitor out ...

  • ARRI 416 - page 85

       10.3 Standard V ideo Contr ols The IVS can be used as a standard video assist if no inserter features are used. Note: All currently used settings are stored even when the IVS or the camera is switched off. After restarting the IVS the settings are unchanged, except for the image stored mode, which will always come up in live mode ...

  • ARRI 416 - page 86

       Video-Ait-Sytem Hide Menu If the on-screen program mode is on because the settings are changed, the Menu (M) position clears the screen. For example, if color is to be changed with the on-screen progr am tool , the o n-scree n progr am win dow ove rlays t he image. T o see the image and che ck its color appeara nce, go ...

  • ARRI 416 - page 87

       Video-Ait-Sytem Ch ec k a ll s etti ngs on a cor rect ly a djus ted moni tor . If the mechanical iris is closed more than necessar y , the IVS will compensate by increasing the gain and restore the image brightness electronically . This creates additional electronic noise. T o avoid this, open the mechanical iris. • ...

  • ARRI 416 - page 88

       10.3.4 White Balance (WB) The IV S offe rs a ch oic e o f Wh ite Ba lanc e m etho ds bet ween • automatic control (A WB) • xed setting of indoor (IND) • xed setting for outdoor (OTD) • a one push white setting procedure • and a full manual control of white balance (MAN). White balance can be manually adjusted in tw ...

  • ARRI 416 - page 89

       Note: With the MAN LED constantly on, no color settings can be made to avoid accidental adjustment. Note: The one push white facility is only available when the exposure is within the normal range. If the image is over or underexposed, one push white will not work. Note: Changing red, blue and gain will also change green. The vide ...

  • ARRI 416 - page 90

     0 0 Video-Ait-Sytem MENU WB/GAIN/BARS -> - WHITE BALANCE IND AUTOADJUST RED BLUE - MANUAL GAIN OFF VALUE - COLOR BARS OFF - EXIT Using the on-screen menu Please see chapter 10.4 Inserter Facilities for basics on the On-screen display . As well as control by the keypad, white balance can also be programmed via the on-screen ...

  • ARRI 416 - page 91

     1 1 Video-Ait-Sytem One push white One push white is only available when white balance control is set to manual. If manual white balance is set to MAN, it is possible to use the one push white facility or to adjust the red and blue saturation of the video image manually . • Move the cursor > with the keys Ê and Ë to the ...

  • ARRI 416 - page 92

       Manual White Balance red increase/decrease Manual white balance red increase/decrease is only available if white balance control is set to manual. When manual white balance is on MAN, it is possible to use the one push white facility or to adjust the red and blue saturation of the video image manually . • Move the cursor > wi ...

  • ARRI 416 - page 93

       Manual White Balance blue increase/decrease Manual white balance blue increase/decrease is only available if white balance control is on manual. If manual white balance is on MAN, it is possible to use the one push white facility or to adjust the red and blue saturation of the video image manually . • Move the cursor > with t ...

  • ARRI 416 - page 94

       10.3.5 Gain Control The gain control of the IVS can be set to automatic or manual. When set to automatic, the brightness of the video image is adjusted electronically . If automatic control is selected, the IVS outputs the best possible image brightness at all times. Light changes in front of the lm camera are compensated by th ...

  • ARRI 416 - page 95

       Using the on-screen menu Please see chapter 10.4 Inserter Facilities for basics on the On-Screen display . The manual gain control can be programmed via the on- screen menu as well as control via keypad,. Manual gain control can be switched on or off. If it is on, values can be set between 0 (low gain) and 63 (high gain). • Ente ...

  • ARRI 416 - page 96

       Manual Gain increase/decrease Man ual ga in i ncr eas e/de cre ase is only ava ilab le when manual gain control is on. • Move the cursor > with the keys Ê and Ë to the line – V ALUE. Pressing the key Í will increase the gain; the key Ì will decrease it. T he r an ge f or t hi s is f ro m 0 (l ow es t ga in ) t o 63 ( hi ...

  • ARRI 416 - page 97

       10.3.6 Flicker free on/off Flicke r free can be switch ed off to b ypass the dig ital fr ame store and have the video assist output with no delay . The ty pica l r unni ng spe ed f or the lm ca mera is di fferen t t o that of the video assist. e.g. the lm camera runs at 24 fps and the video assist at 25 fps for P AL or 30 fp ...

  • ARRI 416 - page 98

       Using the on-screen menu Please see chapter 10.4 Inserter Facilities for basics on the On-Screen display . Flicker free off can also be programmed via the on-screen menu as well as via the keypad. • Enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds. Go to sub menu VIDEO/TEXT ADJUST . Move the cursor ...

  • ARRI 416 - page 99

       10.3.7 Changing Format marking number The IVS can insert dif ferent format markings. It is possible to have • no format marking (OFF), • format marking number one (1), • format marking number two (2) • o r b ot h f o rm a t m a rk i ng s a t t h e s am e t i me (1 & 2 ) o n d is p la y . Using the Keypad The adjustment ...

  • ARRI 416 - page 100

     100 100 Using the on-screen menu Please see chapter 10.4 Inserter Facilities for basics on the On-Screen display . The format marking number can be programmed via the on-screen menu as well as via the keypad. • Enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds. Go to sub menu FORMA T MARKING. Move the cursor > ...

  • ARRI 416 - page 101

     101 101 10.3.8 Storing a video image The IVS can grab and store a selected image, display that or ove rlay it ag ains t t he live im age in fro nt of the cam era to compare both images. Although the options to display the stored image and to compar e the s tored image a gainst the live image are only available in the on-screen program mode, it ...

  • ARRI 416 - page 102

     10 10 Using the on-screen menu Please see chapter 10.4 Inserter Facilities for basics on the On-Screen display . • Enter the main menu by pressing the Enter/Insert key Ñ for more than 3 seconds. Go to sub menu COMP ARE/STORE. Move the cursor > with the keys Ê and Ë to the line – STORE IMAGE. Pressing the key Í or Ì will store ...

  • ARRI 416 - page 103

     10 10 10.3.9 W rong Cable W arning LED The ma in r eas on f or dam age to the IVS is inc orr ect ly w ire d cables connected to any of the IVS outputs. Even if some faults do no t cause immedi ate des tructi on, the y put t he IVS at risk and may eventually cause failures of the IVS unit. The ref ore the IVS ch eck s fo r t he foll owi ng ...

  • ARRI 416 - page 104

     10 10 Video-Ait-Sytem ...

  • ARRI 416 - page 105

     10 10 Video-Ait-Sytem 10.4 Inser ter Facilities In add itio n t o th e u sua l vi deo as sist fu ncti ons , t he I VS offer s a variety of inserter facilities. They fall into three dif ferent groups of information: • Format markings Format markings, which are inser ted electronically , are often more visible than the format ...

  • ARRI 416 - page 106

     10 10 10.4.1 Setting the On-Screen Displays During programming, inserted data is not fully updated (e.g. Frame Counter Information). T o get updated information, leave the on-screen display menu by pressing the Enter/Insert key Ñ for more than three seconds. Once the on-screen display is activated by pressing the Enter/Insert key Ñ for ...

  • ARRI 416 - page 107

     10 10 10.4.2 Main Menu Th e ins erter ’ s m ai n men u is dis play ed o n th e mo nito r sc reen when the on-screen programming is activated by pressing the Enter/Insert key Ñ a photo for more than three seconds. An illuminated LED indicates that the on-screen programming is activated. Note: Pressing the Enter/Insert key Ñ for more th ...

  • ARRI 416 - page 108

     10 10 10.4.3 Load/Store Menu Th e IV S ca n st or e up t o 5 s et s of s et ti ng s a nd r ec al l th e m. T he defaul t valu es are a 6th s et of s etting s. Thus it is possibl e to mak e a ll s ett ings fo r e .g. ind oor sho oti ng a nd sto re t hem as set tin g 1. Sh ooti ng con tinu es wit h so me exte rio r s cene s a nd the op erat ...

  • ARRI 416 - page 109

     10 10 • When the required number is reached, press the Ent er/ Inse rt ke y Ñ to sto re t his se ttin g u nde r th e g iven number . The word DONE will appear for 3 seconds to indicate that the setting was stored. After this, the display will return to its normal mode. The new set of settings will immediately replace the old set of set ...

  • ARRI 416 - page 110

     110 110 All Settings to Default When the function set all settings to default is called, all settings are cleared. They cannot be recalled. This menu recalls default setting for all values. This makes it possible to obtain basic setting throughout the IVS. • Move the cursor > with the keys Ê and Ë to the line – SET ALL. Pressing the ke ...

  • ARRI 416 - page 111

     111 111 Y/C data = ON BNC OUT = VBS MINI-MONITOR DA T A = ON GENLOCK = OFF FORMA T 1 = ON FORMA T 2 = OFF WHITE LEVEL frame lines = 2 COLOR BARS = OFF OUTSIDE area = DARK VIEW MODE = LIVE (Frame store is cleared) SYSTEM LINE = ON LDS LINE = OFF ST A TUS LINE = ON TIMECODE TIME window = ON TIMECODE UB window = OFF PULL DOWN window = OFF VITC = O ...

  • ARRI 416 - page 112

     11 11 1 0 .4 .4 W hi te B al an ce ( WB ), M an ua l Ga in C on tr ol (MGC) and Bars Menu White balanc e and m anual g ain con trol a llows t he user to chang e the c olor ap pearanc e and b rightn ess of the vid eo i m ag e. C o l o r Ba r s h e lp t o s e t u p a n d t es t c o n n e ct ed m o n i to rs . C h a n g es m ad e to s et t i ...

  • ARRI 416 - page 113

     11 11 White Balance (Indoor/Outdoor/Automatic/Manual) Wh it e b alan ce c an b e pr ogra mmed via the on- scre en m enu as we ll as via th e k eyp ad. It to ggl es thr oug h I ndo or , Ou tdo or and Automatic and Manual. • Move the cursor > with the keys Ê and Ë to the line – W HIT E BA LAN CE. Pre ssi ng t he key Í w ill swi tc ...

  • ARRI 416 - page 114

     11 11 Video-Ait-Sytem One push white One push white is only available when the white balance control is on manual. If manual white balance is on MAN, it is possible to use the one push white facility or to adjust the red and blue saturation of the video image manually . • Move the cursor > with the keys Ê and Ë to the l ...

  • ARRI 416 - page 115

     11 11 Video-Ait-Sytem Manual White Balance red increase/decrease Manual white balance red increase/decrease is only available if white balance control is on manual. If manual white balance is on MAN, it is possible to use the one push white facility or to adjust the red and blue saturation of the video image manually . • Mov ...

  • ARRI 416 - page 116

     11 11 Manual White Balance blue increase/decrease Manual white balance blue increase/decrease is only available if white balance control is on manual. If manual white balance is on MAN, it is possible to use the one push white facility or to adjust the red and blue saturation of the video image manually . • Move the cursor > with the ...

  • ARRI 416 - page 117

     11 11 Manual Gain Control ON/OFF The manual gain control can be programmed via the on- screen menu as well as via the keypad. Manual gain control can be switched on or off. If it is on, specic values can be set between 0 (low gain) and 63 (high gain). If it is off, automatic mode is active. • Move the cursor > with the keys Ê and ...

  • ARRI 416 - page 118

     11 11 Manual Gain increase/decrease Manual gain increase/decrease is only available when manual gain control is on. I f ma nu al g ai n is o n, i t is p os si bl e to a d ju st t he g ai n m an ua ll y . • Move the cursor > with the keys Ê and Ë to the line – V ALUE. Pressing the key Í will increase the gain; the key Ì will dec ...

  • ARRI 416 - page 119

     11 11 Color Bars ON/OFF Color bars can be displayed instead of the video image. The bars are helpful to set up or check monitors, which are connected to the IVS. Note: If the IVS is switched off and on again, it will always start in the mode COLOR BARS OFF to avoid accidental use of this mode. • Move the cursor > with the keys Ê and ...

  • ARRI 416 - page 120

     10 10 10.4.5 Video and T ext Adjustment Menu Th is su b m enu all ows the us er to cha nge bas ic vid eo s etti ngs as we ll as the ap pea ran ce of the in sert ed man re ada ble te xt. C h a n g es m ad e to s et t i ng s ar e im m e di a t el y ac t i va t e d. Ch ec k a ll s etti ngs on a cor rect ly a djus ted moni tor . • E nt er t ...

  • ARRI 416 - page 121

     11 11 Flicker free ON/OFF Flicke r free can be switch ed off to b ypass the dig ital fr ame store and have the video assist output with no delay . The ty pica l r unni ng spe ed f or the lm ca mera is di fferen t t o that of the video assist. e.g. the lm camera runs at 24 fps and the video assist at 25 fps for P AL or 30 fps for NTS ...

  • ARRI 416 - page 122

     1 1 Line interpolation on/off Due to the rotating mirror shutter of the lm camera, the CCD ch ip o f t he I VS get s li ght on ly f or 50 % of th e ti me. Al l video assists will therefore have only one true video eld and t he next one wi ll be t he repe tition of the previo us one. So the rep eat ed v ide o  eld doe s n ot ...

  • ARRI 416 - page 123

     1 1 Note: Sharpness 1 corresponds to the settings of older IVS types e.g. the IVS 235. Composite or Y/C signal at the BNC Connectors The IVS has two BNC sockets which can be switched to ou tp ut t wo i nd ep en de nt c om p os it e si gn al s o r on e Y/ C si gn a l. If selected, the Y/C signal comes from the same BNC connectors on ...

  • ARRI 416 - page 124

     1 1 GENLOCK on/off It is possible to synchronize the IVS to an external video signal, thus allowing the user to switch between different video signals without synchronizing problems. • Connect a standard video signal of the same type as the video system (P AL or NTSC) to the Video output with no data (C-Output). • Move the curso ...

  • ARRI 416 - page 125

     1 1 Mini-Monitor Output as clean video or video with data The mi ni m oni tor out put can be pr ogra mme d to ha ve eith er c le an v id eo o r vi de o wi th d at a. B ot h mi ni mo ni to r ou tp ut s a re i n p ar a ll e l, so th e re ar e e i th e r n o d at a , o r d at a o n b o th ou t pu t s. If the on-screen menu control is o ...

  • ARRI 416 - page 126

     1 1 Video-Ait-Sytem Inverse This menu changes the appearance of all man readable windo ws. The format m arking s are n ot chan ged. If inver se OFF is selected, the characters will appear white. If the background is BOXED it will appear black in this case. If inverse ON is selected, the characters will appear black. If t ...

  • ARRI 416 - page 127

     1 1 Video-Ait-Sytem Exit Use exit to return to the main menu. • Move the cursor > with the keys Ê and Ë to the line –EXIT and press the key Í or Ì . Note: Pressing the Enter/Insert key Ñ for more than three seconds will cause the system to exit the on-screen programming mode completely , regardless of which m ...

  • ARRI 416 - page 128

     1 1 10.4.6 Format Marking Menu T h e IV S ca n in se rt tw o di ff e r en t fo rm at m ar ki ng s el ec tr on ic al ly into the video image, either individually or simultaneously . The p ositio n of t hese f ormat m arkings can be set anywh ere on the screen, to line up exactly with the bre screen mar kin gs. The bri ght nes s is ...

  • ARRI 416 - page 129

     1 1 Activate Format Markings If t he elec tron ic f orma t mar king s ar e no t pa rall el t o th e b re screen format markings, readjust the CCD chip with the rotation alignment screw , as shown in chapter 10.3.3 Alignment of the image position (X-, Y - and Rotation) and focus. Note: Only active frame lines can be positioned. If ...

  • ARRI 416 - page 130

     10 10 Position – Adjusting the position of the Format Markings Th e f orm at ma rki ngs ca n b e a dju ste d t o s uit an y f orm at . T he format markings on the bre screen ser ve as a reference. T o align format 1, make sure that FORMA T 1 or FORMA T 1&2 is selected. T o align format 2, make sure that FORMA T 2 or FORMA T 1& ...

  • ARRI 416 - page 131

     11 11 White Level – Setting the Brightness of the Format Markings The brightness of the format markings can be set to black (0), dark grey (1), and light grey (2) or white (3). • Move the cursor > with the keys Ê and Ë to the line – WHITE LEVEL. Pressing the key Í will switch the settings from 0 to 1 to 2 to 3 and back to 0, p ...

  • ARRI 416 - page 132

     1 1 Exit Use exit to return to the main menu. • Move the cursor > with the keys Ê and Ë to the line – EXIT and press the key Í or Ì . Note: Pressing the Enter/Insert key Ñ for more than three seconds will cause the system to exit the on-screen programming mode completely , regardless of which menu is activated, with the ...

  • ARRI 416 - page 133

     1 1 10.4.7 Compare/Store Menu The IVS can grab and store a selected image, display it or overlay it against the live image in front of the camera to compare both images. C h a n g es m ad e to s et t i ng s ar e im m e di a t el y ac t i va t e d. Ch ec k a ll s etti ngs on a cor rect ly a djus ted moni tor . • Ent er the Com pare ...

  • ARRI 416 - page 134

     1 1 Store image The IVS can grab and store a selected image, display it or overlay it against the live image in front of the camera to compare both images. Although the options to display the s tored i mage an d to co mpare t he sto red ima ge agai nst the l ive ima ge are only a vailabl e in t he on- screen program mode, it is poss ...

  • ARRI 416 - page 135

     1 1 Exit Use exit to return to the main menu. • Move the cursor > with the keys Ê and Ë to the line – EXIT and press the key Í or Ì . Note: Pressing the Enter/Insert key Ñ for more than three seconds will cause the system to exit the on-screen programming mode completely , regardless of which menu is activated, with the ...

  • ARRI 416 - page 136

     1 1 10.4.8 System, LDS and Status Menu The IV S can insert the camera system, lens data an d statu s into the video image. The System line inserts infor mation from the lm camera such as: • Async • Inching • Low Batter y • Magazine Film Loop T oo Long • Magazine Film Loop T oo Short When the System line is switched on, ...

  • ARRI 416 - page 137

     1 1 26.2V RUN FWD 24.000/24.000fps 180.0 F 120FT lm camera voltage in standby (STBY), run (RUN) or not ready (NRDY) actual lm camera speed in fps selected lm camra speed in fps shutter mirror angle (only after camera was running) counter is take (T) or footage (F) counter lm counter counter is meter (M), foot (FT), or se ...

  • ARRI 416 - page 138

     1 1 Video-Ait-Sytem System Line This sub men u line switche s the i nsertion o f camer a syste m da ta on (ON ) an d off ( OFF ) in depe nden tly of o ther ins erted data. • Move the cursor > with the keys Ê and Ë to the line – SYSTEM LINE. The keys Í or Ì switch the insertion on and off. A line similar to the ...

  • ARRI 416 - page 139

     1 1 Video-Ait-Sytem LDS Line This sub menu line switches the insertion of Lens Data (LDS) information on (ON) and of f (OFF) independently of other inserted data. • Move the cursor > with the keys Ê and Ë to the line – LDS LINE. The keys Í or Ì switch the insertion on and off. A line similar to the depicted li ...

  • ARRI 416 - page 140

     10 10 Video-Ait-Sytem Status Line This sub menu line switches the insertion of camera status data on (ON) and off (OFF) independently of other inserted data. • Move the cursor > with the keys Ê and Ë to the line – ST A TUS LINE. The keys Í or Ì switch the insertion on and off. A line similar to the depicted line wil ...

  • ARRI 416 - page 141

     11 11 Video-Ait-Sytem Position The window can be positioned anywhere on the monitor screen. The menu option Position is only available if at least one of the three information lines is on. • Move the cursor > with the keys Ê and Ë to the line – POSITION. Enter the positioning mode with the Í or Ì . ke ys The followi ...

  • ARRI 416 - page 142

     1 1 Video-Ait-Sytem Background The b ackgrou nd of t he wind ow can be set electr onicall y to black in normal display mode or to white in inverse mode (BOXED) to improve the readability . If this is not activated, th e a rea ar oun d t he tex t i s t he nor ma l v ide o i mag e ( VID EO) . The menu option Background is ...

  • ARRI 416 - page 143

     1 1 • Move the cursor > with the Ê and Ë keys to the line – F I LM CO U NT E R. Th e Í ke y w i ll sw i tc h f r om T A K E (M / FT ) , T AKE (SEC) to FTGE and back to T AKE (M/FT). The Ì key will step through the options in the reverse order . Note: The unit of measurement meters or feet is taken from the setting of the ...

  • ARRI 416 - page 144

     1 1 10.4.9 User T ext Menu The IV S ca n i nsert add iti onal te xt into th e vi deo im age, e. g. the production name or a scene number . The text can be entered on the IVS using the text edit facility or the ARRI software User T ext Line IVS (downloadable from the ARRI website). If information is stored in the text memor y , it wi ...

  • ARRI 416 - page 145

     1 1 MENU USER TEXT -> - USER TEXT LINE ON - EDIT TEXT - CLEAR TEXT (NO UNDO) - POSITION - SIZE SMALL - BACKGROUND BOXED - EXIT The adjustment of the white level of the inserted data, an in ve rse dis play and a  ne a djus tmen t of the vert ic al posi tion is described in chapters 10.4.5 White Level, Inverse and Fine Positioni ...

  • ARRI 416 - page 146

     1 1 The menu EDIT TEXT is displayed on the screen: • The X Symb ol show s t he posi tio n i n th e u ser tex t l ine tha t is t o b e ch ange d. M ove this tex t in serte r cur sor X le ft a nd right with the Í and Ì keys to the desired position. • Change the character to be inserted with the Ê and Ë keys. • Once the desir ...

  • ARRI 416 - page 147

     1 1 Clear T ext using the internal text editing facility The user text line can be cleared on the IVS without an external device. When the text is cleared, the default line, a dotted line will appear . T ext cleared from the IVS is lost and cannot be recalled. • Move the cursor > with the Ê and Ë keys to the line – CLEAR TE ...

  • ARRI 416 - page 148

     1 1 Size The size of the window can be changed independently from other inserts. • Move the cursor > with the Ê and Ë keys to the line – S IZE . Th e k ey Í wi ll swit ch fro m SM ALL , WI DE, HI GH to BIG and back to SMALL. The Ì key will switch in opposite direction. Video-Ait-Sytem Background The background ...

  • ARRI 416 - page 149

     1 1 Exit Use exit to return to the main menu. • Move the cursor > with the Ê and Ë keys to the line – EXIT and press the Í or Ì keys. Note: Pressing the Enter/Insert key Ñ for more than th re e s econ ds w ill caus e th e sy stem to exit the on- sc ree n p rog ram min g m ode co mpl ete ly , r eg ard les s of which menu ...

  • ARRI 416 - page 150

     10 10.4.10 Timecode Menu The IV S ca n b urn the lm ca mera ‘s time cod e i nto the vi deo assist image to create a direct link to the post production. It is possible to insert either timecode, which is related to the lm camera speed, e.g. 24 fps or a timecode which counts according to the type of video assist (25 full video frames p ...

  • ARRI 416 - page 151

     11 Note: The frame information (the last two digits of the timecode display) is only active if timecode is actually recorded on lm. If there is no time- code recording on lm, because for example the camera is not running at a timecode speed, only the symbol ** is displayed in that position. • Enter the Timecode Menu from the Main Men ...

  • ARRI 416 - page 152

     1 Position The window can be positioned anywhere on the monitor screen. • Move the cursor > with the Ê and Ë keys to the line – POSITION. Activate the positioning mode with the Í or Ì keys. The following menu is displayed on the screen: -> - POSITION <>^v E • The Ê and Ë keys move the window up and down. The Ì and ...

  • ARRI 416 - page 153

     1 Background The background of the window can be set electronically to black in normal display mode or to white in inverse mode (BOXED) to improve the readability . If this is not activated, the area around the text is the normal video image (VIDEO). • Move the cursor > with the Ê and Ë keys to the line – BACKGROUND. The Í or Ì ...

  • ARRI 416 - page 154

     1 T o ha ve the ti mec ode co unt re lat ed to the l m c ame ra, se lec t the mode “Frame counter Film“ which is often referred to as “l m re lat ed t ime cod e“. In thi s mo de, the fr ame cou nte r of t he time code (th e la st t wo d igit s of the tim ecod e di spla y) is inc reased by 1 i f the  lm is a dvance d by on ...

  • ARRI 416 - page 155

     1 Exit Return to the main menu using Exit. • Move the cursor > with the keys Ê and Ë to the line – EXIT and press the key Í or Ì . Note: Pressing the Enter/Insert key Ñ for more than three seconds will cause the system to exit the on-screen programming mode completely , regardless of which menu is activated, with the exception ...

  • ARRI 416 - page 156

     1 10.4.11 USER BITS Menu T he I VS c an i ns er t th e Us er B it s of t h e l m ca me ra ’ s ti me co de into the video assist image to create a direct link to the post production. Like all man readable information, the data is inser ted as a window on the monitor image. The window can be switched on and off independently . Backgrou ...

  • ARRI 416 - page 157

     1 TC Ubit This sub menu line switches the insertion of User Bit data on (O N) and off (O FF) in dep end ent ly of oth er ins erte d d ata . • Move the cursor > with the Ê and Ë keys to the line – TC UBIT . The Í or Ì keys switch the insertion on and off. MENU TIME CODE UB -> - TIME CODE UB ON - POSITION - SIZE SMALL - BACKGR ...

  • ARRI 416 - page 158

     1 Size Th e siz e of the win dow can be c hang ed i ndep ende ntly fro m other inserts. • Move the cursor > with the keys Ê and Ë keys to the line – SIZE. The Í key will switch from SMALL, WIDE, HIGH to BIG and back to SMALL. The Ì key will switch in opposite direction. Background The background of the window can be set electro ...

  • ARRI 416 - page 159

     1 Exit Return to the main menu using Exit. • Move the cursor > with the Ê and Ë keys to the line – EXIT and press the Í or Ì keys. Note: Pressing the Enter/Insert key Ñ for more than three seconds will cause the system to exit the on-screen programming mode completely , regardless of which menu is activated, with the exception ...

  • ARRI 416 - page 160

     10 10.4.12 Pull-Down Menu The IVS can generate information on whether the current video image corresponds to a new lm frame or whether it is a repeated video image. The Pull-Down information displays that in man readable form. The adjustment of the white level of the inserted data, an inverse display and a ne adjustment of the vertical ...

  • ARRI 416 - page 161

     11 In practice the most important case is a lm camera speed of 23.976 fps and a NTSC video assist. This creates the situation described in the drawing. From the rst lm frame, two video elds are derived, the second lm frame, three video elds are derived, from the next lm frame, two video elds and so on. The Pull-Down i ...

  • ARRI 416 - page 162

     1 Pull-Down This sub menu line switches the insertion of pull down information on (ON) and of f (OFF) independently of other inserted data. • Move the cursor > with the Ê and Ë keys to the line – PULL DOWN. The Í or Ì keys switch the insertion on and off. MENU PULL DOWN -> - PULL DOWN ON - POSITION - SIZE SMALL - BACKGROUND ...

  • ARRI 416 - page 163

     1 Size The size of the window can be changed independently from other inserts. • Move the cursor > with the Ê and Ë keys to the line – SIZE. The Í key will switch from SMALL, WIDE, HIGH to BIG and back to SMALL. The Ì key will switch in the opposite direction. Background The background of the window can be set electronically to ...

  • ARRI 416 - page 164

     1 Exit Return to the main menu using Exit. • Move the cursor > with the Ê and Ë keys to the line – EXIT and press the Í or Ì keys. Note: Pressing the Enter/Insert key Ñ for more than three seconds will cause the system to exit the on-screen programming mode completely , regardless of which menu is activated, with the exception ...

  • ARRI 416 - page 165

     1 10.4.13 VITC Line Menu The IVS can convert the timecode, which can also be displayed man-readable in the video image, into machine readable VITC (V er tical Inter val Time-Code) and place it in non visible video lines. Note: The tim ecod e co unt that is used (“ lm r elat ed“ or “video related timecode“) depends on the settin ...

  • ARRI 416 - page 166

     1 VITC This sub menu line switches the insertion of VITC on (ON) and off (OFF). • Move the cursor > with the Ê and Ë keys to the line – VI TC . Th e Í an d Ì ke ys s wi tc h th e in se rt i o n on a nd o ff . Position 1 The insertion of VITC can be on single or multiple lines between lines 6 and 22. If the same line number is s ...

  • ARRI 416 - page 167

     1 Position 2 The insertion of VITC can be on single or multiple lines between lines 6 and 22. If the same line number is selected on both position 1 and position 2, the insertion will be single line; other wise it will be multiple lines. The value of position 1 can be higher or lower than that of position 2. • Move the cursor > with ...

  • ARRI 416 - page 168

     1 10.4.14 White Line Menu The IVS can generate information on whether the current video image corresponds to a new lm frame or whether it is a repeated video image. The White Line ag displays this in machine readable form. • Enter the White Line Menu from the Main Menu. C h a n g es m ad e to s et t i ng s ar e im m e di a t el y ...

  • ARRI 416 - page 169

     1 From the rst lm frame, two video elds are derived, the second lm frame, three video elds are derived, from the next lm frame, two video elds and so on. The White Line ag works as follows: Eve r y t ime, th e v ide o  eld corre spon ds to a n ew lm fr ame, the letter will change either from A to B or B to A ...

  • ARRI 416 - page 170

     10 White Line This sub menu line switches the insertion of White Lines on (ON) and off (OFF). • Move the cursor > with the Ê and Ë keys to the line – WHITE LINE. The Í and Ì keys switch the insertion on and off. Position The in sertio n o f Wh ite Li nes can be bet wee n li ne 6 a nd 2 2. • Move the cursor > with the Ê and ? ...

  • ARRI 416 - page 171

     11 Exit Return to the main menu using Exit. • Move the cursor > with the Ê and Ë keys to the line – EXIT and press the Í or Ì keys. Note: Pressing the Enter/Insert key Ñ for more than three seconds will cause the system to exit the on-screen programming mode completely , regardless of which menu is activated, with the exception o ...

  • ARRI 416 - page 172

     1 Video-Ait-Sytem ...

  • ARRI 416 - page 173

     1 11.Timecode The ARRIFLEX 416 is equipped with a TC generator which produc es 80b it T imecode with a data structu re conf orming to SMPTE RP136, Format T ype C. The TC generator is set using a master clock. The precision of the TC generator ensures that for 8 hours after the synchronization (at 0°C - 50°C) the difference remains ...

  • ARRI 416 - page 174

     1 • Using the “MODE“ key a photo switch to Mode 4 (Timecode time) • Plug the cable with the TC signal into the “TCC“ socket a photo . The last two entries on the indicator show a blinking “EC“ (external code). If the LTC signal is correctly transferred the indication “CC“ (correct code) appears for approx. 10 second be ...

  • ARRI 416 - page 175

     1 TC Output TC information is constantly available as 80bit LTC on the “TCC“ socket. Output signal is in the L TC format. From the TC output TC compatible equipment can be synchr onized on the set on ce (for 8 hou rs) on the cam era’ s Timecode or constantly supplied with T imecode by the ca mer a. The ca mer a t hen ta kes on th e ...

  • ARRI 416 - page 176

     1 Using Timecode For Timecode operation, please make sure that the magazine is equipped with a Timecode exposure module K2.55034.0. T urning on and off the TC Recording • Using the “MODE“ key a photo , switch to Mode 4 (Timecode time). • Depress the “SET“ key a photo for approx. 3 s until the “TC“ symbol appears or disappe ...

  • ARRI 416 - page 177

     1 When TC is set at a Real Time frame rate (24 fps, 25 fps & 30 fps) and the camera speed is changed to a Non Real Time Frame rate (23.976 fps & 29.97 fps), a warning will be indicated after the camera has stopped. The same warning comes up if you set a TC at Non Real Time frame rate and switch to Real T ime frame rate after wards ...

  • ARRI 416 - page 178

     1 Overview of the Display Indications used in Timecode Operation TC-Indication on the Display The “TC“ symbol has the following meanings: Timecode symbol (TC) solid Timecode is set and will be recorded when the camera is running No timecode symbol (TC) T imecode recording is turned of f Timecode symbol (TC) Any TC W arning (see next s ...

  • ARRI 416 - page 179

     1 TC W arnings A T C w arnin g i s d ispl aye d  rstl y a s a bli nki ng “ TC“ sy mbol in the camera display . If the beeper volume is set to 1 or higher , a warnin g beep will sound in tim e with the b linking of the “TC“ symbol when the camera is in Standby . The acoustic warning can be silenced by doing one of the following: ...

  • ARRI 416 - page 180

     10 Upper Line 1st Digit for TC Warnings 0 1 2 3 4 5 6 7 8 9 A b C d E F Warning Remedy • • • • • • • • no valid TC frame rate set correct TC frame rate or switch off TC • • • • • • • • no meaning on 416 N/A • • • • • • • • no meaning on 416 N/A • • • • • • • • the last take has ...

  • ARRI 416 - page 181

     11 Upper Line 3rd Digit for TC Warnings 0 1 2 3 4 5 6 7 8 9 A b C d E F Warning Remedy • • • • • • • • no meaning on 416 N/A • • • • • • • • TC not set to NDF/RT reset TC at current frame rate and swiched to RT/NDF RT (Real T ime) is 24, 25, 30 fps NDF (Nondrop Frame) is 23,976 and 29,97 fps • • • • ? ...

  • ARRI 416 - page 182

     1 Film Sensitivity (TCS V alue) The intensity of the TC recording must be adjusted to suit the sensitivity of different lm stocks. The switch for setting the TCS level (Timecode sensitivity) is on the feed side on the magazine. The knob can be turned by hand if the magazine door is open or with a small screwdriver if the magazine door ...

  • ARRI 416 - page 183

     1 Indicating Clock Adjustment If the 416 TC generator has been adjusted to an Ambient Clockit the capital letter “A” is displayed next to the TCS va lu e in t he s ec on d li ne o f M od e 4 by p re s si ng t he “ SE L“ ke y . A manual reset to default clock can be initiated by • Using the “MODE“ key , switch to Mode 4 (Time ...

  • ARRI 416 - page 184

     1 TC Buffer The ARRIFLEX 416 ensures not only high accuracy of the Timecode but also allows the TC clock to continue running while the camera is switched off as long as the camera is connected to a power supply . The TC generator needs a power supply of 10mA when the camera is switched off. T o allow the camera batter y to be changed, a s ...

  • ARRI 416 - page 185

     1 1.ARRIFLEX1Plu 12.1 General Description The ARRIFLEX 416 Plus has an extended electronic side cover that offers the following additional functions over the standard ARRIFLEX 416: • Built-in radio modem for wireless remote control of len s and ca mera . • Motor drivers for up to three CLM-2 motors. • T wo LC ...

  • ARRI 416 - page 186

     1 12.2 Radio system A radio is incorporated into the 416 Plus extended electronics. This enables wireless communication of lens con tro l an d l ens dat a i nfor mati on as w ell as rem ote co ntro l of the camera functions. The 416 Plus uses the latest ARRI WRS protocol which is denoted be a yellow rubber washer on the antenna a photo . ...

  • ARRI 416 - page 187

     1 Channel Use 0 2444 - 2472 MHz 1 2406 - 2435 MHz 2 2444 - 2472 MHz 3 2406 - 2435 MHz 4 2444 - 2472 MHz 5 2406 - 2435 MHz 6 2444 - 2472 MHz 7 2406 - 2435 MHz 8 Not used 9 Radio device deactivated • Se t t he cha nne l s ele cti on swi tch on th e c ame ra to the ne w channel – the RF LED goes red. Then turn the camera off and back on ...

  • ARRI 416 - page 188

     1 12.3 Wireless Remote System Lens Motors Both CLM-1 and CLM-2 motors can be used with the ARRIFLEX 416 Plus. • CL M-1 mo tor s s hou ld be dai sy- cha ine d i n s eri es wit h o ne of the end motors connected to either (but not both) of the 416 Plus LCS bus connectors a photo . • CLM-2 motors should be connected, according to their p ...

  • ARRI 416 - page 189

     1 The status LEDs indicate the following: Color Status Off no motor connected Red motor connected but no control unit found Green motor OK Green blinking motor OK but at an end stop Red blinking motor conict: CLM-1 assigned to same function Re d/g re en al ter nat ing calibrating The following pages show some possible setups of the LCS ...

  • ARRI 416 - page 190

     10 WMU-3, WBU-3, WFU-3 and CLM-2 Motors CLM-2 Iris WBU-3 + WMU-3 + WFU-3 – Iris & Focus LC-F1 CLM-2 Focus ARRIFLEX1Plu ...

  • ARRI 416 - page 191

     11 2 x WMU-3, WBU-3, WFU-3 and CLM-2 Motors CLM-2 Iris LC-F1 CLM-2 Focus ARRIFLEX1Plu WBU-3 + WMU-3 + WFU-3 – Focus WBU-3 + WMU-3 + WFU-3 – Iris ...

  • ARRI 416 - page 192

     1 CLM-2 Iris CLM-2 Zoom CLM-2 Focus ZMU-3, WMU-3, WBU-3, WFU-3 and CLM-2 Motors ARRIFLEX1Plu WBU-3 + WMU-3 + WFU-3 Focus & Iris ZMU-3 Zoom ...

  • ARRI 416 - page 193

     1 CLM-2 Iris CLM-2 Zoom CLM-2 Focus ZMU-3, WZB-3, WBU-3, WMU-3 and WFU-3 with CLM-2 Motors ARRIFLEX1Plu ZMU-3, WZB-3, WBU-3 + WMU-3 + WFU-3 Zoom, Focus & Iris ...

  • ARRI 416 - page 194

     1 WHA-2, WFU-3, WZB-3, ZMU-3 and CLM-2 Motors ARRIFLEX1Plu CLM-2 Iris CLM-2 Zoom CLM-2 Focus WHA-2 + WFU-3 Focus & Iris ZMU-3 Zoom ...

  • ARRI 416 - page 195

     1 ZMU-3, WZB-3, WBU-3, WMU-3, LDD-FP , WEB-3, WFU-3 and CLM-2 Motors ARRIFLEX1Plu CLM-2 Iris CLM-2 Zoom CLM-2 Focus ZMU-3, WZB-3, WBU-3, WMU-3, LDD-FP , WEB-3, WFU-3 Zoom, Focus, Iris and LDD-FP ...

  • ARRI 416 - page 196

     1 12.4 Camera Remote Contr ol Note: For details of how to use the RCU-1, WRC-1 and ESU-1, please see the instruction manuals supplied with these units. The 416 Plus can be remotely controlled by cable and via wireless remote control. Only one camera control unit may be used with the 416 Plus at any one time. More than one WMU-3 can be use ...

  • ARRI 416 - page 197

     1 ARRIFLEX1Plu WRC-1 + WMU-3 WRC-1 via wireless remote control ...

  • ARRI 416 - page 198

     1 WRC-1 + WHA-2 LC-M1 WRC-1 with WHA-2 via cable ARRIFLEX1Plu ...

  • ARRI 416 - page 199

     1 ARRIFLEX1Plu WRC-1 + WHA-1 WRC-1 with WHA-1 ...

  • ARRI 416 - page 200

     00 RCU-1 KC39 RCU-1 ARRIFLEX1Plu ...

  • ARRI 416 - page 201

     01 ARRIFLEX1Plu 12.5 Lens Data Display Compatibility The ARRIFLEX 416 Plus can be used with the Lens Data Di sp lay for Foc us P ulle r (L DD-F P) t o di spla y le ns i nfor ma tio n using the Lens Data Archive. LDS contacts are not tted to th e ca me ra ‘s l en s po rt so L DS l en se s an d th e LD S D at a Mo un t are ...

  • ARRI 416 - page 202

     0 0 accessory mounting points Acceorie ...

  • ARRI 416 - page 203

     0 0 1.Acceorie Acceorie Accessory Mounting Points On the camera body and on the electronic cover there are accessor y mounting points. V arious accessories can be mounted to them by using 3/8-16 screws. Check that the screws do not reach more than 9mm into the camera body from the contact surface a photo , ...

  • ARRI 416 - page 204

     0 0 W ork Light WL-3 • Screw the work light into the Accessor y Rosette. • Connect the plug to an “RS” socket. • Bend the exible arm, to bring the work light into the desired position. The work light can be turned on and off with the ring on the lamp head a photo . The brightness of the work light can be adjusted with t ...

  • ARRI 416 - page 205

     0 0 Remote “RUN” Switch RS-4 • Attach the remote “RUN” switch with the spring clamp a photo (e.g. to the pan handle). • Plug the RS-4 plug into an “RS” socket. The RS-4 cable can be extended by 3m/9ft by use of the KC-40 Extension Cable (K2.47207.0) Acceorie RS-4 ...

  • ARRI 416 - page 206

     0 0 External Synchronization Unit ESU-1 The external synchronization unit ESU-1 a photo can be used with the ARRIFLEX 416 as well as with the 235, the 435 models, 535, 535B and 16SR 3/Advanced. It allows the c amera t o be sy nchroni sed to other equipme nt such as TV monitors. By means of a BNC-socket, it is possible to s yn ch ro ...

  • ARRI 416 - page 207

     0 0 Remote Control Unit RCU-1 The RCU-1 a photo is a practical remote control unit for us e wi th a ll o f th e la te st ge ne ra ti on A RR I FL EX c am er a mo d el s. It can be used in all applications that call for an uncompli- c at ed , q u i c k, s t u r d y a nd y e t st il l c o m pr eh e n s i v e re m o t e co nt r o l . C ...

  • ARRI 416 - page 208

     0 0 Wireless Remote Control WRC-1 The Wireless Remote Control WRC-1 is a handy remote control unit for use with all of the latest generation of ARRIFLEX camera models: ARRIFLEX 16SR 3/Advanced, 16SR 3 HS/Advanced, 535, 535B, 235, 435ES, 435 Advanced, 435 Xtreme and the ARRIFLEX 416. On th e A RRI FLE X 4 16 it ena ble s t he use r t ...

  • ARRI 416 - page 209

     0 0 The WRC-1 is the perfect addition to the ARRI Wireless Remote System. Connected to the Wireless Main Unit (WMU-2, WMU-3) it enables all functions to be remotely co ntr oll ed. Th e W RC- 1 c an als o b e c onn ect ed to the ca mer a vi a cab le u sing the Wir eles s Ha ndgr ip A ttac hmen t WH A-2. However , the lens remote cont ...

  • ARRI 416 - page 210

     10 10 Acceorie ...

  • ARRI 416 - page 211

     11 11 1.Maintenance When maintaining and cleaning the camera and accessories, pay careful attention to the following notes and tips: • Always disconnect the camera from the power supply . • Clean the camera and accessories only on a clean and at surface which is covered with foam material or a clean, lint-free cloth. • U ...

  • ARRI 416 - page 212

     1 1 Camera Cleaning the Film Gate Loose dust or dirt leads to a layer of emulsion for ming on the lm gate. This can cause scratches on the lm and can also lead to a change in the lm’ s coefcient of friction. Attention! Keep ngers out of the lm gate opening as this may damage the mirror shutter . T o clean the  ...

  • ARRI 416 - page 213

     1 1 Cleaning the Field Lens • Briey press the “PHASE” button, to position the shutter to protect the mirror surface from damage as far as possible. • Before cleaning the eld lens, switch the camera’ s main switch off and disconnect from the power supply! • Remove the lens or the protective cap from the camera‘s l ...

  • ARRI 416 - page 214

     1 1 Magazine Cleaning the Throat Assembly The magazine throat assembly a photo can be disassembled for cleaning. • Remove the two screws beside the top and bottom corners of the pressure plate a photo . • Open the take-up side door and fully loosen the screw between the two sprocket rollers a photo . • Flip the magazine over s ...

  • ARRI 416 - page 215

     1 1 Maintenance pressure plate assembly from the back lm running surfaces guide rollers in magazine screw guide rollers in magazine lm running surfaces ...

  • ARRI 416 - page 216

     1 1 Maintenance Timecode Exposure Module For Timecode operation, make sure that the lens of the exposure mode is clean. • T o clean the lens, swing it out as shown a photo and clean it. • Make sure that there are no foreign objects, e.g. lm dust beneath the ap a photo . time code exposure module ap open ap lens ...

  • ARRI 416 - page 217

     1 1 1.Appendix The fr ame ra te of t he came ra is c onstan tly mon itored while it is running. If the actual frame rate deviates from the set frame rate, the operation control indicator glows red, a red LED is seen in the viewnder and the camera display shows the warning for asynchronous running (“asy”). Fuses The A ...

  • ARRI 416 - page 218

     1 1 Error text in display Error text in IVS Problem Error LooP .S Magazine lm loop too short magazine lm loop too short Error LooP .L Magazine lm loop too long magazine lm loop too long Error CntL Controller Error internal controller limits have been exceeded, check if camera is jammed Error CASS Magazine error Updt PC s ...

  • ARRI 416 - page 219

     1 1 Problem Cause Remedy Scratches on the emulsion side of the negative In the image area, Dirty or damaged cross bars Clean or , if defective, replace the lm gate over several frames on the lm gate In the image area, Upper or lower lm loop too long, Check the loop length of the magazine short and periodically recurring  ...

  • ARRI 416 - page 220

     0 0 Problem Cause Remedy Unsteady Image V ertical Heavy emulsion build-up in the lm gate area, Clean lm gate area, use dif ferent lm stock damaged lm perforation, ver y poor gliding ability of the raw lm stock, lm stock with positive perforation, dimensions of raw stock out of tolerance Horizontal Heavy emulsion bu ...

  • ARRI 416 - page 221

     1 1 Problem Cause Remedy Problems at extremely low temperatures Damage to the lm Greatly reduced tensile strength and increased The camera, batter y and particularly the lm stock brittleness of raw stock In temperatures must be protected from extreme cold. under -15°C (5° F) especially , When a cold camera is brought into a ...

  • ARRI 416 - page 222

       Appendix ...

  • ARRI 416 - page 223

       1.T echnicalData Film Format Super 16 mm, conforming to DIN 15602 and ISO-5768-1998 Magazine 416 Shoulder Magazine 120/400 (SHM-3) for ward only , up to 75 fps Lens Mount 54mm PL-mount (positive locking) Flange Focal Distance 52.0 -0.01mm Mirror Shutter Manually adjustable from 45° to 180°. Movement Silent prec ...

  • ARRI 416 - page 224

       Operating T emperature Range -20°C to +50°C (-4°F to +122°F) Power Supply 24 V DC Acceptable voltage range: ....................................................... 20.6…35 V DC Viewnder W arning Indicators Low power supply voltage (BA T) Asynchronous running (ASY) IVS W eight ........................................ ...

  • ARRI 416 - page 225

       1.OrderNumber ARRIFLEX 416 Camera Body & SV-2 viewnder ................................ K0.60038.0 ARRIFLEX 416 Plus Camera Body & SV-2 viewnder .......................... K0.60037.0 ARRIFLEX 416 Camera Body only ..................................................... K1.66000.0 ARRIFLEX 416 Plus C ...

  • ARRI 416 - page 226

       Magazines 416 Shoulder Magazine 120/400 (SHM-3) ...................................... K2.55026.0 Timecode exposure module .............................................................. K2.55034.0 Optical Accessories 4“ x 4“ light-weight matte box LMB-3 ............................................... K2.44471.0 6.6“ x ...

  • ARRI 416 - page 227

       1.ARRISer vice Germany ......... Arnold & Richter Cine T echnik Türkenstraße 89 D-80799 München phone: +49 (089) 3809-0 fax: +49 (089) 3809-1244 E-mail: webmaster@arri.de USA ................ ARRI Inc. (East Coast) 617, Route 303 Blauvelt, New Y ork 10913 phone: (914) 353 14 00 fax: (914) 425 12 50 E-mail: ...

  • ARRI 416 - page 228

         Index ...

  • ARRI 416 - page 229

         1.Index Index 24 V accessories .................................................... 33 416 riser ......................................................... 23, 26 50 Hz ................................................................... 45 60 Hz ................................................................... 45 ...

  • ARRI 416 - page 230

     0   0 Index C cable warning ...................................................... 103 camera running .............................................................. 55 stopping ............................................................. 55 camera body ......................................................... 43 camera operation .. ...

  • ARRI 416 - page 231

     1   1 Index F feed side ............................................................... 35 bre screen .......................................................... 213 exchanging ......................................................... 46 eld lens cleaning ................................................ 213 lm core ......... ...

  • ARRI 416 - page 232

         Index I image inverting ............................................................. 53 image orientation compensation .............................. 52 manually ............................................................ 52 reactivating ......................................................... 52 inching ............... ...

  • ARRI 416 - page 233

         Index lightweight support rods ......................................... 26 line interpolation .................................................. 122 LMS-2 ................................................................... 24 load/store menu .................................................. 108 LOAD SET ................. ...

  • ARRI 416 - page 234

         Index mode 2 ........................................................... 58, 63 mode 3 ........................................................... 64, 65 mode 4 ........................................................... 58, 67 mode 5 ........................................................... 58, 68 mode 6 ............... ...

  • ARRI 416 - page 235

         Index PS/CCU .......................................................... 59, 63 PS mode ................................................................ 63 pull-down menu ................................................... 160 R radio channel ...................................................... 187 radio system .......... ...

  • ARRI 416 - page 236

         Index stopping camera .................................................... 55 STORD ................................................................ 133 STORE SET .......................................................... 108 Super 16 ............................................................... 49 support handle ....... ...

  • ARRI 416 - page 237

         Index V VBS mode ............................................................. 79 VBS out ................................................................. 79 video ................................................................... 153 adjustment ........................................................ 120 aligning image ...

  • ARRI 416 - page 238

         Index viewnder adjusting ............................................................ 51 viewnder arm ....................................................... 51 extending ........................................................... 52 swivelling............................................................ 51 viewnde ...

  • ARRI 416 - page 239

    MAIN MENU -> - LOAD/STORE - WB/GAIN/BARS - VIDEO/TEXT ADJ - FORMAT MARKING - COMPARE/STORE - SYSTEM/STATUS - USER TEXT - TIME CODE TIME - TIME CODE UB - PULL DOWN - VITC LINE - WHITE LINE - EXIT ARE YOU SURE? (NO UNDO) -> - NO - YES - EXIT MENU LOAD/STORE -> - STORE SET 1 (CONFIRM BY ENTER) - LOAD SET 1 (NO UNDO) - SET ALL SETTINGS TO DEFA ...

  • ARRI 416 - page 240

    technical data are subject to change without notice © ARRI 2006 Ident-No. K5.66324.0 available languages: English ARNOLD & RICHTER CINE TECHNIK Türkenstr . 89 • D-80799 München Phone +49 – 089 – 38 09 – 0 • Fax +49 – 089 – 38 09 – 12 44 www .arri.com ...

Fabbricante ARRI Categoria Film Camera

I documenti che otteniamo dal fabbricante del dispositivoARRI 416 possono essere suddivisi in diversi gruppi. Questi sono tra gli altri:
- disegni tecnici ARRI
- manuali per l’uso 416
- schede prodotto ARRI
- opuscoli
- o etichette energetiche ARRI 416
Tutti sono importanti, ma le informazioni più importanti dal punto di vista di utilizzo del dispositivo possono essere trovate nel manuale per l’uso ARRI 416.

Un gruppo di documenti denominato manuali per l’uso, è anche suddiviso in tipi più specifici, come: Manuali di installazione ARRI 416, manuali di manutenzione, brevi manuali o manuali utente ARRI 416. A seconda delle esigenze, si dovrebbe cercare il documento necessario. Nel nostro sito web, puoi visualizzare il manuale più popolare per l'uso del prodotto ARRI 416.

Manuali per l’uso simili

Manuale completo del dispositivo ARRI 416, come deve essere?
Il manuale per l’uso, denominato anche istruzioni per l’uso, o semplicemente il manuale è un documento tecnico progettato per aiutare ad utilizzare ARRI 416 dagli utenti. I manuali sono di solito scritti da uno scrittore tecnico, ma in un linguaggio accessibile a tutti gli utenti ARRI 416.

Il manuale per l’uso completo ARRI, dovrebbe includere vari elementi di base. Alcuni di loro sono meno importanti, come ad esempio: copertina / pagina del titolo o pagina di autore. Tuttavia, la parte rimanente, dovrebbe fornire informazioni importanti dal punto di vista dell'utente.

1. Introduzione e la guida su come utilizzare il manuale ARRI 416 - All'inizio di ogni manuale, dovremmo trovare indizi su come utilizzare il documento. Dovrebbe contenere informazioni sulla posizione dell’indice ARRI 416, FAQ o i problemi più comuni : i punti che sono più spesso cercati dagli utenti di ogni manuale
2. Indice - elenco di tutti i suggerimenti per ARRI 416 che possono essere trovati nel documento corrente
3. Suggerimenti su come utilizzare le funzioni di base del dispositivo ARRI 416 - che ci dovrebbe aiutare nei primi passi durante l'uso ARRI 416
4. Troubleshooting - sequenza sistematica delle attività che vi aiuterà a diagnosticare e, successivamente, risolvere i problemi più importanti del ARRI 416
5. FAQ - domande più frequenti
6. Dettagli di contatto Informazioni su dove cercare il contatto con il fabbricante / servizio ARRI 416 in un dato paese, se il problema non può essere risolto da noi stessi.

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