Adobe Photoshop CS3の取扱説明書

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  • Adobe Photoshop CS3 - page 1

    USER GUIDE A DOBE ® P H O T O SHOP ® CS 3 ...

  • Adobe Photoshop CS3 - page 2

    Copyright © 2007 Ado be Systems Inco rporated. All rights re ser ved. Adobe® Pho toshop® CS3 U ser Guide for W indows® and M ac OS. If this guide is distributed wi th s oftwar e that includes an end user agreemen t, this guide, as well as the software describe d i n it, is furnished under license and may be used or copie d only i n accord ance ...

  • Adobe Photoshop CS3 - page 3

    iii Co n t e n t s Chapter 1: Getting started Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Adobe Help . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...

  • Adobe Photoshop CS3 - page 4

    iv Color-managing documen ts for online viewing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136 Proofing c olors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137 Color-managing documen ts when printing . . . . ...

  • Adobe Photoshop CS3 - page 5

    v Chapter 11: Pain ting Pain ting tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 325 Brush presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...

  • Adobe Photoshop CS3 - page 6

    vi Chapter 16: Printing Printing from P hotoshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 483 Printing with color managemen t . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 487 Printing images to a ...

  • Adobe Photoshop CS3 - page 7

    vii Chapter 21: Ke yboard shor tcuts Customizing keyboar d shor tcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 629 Default keyboard shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 630 Index . . . ...

  • Adobe Photoshop CS3 - page 8

    1 C ha pt er 1: Ge t ting sta r ted If yo u haven ’t in stal led yo ur new s o f twar e, begin by reading some info rmation on in stal la tion and other p relimi- nar ies. B efore you be gin work ing wit h your sof tware, t ake a few mome nts to read an over vi ew of Adobe Help and of the ma ny resources available to users. Y ou have access to in ...

  • Adobe Photoshop CS3 - page 9

    PHOT OSHOP CS3 User Guide 2 Read Me The installation disc co ntains the Read M e fi le fo r your softwar e. (This fi le is also cop ied to the applica tion folder during p roduct installation.) Open the file to read importan t informa tion about the fo llowing top ics: • System r equirements • Ins tal la tion (includin g uninstalling the softwa ...

  • Adobe Photoshop CS3 - page 10

    PHOT OSHOP CS3 User Guide 3 Mos t versions of in- product and LiveDocs H elp let yo u search across the Hel p systems o f multiple products. T opics may also con tain links to relevan t con tent on the w eb or to top ics in the Hel p of another p roduct. Think of H elp , both in the product and o n the web, as a h ub for acces sing additional con t ...

  • Adobe Photoshop CS3 - page 11

    PHOT OSHOP CS3 User Guide 4 Ado be Hel p A. Back/F orwar d butto ns (previous ly v isi ted links) B. Expa nd ab le su bt op ic s C. Icons indicating shared topic D. Previous/Next butto ns (topics in seq uentia l order) Acc essibility features Ad obe Help co nten t is accessible to people with disabili ties—such as mobility im pairments, blindness ...

  • Adobe Photoshop CS3 - page 12

    PHOT OSHOP CS3 User Guide 5 Keyboar d shor tcuts for Help na vigation ( W indows) • T o move between panes, p ress C trl+T ab (forward) and S hift+Ctrl+T ab (backwar d). • T o move thr ough and outline links in a pane , press T ab (fo r ward) o r Shift+T ab (backwa rd). • T o activate a n outlined link, press En ter . • T o make text bigger ...

  • Adobe Photoshop CS3 - page 13

    PHOT OSHOP CS3 User Guide 6 When yo u start the Adobe V ideo W orksho p, yo u choose the products you wa nt to learn an d the subjects you wan t to view . Y ou can see details about each video t o focus and direct your lea rning. Community of pr esenters W ith this r eleas e, A dobe S ystems invi ted the comm unity o f i ts users to shar e their ex ...

  • Adobe Photoshop CS3 - page 14

    PHOT OSHOP CS3 User Guide 7 • Printin g photos V ideos also show yo u how to use Phot oshop CS3 with other A dobe products: • U sing sha red elements in A dobe Phot oshop , Illustrato r®, InDesign®, and Flash® • U sing S mart Objects and Live Color • U sing B ridge in a photogra phy w orkflow T o access Ado b e Cr eative Sui te 3 video t ...

  • Adobe Photoshop CS3 - page 15

    PHOT OSHOP CS3 User Guide 8 and websi tes to DVD men us and video bu ttons. Each te mplat e f ile is pr ofessio nally constructed and repr esents a best-use exam ple of p roduct featur es. T empla tes can be a valuable r esource when you need to j ump-start a pr oject. Samples Sample f iles inclu de mo re com plicated designs and are a g r e a t wa ...

  • Adobe Photoshop CS3 - page 16

    PHOT OSHOP CS3 User Guide 9 Not e: Bridge H ome ma y not be av ailab le in all la nguages. Adobe Design C enter A dobe D esign Cent er offers articles, insp iration, an d instruc tion fro m industry exp erts, top designer s and Ad obe publishin g part ners. N ew conten t is added mon thly . Y ou can find hundr eds of tuto rials for design products ...

  • Adobe Photoshop CS3 - page 17

    PHOT OSHOP CS3 User Guide 10 New ideas ar e the heart of Think T ank, Dialog B ox, a nd Galler y : • T h i n kT a n ka r t i c l e sc o n s i d e rh o wt o d a y ’ sd e s i g n e r se n g a g ew i t ht e c h n o l o g ya n dw h a tt h e i re x p e r i e n c e sm e a nf o r design, design tools, and society . • In Dialog Box, experts share new ...

  • Adobe Photoshop CS3 - page 18

    PHOT OSHOP CS3 User Guide 11 Adobe Labs Adobe Labs gives you the opportunity to exper ience and ev aluate new a nd emerging technologies and pr oduc ts f rom Ado b e. A t Adobe Labs, you ha ve access to re s our ces such as these: • Prer elease s oftwar e and technologies • Code s am ples and best practices to accelera te your learning • Earl ...

  • Adobe Photoshop CS3 - page 19

    PHOT OSHOP CS3 User Guide 12 N ext generation C amera Raw Process ra w data—at hig h quali ty—from mor e than 150 digital cameras. Y ou can also app ly Camera Raw processin g to JPEG an d TIFF f iles. See “Ca mera R a w” on page 85. Image editing improv ements Smart Filters Preserve image data in tegrity as you enhance y our images with fle ...

  • Adobe Photoshop CS3 - page 20

    PHOT OSHOP CS3 User Guide 13 3D and motion advances V anishing Point with 3D support Edit images in pers pe ctive acr oss multip le planes at a ny angle, a nd export 3D informatio n in formats s upported by 3D ap plications. See “V anishing Po int ” on page 225. 3D visualization and texture editing (Phot oshop Ex tended) Im port 3D models; chan ...

  • Adobe Photoshop CS3 - page 21

    14 C ha pt er 2: W orkspace The A dobe® Photosho p® CS3 w orkspace is arranged to help yo u focus on creating and editing imag es. The wo rkspace includes m enus and a va riety of tools and palettes f or viewing, editing, and addin g elements to y our images. W orkspace basics W orkspace o verview Y ou cr eate and manip ulate your documents and f ...

  • Adobe Photoshop CS3 - page 22

    PHOT OSHOP CS3 User Guide 15 Defaul t Photosh op workspace A. Documen t window B. Dock of pa nels col lapsed to ico ns C. Pa nel tit le bar D. Menu ba r E. Options ba r F. T ools palette G. Col lapse T o I cons butt on H. Three palett e (panel) gr oups in vertical dock Fo r a video on understanding the w orkspace, see ww w .adobe.com/go/vid0187 . H ...

  • Adobe Photoshop CS3 - page 23

    PHOT OSHOP CS3 User Guide 16 Reconfigure the T ools panel Y ou can displa y the tools in the T ools panel in a single column, or side b y side in two column s. I n I nDesign, you a lso can switc h from si ngle-col umn to do uble-co lum n displa y by setti ng an o ption i n I nterface pr eferences. ❖ Click the double arro w at the top o f the T oo ...

  • Adobe Photoshop CS3 - page 24

    PHOT OSHOP CS3 User Guide 17 Na vigato r panel bei ng dr agged out to new do ck, indic ated b y blue vertical h ighligh t Na vigato r panel no w in its own doc k T o preven t panels fro m filling all space in a dock, dr ag the bottom ed ge of the doc k up so it no longer meets the edge of the work space. Move panels As yo u mo ve panels, you see bl ...

  • Adobe Photoshop CS3 - page 25

    PHOT OSHOP CS3 User Guide 18 A dding a pa nel to a pa nel gro up • T o rearrang e panels in a group , drag a panel ’ s tab to a new lo ca tion in the grou p. • T o remov e a panel from a grou p so t ha t it floats freely , drag the panel by its tab o utside the group . • T o make a panel ap pe ar a t the front o f its grou p, clic k its tab ...

  • Adobe Photoshop CS3 - page 26

    PHOT OSHOP CS3 User Guide 19 Minimize butto n Manipulate panels collapsed t o icons Collapse panels to ico ns to reduce cl utter o n the workspace. (I n some cases, panels are colla psed to icons in the defa ult wor kspace.) Click a pa nel icon to expand the panel . Y ou can expand onl y o ne pan el o r pa nel gr oup a t a time. Pa nels co llapsed ...

  • Adobe Photoshop CS3 - page 27

    PHOT OSHOP CS3 User Guide 20 Save , delete , and switch between w orkspaces B ys a v i n gt h ec u r r e n ts i z ea n dp o s i t i o no fp a n e l sa san a m e dw o r k s p a c e ,y o uc a nr e s t o r et h a tw o r k s p a c ee v e ni fy o u mov e or close a panel. The names of sa ved workspaces ap pe ar in the W indow > W orkspace menu. In Ph ...

  • Adobe Photoshop CS3 - page 28

    PHOT OSHOP CS3 User Guide 21 Display or hide tool tips ❖ In In terface preferences, select or deselect Show T ool Ti ps. Not e: T ool tips m ay not b e ava ilable i n some dia log boxes. Adobe Bridge A dobe® Bridge is a cross-pla tform ap plication inc luded with A dobe® Creative S uite® 3 com ponen ts that helps yo u l o c a t e ,o r g a n i ...

  • Adobe Photoshop CS3 - page 29

    PHOT OSHOP CS3 User Guide 22 W ays to en ter valu es A. Men u a rr ow B. Scrubb y sl ider C. T ext box D. Dia l E. Slider See also “ Abou t s crubb y sliders ” on page 22 About pop-up sliders Some palettes, dialog boxes, a nd option s bars con t ain set tings that use pop-up sliders (f or examp le, the Opacity optio n in the La yers palette). I ...

  • Adobe Photoshop CS3 - page 30

    PHOT OSHOP CS3 User Guide 23 Click a tool th umbnail in the op tions bar to sh ow its pop- up palette. Click a n item in the pop-u p palette to select it. V iewing th e Brush pop-up pa lette in th e options ba r A. Click t o show the po p-up palette. B. Clic k to view the pop-up pa lette menu. Rename or delete an item in a pop-up palette ❖ S e l ...

  • Adobe Photoshop CS3 - page 31

    PHOT OSHOP CS3 User Guide 24 Display c ontext menus Context menus displa y comma nds relevan t to the active tool, selection, o r palette. They ar e distinct fro m the m enus across the to p of the works pace. V iewing th e cont ext menu fo r the Ey edro pper tool 1 P osition the poin ter over an ima ge or palette item. 2 Right-click (W indows) or ...

  • Adobe Photoshop CS3 - page 32

    PHOT OSHOP CS3 User Guide 25 Choosi ng a color fo r a menu item us ing the K eyboar d Shortcuts & M enus dialog bo x Delete a set of menus 1 Do one of the f ollowing: • Choose Edit > Men us. • Choose Win dow > W orkspace > K ey board S hortcuts & M enus and c lick the Men u tab. 2 In the K ey board S hortcuts & M enus dialo ...

  • Adobe Photoshop CS3 - page 33

    PHOT OSHOP CS3 User Guide 26 Y ou can vie w informa tion a bout any tool b y positioning t he point er o ver i t. The name o f the tool ap pe ars in a tool tip below the poin ter . S ome t ool tips con tain links le ading t o additional info rmation abou t the tool. See also “W orkspace o ver view” on page 14 Selection tools Move (V) * Rectangu ...

  • Adobe Photoshop CS3 - page 34

    PHOT OSHOP CS3 User Guide 27 Selec tion tools gallery Crop and slice t ools galler y Retouching tools gallery The mar quee tools make rect angula r , el liptic al, sin gle ro w , and si ngle col umn se lec- tions. The M ove tool moves se lec- tions, la yers, and guides. The lasso tools make freeh and, polygo nal (str aigh t-edged), an d magne tic ( ...

  • Adobe Photoshop CS3 - page 35

    PHOT OSHOP CS3 User Guide 28 Pain ting tools galler y T h eC l o n eS t a m pt o o l pa ints with a sam ple of a n image. The P attern Stamp t ool pai nts with part of an i mage as a patt er n. The Eraser tool er ases pixels and r esto res parts of a n ima ge to a pr ev ious ly sa ved state. The Back ground Eras er tool erases a reas to t ranspa re ...

  • Adobe Photoshop CS3 - page 36

    PHOT OSHOP CS3 User Guide 29 Dra wing and type tools galler y Annotation, measuring , and navigation t ools galler y The A r t H istor y brush tool pain ts with stylized s troke s tha t simu late th e look of diff erent pa int s tyles, using a select ed sta te or sna pshot . The gradient t ool s cr eate str aigh t-line, r adial, a ngle, reflected, ...

  • Adobe Photoshop CS3 - page 37

    PHOT OSHOP CS3 User Guide 30 Use a tool ❖ D o o ne of the follo wing: • Click a tool in the T ools palette. I f there is a small triangle at a tool ’ s lower right corner , hold down the mouse but ton to view the hidden tools. Then click the tool y ou want t o selec t. • Pres s the tool’ s keyboard sho r tcu t. The key boar d shortcut is ...

  • Adobe Photoshop CS3 - page 38

    PHOT OSHOP CS3 User Guide 31 Precise Displa ys pointer s as cross hairs. Brush Size (painting cursors only) Displa ys the painting tool cursors as b r ush sha pes representing the size o f the current b r ush. Brush Size cursors ma y not ap pe ar f or very lar ge brushes. 3 Select Br ush C ursor optio ns if you selected Brush Size as the tool poin ...

  • Adobe Photoshop CS3 - page 39

    PHOT OSHOP CS3 User Guide 32 T o choose a tool preset, click the T o ol P reset picker in the o ptions bar , and select a preset from the pop- up palette. Y ou can also choose W indow > T ool Presets and select a pr es et in the T ools Pr es ets palett e. V iewing the T ool Pr eset picker A. Click t he T ool Preset p icker in th e options ba r t ...

  • Adobe Photoshop CS3 - page 40

    PHOT OSHOP CS3 User Guide 33 V iewing images Change the screen mode Y o uc a nu s et h es c r e e nm o d eo p t i o n st ov i e wi m a g e so ny o u re n t i r es c r e e n .Y o uc a ns h o wo rh i d et h em e n ub a r ,t i t l e bar , and scr oll bars. ❖ D o o ne of the follo wing: • T o display the defa ult window , (menu bar a t the top a nd ...

  • Adobe Photoshop CS3 - page 41

    PHOT OSHOP CS3 User Guide 34 Use the N a vigator palette Y ou use the N avigat or palette t o q uickly cha nge the view of your a rt wo rk usin g a th umbnail display . The colored box in the Na vigat or (called the pro xy v iew a rea ) co rresponds to the currently viewable a rea in the window . ❖ D o o ne or mor e of the follo wing: • T o dis ...

  • Adobe Photoshop CS3 - page 42

    PHOT OSHOP CS3 User Guide 35 Zoom into or out of multiple images 1 Open one or mo re images, or co pies of a single imag e. 2 Choose Win dow > Arrange > T ile Ho rizontally/Tile V er tically to disp lay the images edge t o edge. 3 Select t he Zoom tool, a nd then do one of the fo llowing: • Selec t Zoom All W indows in the option s bar , an ...

  • Adobe Photoshop CS3 - page 43

    PHOT OSHOP CS3 User Guide 36 Fit an image to the scr een ❖ D o o ne of the follo wing: • Double-click the H and tool in the toolbox. • Choose V iew > Fit On Screen. • Select a zo om t ool or the Ha nd tool, and click the Fi t On S cr e en b utton in the o ptions bar . These optio ns scale b o t h the zoom level a nd the window size to fi ...

  • Adobe Photoshop CS3 - page 44

    PHOT OSHOP CS3 User Guide 37 W itho ut Ma tch Zoom A nd Loca tion (top), a nd wi th M atc h Zoom And Loc ation (bo ttom) sele cted 4 Select t he Zoom tool or the H and tool. 5 Select one of the images, ho ld down the Shift key , and click in or dra g an area of a n image. The other images a re magnified to the same percen t ag e and snap to the a r ...

  • Adobe Photoshop CS3 - page 45

    PHOT OSHOP CS3 User Guide 38 Use the Info palett e The Inf o palette displays file info rmation abou t an image a nd also provides feedback a b o ut the color values as y ou move a tool poin ter over an imag e. Make sur e the Inf o palette is visible in your w orkspace if yo u want t o view infor- matio n w hile dragging in the imag e. 1 (Optional) ...

  • Adobe Photoshop CS3 - page 46

    PHOT OSHOP CS3 User Guide 39 Click ing an eye dropp er icon and c hoosing a r eadout m ode from the pop- up menu 4 Fo r Ruler U nits, choose a unit of m easurement. 5 U nder Sta tus informa tion, select from the follo wing to displa y fi le info rmation in the I nfo palette: Document Sizes Displa ys informa tion on the amoun t of da t a in the imag ...

  • Adobe Photoshop CS3 - page 47

    PHOT OSHOP CS3 User Guide 40 File i nformat ion view options wh en V ersion Cue is ena bled 2 Choose a view option fro m the pop-up men u: Not e: If you h ave V ersion C ue enable d, choose from t he Show s ubmenu. V ersion Cue Displa ys the V ersion Cue wo rkgroup st a tus of yo ur document, suc h as open, unmanag ed, un saved, and so forth. This ...

  • Adobe Photoshop CS3 - page 48

    PHOT OSHOP CS3 User Guide 41 See also “ Adj ust dynamic rang e vie w fo r HDR images ” on pag e 81 Duplicate an image Y ou can du plicate a n entire imag e (including all la yers, lay er masks, and chan nels) into a vailable memory without saving t o disk. 1 Open the image you wa nt to du plicate. 2 Cho ose Image > Duplicate. 3 Ente r a name ...

  • Adobe Photoshop CS3 - page 49

    PHOT OSHOP CS3 User Guide 42 See also “U s e sna pping ” on page 45 Change the unit of measurement 1 Do one of the f ollowing: • Double-click a ruler . • (W indows) Choose Edi t > Pref erences > U nits & R ulers, or right-click the ruler a nd then c hoos e a new uni t from the con text menu. • (Mac OS) Choose Photosh op > Pre ...

  • Adobe Photoshop CS3 - page 50

    PHOT OSHOP CS3 User Guide 43 Measure between tw o points 1 Select t he R uler tool . 2 Drag from the starting poin t t o the ending point. H old down the S hift key to constra in the tool to 45˚ in crements. 3 T o create a pr otractor fro m a n exis ting measuring line, Alt-drag (Windo ws) o r Option-drag (M ac OS) at an a ngle from one end o f th ...

  • Adobe Photoshop CS3 - page 51

    PHOT OSHOP CS3 User Guide 44 Place a guide 1 If the rulers are n ot visible, choose V iew > Rulers. Not e: Fo r the mos t accur ate r eadin gs, v iew t he ima ge at 100% ma gnifica tion or use th e In fo palette. 2 Do one of the f ollowing to cr eate a guide: • Choose V iew > New Guide. I n the dialog box, select Horizo ntal or V ertical or ...

  • Adobe Photoshop CS3 - page 52

    PHOT OSHOP CS3 User Guide 45 Set guide and grid preferenc es 1 Do one of the f ollowing: • (W indows) Choose Edit > Pref erences > Guides, Grid, Slices & Coun t. • (Mac OS) Choose Photosh op > Prefer ences > Guides, Grid, Slices & Coun t. 2 Fo r C olo r , choose a color fo r the guides, the grid, or both. If you c hoos e C u ...

  • Adobe Photoshop CS3 - page 53

    PHOT OSHOP CS3 User Guide 46 Hiding Extras o nly supp resses the display o f Extras. It does not t urn off thes e o ptions. ❖ D o o ne of the follo wing: • T o show or hide Extras, choose V iew > Extras. A check mark a ppears next to all shown Extras in the Show submenu. • T o turn o n and s how an Extra from a gro up of hidden Extras, cho ...

  • Adobe Photoshop CS3 - page 54

    PHOT OSHOP CS3 User Guide 47 Rearra nging to ol presets i n the Preset M ana ger Not e: T o delete a preset in the Pr eset Mana ge r , select the pr es et and cl ick Delete. Y ou can al ways use the Reset command to r estor e the def ault i tems in a li bra r y . Load a libr ar y of preset items ❖ D o o ne of the follo wing: • Click the triangl ...

  • Adobe Photoshop CS3 - page 55

    PHOT OSHOP CS3 User Guide 48 Create a ne w library of presets 1 Do one of the f ollowing: • T o save all the pr esets in the list as a library , make sure that all i tems ar e selec ted . • T o save a subset of the curren t list as a library , hold down Shift, and select the items y ou wan t to save. 2 Click Sav e S et, choose a location f or t ...

  • Adobe Photoshop CS3 - page 56

    PHOT OSHOP CS3 User Guide 49 Open a prefer ences dialog bo x 1 Do one of the f ollowing: • (W indows) Choose Edit > Pref erences and choose the desired pr eference set from the sub menu. • (Mac OS) Choose Photosh op > Prefer ences, and then choose the desired prefer ence set from the submen u. 2 T o switch to a differ ent pr eference set, ...

  • Adobe Photoshop CS3 - page 57

    PHOT OSHOP CS3 User Guide 50 Plug-ins About plug-in modules Plug-in modules a re software pr ograms developed by A dobe System s and by other softwar e de ve lopers in con junction with A dobe Systems t o add featur es to Photosho p. A n umber of importing, exporting, an d special- effects plug-ins co me with your progra m. They are a utoma tically ...

  • Adobe Photoshop CS3 - page 58

    PHOT OSHOP CS3 User Guide 51 • (Mac OS) Choose Phot oshop > A b o ut Plug-in, and then c hoos e a pl ug-in f r om the submen u. Reco very and undo Use the Undo or Redo c ommands The U ndo and Redo co mmands let you undo or r edo operations. Y ou can also use the His tor y palette t o undo or redo operatio ns. ❖ Cho ose Edit > U ndo or Edi ...

  • Adobe Photoshop CS3 - page 59

    PHOT OSHOP CS3 User Guide 52 3 Click OK. W ork with the History palette Y ou can use the His tor y palette to jum p to an y r ecent sta te of the image creat ed during the current w orking sessio n. Each time you a pply a cha nge to an image , the new state of tha t image is added to the palette. Fo r example , if you select, paint, a nd rotat e pa ...

  • Adobe Photoshop CS3 - page 60

    PHOT OSHOP CS3 User Guide 53 • By defa ult, deleting a state delet es that stat e and those that came a fter it. If yo u choose the Allow No n-Linear Hist or y op tion, deleting a sta te deletes only tha t state. Revert to a previous image sta te ❖ D o an y of the f ollowing: • Click the name of the s t a te. • Choose Step Fo r war d or Ste ...

  • Adobe Photoshop CS3 - page 61

    PHOT OSHOP CS3 User Guide 54 Automatically Cr eate N ew Snapshot When Saving Genera tes a snapsho t ever y time you sa ve. Allow N on-Linear History Makes c hanges to a selected sta te without deletin g the states tha t come after . Normally , w h e ny o us e l e c tas t a t ea n dc h a n g et h ei m a g e ,a l ls t a t e st h a tc o m ea f t e rt ...

  • Adobe Photoshop CS3 - page 62

    PHOT OSHOP CS3 User Guide 55 Make a snapshot of an image T h eS n a p s h o tc o m m a n dl e t sy o um a k eat e m p o r a r yc o p y( o r snapshot )o fa n ys t a t eo ft h ei m a g e .T h en e ws n a p s h o t is added to the list of snapshots a t the top of the Hist or y palette. Select ing a snaps hot lets yo u wo rk fro m that ver sion of the ...

  • Adobe Photoshop CS3 - page 63

    PHOT OSHOP CS3 User Guide 56 • T o de lete a sna psho t, se lect the sna psho t an d eith er c hoose Del ete fr om the palet te m enu , cli ck the Delet e ico n , or drag the sna pshot to the Delete icon. Paint with a sta te or snapshot of an image The Histo r y Brush tool lets you pain t a copy of one image s tate or sna pshot into the curren t ...

  • Adobe Photoshop CS3 - page 64

    PHOT OSHOP CS3 User Guide 57 Change the scrat ch disk assignment 1 Do any o f the following in the Scrat ch Disks area of P erformance p references: • T o change the scra tch disk order , click the arrow b utto ns. • T o enable or disab le a scratch disk, select or deselect the A ctive checkbo x. 2 Click OK. 3 Fo r the changes t o ta ke effect, ...

  • Adobe Photoshop CS3 - page 65

    58 C ha pt er 3: Op enin g and importing images Ad obe® Photoshop® CS3 can o pen and import man y types of graphic files. T o work effectively , you sho uld under- stand basic imaging co ncepts, and ho w to acquire, im port, and resize images. Photoshop images About bitmap images Bitma p images—technically called raste r im ages —use a rectan ...

  • Adobe Photoshop CS3 - page 66

    PHOT OSHOP CS3 User Guide 59 Example o f a vector i mage at d iffer ent levels o f magni f ic ation Y ou can freely mo ve or modify vector graphics wi thout losing detail o r clarity , because they are resol ution- independent—they main tain crisp edges when resized, prin ted to a Pos tS crip t printer , saved in a PDF file, o r imported in to a ...

  • Adobe Photoshop CS3 - page 67

    PHOT OSHOP CS3 User Guide 60 In addi tion to color cha nnels, alphachannels , can be added to an image fo r storing and edi ting selec tion s as masks, a n ds p o tc o l o rc h a n n e l sc a nb ea d d e dt oa d ds p o tc o l o rp l a t e sf o rp r i n t i n g .F o rm o r ei n f o r m a t i o n ,s e e“ C h a n n e l s ”o n page 264. See also ? ...

  • Adobe Photoshop CS3 - page 68

    PHOT OSHOP CS3 User Guide 61 Image size and r esolution About pix el dimensions and resolution The p ixel dimensio ns (image size or h eig h t and width) o f a b itmap image is a measure o f the n umber of pix els along an image ’ s width and height. Resolu tion is the fineness of detail in a b itmap image and is measured in pixels per inch (ppi) ...

  • Adobe Photoshop CS3 - page 69

    PHOT OSHOP CS3 User Guide 62 Pixel di mensions eq ual documen t (outpu t) size times r esolu tion. A. Original d imensions a nd resol ution B. Decreas ing the r esolu tion witho ut cha nging pixe l dimens ions (no resa mpli ng) C. Decreasi ng the reso lutio n at same docu ment size de creases pixe l dimensio ns (resam plin g). Display the curren t ...

  • Adobe Photoshop CS3 - page 70

    PHOT OSHOP CS3 User Guide 63 About monitor r esolution Y our monito r’ s r esolution is described in pixel dimension s. F or exam ple, if your moni tor resol ution and y our p hoto ’ s pixe l dimensions are the same size, the p hoto will fill the screen when viewed at 100%. H ow lar ge an ima ge ap pears on-screen depends o n a combina tion of ...

  • Adobe Photoshop CS3 - page 71

    PHOT OSHOP CS3 User Guide 64 Screen fr equency exam ples A. 65 lpi: Coa rse screen typica lly used to pri nt newslett ers and gr ocery coupons B. 85 lpi: A vera ge screen typica lly used to prin t newspaper s C. 133 lp i: Hi gh-quali ty screen typi cally use d to prin t fou r-colo r magazi nes D. 1 77 lpi: V e ry f ine screen t ypically us ed for a ...

  • Adobe Photoshop CS3 - page 72

    PHOT OSHOP CS3 User Guide 65 Y ou can a void the need fo r resamp ling by scannin g o r creating the imag e at a suf ficiently hig h r esolution. I f you wa nt to pr ev iew the effects of chan ging pixel dimensio ns on-screen or to print p roofs a t dif fer ent re s ol utions, r esample a dup licate of y our file. Photos hop resamp les images using ...

  • Adobe Photoshop CS3 - page 73

    PHOT OSHOP CS3 User Guide 66 Change the print dimensions and resolution When creating an imag e for print media, it ’ s usefu l to specify image size in terms of the printed dimen sions a nd the image re s ol ution. These two measurem ents, referr ed to as t he docu ment s ize , determine the total pix el count a nd therefo re the file size of th ...

  • Adobe Photoshop CS3 - page 74

    PHOT OSHOP CS3 User Guide 67 3 Fo r Screen, en ter the screen frequency f or the outp ut device. If necessary , ch o ose a differen t unit of measur ement. No te that the screen value is used only t o calc ula te the image resol ution, not t o s et the screen fo r printing. Not e: T o specif y the halftone screen ruling for printi ng, you m u st us ...

  • Adobe Photoshop CS3 - page 75

    PHOT OSHOP CS3 User Guide 68 5 Click Start. 6 Select t he digital camera fro m which to import images. Not e: If th e name of y our cam era does no t appea r in the su bmenu, verify tha t the softwa re an d drivers were p roperl y inst alled a nd tha t the cam era is con nected. 7 Choose the image or images y ou want t o import: • Click the image ...

  • Adobe Photoshop CS3 - page 76

    PHOT OSHOP CS3 User Guide 69 4 Make sure tha t Open Acq uired Im ages in Pho toshop is selected. If y ou hav e a larg e number o f images t o import, or if yo u want to edi t the images at a la ter time, deselect it. 5 Make sure that Unique Subfolder is sele cted if you want to save th e imported i mages direct ly into a folder w hose name is the c ...

  • Adobe Photoshop CS3 - page 77

    PHOT OSHOP CS3 User Guide 70 8 (Optional) U nder A dvanced, choose a color p rofile, or choose Don ’t Color M anage This Document. For P ixel Aspect Ratio , choose Square unless yo u’ re using the image for video. In that case, choose another option to use non- squa re p ixels . 9 When you finish, you can save t he s etting s a s a preset by cl ...

  • Adobe Photoshop CS3 - page 78

    PHOT OSHOP CS3 User Guide 71 Sometimes Phot oshop may no t b e ab le to determine the correct forma t for a file. This can ha ppen, for e xample, because the file has b een tran sferred between two operating sys tems. Sometimes a transfer between M ac OS and W indows can ca use the fi le fo rmat to be mislabeled. I n such cases, you m ust specify t ...

  • Adobe Photoshop CS3 - page 79

    PHOT OSHOP CS3 User Guide 72 Some PD F files con tain a sin gle image, and o thers con tain mul tiple pages and images. W hen you open a PDF file in Phot oshop , you can choose which pages o r images to open an d spe cify rasterizatio n option s. Y ou can also import PD F data using the Place comma nd, the Pas te command, a nd the drag-and-drop f e ...

  • Adobe Photoshop CS3 - page 80

    PHOT OSHOP CS3 User Guide 73 Mode Sets t he co lor mode for the new document. See als o “ Color modes ” on page 110. Bit Depth Sets the bit depth fo r the new do cument. See also “Bi t depth ” on page 60. The W idth and H eight values pl us the Resolution dete r mine the final pixel dim ension of r esulting document. 9 T o supp ress colo r ...

  • Adobe Photoshop CS3 - page 81

    PHOT OSHOP CS3 User Guide 74 3 Select options fo r the source image: Pix el Size Specifies t he p ixel dimension s of the image. K eep in mind that the on-scr een size of the opened image depends on both the pix el size and resol ution yo u choose. Profile S p ecifies a device pro f ile fo r color manag ement. 4 Select o ptions fo r the destination ...

  • Adobe Photoshop CS3 - page 82

    PHOT OSHOP CS3 User Guide 75 See also “ Abou t Smart Objects ” on page 309 Place a file in Photoshop 1 Open the Photoshop document tha t is the destination fo r the placed art or phot o. 2 Do one of the f ollowing: • (Phot oshop) Choose File > Place, sele ct the file you wan t to place, and c lick Place. • (Bridge) Select the f ile and c ...

  • Adobe Photoshop CS3 - page 83

    PHOT OSHOP CS3 User Guide 76 See also “ S cale, ro tate, sk ew , disto r t, a pply perspective, o r warp ” on page 214 “W arp an it em ” on page 217 Place PDF or Illustr ator files in Photoshop W h e ny o up l a c eaP D Fo rA d o b eI l l u s t r a t o rf i l e ,u s et h eP l a c eP D Fd i a l o gb o xt os e to p t i o n sf o rp l a c i n g ...

  • Adobe Photoshop CS3 - page 84

    PHOT OSHOP CS3 User Guide 77 4 In the P aste dialog box, select how yo u want to past e the Adobe Illustra tor art and then c lick OK: Smart Objec t Pastes the art as a V ec tor Smart Object that can b e scale d, transformed, or moved without degrading the image. A s the art is placed, its file data is embedded in the Photosho p do cumen t on a sep ...

  • Adobe Photoshop CS3 - page 85

    PHOT OSHOP CS3 User Guide 78 Me rging ima ges of diff erent expo sures t o creat e an HDR im age A. I m a g ew i t hs h a d o wd e t a i lb u th i g h l i g h t sc l i p p e d B. Image with highligh t detail but shadows c lipped C. HDR i mage con taining the dynamic ra nge of the sc ene In P hotoshop , the luminan ce val ues o f an HDR i mag e a re ...

  • Adobe Photoshop CS3 - page 86

    PHOT OSHOP CS3 User Guide 79 Blend Modes No rma l, Dis s ol ve, Behind, Clear , Darken, M ultiply , Lig h ten, Color Darken, Linear Dodge (Add), Color Lighter , Difference, H ue, Sa turatio n, C olo r , and L uminosity . Create ne w 32-bpc documents In the N ew dialog box, 32 bi t is an op tion in the bi t depth pop-up menu t o the rig h t of the C ...

  • Adobe Photoshop CS3 - page 87

    PHOT OSHOP CS3 User Guide 80 4 Click OK. A second M erge T o HDR dialog box displays th umbnails of the images being used in the merg ed res ult, a p revie w of the merged res ult, a Bit Depth menu , and a slider for settin g the w hi te point pr evie w . 5 If necessary , do one of the fo llowing to set the view optio ns for the merg ed r esult pre ...

  • Adobe Photoshop CS3 - page 88

    PHOT OSHOP CS3 User Guide 81 • V ar y the sh utter s p eed to crea te differen t exposures. Changin g the aperture chan ges the depth of field in each exposure and can pr o d uce low er-quali ty res ults. Cha nging the ISO or aperture ma y also cause noise or vignetting in the image. • In general , don ’ t use your camera ’ s aut o-bracket ...

  • Adobe Photoshop CS3 - page 89

    PHOT OSHOP CS3 User Guide 82 2 In the HDR Con version dialog bo x, choose a met hod fo r adjusting the b rig h tness and con trast in the image: Exposure And Gamma Lets you man ually adjust the brigh tness and contrast o f the HDR image. Highlight Compr ession C om presses the highlight values in the HD R image so they fall wi t hin the luminance v ...

  • Adobe Photoshop CS3 - page 90

    PHOT OSHOP CS3 User Guide 83 6 Click OK to co nvert the 32-bpc image. See also “ Curves overview” on page 163 About the HDR C olor Picker (Photoshop Extended) The HD R Color Picker al lo ws yo u to acc ura tely vie w and select colors for use in 32-bi t HDR images. As in the regular Ad obe C olor P icker , you select a color by clic king a colo ...

  • Adobe Photoshop CS3 - page 91

    PHOT OSHOP CS3 User Guide 84 Choose Colors f or HDR images The low er part of the HDR Color P icker functions like the r egular color p icker does with 8- or 24-b it images. Click in the color field to select a color a nd move the colo r slider to chang e hues, or use the HSB o r RGB fields to enter numeric val ues for a particular color . In the c ...

  • Adobe Photoshop CS3 - page 92

    85 C ha p te r 4: C ame r a Raw A d o b eP h o t o s h o pC a m e r aR a ws o f t w a r ew o r k sw i t hA d o b eP h o t o s h o p ,A d o b eA f t e rE f f e c t s , a n dA d o b eB r i d g e .Y o u can use Phot oshop Camera Raw software to im port and adjust ca mera raw , JPEG, and TIFF files. Intr oduc tion to C amera Raw About camera r aw files ...

  • Adobe Photoshop CS3 - page 93

    PHOT OSHOP CS3 User Guide 86 U sing B ridge, you ca n appl y , cop y , and clear imag e settings, and yo u can see previews and metadata for camera raw files without o p ening them in the Came ra R aw dialog bo x. The preview in Bridge is a JPEG image gen erated using the current imag e settings; t he p review is no t the ra w camera data itself, w ...

  • Adobe Photoshop CS3 - page 94

    PHOT OSHOP CS3 User Guide 87 DNG is a n extension of the TIFF 6.0 f ormat an d is compa tible with the TIFF-EP standard . It is possib le (but not requir ed) for a DN G f ile to sim ultaneously co mply wi th b oth the Digital N egativ e spe cificatio n and the TIFF-EP standard. Metada ta for adj ustments made to imag es stored as D NG files can be ...

  • Adobe Photoshop CS3 - page 95

    PHOT OSHOP CS3 User Guide 88 6. Set workflow options f or Photoshop. Set options t o specif y how ima ges are sa ved f r om Camera Raw and how P hotoshop sh ould open them. Y ou can a c c e s st h eW o r k f l o wO p t i o n ss e t t i n g s b yc l i c k i n gt h el i n kb e n e a t ht h ei m a g ep r e v i e wi nt h eC a m e r aR a wd i a l o gb o ...

  • Adobe Photoshop CS3 - page 96

    PHOT OSHOP CS3 User Guide 89 Camer a R a w dialog box ov erview Camer a Raw dia log box A. Filmstr ip B. To g g l e F i l m s t r i p C. Ca mera, file na me, and Exif in format ion D. T og gle full scre en mode E. Ima ge adjust ment ta bs F. Hi s to g ra m G. Came ra Raw Settings menu H. Zoom leve ls I. C l i c kt od i s p l a yw o r k f l o wo p t ...

  • Adobe Photoshop CS3 - page 97

    PHOT OSHOP CS3 User Guide 90 RGB Shows the r ed, green, and bl ue values of the p ixel under the point er in the preview image. Shadows and Highligh ts Displays shado w and highlight clip ping. Clipped shado ws appear in blue , and clip p ed highlights a ppear in red. Highlight cli pping is sh own if an y o ne of the three R GB channels is clip p e ...

  • Adobe Photoshop CS3 - page 98

    PHOT OSHOP CS3 User Guide 91 Y ou can als o synchronize s ettin gs to apply settings from the active imag e to a ll s elected images. Y ou can quickly ap ply a set of ad justments to an en tire set of images—s uch as all shots taken under the same co nditions—and then do fine- tuning o n the individual shots lat er , after yo u’ ve determined ...

  • Adobe Photoshop CS3 - page 99

    PHOT OSHOP CS3 User Guide 92 See also “ Convert files with the Imag e Processor” o n page 618 “P rocessing a bat ch of files ” on page 618 Open images in Camer a R a w • T o process raw images in Camera Raw , select one or mor e camera ra w files in Bridge, and then choose File > Open In Camera Raw or pre ss Ctrl+R (W indo ws) or Comma ...

  • Adobe Photoshop CS3 - page 100

    PHOT OSHOP CS3 User Guide 93 Al t-clic k (W indows) o r Option-c lick (M ac OS) Save to s uppr ess the Ca mera Ra w Save Opti ons dial og box when savin g a file. 2 In the Sa ve Option s dialog b o x, specif y the follo wing op tions: Destination Specifies where to save the file. If neces sar y , click the Selec t F older butt on and na vigate to t ...

  • Adobe Photoshop CS3 - page 101

    PHOT OSHOP CS3 User Guide 94 One commo n task for adjus ting an image is to sp read out the p ixel values mor e evenly from left to right on the histogram, in stead of havin g them bunched up a t one end or the other . A histo gram is mad e up of thre e layers of color t hat represe nt the red, gre en, and blue c olor channel s. White appe ars when ...

  • Adobe Photoshop CS3 - page 102

    PHOT OSHOP CS3 User Guide 95 A digital camera reco rds the white balance a t the time of exposure as a metadata en tr y . The Camera Raw plug-in reads this value a nd makes it the initial setting when you o pen t he file in the Camera Raw dialog box. This setting usually yields the corr ect color tempera ture, o r nearly so . Y ou can ad just the w ...

  • Adobe Photoshop CS3 - page 103

    PHOT OSHOP CS3 User Guide 96 Tin t S ets the white balance t o compensa te for a gr een or magen ta tint. Decrease Tin t to add green to the image; increase Tin t to add magen t a. T o adjust the white balance quickly , selec t the White Balance tool , and then click an area in the prev iew image that sh ould be a ne utral g ray or white . The T em ...

  • Adobe Photoshop CS3 - page 104

    PHOT OSHOP CS3 User Guide 97 Fill Light At tempts to reco ver details from shado ws, witho ut b rig h tening blacks. Camera Raw can reco nstruc t some details from a reas in which one or tw o color chan nels are clip pe d to b lack. U sing Fill Light is similar to usin g the shadows portion o f the Photoshop S hadow/Highlight filter o r the After E ...

  • Adobe Photoshop CS3 - page 105

    PHOT OSHOP CS3 User Guide 98 Clarity , Satura tion, and Vibr ance contr ols in Camera Raw Y ou can cha nge the color sa turatio n (vividness or colo r purity) of all co lors by ad justing the Clarity , V ibrance , and Sat uration co ntrols on the Basic tab . (T o adj ust satura tion fo r a specific rang e of colo rs, use the con trols on the HSL / ...

  • Adobe Photoshop CS3 - page 106

    PHOT OSHOP CS3 User Guide 99 Sometimes colors r endered by the Camera Raw pl ug-in do not look as expec ted. The ca use may be a difference between a ca mera ’ s pr ofile and the pro fi le in Camera Raw f or that camera model. Alterna tively , the ph oto ma y have been ta ken un der nonstandar d lighting condi tions beyond the com p ensa ting ran ...

  • Adobe Photoshop CS3 - page 107

    PHOT OSHOP CS3 User Guide 100 Another type of chro matic artifact affects t he edges of spe cular hig hligh ts, such as those found when light is reflected off o f the s urf ace of rippled water or edges o f polished metal. This si tuation usually results in a purple fr ing e ar ound each specular highlight. Similar -color ed f ringing ca n occ ur ...

  • Adobe Photoshop CS3 - page 108

    PHOT OSHOP CS3 User Guide 101 Crop selected images in Camera Ra w 1 In the Camera Raw dialog box, select the Crop t o ol . T o const rain your init ial crop area to a spe cif ic aspe ct ratio, hold the mous e button down as you sel ect t he Crop tool , and cho ose an option f ro m the menu . T o app ly a cons traint to a previously applied crop , C ...

  • Adobe Photoshop CS3 - page 109

    PHOT OSHOP CS3 User Guide 102 • T o cancel the operation, p ress Backspace (W indows) or Delet e (Mac OS). Repeat this pr o cedur e for each ar ea of the image tha t needs retouchin g. T o remo ve all samp le areas and start o ver , click the Clear All b utton in the T oolbar . Adjust sharpening in C amera Raw The sharpening con trols on the Deta ...

  • Adobe Photoshop CS3 - page 110

    PHOT OSHOP CS3 User Guide 103 Mo ving Lu mina nce Smoo thin g slider righ t reduc es graysc ale noise (a bove right), a nd moving Co lor Noise Re duction s lider right r e duces ch roma no ise (below ri ght). Camer a Raw settings Save , reset, and load C amera Raw settings Y ou can reuse the adj ustments tha t you ’v e made to an image. Y ou can ...

  • Adobe Photoshop CS3 - page 111

    PHOT OSHOP CS3 User Guide 104 Specify where Camer a Raw settings are stor ed Choose a prefer ence to specif y where the settings a re stor ed. The XMP files are useful if you plan to m ove or st ore the image files and wan t to retain the cam era raw settings. Y ou can use the Export Settings command t o copy the settings in the Camera Raw da tabas ...

  • Adobe Photoshop CS3 - page 112

    PHOT OSHOP CS3 User Guide 105 3 In the P aste Camera Raw Settings dialog box, ch oos e which settings t o appl y . Apply sav ed Camera Ra w settings 1 In Bridge o r in the Camera Raw dialog box, select one or mor e f iles. 2 In Bridge, choose Edit > Develop Settings or right-click a selected file. Or , in the Camera Raw dialog box, c hoos e Came ...

  • Adobe Photoshop CS3 - page 113

    PHOT OSHOP CS3 User Guide 106 Camer a R a w W orkflow options W orkflow optio ns specif y settings f or all f iles ou tput fro m Camera R a w , including the color b it depth, colo r space, and pix el dimensions. W orkf lo w options det er mine ho w Photoshop o pens thes e files, but do no t affec t ho w After Effects imports a camera ra w file. W ...

  • Adobe Photoshop CS3 - page 114

    107 C ha pt er 5: C olor Color ca n be described in se veral ways using a co lor model such as RGB or CMYK. A s yo u wor k in y our image , you specif y colo rs using one o f the color models. In Phot oshop you choose the ap proach to co lor that ’ s appr opriate f or your imag e and how it ’ s being use d. About c olor Understanding color Kno ...

  • Adobe Photoshop CS3 - page 115

    PHOT OSHOP CS3 User Guide 108 Sub tracti ve colors (CMYK) C. Cya n M. Magen ta Y. Ye l l o w K. Black The color wheel I fy o u ’ r en e wt oa d j u s t i n gc o l o rc o m p o n e n t s ,i th e l p st ok e e pas t a n d a r dc o l o rw h e e ld i a g r a mo nh a n dw h e ny o uw o r k on colo r balance. Y ou can use the color wheel to p redict ho ...

  • Adobe Photoshop CS3 - page 116

    PHOT OSHOP CS3 User Guide 109 A colo r space is a va ri an t of a color model an d has a spe cific gam ut (rang e) of color s. For exam ple, wi thin t he R GB color model ar e a number of colo r spaces: Adobe RGB , sRGB, Pr oPhoto RGB , and so on. Each device, like your monit or o r prin ter , has i ts own color space and ca n onl y rep roduce co l ...

  • Adobe Photoshop CS3 - page 117

    PHOT OSHOP CS3 User Guide 110 C olor modes RGB C olor mode Photos hop RGB Color mode uses the RGB model, assigning an int ensity value to each pix el. In 8-bi ts-p er -channel images, the in tensity valu es range from 0 (b lack) to 255 (white) fo r each of the RGB (red , green, blue) com ponents in a color ima ge. Fo r example , a bright red colo r ...

  • Adobe Photoshop CS3 - page 118

    PHOT OSHOP CS3 User Guide 111 Lab Color mode The CIE L*a*b* color model (Lab) is based on the human per ception of colo r . The n umeric values in Lab descr ibe all the colo rs that a perso n wi th n ormal vis ion sees. Becau se Lab desc ribes how a colo r l ooks rath er than ho w m uch of a particular colora nt is needed for a device (such as a mo ...

  • Adobe Photoshop CS3 - page 119

    PHOT OSHOP CS3 User Guide 112 Altho ugh i ts pal ette of colo rs is limi ted, index ed colo r ca n r educe file size yet ma intain the visual quali ty need ed fo r mul timedia presentatio ns, web pages, a nd the like. Limited editing is a vailable in this mode. F or extensiv e editing, you sho uld conv er t tem porarily to RGB mode. I ndexed color ...

  • Adobe Photoshop CS3 - page 120

    PHOT OSHOP CS3 User Guide 113 Add a c onditional mode change to an action Y ou can specify condi tions for a m o de chang e so tha t the con version can occur during an action ,w h i c hi sas e r i e so f commands app lie d sequen tia lly to a single file or a batch of files. When a mode chang e is part of a n action, an erro r can occur if the fil ...

  • Adobe Photoshop CS3 - page 121

    PHOT OSHOP CS3 User Guide 114 3 Choose one of the fo llowing bi tmap con version methods fro m the U se p o p-up menu: 50% Threshold Con verts pixels wi th gray values abo ve the middle gray level (128) to whi te and pix els with gray values below tha t level to black. The res ult is a ver y high-con trast, black-and-white rep resentatio n of the i ...

  • Adobe Photoshop CS3 - page 122

    PHOT OSHOP CS3 User Guide 115 Pa ttern Dither c onversi on method, a nd Diffusion Dit her con version met hod Con vert a Bitmap mode image to Gra yscale mode Y ou can co nvert a Bitmap mode ima ge to G rayscale mode in o rder to e dit it. K eep in mind tha t a Bi tmap mode imag e e d i t e di nG r a y s c a l em o d em a yn o tl o o kt h es a m ew ...

  • Adobe Photoshop CS3 - page 123

    PHOT OSHOP CS3 User Guide 116 • Sy stem ( W indows) U s es the Windo ws system ’ s defaul t 8-bit palette, which is b ased on a uniform sam pling o f R GB colors. • We b U ses t he 216-colo r palette that we b browsers, r egardless of p latform, use to displa y images on a mo nitor limited to 256 co lors. This palette is a subset of the M ac ...

  • Adobe Photoshop CS3 - page 124

    PHOT OSHOP CS3 User Guide 117 dither amo unt. A higher amo unt dithers mo re color s but ma y increase f ile size. Y ou can c hoos e fro m the following dither op tions: • N one Does not dither color s but instead uses the color c losest to the missing color . This tends to res ult in sharp transi tions between shades of colo r in the image, crea ...

  • Adobe Photoshop CS3 - page 125

    PHOT OSHOP CS3 User Guide 118 Black Body Displays a palette bas ed on the differen t colors a blac k body radia tor emits as it is hea ted—from black to red, o range, y ellow , and whit e. Gray scale Displays a palette based on 256 leve ls of gray—fro m black to white. Spectrum Displays a palette based on the co lors p roduced as white light pa ...

  • Adobe Photoshop CS3 - page 126

    PHOT OSHOP CS3 User Guide 119 See also “ About the HD R C olo r Picker (Phot oshop Extended)” on page 83 Choose colors with the E yedropper tool The Ey edropper tool sam ples color to designa te a new foregr ound or backgro und color . Y ou can samp le f r om the active image o r from an y where else o n t he screen. 1 Select t he E yedropper t ...

  • Adobe Photoshop CS3 - page 127

    PHOT OSHOP CS3 User Guide 120 The c olor fi eld in th e A d obe C olor Picke r displ ays color comp onents in H SB color mo de, RGB c olor mod e, and La b color mode. I f you know the n umeric value of the colo r you wan t, you can en ter it in to the text fields. Y ou can also u s et h ec o l o rs l i d e ra n dt h ec o l o rf i e l dt op r e v i ...

  • Adobe Photoshop CS3 - page 128

    PHOT OSHOP CS3 User Guide 121 As yo u adjust the colo r using the color field and colo r slider , the numerical values fo r the dif fer ent colo r models a d j u s ta c c o r d i n g l y .T h er e c t a n g l et ot h er i g h to ft h ec o l o rs l i d e rd i s p l a y st h en e wc o l o ri nt h et o ph a l fa n dt h eo r i g i n a l color in the bo ...

  • Adobe Photoshop CS3 - page 129

    PHOT OSHOP CS3 User Guide 122 Choose a color by specifying a he xadecimal value Y ou can choose a color b y specif ying a he xadecima l value tha t define the R , G, and B co mponen ts in a color . The three pairs of n umbers are exp ressed in values from 00 (minim um luminance) to ff (maximum l uminance). For exam ple, 000000 is black, fff fff is ...

  • Adobe Photoshop CS3 - page 130

    PHOT OSHOP CS3 User Guide 123 Choose a spot color The A dobe C olor P icker lets you c hoos e colo rs from the P ANTONE MA TCHING SY STEM®, the T rumatch® Swa tching S ystem™, the F o col tone® Colour S ystem, the T oyo Color Finder™ 1050 syst em, the ANP A -Color™ system, the HKS® color syst em, and the DIC Color G uide. T o en sure that ...

  • Adobe Photoshop CS3 - page 131

    PHOT OSHOP CS3 User Guide 124 TRUMA TCH Provides pr edict ab le CMYK color matc hing with more tha n 2000 achievable, com puter -generated colors. T r uma tch colo rs cov er the visible spectrum of the CMYK ga mut in even steps. The T rumatch C olo r displa ys up to 40 tin ts and shades of eac h hue, each originally crea ted in four -color pr ocess ...

  • Adobe Photoshop CS3 - page 132

    PHOT OSHOP CS3 User Guide 125 • Curren t Colors to disp lay the spectr um of co lors between the current f oregr ound color an d the c urren t backgr ound co lor . 2 T o display o nly web-safe co lors, choose Make Ram p W eb Safe . T o change the spe ctrum of the color ramp quickly , Shif t-click in the color ramp until you see the spectr um you ...

  • Adobe Photoshop CS3 - page 133

    PHOT OSHOP CS3 User Guide 126 Color se lected from i mage (left), and a dded to Sw atche s palette (righ t) Not e: New colors are saved in the Phot oshop p references file so that the y pe rsist between editing s essions. T o permanently save a c olor , save i t in a lib rary . Replace a color in the S watches palette 1 Click a color swa tch in the ...

  • Adobe Photoshop CS3 - page 134

    PHOT OSHOP CS3 User Guide 127 Y ou can sav e the library an ywhere. H ow e ver , if y ou p lace the library file in the Presets/Swa tches folder in the defa ult presets loca tion, the library name will a ppear at the bott om of the S watch es palette menu a fter you r estart the appli- catio n. Return to the default library of swatches ❖ C hoose ...

  • Adobe Photoshop CS3 - page 135

    128 C ha pt er 6: C olor ma nagemen t A colo r managemen t system r econciles color differences a mong devices so that you ca n be reasonabl y certain of the colors y our system ultima tely prod uces. V iew ing co lor accurately allo ws you to mak e s o und color decisions througho ut your wo rkf lo w , f ro m digital capt ure through final out put ...

  • Adobe Photoshop CS3 - page 136

    PHOT OSHOP CS3 User Guide 129 A col or ma nagem ent s ystem trans lates color s with th e hel p of colo r profiles . A profile is a mathematical des cription of a device ’ s color space. F or exam ple, a scanner pr ofile tells a color ma nagemen t system how yo ur scanner “ sees ” colors. Ado b e co lor manag ement uses I CC profiles, a f orm ...

  • Adobe Photoshop CS3 - page 137

    PHOT OSHOP CS3 User Guide 130 Creating a vie wing environmen t for color management Y our work en vironmen t influences how you see colo r on your moni tor and o n printed ou tput. F or best results, con trol the color s and light in yo ur work envir onmen t by doing the f ollowing: • V iew yo ur documents in an environmen t tha t pr ovides a con ...

  • Adobe Photoshop CS3 - page 138

    PHOT OSHOP CS3 User Guide 131 Color se ttings fo r Ado be Crea tive S uite a re synch ronize d in a cent ral loca tion t hrou gh Ado be Bridge. If yo u decide to cha nge the default s ettings, easy-to-use pr esets let yo u co nfigure Adobe colo r ma nagement to match commo n outp ut conditio ns. Y ou can also custo mize color settings to m eet t he ...

  • Adobe Photoshop CS3 - page 139

    PHOT OSHOP CS3 User Guide 132 4. Set up color management in Adobe applica tions. The defaul t color settings ar e suff icien t for most users. H owever , you ca n change the colo r settings by doin g one of the follo wing: • If yo u use multiple A dobe applica tions, use A dobe® Bridge CS3 to choose a standard color ma nagement co nfigu- ratio n ...

  • Adobe Photoshop CS3 - page 140

    PHOT OSHOP CS3 User Guide 133 The setting you select determines which color wo rking spaces are used by the a pplication, wha t happens when you open and im port f iles with embedded pro fi les, an d how the color mana gement system co nverts colo rs. T o vie w a description o f a s ettin g, s elect the setting an d then p ositio n the pointer o ve ...

  • Adobe Photoshop CS3 - page 141

    PHOT OSHOP CS3 User Guide 134 • Select colors from a co lor library . Adobe a pplicatio ns come wi th s everal stan dard color li braries, which you ca n load using the Swa tches panel men u. • (Acr obat, Ill ustrator , and I nDesign ) T urn on Overprint Preview to get a n accurate and co nsistent pr e view o f spot colors. • (Acr obat, Ill u ...

  • Adobe Photoshop CS3 - page 142

    PHOT OSHOP CS3 User Guide 135 See also “ C olo r managemen t p olicy optio ns ” on page 148 Preparing imported graphics f or color management U se the followin g general guidelines to prepar e graphics fo r b eing co lor-ma naged in Adobe a pplicatio ns: • Embed an ICC-com plian t pro f ile when yo u save the file. The file formats tha t supp ...

  • Adobe Photoshop CS3 - page 143

    PHOT OSHOP CS3 User Guide 136 C olor-managing documents for online vie wing Color-managing documen ts for online viewing Color manage ment for o nline view ing is v er y differen t f r om color mana gement fo r printed media. W ith prin ted media, you ha ve far mor e contr ol over the a ppearance of the final document. W ith online media, your docu ...

  • Adobe Photoshop CS3 - page 144

    PHOT OSHOP CS3 User Guide 137 Pr oofing colors Sof t-pr oofing colors In a tradi tional publishing wo rkf lo w , yo u print a har d proof of y our docu men t to preview how i ts colors will look when repr oduced on a specific outpu t device. In a color -managed wo rkf lo w , you can use the precisio n of color pro files to soft-proof yo ur doc umen ...

  • Adobe Photoshop CS3 - page 145

    PHOT OSHOP CS3 User Guide 138 Monitor RGB (Photoshop and Illustra tor) Creates a soft p roof of colo rs in an RGB document using y our current moni tor color s pace as t he p roof pr ofile space. This option as sumes that the simula ted device will display yo ur document withou t using color mana gement. This op tion is unavailab le for Lab and CMY ...

  • Adobe Photoshop CS3 - page 146

    PHOT OSHOP CS3 User Guide 139 C olor-managing documents when printing Printing with c olor management Color manag ement op tions for p rinting let yo u specif y how y ou want A dobe ap plication s to handle the outgo ing image da ta so t he p rinter will prin t colors con sistent wi th what you see on y our monit or . Y our optio ns for p rinting c ...

  • Adobe Photoshop CS3 - page 147

    PHOT OSHOP CS3 User Guide 140 • Purchase a pr ofile for yo ur specif ic prin ter and pa p er . This method invo lves printin g a profiling targ et on your print er a nd pa per , and pr oviding tha t tar get to a com pany that will cr eate a specific p rofile. This is mor e expensi ve than pur chasing a standar d pro f ile, b ut can pr ovide bette ...

  • Adobe Photoshop CS3 - page 148

    PHOT OSHOP CS3 User Guide 141 W orking with color profiles About color pr ofiles Precise, co nsistent co lor manageme nt requir es accurate ICC-com plian t profiles of all of yo ur color devices. Fo r exam ple, witho ut an accura te scanner pr ofile, a perfectly scanned image ma y ap pe ar incorrect in ano ther progra m, simpl y due to an y differe ...

  • Adobe Photoshop CS3 - page 149

    PHOT OSHOP CS3 User Guide 142 Ma nagin g color with p rofiles A. Pro f ile s describe the co lor space s of the in put device and t he documen t. B. Usi ng the pr ofiles ’ descriptio ns, the color ma nagemen t system ident ifies the documen t’ s actual colors. C. The mo nito r’ s profile t ells the co lor mana gement sys tem how to tr ansla t ...

  • Adobe Photoshop CS3 - page 150

    PHOT OSHOP CS3 User Guide 143 Calibr ate and profile y our monitor When yo u calibrate y our monit or , yo u are adj usting it so it conf orms to a known specification. Once y our monit or is calibra ted, the pro filing utility lets you sa ve a color p rofile. The p rofile describes the color behavio r of the monitor—w hat colors can or c annot b ...

  • Adobe Photoshop CS3 - page 151

    PHOT OSHOP CS3 User Guide 144 2 Select the op tion fo r embedding I C C pro fi les. The exact n ame and location of this op tion varies between ap plica- tions. Searc h Adobe H elp fo r additional instructions. Embed a color profile ( Acr obat) Y o uc a ne m b e dac o l o rp r o f i l ei na no b j e c to ra ne n t i r eP D F .A c r o b a ta t t a c ...

  • Adobe Photoshop CS3 - page 152

    PHOT OSHOP CS3 User Guide 145 a p p e a r a n c eo fc o l o r si sd e f i n e db yt h ea p p l i c a t i o n ’ sw o r k i n gs p a c ep r o f i l e s ,a n dy o uc a nn ol o n g e re m b e dap r o f i l ei n the document. Assign Curr ent Working Space [w orking space] Assigns the wo rking space pro f ile to the document. Assign Profile Lets you se ...

  • Adobe Photoshop CS3 - page 153

    PHOT OSHOP CS3 User Guide 146 C olor settings Cust omize color settings Fo r most color -managed wo rkf lows, i t is best to use a preset color setting tha t has been tested by A dobe Systems. Changing s pe cific optio ns is recommended o nly if you ar e knowledgeable abo ut color mana gement an d ver y confident a b ou t the changes y ou make. Aft ...

  • Adobe Photoshop CS3 - page 154

    PHOT OSHOP CS3 User Guide 147 sRGB is reco mmended w hen yo u prepar e images for the w eb, because it defines the colo r space of the standar d moni tor used to view images on the web . sRGB is also a good choice when yo u work with imag es from cons umer- level digital cameras, because most of these cam eras use sRGB as their default colo r space ...

  • Adobe Photoshop CS3 - page 155

    PHOT OSHOP CS3 User Guide 148 If the pr ofile is missing or does not ma tch the workin g space, the applica tion may disp lay a warning messag e, depending on o ptions y ou set in the C olo r Settings dialog box. Pro file warnings are t urned off by defaul t, but yo u can turn them on to en sure the ap prop riate color ma nagement o f do cuments o ...

  • Adobe Photoshop CS3 - page 156

    PHOT OSHOP CS3 User Guide 149 Missing Profiles: Ask When Opening Disp lays a message whenever y ou open an un t agged documen t. Y ou will be given the o ption to o verride the p olicy’ s defaul t b eha vior . Selec t this op tion if you wa nt to ensur e the app ropria te color ma nagement of documents o n a case-by-case basis. Color c onv ersion ...

  • Adobe Photoshop CS3 - page 157

    PHOT OSHOP CS3 User Guide 150 Saturation T ries to produce vivid co lors in an image a t the expense of color accuracy . This rendering inte nt is suitable for business graphics like gra phs o r charts, where b ri ght sat urated colo rs ar e mor e important than the exact rela tionship between co lors. Relative C olorimetric C o m p a r e st h ee x ...

  • Adobe Photoshop CS3 - page 158

    151 C ha pt er 7: Making color a nd to nal adj us tme nts T r adi tional photogra phers use different types of film or lens filter s to achieve certain color and to nal resul ts in their phot ographs. They also use various tools a nd techniques to ad just the color a nd tonality o f a photogra phic print in the darkroom. P hotoshop® CS3 p rovides ...

  • Adobe Photoshop CS3 - page 159

    PHOT OSHOP CS3 User Guide 152 H istogram pal ette A. Chan nel men u B. Palett e menu C. Un cached Refre sh butto n D. Cached Da ta W arnin g icon E. Statisti cs Adjust the view of the Histogr am palette ❖ Cho ose a view from the H istogram palette men u. Expanded Vie w Displa ys th e his togram with s tatis tics a nd wi th con tro ls fo r ch oosi ...

  • Adobe Photoshop CS3 - page 160

    PHOT OSHOP CS3 User Guide 153 V iew a specific channel in the histogram If y ou chose the Expanded V iew or All Chann els V iew of the His togram palette, y ou can choose a setting fro m the Channel menu. Pho toshop remembers the channel setting if you swi tch from either Expanded V ie w o r All Channels V iew back to Compact V iew . • Choose an ...

  • Adobe Photoshop CS3 - page 161

    PHOT OSHOP CS3 User Guide 154 magnification). The o rigina l imag e is cache level 1. A t each level above level 1, f our adjacen t pixels ar e averaged t o arrive a t a single pixel value. So , each level is half the dimensions (has 1/4 the n umber of pixels) of the o ne below . When Photos hop needs to do a quick app roxima tion, it can use on e ...

  • Adobe Photoshop CS3 - page 162

    PHOT OSHOP CS3 User Guide 155 V iew color values in an image Y ou can use the Info palett e to see t he co lor value of p ixels as you mak e color correction s. When you w ork with a color ad justmen t dialog b o x, t he I nfo palette displa ys two sets of colo r values for the pix els under the pointer . The value in the left column is the o rig i ...

  • Adobe Photoshop CS3 - page 163

    PHOT OSHOP CS3 User Guide 156 • T o view the color values under the colo r samplers, look a t the lower half of the I nfo palette. T o place additional color sam plers in the image while the ad justment dialog box is o pen, Shift-click in the image. The Colo r palette a lso shows th e color va lue of pixe ls under th e eyedr opper . Adjusting c o ...

  • Adobe Photoshop CS3 - page 164

    PHOT OSHOP CS3 User Guide 157 • Duplica te or make a cop y of the image file. W orking o n a copy o f your image pr eser ves the original in the event you need to use the image in i ts original state. • Remov e any flaws suc h as dust spots, blemis hes, and scratches fr om the image befor e making color an d tonal adjustmen ts. • Plan to use ...

  • Adobe Photoshop CS3 - page 165

    PHOT OSHOP CS3 User Guide 158 Fo r videos on making tonal a nd lighting correctio ns, see w ww .adobe.com/go/vid0009 and www .adobe.com/g o/vid0010 . Color adjustmen t commands Y ou can choose from the fo llowing color ad justmen t commands: Auto C olor command Quickly corrects the colo r balance in an image. Al though its name im plies an au toma ...

  • Adobe Photoshop CS3 - page 166

    PHOT OSHOP CS3 User Guide 159 2 Do one of the f ollowing: • Choose Image > A djus tments, and ch o ose a comma nd from the subm enu. • Crea te an adju stment la yer . (S ee “ Creat e adjustmen t and fill layer s” o n page 307.) • Double-click the th umbnail o f an existing adjus tment lay er in the L a yers palette. 3 T o see your adj ...

  • Adobe Photoshop CS3 - page 167

    PHOT OSHOP CS3 User Guide 160 In RGB m ode, you can tell whether a colo r is out of ga mut in the f ollowing wa ys: • In the I nfo palette, an exc lamation poin t ap p ear s next to the CMYK values whenever you mo ve the point er over an ou t-of-gam ut color . • In both the Color Pic ker and the Color palette, a n alert t riangle ap p ear s. Wh ...

  • Adobe Photoshop CS3 - page 168

    PHOT OSHOP CS3 User Guide 161 Y ou can save Levels dialog box set tings to app ly to other images. See “ Save and r eapp ly adjustmen t dialog box settings ” on pag e 159. Levels di alog box A. Shadows B. Mi dt one s C. Hi gh li g ht s D. A ppl y Au to Color Co rrection E. Open A uto Color Co rrection Opti ons dialog bo x Adjust tonal r ange us ...

  • Adobe Photoshop CS3 - page 169

    PHOT OSHOP CS3 User Guide 162 Ad justi ng black a nd whit e points wit h Levels I nput s liders 4 T o adjust midt ones, use the middle Inp ut slider to make a gamma adj ustment. Mo ving the middle In put slider to the left makes the o verall image lighter . This slider adjustmen t maps a low er (darker) level up t o the midpoin t level between the ...

  • Adobe Photoshop CS3 - page 170

    PHOT OSHOP CS3 User Guide 163 • Click Options in the Levels dialog box. Click the M idtones colo r swatch to displa y the Adobe Color P icker . Enter the values yo u want to as sign to the neutral gray , and click OK. This m et hod has the adva ntage of s howing yo u a preview of the val ues you ’ re assigning. In gene ral, as sign eq ual colo ...

  • Adobe Photoshop CS3 - page 171

    PHOT OSHOP CS3 User Guide 164 Defaul t Curves dia log boxes fo r CMYK and RGB im ages A. Defaul t orienta tion o f CMYK tona l outpu t bar B. CMYK I npu t and Outp ut value s in percen tages C. Defa ult orien tati on of CMYK t onal input bar D. D efault orie nta tion of RGB tonal output bar E. R G BI n p u ta n dO u t p u tv a l u e si ni n t e n s ...

  • Adobe Photoshop CS3 - page 172

    PHOT OSHOP CS3 User Guide 165 If the C ur ves dialog box is set to displa y levels rather than percen tages, the highlights ar e r epresented in t he to p righ t corner of the gra ph. Mo ving a point in the t op portion of the cur ve ad justs the highlights; movin g a p o int in the cente r of the cu r ve adjusts th e midtones ; and moving a point ...

  • Adobe Photoshop CS3 - page 173

    PHOT OSHOP CS3 User Guide 166 Ctrl-cl ick (Wi ndows) or Com mand-cl ick (M ac OS) t hree are as of an i mage to add poin ts to the curve. Ligh teni ng th e hi ghligh ts and dark ening the sh adows is r epresen ted by a n S-cur ve wher e the im age con trast is i ncreased. T o det ermin e the lig htest and dark est areas in an RGB image , drag acro ...

  • Adobe Photoshop CS3 - page 174

    PHOT OSHOP CS3 User Guide 167 Keyboar d shor tcuts: C ur v es dialog box Y ou can use these keyb oar d shortcuts in the C ur ves dialog box: • T o set a p o int on the curve in the c urren t channel specified in the Curves dialog box, Ctrl-click (W indows) or Command-click (M ac OS) in the image. • T o set a p o int on the curve for the selecte ...

  • Adobe Photoshop CS3 - page 175

    PHOT OSHOP CS3 User Guide 168 6 If necessary , make f inal adj ustments in the Levels or C ur ves dialog box. 7 Click O K. I f you specified new target color s for an eyedro pper , P hotoshop asks whether yo u wan t t o save the new target co lors as defaul ts. Adjust hue and sa turation The H ue/Satura tion comman d lets you adju st the hue, sat u ...

  • Adobe Photoshop CS3 - page 176

    PHOT OSHOP CS3 User Guide 169 Not e: Click t he Reset bu tton to un do a settin g in the H ue/Sat ura tion d ialog bo x. Press A lt (W indows) o r Option (M ac OS) to cha nge th e Cance l butto n to Reset. Specify the range of colors adjusted in the Hue/Satur ation command 1 Do one of the f ollowing: • Choose Image > A dju stments > H ue/Sa ...

  • Adobe Photoshop CS3 - page 177

    PHOT OSHOP CS3 User Guide 170 Coloriz e a grayscale image or cr eate a monotone effect 1 If yo u are colo rizing a grayscale image, choose Ima ge > Mode > RGB Color t o conv er t the imag e to RGB. 2 Do one of the f ollowing to o pen the Hue/Sa tura tion dialog box: • Choose Image > A dju stments > H ue/Sa turation. • Choose L a yer ...

  • Adobe Photoshop CS3 - page 178

    PHOT OSHOP CS3 User Guide 171 Improv e shadow and highlight detail The Shado w/Highlight command is s uitable fo r correcting pho tos with silhouetted imag es due to stro ng backlighting or co rrecting subjects that ha ve been slightly washed out beca use t hey wer e too close to the camera flash. The adjustmen t is also useful for b rig h tening a ...

  • Adobe Photoshop CS3 - page 179

    PHOT OSHOP CS3 User Guide 172 T onal W idth is set t o 50% by defa ult. I f you find th at you a re trying to l igh ten a dark s ubject bu t the m idton es or lighter r eg ions a re changing too much, try reducing Shadow T one W idth towar ds zero s o that only the da rkest regions ar e ligh tened. I f, ho wever , you ne ed to brigh ten the m idton ...

  • Adobe Photoshop CS3 - page 180

    PHOT OSHOP CS3 User Guide 173 I mage pixe ls don ’t extend t o the ends of th e graph, i ndica ting th at the i mage is no t using th e full tonal r ange. A. Shado w In put sli der B. H ighligh t I nput s lider I ft h ei m a g eu s e st h ef u l lt o n a lr a n g e ,b u tn e e d sm i d t o n ec o n t r a s t ,c h o o s eI m a g e>A d j u s t m ...

  • Adobe Photoshop CS3 - page 181

    PHOT OSHOP CS3 User Guide 174 T argeting images for pr ess Setting highlight and shadow target v alues Assignin g (targeting) an imag e ’ s hig hlight a nd shadow values is n ecessar y because most ou tput devices (usually printin g p resses) cannot p rint detail in the blackest shadow val ues (near le vel 0) o r the white st highlight val ues (n ...

  • Adobe Photoshop CS3 - page 182

    PHOT OSHOP CS3 User Guide 175 3 Do one of the f ollowing to iden tif y ar eas of highlig h ts and shadows tha t you wan t to preserve in the image: • M o v et h ep o i n t e ra r o u n dt h ei m a g e ,a n dl o o ka tt h eI n f op a l e t t et of i n dt h el i g h t e s ta n dd a r k e s ta r e a st h a ty o uw a n t preserved (not clip pe d to p ...

  • Adobe Photoshop CS3 - page 183

    PHOT OSHOP CS3 User Guide 176 5 T o as sign sha dow values to the da rke st ar ea of the ima ge tha t yo u wan t pr eserved, doub le-cli ck the S et Black Po int Ey edropper tool in the Le ve ls or Curves dialog box to displa y the C olo r Picker . Enter the val ues you wan t to assign to the darkest a rea in the image, and clic k OK. Then click th ...

  • Adobe Photoshop CS3 - page 184

    PHOT OSHOP CS3 User Guide 177 • I nt h eI m a g eS t a t i s t i c sa r e a ,s e l e c tU s eS e l e c t i o nI nS o u r c eT oC a l c u l a t eC o l o r si f y o um a d eas e l e c t i o ni nt h es o u r c e image an d want to use the colo rs in the select ion t o comp ute the adju stment. Deselect this option t o ignore the selection in the sou ...

  • Adobe Photoshop CS3 - page 185

    PHOT OSHOP CS3 User Guide 178 8 T o adjust the range o f color pixel values in the targ et layer , adjust the Color Int ensity slider . Alterna tively , enter a value in the Color I ntensi ty text box. The maximum value is 200, the minim um is 1 (which produces a gra yscale image), an d the default is 100. 9 T o contr ol the amoun t of adjus tment ...

  • Adobe Photoshop CS3 - page 186

    PHOT OSHOP CS3 User Guide 179 2 Select a display op tion: Selection Dis plays the mask in the pr ev iew box. M asked areas ar e black, and unmasked a reas are whit e. Partially mas ked ar eas (a reas co ver ed with a semitra nspa ren t mask ) ap pear as varying leve ls of gray accordi ng to their o pacity . Image Displays the ima ge in the preview ...

  • Adobe Photoshop CS3 - page 187

    PHOT OSHOP CS3 User Guide 180 • Choose L a yer > New A djustmen t Layer > Channel Mix er . Click OK in the N ew L a yer dialog box. 3 Fo r Outpu t C ha nnel, choose t he cha nnel in which to blend one or mo re existing channels. Choosing an ou tput ch annel sets the source slider for tha t channel to 100% a nd all other channels to 0%. F or ...

  • Adobe Photoshop CS3 - page 188

    PHOT OSHOP CS3 User Guide 181 Pho tosh op dis pla ys the to tal valu e of the source chann els in the T otal fiel d. If the com bined chann el val ues ar e abov e 100%, Phot oshop displa ys a warning icon next to the t otal. 5 (Optional) I f you select and then deselec t the M onochro me option, y ou can modif y the blend o f each channel separat e ...

  • Adobe Photoshop CS3 - page 189

    PHOT OSHOP CS3 User Guide 182 Y ou can also save the settings y ou make in the Selec tive Colo r dialog b o x for reuse on o ther images. See also “ Save and r eappl y adjustmen t dialog b o x settings ” on page 159 Making quick image adjustments Change the color balanc e using the Photo Filter c ommand The Phot o Filter comma nd mimics the tec ...

  • Adobe Photoshop CS3 - page 190

    PHOT OSHOP CS3 User Guide 183 2 Do one of the f ollowing: • Choose Image > A djus tments > Color Balance. • Choose L a yer > New A djustmen t Layer > Color Balance. Click O K in the New Layer dialog box. 3 Select Shadows, Mid tones, or H ighlig h ts to select t he to nal range in which y ou want t o focus t he ch anges. 4 (Optional) ...

  • Adobe Photoshop CS3 - page 191

    PHOT OSHOP CS3 User Guide 184 Not e: By defaul t, A uto Levels cl ips the whit e a nd b lack pixels by 0.1%—tha t is, it ignor es the first 0.1% o f eit her ext reme when iden tify in g the l ightes t and da rkest p ixels in th e image. The defa ult setti ngs for Au to Levels ca n be cha nged in the A uto Colo r Correctio n Options d ialog bo x. ...

  • Adobe Photoshop CS3 - page 192

    PHOT OSHOP CS3 User Guide 185 Remov e a color cast with Aut o Color The A uto Color comma nd adjusts the co ntrast and colo r of an imag e by searching the image t o identify shadows, midto nes, and highlights. By defa u l t, A uto Color neutralizes the mid tones usin g a target color o f RGB 128 gray a nd clips the shado ws an d highlight p ixels ...

  • Adobe Photoshop CS3 - page 193

    PHOT OSHOP CS3 User Guide 186 2 Specify the algorithm yo u want Pho toshop to use to ad just the overall t onal range o f an image: Enhance Monochroma tic Contrast Clips all c hannels identicall y . This pr eser ves the ov erall color rela tionshi p while making highlights ap p ear ligh ter and shadows a ppear darker . The Au to C o ntrast command ...

  • Adobe Photoshop CS3 - page 194

    PHOT OSHOP CS3 User Guide 187 Saturation Chan ges the degree of h ue in the image. I f you exceed the maxim um satura tion for a co lor , it may be clipped. 4 Drag t he Fine/Coarse slider to determine the amo unt o f each adjustment. Mo ving the slider o ne tick mark doub les the adjus tment amoun t. 5 A djust the colo r and brightnes s: • T o ad ...

  • Adobe Photoshop CS3 - page 195

    PHOT OSHOP CS3 User Guide 188 Inv er t c olors The Invert com mand i nverts th e col ors in an im age. Y ou can us e th is com mand as p art of t he proc ess of ma king an edge mask to a pply sharpening and o ther adjustmen ts to selected areas of an ima ge. Not e: B e c a u s ec o l o rp r i n tf i l mc o n t a i n sa no r a n g em a s ki ni t sb ...

  • Adobe Photoshop CS3 - page 196

    PHOT OSHOP CS3 User Guide 189 Apply a gradien t map to an image The Gradien t Map co mmand maps the equivalen t grayscale range o f an image to the colo rs of a specifie d gradien t fill. If yo u specif y a two-colo r gradient fill, for exam ple, shado ws in the image ar e mapped to o ne of the endpoin t colo rs of the grad ient fill, h ighlights a ...

  • Adobe Photoshop CS3 - page 197

    190 C ha pt er 8: R eto u chin g and transf ormin g The reto uch and transfo rm featur es in Adobe® Phot oshop® CS3 let you alt er your images to acco mplish a variety o f tasks—to im pro ve a co mposition, correct distortions or flaws, creatively manip ulate picture elemen ts, add o r remo ve items, sharpen o r bl ur , o r merg e mul tiple ima ...

  • Adobe Photoshop CS3 - page 198

    PHOT OSHOP CS3 User Guide 191 Resamp ling while cropp ing uses the default in terpolation method set in the General prefer ences. 3 Drag ov er the p art of the imag e you wan t to keep to creat e a marquee. The mar quee doesn ’t ha ve to be precise— you ca n adjust i t later . 4 If necessary , adjust the cro pping ma rquee: • T o move the mar ...

  • Adobe Photoshop CS3 - page 199

    PHOT OSHOP CS3 User Guide 192 T ransform perspective while cropping The Crop t o ol has a n option tha t lets you transfo rm t he perspective in an imag e. This is ver y useful when working with images tha t con tain key stone distor tion . Keystone dis tortion occurs when an object is photogra phed from an angle rather than from a straigh t-on vie ...

  • Adobe Photoshop CS3 - page 200

    PHOT OSHOP CS3 User Guide 193 • T o cancel the crop ping opera tion, press Esc or c lick the Cancel butt on in t he o ptions bar . Crop and Str aighten photos Y ou can place several p hotos on your scanner and scan them in one pass, which cr eates a sin gle image file. Th e Cro p and Straighten Photos command is an au tomated featur e that can cr ...

  • Adobe Photoshop CS3 - page 201

    PHOT OSHOP CS3 User Guide 194 Arbitrary Rotat es the image by the angle yo u specify . I f you choose this optio n, enter an a ngle between -359.99 and 359.99 in the angle text box. (I n Photosho p, yo u can select CW or CCW to rota te clockwise or coun terclock wis e.) Then click OK. See also “Flip o r rota te precisely” on pag e 215 Change th ...

  • Adobe Photoshop CS3 - page 202

    PHOT OSHOP CS3 User Guide 195 Make a photo fr ame Y ou can make a pho to frame by incr easing the can vas size and filling it with a colo r . Y ou can also use one of the p rerecor ded actions to make a styled pho to frame. I t ’ s best to do this on a cop y of your photo. 1 Open the Action s pa let te. Choose Wind ow > Actio ns. 2 Choose Phot ...

  • Adobe Photoshop CS3 - page 203

    PHOT OSHOP CS3 User Guide 196 Al tering an i mage with th e Clone Sta mp tool 1 Select t he Clo ne Stam p tool . 2 Choose a brush tip and set brush op tions for the b lending mode, opacity , and flow in the op tions bar . 3 T o specif y ho w you wan t to align the sampled p ixels and ho w to samp le data from the la yers in your document, set any o ...

  • Adobe Photoshop CS3 - page 204

    PHOT OSHOP CS3 User Guide 197 (Phot oshop Extended) When clo ning video or anima tion, you can set sam pling poin ts in the cur ren t frame you ’ re paintin g or samp le s o urces in a differen t frame, even if the frame is in a differen t video layer o r in a differen t open document. Y ou can s et u p to five dif fer ent s am pling sour ces at ...

  • Adobe Photoshop CS3 - page 205

    PHOT OSHOP CS3 User Guide 198 Specify the clone source off set When using the Clo ne Stam p tool or Healing B r ush tool , you can pain t with the sampled sour ce anywhere in the target image. The overla y o ptions will help yo u visualize where y ou wa nt t o pain t. H owever , if you need t o pain t in a very specif ic locatio n relativ e to the ...

  • Adobe Photoshop CS3 - page 206

    PHOT OSHOP CS3 User Guide 199 4 (Optional) I n the Clone Source palette , click a clone sour ce butt on and set an additional sam pling poin t. Y ou can set up to 5 differen t samplin g sources. The Clone Source palett e remembers the samp le d sour ces until you close the document you ’ re editin g. 5 (Optional) I n the Clone Source palette, c l ...

  • Adobe Photoshop CS3 - page 207

    PHOT OSHOP CS3 User Guide 200 2 Choose a brush size in the option s bar . A brush that is s lightly larger tha n the area you wa nt to fix works best so that y ou can cov er the entire a rea with one c lick. 3 (Optional) Choose a blending mode fro m the Mode menu in the o ptions bar . Cho ose Replace to p reser ve no ise, film grain, and text ure a ...

  • Adobe Photoshop CS3 - page 208

    PHOT OSHOP CS3 User Guide 201 Patched image Repair an area using sampled pix els 1 Select t he P atch t o ol . 2 Do one of the f ollowing: • Drag in the image t o s elect the ar ea you want t o repair , and select S our ce in the option s bar . • Drag in the image to select the ar ea f ro m which you wan t to sample , and select Destination in ...

  • Adobe Photoshop CS3 - page 209

    PHOT OSHOP CS3 User Guide 202 Remov e red eye T h eR e dE y et o o lr e m o v e sr e de y ei nf l a s hp h o t o so fp e o p l eo ra n i m a l s ,a n dw h i t eo rg r e e nr e f l e c t i o n si nf l a s hp h o t o s of animals. 1 Select t he Red E ye tool . 2 C l i c ki nt h er e de y e .I fy o ua r en o ts a t i s f i e dw i t ht h er e s u l t , ...

  • Adobe Photoshop CS3 - page 210

    PHOT OSHOP CS3 User Guide 203 Smudge image areas The Sm udge tool simula tes the effec t yo u see w hen yo u drag a finger through wet pa int. The tool pic ks up color where the stro ke begins and pushes i t in the direction you drag. 1 Select the Sm udge tool . 2 Choose a brush tip and op tions fo r the blending mode in the option s bar . 3 Select ...

  • Adobe Photoshop CS3 - page 211

    PHOT OSHOP CS3 User Guide 204 See also “ Sharp en filters ” on page 393 “List of b lending modes” o n page 344 Dodge or burn areas U sed to lighten o r darken ar e as o f the image, the Dodge tool and the Burn tool a re based on a traditional pho tog- rap her’ s technique fo r regulating exposur e on specific areas of a p rint. Photogra p ...

  • Adobe Photoshop CS3 - page 212

    PHOT OSHOP CS3 User Guide 205 C orrecting image distor tion and noise About lens distortion Bar re l distor tion is a lens defect that ca us es straigh t lines to bow ou t towar d the edges of the image. Pincushio n distor tion is t he o pposite effect, where straight lines bend in ward. Example s of barre l distortion (left) a nd pincus hion dis t ...

  • Adobe Photoshop CS3 - page 213

    PHOT OSHOP CS3 User Guide 206 Chromatic Aberr ation C o rrects color fringing. Zo om in o n the image preview to get a closer view o f the fringing as you mak e the correction. Fix Red/C yan F ringe C om pensates for red/cyan color fringing b y ad justing the size of the r ed chan nel r elative to the green c hannel . Fix Blue/ Y ellow Fringe Compe ...

  • Adobe Photoshop CS3 - page 214

    PHOT OSHOP CS3 User Guide 207 Reduce image noise and J PEG artifac ts Imag e noise ap p ears a s random extraneous p ixels that ar en ’t part of the image detail. N oise can be ca us ed b y photo- grap hing with a high ISO setting on a digi ta l ca mera, underexposure, o r shooting in a da rk area wi th a long sh utter speed. Low-end con sumer ca ...

  • Adobe Photoshop CS3 - page 215

    PHOT OSHOP CS3 User Guide 208 • Sharpening incr eas es image con trast. If you find tha t highlights o r shado ws ar e clip p ed after y ou sharpen, use the lay er blending con trols (if you sha rp en a separa te layer) t o preven t sharpening in highlig h ts and shado ws. S ee “ Specif y a to nal range fo r blending lay ers ” on page 296. ? ...

  • Adobe Photoshop CS3 - page 216

    PHOT OSHOP CS3 User Guide 209 Radius C on trols the size of the ar ea aro und each p ixel tha t is used to determine whether a pix el is in the shadows or highlights. Mo ving the slider to the left specifies a smal ler ar ea, and moving i t to the right specifies a larger area. 5 Click OK. Sharpen using Unsharp Mask The U nsharp Mask s harp ens an ...

  • Adobe Photoshop CS3 - page 217

    PHOT OSHOP CS3 User Guide 210 3 Drag the Radius slider o r enter a value to determine the n umber of pixels surrounding the edge pixels that affect the sharpening. The great er the radius value, the wider the edge effects. And the wider the edge effects, t he mo re obvio us the sharpening. The Radius value varies accor ding to the subject mat ter , ...

  • Adobe Photoshop CS3 - page 218

    PHOT OSHOP CS3 User Guide 211 Select ing a ch anne l with the gr eates t cont rast • Duplica te the selected chan nel. • W ith the dup licate cha nnel selec ted, c hoos e Filter > S tylize > Find Edges. • Choose Image > A djus tments > In vert to in vert the image. Fin d Edges filter ap plied and i mage in verted • W ith the inv ...

  • Adobe Photoshop CS3 - page 219

    PHOT OSHOP CS3 User Guide 212 4 Choose Select > Inv erse. 5 W ith the sel ection active on the ima ge layer , choo se Fil ter > Sharpe n > U nsha rp M ask. Set the desir ed op tion s an d click OK. T o view your resul ts, s elect the RGB cha nnel in the Channels palette and deselect the selection in the image. Y ou ca n crea te an actio n ...

  • Adobe Photoshop CS3 - page 220

    PHOT OSHOP CS3 User Guide 213 T ransf orming objec ts Apply transf ormations T r an sforming scales, rota tes, skews, stretches, or wa rps an image. Y ou can ap ply transfo rmations to a selection, a ne n t i r el a y e r ,m u l t i p l el a y e r s ,o ral a y e rm a s k .Y o uc a na l s oa p p l yt r a n s f o r m a t i o n st oap a t h ,av e c t ...

  • Adobe Photoshop CS3 - page 221

    PHOT OSHOP CS3 User Guide 214 Distort Stretche s an item in all directions. Perspective Ap plies one-poin t p ers p ective to a n item. W arp Manip ulates the sha p e o f an item. Flip Flips the selection v ertica lly o r horizon ta lly . Selec t an item t o transform ❖ D o o ne of the follo wing: • T o transform an en tire la yer , make the la ...

  • Adobe Photoshop CS3 - page 222

    PHOT OSHOP CS3 User Guide 215 Not e: If you a re transforming a shape or entire path, the T ransfor m menu becomes the T ransfor m Pa th menu. If you are transforming multiple path segm ents (but not the entir e pa th), the T ransf orm m enu become s t he T ransf orm P oin ts menu. 3 (Optional) I n the options ba r , click a squa re on the ref eren ...

  • Adobe Photoshop CS3 - page 223

    PHOT OSHOP CS3 User Guide 216 Not e: If you are transforming a shape or entire path, the T ransform command be comes the T ransfor m Path command. If yo u are t rans formin g mul tiple pa th segmen ts (but no t the ent ire pa th), the T ra nsform com mand be comes th e T ra nsform P oin ts comm and. Repeat a transf ormation ❖ Cho ose Edit > T ...

  • Adobe Photoshop CS3 - page 224

    PHOT OSHOP CS3 User Guide 217 • T o warp, c lick the Swit ch B etween F ree T ransform And W arp Modes but ton in the option s bar . Drag contro l points to manip ulate the sha pe of the i tem o r choose a warp style fro m the W arp pop-up men u in the o ptions bar . After choosing fro m the W arp pop-up men u, a square ha ndle is available f or ...

  • Adobe Photoshop CS3 - page 225

    PHOT OSHOP CS3 User Guide 218 • If yo u chose a differen t transform comma nd or the Fr ee T ransform co mmand, click the S witch Between Fr ee T r an sform And W arp Modes bu tton in the option s bar . 3 Do one or more of the f ollowing: • T o warp using a specific shape, choose a warp style from the W arp pop-up men u in the optio ns bar . Dr ...

  • Adobe Photoshop CS3 - page 226

    PHOT OSHOP CS3 User Guide 219 Liquify filter Liquify filter ov er view The Liquify filter lets you push, pull, r otate, reflect, pucker , a nd bloat any area of an image. The distortion s you create can be subtle or drast ic, which makes the Liquify command a pow erf ul tool for retouching imag es as w ell as creating artistic effects. The Liquif y ...

  • Adobe Photoshop CS3 - page 227

    PHOT OSHOP CS3 User Guide 220 Magnify or reduce the pr eview image ❖ S elect the Zoom t o ol in the Liq uif y dialog box, and click o r drag in the pr ev iew imag e to zoom in; hold do wn Alt (W indows) o r Option (Ma c OS), and click or drag in the pr ev iew imag e to zoom o ut. Alterna tively , you can specify a magnification level in the Zoom ...

  • Adobe Photoshop CS3 - page 228

    PHOT OSHOP CS3 User Guide 221 Reconstruct Mode U sed fo r the Recon struct tool , the m ode you choo se d etermi nes ho w th e t ool reco nstruct s a n a rea of the pr evie w image . Select Stylus Pressure U ses pres sure readings fro m a stylus tablet. (This option is a vailable only when y ou are working with a stylus tablet.) W hen selecte d, th ...

  • Adobe Photoshop CS3 - page 229

    PHOT OSHOP CS3 User Guide 222 Fr eezing all thawed areas Click the M ask All butt on in the Mask Op tions ar ea of the dialog box. Inv er ting thaw ed and frozen areas Click I nve r t All in the M ask Options a rea of the dialog box. Showing or hiding froz en areas Selec t o r deselec t Sh ow Mask in the V iew O ptio ns area o f the dialog b ox. Ch ...

  • Adobe Photoshop CS3 - page 230

    PHOT OSHOP CS3 User Guide 223 Recons truction based on d istortions in fr ozen are as. A. Or iginal imag e B. D istorted w ith f ro z en a reas C. Reconstructed in Rigid mode (using butto n) D. Thawed, edges reconstr ucted in Smooth mode (usi ng tool) Reconstruct an entire image 1 Select a reconstruction mode fro m the Reconstruct Options a rea of ...

  • Adobe Photoshop CS3 - page 231

    PHOT OSHOP CS3 User Guide 224 Reconstruction modes Y ou can choose one o f the follo wing reconstruction m o des: Rigid Main tains right angles in the p ixel grid (as shown by the mesh) a t the edges between frozen and unfro zen areas, som etimes producing near -discontin uities at the edges. This r estores the unfro zen areas so that they app rox- ...

  • Adobe Photoshop CS3 - page 232

    PHOT OSHOP CS3 User Guide 225 Imp o r t an t: Only t he active la yer is dist or te d, even if other la yers ar e displa yed. Showing the backdr op S ele ct Show Backdrop, and the n choo se an option from the U se pop -up menu. If you use All Layers , changes to t he c urrent target layer are not reflec ted in the backdrop layer . Speci fy an o ver ...

  • Adobe Photoshop CS3 - page 233

    PHOT OSHOP CS3 User Guide 226 V anis hing P oin t dialog box A. V ani shing Point menu B. Optio ns C. To o l b o x D. Pr eview of vanis hing po int sess ion E. Zoom op tions Fo r the key boar d shortcuts in V anishing P oint, see “ Keys for usin g V anishing P oin t” on pag e 637. V anishing Point t ools V anishing P oint tools behav e like the ...

  • Adobe Photoshop CS3 - page 234

    PHOT OSHOP CS3 User Guide 227 Zoom tool M agnifies or reduces the view of the image in the p review window . Hand tool M oves the image in the p review window . Magnify or reduce the pr eview image ❖ D o an y of the f ollowing: • Select t he Zoom tool in the V anishing P oint dialog box, an d click or drag in the pr evie w image t o zo o m in; ...

  • Adobe Photoshop CS3 - page 235

    PHOT OSHOP CS3 User Guide 228 Defini ng the fou r corner nodes wi th the Cr eate Pla ne tool T o tear off additional p lanes, use the Create Plane t ool and Ctrl-drag (W indows) o r C omma nd-drag (Mac OS) an edge node. Ctrl-d rag (W indows) or Co mmand-d rag (M ac OS) an ed ge node to tea r off a plan e. Fo r more info rmation, see “Define and a ...

  • Adobe Photoshop CS3 - page 236

    PHOT OSHOP CS3 User Guide 229 About perspective planes and the grid B efore you c an ma ke ed its in V anish ing Point, you d efi ne rec tangu lar plane s that lin e up w ith t he pe rspec tive i n an image. The accuracy of the plane det ermines w hether an y edits or ad justments a re pro perly s caled and o r ien ted in your imag e. After yo u es ...

  • Adobe Photoshop CS3 - page 237

    PHOT OSHOP CS3 User Guide 230 Over lap pi ng p lan es Create r elated perspective planes After cre ating a plane in V anishi ng Po i n t , you can create (tear off ) additiona l planes that share the same persp ect ive. Once a seco nd plan e i s torn o ff fr om the ini tial perspectiv e plane , you ca n tear off ad ditio nal plane s from the seco n ...

  • Adobe Photoshop CS3 - page 238

    PHOT OSHOP CS3 User Guide 231 Bounding box and grid alerts in V anishing Point The bounding box a nd gr id ch ange colo rs to indicate the pla ne ’ s cur ren t conditio n. If your pla ne is invalid, mo ve a corner node until the boundin g b o x and grid are bl ue. Blue Indica tes a valid plane. K eep in mind that a valid plan e do esn ’t gua ra ...

  • Adobe Photoshop CS3 - page 239

    PHOT OSHOP CS3 User Guide 232 Copyin g a selection a nd moving a se lection fr om one perspect ive pla ne to ano ther See also “Fill selections wi th another ar ea of an image ” on page 233 “ C o py select ion s in V anishing Po int ” on page 234 “Define and adj ust perspec tive p lanes in V anishing P oint ” on page 229 Make selections ...

  • Adobe Photoshop CS3 - page 240

    PHOT OSHOP CS3 User Guide 233 2 Choose one of the follo wing from the M ove M ode menu to determine the behavio r when you mo ve a selec tion: • T o select t he a rea you mov e the selec tion ma rquee to , choose Destination. • T o fi ll the selection with the image p ixels in the area wher e you drag the Selection tool pointer t o (same as Ctr ...

  • Adobe Photoshop CS3 - page 241

    PHOT OSHOP CS3 User Guide 234 Ctrl-d ragging (W indows) or Co mman d-draggin g (Mac OS) a se lection A. Origi nal sel ection B. M oving the se lection t o the sour ce ima ge C. The sour ce ima ge fills the origi nal sele ction See also “ About selections in V anishing Po int ” on page 231 Cop y selec tions in V anishing Point 1 Make a selection ...

  • Adobe Photoshop CS3 - page 242

    PHOT OSHOP CS3 User Guide 235 Past e an item into V anishing Point Y o uc a np a s t ea ni t e mf r o mt h ec l i p b o a r di nV a n i s h i n gP o i n t .T h ec o p i e di t e mc a nb ef r o m t h es a m ed o c u m e n to ra differen t one. Once pasted in to V anishing P oin t, the item becomes a floating selection tha t you can scale, ro tate, m ...

  • Adobe Photoshop CS3 - page 243

    PHOT OSHOP CS3 User Guide 236 4 Choose a Healing mode: • T o paint wi thout blending wi th the color , lighting, and sh ading of the surro unding pixels, c hoos e Off. • T o pain t and blend the strokes with the lig h ting of the surro unding p ixels while retaining the selec ted color , choose Lum in anc e. • T o paint an d blend with the co ...

  • Adobe Photoshop CS3 - page 244

    PHOT OSHOP CS3 User Guide 237 7 Drag ov er the area of the imag e you wan t to paint. H old the Shift key do wn to drag a straight lin e that confo rms to the plane ’ s p ers p ective. Y ou can also click a poin t with the Stam p tool and then Shift-click ano ther p o int to pain t a straight line in pers p ective. Measure in V anishing Point (Ph ...

  • Adobe Photoshop CS3 - page 245

    PHOT OSHOP CS3 User Guide 238 Automa tically drawing a measurement in V anishing Point The M e asur e tool can au tomaticall y draw the length and width measur ements of a s ur face tha t’ s defined by a pers pective plan e. ❖ D oub le-click the Measur e tool in a perspe ctive pla ne. Move a measur ement in V anishing Point In V anishing Po int ...

  • Adobe Photoshop CS3 - page 246

    PHOT OSHOP CS3 User Guide 239 2 In the Export D XF or Export 3DS dialog box, select a location f or the saved file and clic k Save. Render grids to Photoshop By defaul t, the V anishing P oin t grids are in visible when viewing an imag e in the Pho toshop document window , even tho ugh the grids a re pr eser v ed in the image and appea r wh enever ...

  • Adobe Photoshop CS3 - page 247

    PHOT OSHOP CS3 User Guide 240 Keep the camera le vel Although Pho tomerg e ca n p rocess slight ro tations between pict ures, a til t o f mo re than a few degrees can r esult in errors when the pano rama is assembled. U sing a tr i p od with a ro tating head helps main tain camera alignment a nd viewp oin t. Stay in the same position T r y not to c ...

  • Adobe Photoshop CS3 - page 248

    PHOT OSHOP CS3 User Guide 241 Add in g Cy li ndr i ca l Ma pp ing A. Origi nal B. C ylindrica l Mapp ing app lied Reposition Only A l i g n st h el a y e r sa n dm a t c h e so v e r l a p p i n gc o n t e n t ,b u td o e sn o tt r a n s f o r m( s t r e t c ho rs k e w )a n yo f the source la yers. Interactiv e Layout Choose this opti on to ope n ...

  • Adobe Photoshop CS3 - page 249

    PHOT OSHOP CS3 User Guide 242 Phot omerge dialog bo x A. Lig htbox B. N avi ga tor view b ox C. To o l b o x D. Wo r k a r e a E. Statu s bar Fo r a video about using Ph otomerg e, see w ww .adobe.com/go/vid0013 . N avigate in the dialog bo x ❖ D o o ne of the follo wing: • Select t he H and tool and drag in the w ork area to mo ve the view . ? ...

  • Adobe Photoshop CS3 - page 250

    PHOT OSHOP CS3 User Guide 243 Change the vanishing point of a composition The V anishing P oint t o ol selects the vanishing po int image, which ch anges the perspective of the com position. By defaul t, the middle image con tains the vanishin g poin t (it has a bl ue border ar ound it w hen selected). There can only be one vanishing poin t. 1 Sele ...

  • Adobe Photoshop CS3 - page 251

    244 C ha pt er 9: S ele ctin g If yo u want t o appl y changes t o parts of an image, y ou first need to select the pixels tha t make up those parts. Y ou select pixels in A dobe Photoshop CS3 usin g the sele ction tools o r by pain ting on a mask and loading the mask as a selection. T o selec t an d work with vector ob jec ts in Pho toshop , you u ...

  • Adobe Photoshop CS3 - page 252

    PHOT OSHOP CS3 User Guide 245 Deselect selec tions ❖ D o o ne of the follo wing: • Choose S e lect > Desel ect. • If yo u are using the Rectan gle Marq uee tool, the Elliptical Mar quee tool, o r the L asso tool, c lick anywher e in t he image ou tside the sele cted ar ea. Reselect the most recent selection ❖ Choose Select > Reselect. ...

  • Adobe Photoshop CS3 - page 253

    PHOT OSHOP CS3 User Guide 246 • T o drag a marq uee f ro m its cent er , hold down Al t (Windo ws) or Option (M ac OS) after yo u b egin dragging. Dra g gin g a marq uee from th e corner of an i mage (left), and fr om the cen ter of an i mage (right) b y pres sing A lt/Option as yo u dr ag • W ith the Single Row o r Single Column Ma rquee tool, ...

  • Adobe Photoshop CS3 - page 254

    PHOT OSHOP CS3 User Guide 247 Sele ction op tions A. Ne w B. Ad d T o C. Subtrac t From D. In te r s ec t Wit h 3 (Optional) Set featherin g and anti-aliasin g in the options ba r . See “Soften the edges o f s election s” o n page 256. 4 Click in the image to set the starting poin t. 5 Do one or more of the f ollowing: • T o draw a straigh t ...

  • Adobe Photoshop CS3 - page 255

    PHOT OSHOP CS3 User Guide 248 T o change the lass o pointer so that it indicates the la sso w idth, press the C aps Lock ke y . Y ou can change the pointer whil e the too l is selected b ut not i n use. Contr ast T o specify the lasso ’ s sensitivi ty to edg es in the image, enter a value between 1% an d 100% fo r Contrast. A higher value detects ...

  • Adobe Photoshop CS3 - page 256

    PHOT OSHOP CS3 User Guide 249 • T o close the border , drag back over the s tar ting po int and clic k. 11 (Optional) Click Refine Edge to further adjus t the s election bounda r y or view the selection against differ ent backgro unds or as a mask. See “Refine s election edges ” on page 255. Selec t with the Quick Selection tool Y ou can use ...

  • Adobe Photoshop CS3 - page 257

    PHOT OSHOP CS3 User Guide 250 • T o change the tool cursor , choose Edit > Prefer ences > Cursors > P ainting C ursors (W indows) or Pho toshop > Pref erences > Cursor s > Pain ting Cursors (M ac OS). No rma l Brush T ip displa ys the standard Quick Selection cursor with a plus o r minus sign to sho w t he selection mode. 6 (Opt ...

  • Adobe Photoshop CS3 - page 258

    PHOT OSHOP CS3 User Guide 251 T o refi ne an exi sting se lection, u se the Color R an ge com mand repeat edly to sel ect a subset o f colo rs. F or exa mpl e, to select the green areas in a cyan selec tion, select Cyans in the Color Range dialog bo x, and c lick OK. Then r eopen the Color Range dialog box, a nd selec t Gr eens. (The resul ts are s ...

  • Adobe Photoshop CS3 - page 259

    PHOT OSHOP CS3 User Guide 252 I ncreas ing fuzzine ss expands se lection 6 Ad just the selection: • T o add colors, select the plus eyedr opper , and click in the preview area o r image. • T o remov e colors, select the minus eyedrop per , and click in the p revie w ar ea or image. T o activa te the pl us eyedr opper tem pora rily , hold down S ...

  • Adobe Photoshop CS3 - page 260

    PHOT OSHOP CS3 User Guide 253 Origina l selectio n border (left), a nd selectio n border m oved (right) Y ou ca n appl y geomet r ic t ransf ormat ions to ch ange th e shape o f a selectio n border . Contr ol the movement of a selection • T o con strain the direction to m ultiples of 45˚, begin dragging, a nd then ho ld down Shift as you con tin ...

  • Adobe Photoshop CS3 - page 261

    PHOT OSHOP CS3 User Guide 254 2 U sing a ny selection tool, do o ne of the follo wing: • Select t he S ubtract Fro m S election op tion in t he o ptions bar , and drag to in tersect with other selections. • Ho ld down Alt (W indows) o r Option (M ac OS), and drag to sub trac t an other selection. A minus sign a ppears next to the poin ter when ...

  • Adobe Photoshop CS3 - page 262

    PHOT OSHOP CS3 User Guide 255 2 Choose S elect > M odif y > Border . 3 Ent er a value between 1 and 200 pixe ls for the border wid th of the new select io n, and click OK. The new selectio n fra mes the o riginal selected ar ea, a nd i s cen ter ed o n the origi nal se lection bor der . F or exam ple , a border width o f 20 pixels creates a n ...

  • Adobe Photoshop CS3 - page 263

    PHOT OSHOP CS3 User Guide 256 Contr ac t/Expand S h r i n k so re n l a r g e st h es e l e c t i o nb o u n d a r y .E n t e rav a l u eo rm o v et h es l i d e rt os e tt h ea m o u n tf r o m 0 to 100% to expand, 0 t o -100% to contract. M ost useful for making sub t le ad justments t o s o ft-e dged selections. Shrinking the selection can hel p ...

  • Adobe Photoshop CS3 - page 264

    PHOT OSHOP CS3 User Guide 257 2 Ent er a value for the F eather Radius, and click O K. Not e: A smal l selection m ade with a lar ge feat her rad ius ma y be so fai nt tha t its ed ges are i nvisib le and t hus not select able. I f you se e the mes sage “N o pixels a re mo re tha n 50% select ed, ” eith er decrease t he fea ther r adius o r inc ...

  • Adobe Photoshop CS3 - page 265

    PHOT OSHOP CS3 User Guide 258 Remove a ma tte from a selection ❖ Cho ose Layer > M atting > Rem ove Black M att e or Layer > M atting > Remo ve Whi te Mat te. Moving and c opying selected pix els Mov e a selec tion 1 Select t he M ove tool . 2 Mo ve the point er inside the select io n b o rder , and drag the selection to a new positio ...

  • Adobe Photoshop CS3 - page 266

    PHOT OSHOP CS3 User Guide 259 Cop y a selec tion 1 Select t he a rea you wan t to cop y . 2 Choose Edit > Copy , or Edit > Copy M erg ed. Cop y a selec tion while dragging 1 Select the M ove tool , or hold do wn Ctrl (W indows) or Command (M ac OS) to activate the M ove tool. 2 Ho ld down Alt (W indo ws) or Option (M ac OS), and drag the sele ...

  • Adobe Photoshop CS3 - page 267

    PHOT OSHOP CS3 User Guide 260 U sing t he Past e In to com mand A. W indow panes selected B. Copie d ima ge C. Past e Into c omman d D. Layer thu mbnails and la yer mask in La yers palette E. Pas ted i mag e repo sitio ned 4 Select the M ove tool , or h old d own th e Ctr l (W indo ws) or Com mand (Mac OS) k ey to activa te the Mo ve tool. Then dra ...

  • Adobe Photoshop CS3 - page 268

    PHOT OSHOP CS3 User Guide 261 See also “ Abou t Smart Objects ” on page 309 “ Abou t f ile fo rmats and co mpr ession ” on page 459 “Remo ve fringe pixels fro m a select io n ” on page 257 Paste P ostScript art w ork from another application 1 In the su pporting ap plication, select yo ur artwork, an d choose E di t > C op y . 2 Sele ...

  • Adobe Photoshop CS3 - page 269

    PHOT OSHOP CS3 User Guide 262 Deleting and extracting objec ts Remov e (cut) an objec t from a phot o 1 In the Lay ers palette, select the lay er conta ining the object you wan t to rem ove. 2 U sing a selection tool, select the ob ject you want t o remov e. 3 If yo u need to refine the select io n, click the Quick Mask M ode butto n in the toolbox ...

  • Adobe Photoshop CS3 - page 270

    PHOT OSHOP CS3 User Guide 263 Y ou ca n add bac k opacity t o the bac kgroun d and cr eate o ther effe cts using t he Edit > F ade comm and aft er an extr action. 1 I nt h eL a y e r sp a l e t t e ,s e l e c tt h el a y e rc o n t a i n i n gt h eo b j e c ty o uw a n tt oe x t r a c t .I fy o us e l e c tab a c k g r o u n dl a y e r ,i t beco ...

  • Adobe Photoshop CS3 - page 271

    PHOT OSHOP CS3 User Guide 264 4 Define the for eground ar ea by doing o ne of the follo wing: • If the ob jec t has a we ll-def ined in terior , selec t the Fill tool . Click inside the ob jec t to fill its in terior . Clicking a filled area aga in with the Fill tool rem oves the fill. • If yo u’ ve selected Fo rce For eground, select the Ey ...

  • Adobe Photoshop CS3 - page 272

    PHOT OSHOP CS3 User Guide 265 • Alph a ch annel s store selections as grayscale images. Y ou can add alpha c hannels to cr e a te and st ore masks, which let you ma nipulat e or pro tect parts of an image. • Spo t color c hann els specif y addi tional plat es for prin ting with spot color inks. An image can ha ve up to 56 ch annels. All new cha ...

  • Adobe Photoshop CS3 - page 273

    PHOT OSHOP CS3 User Guide 266 V iewing thumb nails is a conv enient wa y of t racking channel con tents; however , turning off the display of thum bnails can im prov e per fo rmance Show or hide a channel Y ou can use the Channels palette to view an y comb ination of c hannels in the document window . For exam ple, yo u can view an alpha channel an ...

  • Adobe Photoshop CS3 - page 274

    PHOT OSHOP CS3 User Guide 267 • T o edit a cha nnel, sel ect i t a nd then use a pain ting or edi ting too l t o pa int in the ima ge. Y ou can pai nt on on ly one channel at a time. Pa int wi th white t o add the selected channel ’ s colo r a t 100% in tensity . Pain t with a val ue of gray to add the channel ’ s color a t a lower in tensity ...

  • Adobe Photoshop CS3 - page 275

    PHOT OSHOP CS3 User Guide 268 3 Do one of the f ollowing: • Drag the channel from the Channels palette into the destination image windo w . The dup licated channel ap p ears at the bot tom of the Channels palet te. • Choose Select > All, and then choo se Edi t > Co py . Select the cha nnel in th e des tina tion imag e a nd c hoose Edit &g ...

  • Adobe Photoshop CS3 - page 276

    PHOT OSHOP CS3 User Guide 269 Delete a channel Y ou may wan t to delete spot or alpha c hannels you no longer need before saving an image. Complex alpha channels can subs tantially increase the disk space r equired for a n image. ❖ In Photosho p, select the channel in the Channels palette a nd do one of the fo llowing: • Alt-clic k (Windo ws) o ...

  • Adobe Photoshop CS3 - page 277

    PHOT OSHOP CS3 User Guide 270 Select ion save d as an alp ha chan nel in Ch anne ls palett e Not e: Y ou can m ask or hide pa r ts o f a layer usi ng a layer m ask. See also “ Abou t layer and v ector masks ” on page 318 Creat e a temporary quick mask T o use Quick Ma sk m ode, s tart wi th a se lection and then add t o or sub tract from it to ...

  • Adobe Photoshop CS3 - page 278

    PHOT OSHOP CS3 User Guide 271 3 T o edi t the mask, select a painting tool fro m the toolbox. The swa tches in the toolbox au tomatically become black and white. 4 Pa int with whit e to selec t mor e of an imag e (the color overla y is remo ved from ar eas painted with whit e). T o deselect areas, pain t over them with black (the colo r overla y co ...

  • Adobe Photoshop CS3 - page 279

    PHOT OSHOP CS3 User Guide 272 2 Choose from the follo wing displa y optio ns: Masked Ar eas S ets masked ar eas to black (opaq ue) and selected areas to whi te (transpar ent). Pa inting with blac k increases the masked a rea; painting wi th white increases the selected ar ea. When this option is selected, the Quick Mas k butto n in the toolbox beco ...

  • Adobe Photoshop CS3 - page 280

    PHOT OSHOP CS3 User Guide 273 Option s availab le in the New Channel a nd Channel Option s dialog b o xes: Masked areas Sets masked ar eas to black (opaq ue) and selected areas to whi te (transpar ent). P ainting wi th black increases the masked a rea; painting wi th white increases the selected ar ea. When this option is selected, the Quick Mas k ...

  • Adobe Photoshop CS3 - page 281

    PHOT OSHOP CS3 User Guide 274 Channel Choos es a destina t io n cha nnel f or the selection. By defa ult, the s election is saved in a new channel. Y ou can choose to save the selection to an y existing cha nnel in the s elected imag e or to a lay er mask if the image con tains lay ers. 4 If yo u’ re saving the selection as a new channel, type a ...

  • Adobe Photoshop CS3 - page 282

    PHOT OSHOP CS3 User Guide 275 Subtract From Selection Sub trac ts the loaded selection from existing selection s in the image. Intersect With Selection Sav es a selection fr om an ar ea int ersected b y th e l oaded selectio n a nd existin g se lections in the image. Y ou ca n dra g a selectio n from one o pen Phot oshop i mage in to a nother . Cha ...

  • Adobe Photoshop CS3 - page 283

    PHOT OSHOP CS3 User Guide 276 9 If yo u want to a pply the blendin g through a mask, select Mask. Then choose the image an d layer con taining the mask. F or Channel, yo u can choose an y color or alpha cha nnel to use as the mask. Y ou can also use a mask based on the active selection or the boundaries of the c hosen layer (T ransparency). Select ...

  • Adobe Photoshop CS3 - page 284

    PHOT OSHOP CS3 User Guide 277 The Offset value lets you lighten o r darken the pixels in the des tination channel b y any b rig h tness value between +255 and –255. N egative val ues darken the image; positi ve values lighten the ima ge. Subtract Sub trac ts the pix el values in the source cha nnel from the correspo nding pixels in the targ et ch ...

  • Adobe Photoshop CS3 - page 285

    278 C ha pt er 10: L a yers Layers a re the building blocks o f many imag e creation w orkflows. Y ou may no t need to work with la yers if you a re doing sim ple image adjustmen ts, b ut la yers help yo u wo rk efficiently and ar e es s en tial to most no ndestr uctive image editing. Lay er Basics About lay ers Phot oshop lay ers are lik e sheets ...

  • Adobe Photoshop CS3 - page 286

    PHOT OSHOP CS3 User Guide 279 Y ou work with layers in the Layers pale tte. La yer gro ups help you o rgan ize and manage layers. Y ou can use groups to arrang e your la yers in a logical order a nd to reduce c lutt er in the L a yers palette. Y ou can nest gro ups within other grou ps. Y ou can also use grou ps to app ly attribu tes and masks to m ...

  • Adobe Photoshop CS3 - page 287

    PHOT OSHOP CS3 User Guide 280 Con vert background and la yers When yo u create a new imag e with a white backgr ound or a colo red background , the b o ttommost ima ge in the Layers palette is cal led Bac kgro und .A ni m a g ec a nh a v eo n l yo n eb a c k g r o u n dl a y e r .Y o uc a n n o tc h a n g et h es t a c k i n g or der of a backgr ou ...

  • Adobe Photoshop CS3 - page 288

    PHOT OSHOP CS3 User Guide 281 Opacity Specifies an opacity level f or the layer o r group . Fill W ith Mode - N eutral C olor Fills the layer wi th a preset, neutral colo r . Create a ne w layer with effects from another lay er 1 Select t he existing la yer in the Layers palet te. 2 Drag the lay er to the New Lay er butt on at the bot tom of the La ...

  • Adobe Photoshop CS3 - page 289

    PHOT OSHOP CS3 User Guide 282 2 Choose Duplicat e L a yer or Duplica te Gro up from the Lay ers menu or the La yers palette men u. 3 Choose New from the Document pop-up men u, and clic k OK. Show or hide a la yer , group , or style ❖ D o o ne of the follo wing in the Layers palette: • Click the eye icon next t o a layer , group , or la yer effe ...

  • Adobe Photoshop CS3 - page 290

    PHOT OSHOP CS3 User Guide 283 Selec ting , grouping , and link ing la yers Selec t la yers Y ou can select one or m ore la yers to wo rk on them. Fo r s o me activities, such as pain ting or making colo r and tone adjus tments, you can wo rk on onl y one la yer at a time. A single selected la yer is called the active layer .T h en a m eo f the acti ...

  • Adobe Photoshop CS3 - page 291

    PHOT OSHOP CS3 User Guide 284 2 Click the triangle to the left of the folder ico n. 3 Click the individual la yer in the grou p. Group and ungroup la yers 1 Select multiple la yers in the Layer s palette. 2 Do one of the f ollowing: • Choose L a yer > Gro up Layers. • Alt-drag (W indows) or O ptio n-drag (M ac OS) la yers to the folder icon ...

  • Adobe Photoshop CS3 - page 292

    PHOT OSHOP CS3 User Guide 285 Not e: If a gr oup is expan ded so tha t you can se e all the la yers with in it, a ddin g a layer bene ath th e expanded gr oup au toma tical ly adds th e layer t o that gr oup . T o avo id this, co llapse t he group b efore a ddin g the new la yer . • Se lec t a layer or group, choo se Laye r > Arr ange, and cho ...

  • Adobe Photoshop CS3 - page 293

    PHOT OSHOP CS3 User Guide 286 • Ho ld down Shift and p ress an a r r ow key on the keyboard to n udge the objects by 10 p ixels. Align objects on different la yers Y ou can align the con tent o f layers a nd grou ps using the Mo ve tool. (See “ Mo ve the cont ent of la yers ” on pag e 285.) 1 Do one of the f ollowing: • T o align multip le ...

  • Adobe Photoshop CS3 - page 294

    PHOT OSHOP CS3 User Guide 287 Aut omatically align image lay ers The A uto-Align Layers comma nd can a utoma tically align layer s based o n similar co nten t in differen t la yers, such as corners and edges. Y ou assign one layer as a reference layer , or let Pho toshop automa tica lly choos e the refer ence lay er . Other lay ers are aligned to t ...

  • Adobe Photoshop CS3 - page 295

    PHOT OSHOP CS3 User Guide 288 See also “ Combine m ultiple imag es into a gro up portrait ” on page 324 “I mage Stacks (Photo shop Extended)” on page 594 Auto blend la yers When stit ching or com bining images to crea te a composit e image, exposure differences between the source images may cr eate seams or inco nsistencies in the comb ined ...

  • Adobe Photoshop CS3 - page 296

    PHOT OSHOP CS3 User Guide 289 Lock la yers Y ou can lock layer s fully or pa rt ially t o pro tect their con tents. F or in stance, yo u may want to lock a layer fully when you finish wi th it. Y ou ma y wa nt to lock a layer partially if it has the co rrect trans parency an d styles, but you ar e still d e c i d i n go np o s i t i o n i n g .W h ...

  • Adobe Photoshop CS3 - page 297

    PHOT OSHOP CS3 User Guide 290 Assign a color to a la yer or group Color coding lay ers and gro ups helps yo u locate rela ted lay ers in the Layers palette . 1 Do one of the f ollowing: • Select a layer or gr oup , and choose Layer P roperties or Gro up Pro per ties from the Lay ers menu o r the L ay ers palette menu . • Pres s Alt (W indows) o ...

  • Adobe Photoshop CS3 - page 298

    PHOT OSHOP CS3 User Guide 291 Export layers Y ou can export all lay ers or visible la yers to separa te files. ❖ Cho ose File > Scripts > Export Layers T o Files. T rack file size F i l es i z ed e p e n d so nt h ep i x e ld i m e n s i o n so fa ni m a g ea n dt h en u m b e ro fl a y e r si tc o n t a i n s .I m a g e sw i t hm o r ep i ...

  • Adobe Photoshop CS3 - page 299

    PHOT OSHOP CS3 User Guide 292 Stamp multiple lay ers or linked lay ers When y ou stamp m ultiple selected la yers or link ed layers, Pho toshop crea tes a new layer co ntaining the m erged con tent. 1 Selec t m ultiple layers. 2 Pres s Ctrl+Alt+E (W indows) or Command+Op tion+E (Mac OS). Stamp all visible lay ers 1 T urn visibility on fo r the laye ...

  • Adobe Photoshop CS3 - page 300

    PHOT OSHOP CS3 User Guide 293 Specify fill opacity for a la yer In additio n to setting opacity , which affects a ny layer styles and blending modes app lied to the la yer , yo u can specify a fill opacity for la yers. Fill opaci ty affects pixels pain ted in a layer o r shapes drawn o n a layer wi t ho ut affecting the opacity o f any la yer effec ...

  • Adobe Photoshop CS3 - page 301

    PHOT OSHOP CS3 User Guide 294 Creat e a k nock out Knocko ut o ptions let you specif y which layers “p unch thr ough ” to r eveal cont ent fro m other layers. For example , you can use a text layer t o knock ou t a color adju stment la yer and reveal a po r tion of the image usin g the original colo rs. As you plan your knockout ef fect, you ne ...

  • Adobe Photoshop CS3 - page 302

    PHOT OSHOP CS3 User Guide 295 6 Click OK. Ex clude channels from blending Y ou can r estric t b lending effects to a specif ied cha nnel when you blend a la yer or gr oup . By defa ult, all cha nnels are included. When using a n RGB ima ge, fo r exam ple, you can c hoos e to excl ude the r ed channel fro m blending; in the com posite image, o nly t ...

  • Adobe Photoshop CS3 - page 303

    PHOT OSHOP CS3 User Guide 296 Ad vanced blen ding opt ions A. F a r mL o g oa n dP a i n tS t r o k el a y e r s ,e a c hw i t hi t so w nb l e n d i n gm o d e B. Blend I nterior Effects As G roup option sel ected C. Blend Clipped Layers As Group option selec ted • Select T ransparency S hapes Lay ers to re str ict layer effects and knockouts to ...

  • Adobe Photoshop CS3 - page 304

    PHOT OSHOP CS3 User Guide 297 3 U se the This Layer and U nderlying Layer sliders to set the brightness ra nge of the blended p ixels—measured on a scale from 0 (black) to 255 (whit e). Drag the white slider to set the high val ue of the range. Drag the blac k slider t o set the low value o f the range. T o define a ra nge of partiall y blended p ...

  • Adobe Photoshop CS3 - page 305

    PHOT OSHOP CS3 User Guide 298 Apply preset styles Y ou can ap ply pr eset sty les fro m the Styles palette. The la yer styles that com e with Photosho p are gro uped into libraries by funct ion. For example, one lib rar y contains styles for creating web butto ns; ano ther libra r y contains styles adding effects to text. T o access these s tyles, ...

  • Adobe Photoshop CS3 - page 306

    PHOT OSHOP CS3 User Guide 299 Layer S tyles dialog bo x. Click a ch eck box to a pply th e current se ttings with out disp laying th e effect’ s options. Cl ick an effe ct name to d ispla y its op tions. Y ou can crea te custom styles using o ne or mor e of the follo wing effects: Drop Shadow A dds a shadow tha t falls b ehind the con tents o n t ...

  • Adobe Photoshop CS3 - page 307

    PHOT OSHOP CS3 User Guide 300 Lay er style options Altitude Fo r the B evel an d Emboss effect, s ets the height o f the light source . A s ettin g of 0 is equivalen t to ground level, 90 is directly abo ve the layer . Angle Determines the lighting an gle at which the ef fect is app lied to the layer . Y ou can drag in the document windo w to adj u ...

  • Adobe Photoshop CS3 - page 308

    PHOT OSHOP CS3 User Guide 301 Patt ern Specif ies the pa ttern of a la yer effect. Click the pop-up palette a nd choose a pattern. Click the N ew preset but ton to create a new p reset pattern based on the current settings. Click S nap T o Origin to make the origin of the patte r n the same as the o r igin of the document (when Link W ith Layer is ...

  • Adobe Photoshop CS3 - page 309

    PHOT OSHOP CS3 User Guide 302 Y ou can select, reset, delete, o r change the p review of cont ours in the Cont our pop-up palett e and Preset M anager . Detai l of Layer Style d ialog box f or Drop Sha dow effect A. Clic k to displa y the Con tour Ed itor di alog box. B. Click t o display t he pop-up palett e. Create a custom c ontour 1 Select t he ...

  • Adobe Photoshop CS3 - page 310

    PHOT OSHOP CS3 User Guide 303 Hide or show all lay er styles in an image ❖ Cho ose Layer > Layer Style > H ide All Effects or Show All Eff ec ts. Expand or collapse lay er styles in the Layers palette ❖ D o o ne of the follo wing: • Click the triangle next to the lay er styles icon to expand the list of la yer effects applied to tha t l ...

  • Adobe Photoshop CS3 - page 311

    PHOT OSHOP CS3 User Guide 304 Save a set of pr eset styles as a librar y 1 Do one of the f ollowing: • Choose Save Styles fro m the Styles palette menu. • Select Styles on the left side of the Layer Styles dialog box. Then choose Sav e Styles from the pop-up men u. • W h e nu s i n gas h a p eo rp e nt o o l ,c l i c kt h el a y e rs t y l et ...

  • Adobe Photoshop CS3 - page 312

    PHOT OSHOP CS3 User Guide 305 Scale a layer eff ec t A la yer style m ay ha ve been fine-tuned for a targ et resol ution a nd fea tures o f a gi ven size. U sing Sca le Effects allows you t o s cale the effects in the lay er style without scaling the ob jec t to which the la yer style is ap plied. 1 Select the layer in the Layer s palette. 2 Choose ...

  • Adobe Photoshop CS3 - page 313

    PHOT OSHOP CS3 User Guide 306 A djustment and fill lay ers About adjustment la yers and fill lay ers An adj ustment la yer ap plies color and to nal adjustmen ts to yo ur image withou t permanently c hanging pixel values. Fo r example , rather than making a Levels or C ur ves adj ustment dir e ctly to yo ur image, yo u can create a Levels o r Cur v ...

  • Adobe Photoshop CS3 - page 314

    PHOT OSHOP CS3 User Guide 307 Creat e adjustment and fill layers A djustmen t layers a nd fil l la yers hav e the same opacity and b lending mode option s as image lay ers. Y ou can rearran ge, delete, hide , and dup licate them jus t as you do image la yers. By defa ult, adj ustment la yers and fill lay ers have layer mas ks, as indicated by the m ...

  • Adobe Photoshop CS3 - page 315

    PHOT OSHOP CS3 User Guide 308 Patt ern C lick the pa ttern, and ch o ose a pa ttern from the pop-u p palette. Click Scale, and en ter a value or dra g the slider . Click Snap T o Origin to make the origin of the patt ern t he same as the o rigin of the doc umen t. S elect Link W i t hL a y e ri fy o uw a n tt h ep a t t e r nt om o v ea l o n gw i ...

  • Adobe Photoshop CS3 - page 316

    PHOT OSHOP CS3 User Guide 309 Filtering with Smart Filt ers Fi l ters a pplied to Smart Objects become Smart Filter s and a llo w for nondestructive filt er effects. Adjusting varia tions, shadows, and highligh ts with Smar t Objects Shadow/H ighlig h t and V ariations co mmands can be ap plied to a Smart Ob je ct as Sma rt Fi lt ers. Retouching on ...

  • Adobe Photoshop CS3 - page 317

    PHOT OSHOP CS3 User Guide 310 • W ork with vecto r data, such a s vector artwork from Ill ustrator , that o ther wise would be rasterized in Ph otoshop . • P erform nondestructive filtering. Y ou can edit filt ers app lied to Smart Objects at an y time. • Edit o ne Smart Object and a uto matically upda te all its linked ins tances. Y ou can ? ...

  • Adobe Photoshop CS3 - page 318

    PHOT OSHOP CS3 User Guide 311 See also “Place a file in Phot oshop ” on page 75 “P aste Ad obe Il lu strator art in to Photosho p ” on page 76 Duplicate a Smart Object ❖ In the Layers palett e, select a Smart Object layer , and do on e of the follo wing: • T o create a d uplica te Smart Object that is link ed to t he origina l, choos e ...

  • Adobe Photoshop CS3 - page 319

    PHOT OSHOP CS3 User Guide 312 2 Choose a location fo r the conten ts of the Sma r t Object, then click Sa ve. Photos hop exports the Smart Object in i ts original placed f ormat ( JPEG, AI, TIF , PDF , or other forma ts). If the Smart Object was creat ed f ro m layer s, it is exported in PSB forma t. Con vert a Smar t Object to a lay er Conv ert in ...

  • Adobe Photoshop CS3 - page 320

    PHOT OSHOP CS3 User Guide 313 Not e: I fy o ua p p l yo n eo rm o r ef i l t e r su s i n gt h eF i l t e rG a l l e r y ,t h e ya p p e a ra sag r o u pi nt h eL a y e r sp a l e t t en a m e d“ F i l t e r Gallery . ” Y ou can ’t rea r r ange filters in a F ilter Gallery . Y ou can ed it ind ividual filters by dou ble-clic king a Filt er Ga ...

  • Adobe Photoshop CS3 - page 321

    PHOT OSHOP CS3 User Guide 314 Reorder Smart Filters ❖ In the Layers palette , drag a Smart Filter up o r down in the list. Y ou can ’t r eorder Sma rt Fi l ters app lied f r om the Filter Gallery . Phot oshop ap plies Smart Filters fro m the bottom up . Duplicate Smart Filters ❖ In the Layers palett e, Alt-drag (W indows) o r Option-drag (M a ...

  • Adobe Photoshop CS3 - page 322

    PHOT OSHOP CS3 User Guide 315 • T o show portions of the filter , paint the mask wi th w hit e. • T o make the filter partially visible, pa int the mask with gra y . Y ou ca n also appl y ima ge adjus tments a nd filt ers to filter m asks. Display only the filter mask ❖ Alt-click (W indows) o r Optio n-click (Mac OS) the filter mask thum bnai ...

  • Adobe Photoshop CS3 - page 323

    PHOT OSHOP CS3 User Guide 316 Choose Windo w > Layer Comps t o show the palette. Lay er Comps pa lette A. Ap ply La yer Comp ico n B. Last Document S tat e C. Sele cted co mps D. Layer Comp Ca nnot Be F ully Res tored ic on Creat e a layer c omp 1 Choose W indow > Layer Com ps to displa y the Layer Com p palette. 2 Click the Crea te New Layer ...

  • Adobe Photoshop CS3 - page 324

    PHOT OSHOP CS3 User Guide 317 Change and update a la yer comp If y ou chang e the configuration o f a layer com p , you need to upda te it. 1 Select t he la yer com p in the L a yer Comps palett e. 2 M a k ec h a n g e st ot h el a y e r ’ sv i s i b i l i t y ,p o s i t i o n ,o rs t y l e .Y o um a yn e e dt oc h a n g et h el a y e rc o m p ? ...

  • Adobe Photoshop CS3 - page 325

    PHOT OSHOP CS3 User Guide 318 Masking lay ers Y ou can add a mask to a la yer and use the mask to hide portions of the la yer and r evea l the la yers below . Masking lay ers is a valuable com positing technique f or comb ining multi ple photos in to a single image o r for making local color a nd tonal corrections. About lay er and vector masks Y o ...

  • Adobe Photoshop CS3 - page 326

    PHOT OSHOP CS3 User Guide 319 A vector mask cr eates a sharp-edged sha pe on a layer a nd is usef ul an ytime you wan t to add a design element wi th clean, defined edges. After yo u create a la yer with a vector mask, y ou can a pply one o r more la yer styles to it, edi t them if needed, and insta ntly have a usab le butto n, panel, or other w eb ...

  • Adobe Photoshop CS3 - page 327

    PHOT OSHOP CS3 User Guide 320 • T o make the lay er pa r tially visible, p ain t the mask with gray . Dark er grays make the level more transpa rent, ligh ter grays mak e it more o paque. • T o add to the mask and hide the la yer or gro up, pa in t the mask with blac k. The layers belo w be co me visible. T o edit the lay er instead of the laye ...

  • Adobe Photoshop CS3 - page 328

    PHOT OSHOP CS3 User Guide 321 Add and edit v ec tor masks Y ou creat e vector masks with the pen or shapes tools. F or mor e informatio n on workin g with these to ol s, s ee “Dra wing” o n page 358. Add a v ec tor mask that sho ws or hides the entire la yer 1 In the Lay ers palette, select the layer y ou want t o add the vector mask to . 2 Do ...

  • Adobe Photoshop CS3 - page 329

    PHOT OSHOP CS3 User Guide 322 Not e: By def ault, m asks app lied to S mart Objects a ren ’t li nked to S mart Object la yers. • T o unlink a layer fro m its mask, click the link icon in the Lay ers palette. • T o reestablish the link between a la yer and its mask, c lick between the layer a nd mask path thum bnails in the Layers p alette. Ap ...

  • Adobe Photoshop CS3 - page 330

    PHOT OSHOP CS3 User Guide 323 Mask lay ers with clipping masks A clipping ma sk lets you use the con tent o f a layer to mask the la yers abov e it. The masking is determined by the content of t he b ottom or base layer . The non-tran sparent conten t of the base la yer clips (r evea ls), the co ntent of the lay ers above i t in the clippin g mask. ...

  • Adobe Photoshop CS3 - page 331

    PHOT OSHOP CS3 User Guide 324 Combine multiple images in to a group portrait Y ou can use the A uto-Align Layers comma nd f r om the Edit menu to make a com posite photo from a pair of nearly i d e n t i c a li m a g e st h a tm a yc o n t a i ns o m eu n w a n t e da r e a s .F o re x a m p l e ,o n es h o to fag r o u pp o r t r a i ti si d e a l ...

  • Adobe Photoshop CS3 - page 332

    325 C ha pt er 11: P ain tin g Pa inting cha nges the color o f image pixe ls. Y ou use paintin g tools and techniqu es to retouch ima ges, create o r edit masks on alpha channels, rotoscope or p ain t on video f rames, and to pain t original a r t. B r ush tips, brush pr esets, a nd the man y brush optio ns give yo u creative co ntro l to produce ...

  • Adobe Photoshop CS3 - page 333

    PHOT OSHOP CS3 User Guide 326 Pain t with the Brush tool or Pencil t ool The Brush tool and the P encil tool paint the curren t for eg r ound color o n an image. The Brush tool cr eates soft strok es of color . The P encil tool create s hard-edged lines. 1 Choose a foregr ound color . (S ee “ Choose colors in the toolbo x” on page 118.) 2 Selec ...

  • Adobe Photoshop CS3 - page 334

    PHOT OSHOP CS3 User Guide 327 4 Select Aligne d in the o ptions bar to ma intain the pat tern ’ s continui ty with your o rig inal start poin t, even if you re lease the mo use bu tto n and th en con tinu e pain ting. Desel ect Aligned t o r esta rt the pa ttern ea ch time yo u sto p and start pain ting. 5 Select a pattern from the P at tern pop- ...

  • Adobe Photoshop CS3 - page 335

    PHOT OSHOP CS3 User Guide 328 Erase with the Er aser tool The Eraser tool chan ges p ixels to either the backgro und colo r o r to trans p ar ent. If yo u’ re w orking in the backgr ound or in a layer with transparency lock ed, the p ixels cha nge to the backgr ound co lor ; other wise, the pix els ar e erased to trans parency . Y ou can also use ...

  • Adobe Photoshop CS3 - page 336

    PHOT OSHOP CS3 User Guide 329 • Selec t Contiguous to erase o nly pix els con t iguou s to the one y ou click, or deselect to erase all similar pix els in the image. • Select Sample All Lay ers to samp le the erased color using com bined data fro m al l visible la yers. • Specify an opacity to define the strength of the erasur e. An opacity o ...

  • Adobe Photoshop CS3 - page 337

    PHOT OSHOP CS3 User Guide 330 Auto Er ase with the Pencil t ool The A uto Erase option for the P encil tool lets you paint the background co lor over areas co ntaining the f oregro und color . 1 Specify foregr ound and bac kground colo rs. 2 Select t he P encil tool . 3 Select Au to Erase in the options ba r . 4 Drag ov er the image. If t he center ...

  • Adobe Photoshop CS3 - page 338

    PHOT OSHOP CS3 User Guide 331 3 Change o ptions f or the preset brush. Diameter T emporarily c hanges the b r ush size. Drag the slider o r enter a value . If the brush has a dual tip , both the primary and dual brush tips a re scaled. Use Sample Size U s e st h eo r i g i n a ld i a m e t e ro ft h eb r u s ht i pi ft h eb r u s ht i ps h a p ei s ...

  • Adobe Photoshop CS3 - page 339

    PHOT OSHOP CS3 User Guide 332 Y ou can save the libra r y an y where. Ho wever , if you p lace t he lib rar y file in the Presets/Brushes folder in the defa ult p r e s e tl o c a t i o n ,t h el i b r a r yn a m ew i l la p p e a ra tt h eb o t t o mo ft h eB r u s hP r e s e tp i c k e rm e n ua n dB r u s h e sp a l e t t em e n u after yo u res ...

  • Adobe Photoshop CS3 - page 340

    PHOT OSHOP CS3 User Guide 333 T h eb r u s hs t r o k ep r e v i e wa tt h eb o t t o mo ft h ep a l e t t es h o w sh o wp a i n ts t r o k e sl o o kw i t ht h ec u r r e n tb r u s ho p t i o n s . Brushe s palette wit h Brush T ip Sha pe optio ns displa yed A. Locked B. Un lo ck e d C. Sele cted brush tip D. Brush se ttings E. Br us h stroke pr ...

  • Adobe Photoshop CS3 - page 341

    PHOT OSHOP CS3 User Guide 334 Creat e a brush and set painting options 1 Open the Brushes palette by clickin g the brushes palette but ton in the optio ns bar . Make sure the Brush tool is selected to see the but ton. 2 In the Brush es pal ette , c hoose an ex istin g b rush pre set to modify or select a bru sh sh ape fro m the Brus h T ip Sha pe p ...

  • Adobe Photoshop CS3 - page 342

    PHOT OSHOP CS3 User Guide 335 Flip ping a brus h tip on its x axis. A. Brush t ip in its defa ult pos ition B. Flip X se lected C. Flip X a nd Flip Y se lected Flip Y Chang es the direction of a brush tip o n its y axis. Flip ping a brus h tip on its y axis. A. Brush t ip in its defa ult pos ition B. Flip Y se lected C. Flip Y a nd Flip X sele cted ...

  • Adobe Photoshop CS3 - page 343

    PHOT OSHOP CS3 User Guide 336 Brush s troke s w it h differ ent har dnes s values Spacing Controls the dis tance between the brush marks in a stroke . T o chang e the spacing, type a number , or use the slid er t o e nter a val ue th at is a percen tage o f th e b rush diamet er . W hen this op tion is dese lected, the speed of the cursor determine ...

  • Adobe Photoshop CS3 - page 344

    PHOT OSHOP CS3 User Guide 337 See also “Brushes palette o ver view” on page 332 “ Creat e a brush and set painting o ptions ” on page 334 Brush shape dynamics Sha p e dyna mics determine the variance of brush marks in a s troke. Brush s tokes with out sha pe dynam ics and with s hape dynam ics Size J itter and C ontrol Specifies how the siz ...

  • Adobe Photoshop CS3 - page 345

    PHOT OSHOP CS3 User Guide 338 Roundness J itter and Con trol Specifies ho w the roundness of brush marks varies in a stroke. T o specif y the maxim um percentag e o f ji ttering, en ter a percentage indica ting the ratio between the brush ’ s short and lo ng axes. T o specif y ho w you wa nt to con trol the roundnes s variance of brush marks, cho ...

  • Adobe Photoshop CS3 - page 346

    PHOT OSHOP CS3 User Guide 339 Count J itt er and Control Specifies how the n umber of brush marks varies fo r e ach s pacing interva l. T o spe cify the maximum percen tage of brush marks a pplied a t each spacing interval, enter a val ue. T o sp ecify how yo u want to con trol the coun t variance of brush marks, ch o ose an o ption from the Con tr ...

  • Adobe Photoshop CS3 - page 347

    PHOT OSHOP CS3 User Guide 340 Depth J itter and Con trol Specif ies ho w the depth varies when T exture E ach T ip is selected. T o specif y the maxim um percentag e of jitt er , ent er a value. T o specify how you want t o contro l the depth variance o f brush marks, ch o ose an optio n from the Contr ol pop-up men u: • Off S p ecifies no con tr ...

  • Adobe Photoshop CS3 - page 348

    PHOT OSHOP CS3 User Guide 341 Brush s troke s w it hout co lor dynam ics (left) and with co lor dynam ics (right) For eground/Background J itter and C ontrol Specifies how pain t varies between the for eground colo r and backgr ound co lor . T o specify a percen t ag e by which the colo r of the pain t can va r y , type a n umber , o r use the s li ...

  • Adobe Photoshop CS3 - page 349

    PHOT OSHOP CS3 User Guide 342 Brush s troke s w it hout pa int d y na mics (left) an d w i th pain t dynami cs (right) Opacity J itter and Con trol Specifies how the opaci ty of paint varies in a brush stro ke, up to (b ut not ex ceeding) the opacity val ue specified in the op tions bar . T o specify a percentag e by which the opacity o f the pain ...

  • Adobe Photoshop CS3 - page 350

    PHOT OSHOP CS3 User Guide 343 Cop y textures betw een tools When you specif y a textur e fo r the curren t tool, you can co py the textur e ’ s patt ern and scale to all tools that sup p o r t textur es. For exa mple, y ou can cop y the cur r ent textur e pattern an d s cale fo r the Brush tool to the P encil, Clone Stam p, P att er n S tamp , Hi ...

  • Adobe Photoshop CS3 - page 351

    PHOT OSHOP CS3 User Guide 344 List of blending modes Choose from the Mode pop- up menu in the o ptions bar . Not e: Only t he No rmal, Dissol ve, Darken, M ulti ply , Li ghten, L inea r Dodge (A dd), Differ ence, H ue, Sa tura tion, Co lor , Lu min osity , Ligh ter Col or , and Dark er Color blen ding m odes ar e ava ilable f or 32-bit i mages. N o ...

  • Adobe Photoshop CS3 - page 352

    PHOT OSHOP CS3 User Guide 345 Hard Light M ultiplies o r s creen s the colors, depending on the blend co lor . The ef fect is similar to shinin g a harsh spotlight on the ima ge. If the blend co lor (light sour ce) is lig h ter than 50% gray , the image is lightened, as if i t were screened. This is useful for adding highlights to a n image. If the ...

  • Adobe Photoshop CS3 - page 353

    PHOT OSHOP CS3 User Guide 346 Blending mode examples These examp les show the resul t of painting pa r t of the ima ge ’ s face using each blending mode. Fo r a video on blend modes, see ww w .adobe.com/go/vid0012 . Origina l Ima ge No rmal, 100% opaci ty No rmal, 50% opaci ty Dissol ve, 50% opaci ty Beh ind Clear Darken Mul tiply Color B urn Li ...

  • Adobe Photoshop CS3 - page 354

    PHOT OSHOP CS3 User Guide 347 Gradien ts Apply a gradien t fill The G radient tool creates a gradual blend between m ultiple co lors. Y ou can choose from preset gradient fills or create your o wn. Not e: The Gr adien t tool ca nno t be used with bi tmap or i ndexed-col or ima ges. Y ou fil l an a rea with a gradient by dragging in the image. The s ...

  • Adobe Photoshop CS3 - page 355

    PHOT OSHOP CS3 User Guide 348 Angle gradient Shades in a co unter clockwise sweep aro und the starting point. Reflected gradient Shades using symmetric linear gradien ts on either side of the sta r ting poin t. Diamond gradient Shad es from t he sta rti ng poi nt outward in a d iamond p attern . The en ding p oint def ines on e corner o f the diamo ...

  • Adobe Photoshop CS3 - page 356

    PHOT OSHOP CS3 User Guide 349 Change how preset gr adients are displayed ❖ Cho ose a displa y option fr om the palette men u: T ext Only Displays the gradien ts as a list. Small or Large Thumbnail Disp lays the gradients as thum bnails. Small or Large List Displa ys the gradients as a list with thum bnails. Rename a preset gradient • If the pal ...

  • Adobe Photoshop CS3 - page 357

    PHOT OSHOP CS3 User Guide 350 6 T o choose a color , do one of the f ollowing: • Double-click the co lor stop , or clic k the color swat ch in the Stops section of the dialog box. Choose a colo r , and click OK. • Choose an optio n from the Color pop-u p menu in the St ops sec tion o f the dialog box. • P osition the point er over the gradien ...

  • Adobe Photoshop CS3 - page 358

    PHOT OSHOP CS3 User Guide 351 6 T o adjust the loc a tion of the midpoint opacity (the point midway between t he starting and ending opacities), do one o f the following: • Drag the diamo nd above the gradien t bar to the left or right. • Select t he dia mond and en ter a value f or Location. 7 T o delete the opacity sto p you ar e editing, cli ...

  • Adobe Photoshop CS3 - page 359

    PHOT OSHOP CS3 User Guide 352 Fill with the P aint Buck et tool The Pa int Buck et tool fi lls ad jacent pixels tha t are similar in co lor value to the pix els you click. Not e: The Pa in t Bucke t tool ca nnot b e used with ima ges in B itma p mode. 1 Choose a foregr ound color . (S ee “ Choose colors in the toolbo x” on page 118.) 2 Select t ...

  • Adobe Photoshop CS3 - page 360

    PHOT OSHOP CS3 User Guide 353 T o appl y a for egrou nd color fill o nly to t he ar eas tha t cont ain p ixels, pr ess Al t+Shift+Ba ckspace ( W indows) o r Optio n+Shift+De lete (M ac OS). This pr eserves the tr anspa rency of th e layer . T o appl y a backgro und colo r fill only to th e are as that c ont ain pixe ls, pre ss Ctrl+Sh ift+Bac kspac ...

  • Adobe Photoshop CS3 - page 361

    PHOT OSHOP CS3 User Guide 354 Strok e a path with color 1 Select t he pa th in the Pa t hs palet te. 2 Choose Stroke P ath fro m the pa let te menu. 3 In the S troke P ath dialog box, choose a tool to str oke the path. Dra w a circle or square Y ou can draw a circle o r squar e u sing the elli ptical or rectangula r ma rquee tools, and then add a l ...

  • Adobe Photoshop CS3 - page 362

    PHOT OSHOP CS3 User Guide 355 See also “ Generate a pat tern using the Pa ttern Maker ” on page 356 “ Create a nd use tool presets ” on page 31 Define an image as a preset patt ern 1 U se the Rectangle Mar quee tool on an y open image to select an ar ea to use as a pattern. F e a ther must be set to 0 pixe ls. Note tha t large imag es may b ...

  • Adobe Photoshop CS3 - page 363

    PHOT OSHOP CS3 User Guide 356 Delete a preset patt ern ❖ D o o ne of the follo wing: • Select t he pa ttern you wan t to delete, and c hoos e Delete P attern fro m the pa lett e menu. • Ho ld down Alt (W indows) o r Option (M ac OS), position the point er over a pat tern (the pointer t urns into scissors), and clic k. Generate a pa ttern usin ...

  • Adobe Photoshop CS3 - page 364

    PHOT OSHOP CS3 User Guide 357 Sample Detail Specif ies the size of pat tern slices in the tile. A high val ue main tains mo re o f the original detail in the patt ern. A low value uses smaller slices in the ti le. T iles ta ke lo nger to genera te when you use a high value. 7 N a v i g a t et h r o u g ht h eg e n e r a t e dt i l e si nt h eT i l ...

  • Adobe Photoshop CS3 - page 365

    358 C ha pt er 12: Dra w ing The drawin g tools (t he P en and sha pe tools) let yo u cr eate and e dit vec to r sha pes. Y ou can work wi th sha pes in sha pe l a y e r sa n da sp a t h s ;y o uc a na l s oc r e a t er a s t e r i z e ds h a p e s ,w h i c hc a nb ee d i t e dw i t ht h ep a i n t i n gt o o l s .T h ed r a w i n g tools pr ovide ...

  • Adobe Photoshop CS3 - page 366

    PHOT OSHOP CS3 User Guide 359 Fill P ixels Pa ints directly on a la yer —much as a pain ting tool does. When yo u work in this mode, you ’ re cr eating raster images—n ot vector grap hics. Y ou wo rk with the shapes you pa int just as y ou do with an y raster image. Only the shape tools wo rk in this mode. Dra wing op tions A. Shape Layers B. ...

  • Adobe Photoshop CS3 - page 367

    PHOT OSHOP CS3 User Guide 360 See also “Edit s hapes ” on page 361 “Dra wing and type tools gallery” on page 29 Dra w multiple shapes in a layer Y ou can draw separate shapes on a lay er , or use the Add, Subtract, In tersect, or Excl ude optio ns to mo dify the current shape on a la yer . 1 Select t he la yer to which you wa nt to add sha ...

  • Adobe Photoshop CS3 - page 368

    PHOT OSHOP CS3 User Guide 361 Dra w a custom shape Y ou c an draw custom shapes by using shapes f rom the Custom Sha p e pop-up pal ette, or save a shape or path to use as a custom sha pe. 1 Select t he C ustom Sha pe tool . 2 Select a shape from the Cus tom Sha pe p op-u p palette in the optio ns bar . If you do n ’t find a shape you wan t in t ...

  • Adobe Photoshop CS3 - page 369

    PHOT OSHOP CS3 User Guide 362 • T of i l las h a p ew i t hap a t t e r no rg r a d i e n t ,s e l e c tas h a p el a y e ri nt h eL a y e r sp a l e t t ea n dc h o o s eL a y e r >C h a n g eL a y e r Conten t > Gradient, a nd set gradient optio ns. • T of i l las h a p ew i t hap a t t e r no rg r a d i e n t ,s e l e c tas h a p el a ...

  • Adobe Photoshop CS3 - page 370

    PHOT OSHOP CS3 User Guide 363 Square Constrains a r ectangle or ro unded rectangle to a squar e. Unconstrained Lets yo u s et the width a nd height of a rectangle, r ounded rectangle, ellipse, o r c ust om shape by dragging. W eight Determines the width, in pixels, o f a line. Dra wing with the P en tools About the P en tools Phot oshop pro vides m ...

  • Adobe Photoshop CS3 - page 371

    PHOT OSHOP CS3 User Guide 364 Not e: The first seg ment you d raw will not be visible until you c lick a second anchor poin t. (Select the Ru bber Band option in Photo shop t o pr ev iew pa th se gments.) A lso , if d ire ction li nes a ppear , you ’ ve acci dental ly dr agged th e Pen tool; choose Edi t > Un do , and cl ick ag ain. 3 Click ag ...

  • Adobe Photoshop CS3 - page 372

    PHOT OSHOP CS3 User Guide 365 4 P osition the P en tool where yo u want the curve segment to end, an d do one of the fo llowing: • T o create a C-sha ped c urve, drag in a direction o pposite to the pr evious direction line. Then r elease t he mo use button. Dra wing the se cond po int in a cu rve A. Sta r ti ng to dra g second smoo th poin t B. ...

  • Adobe Photoshop CS3 - page 373

    PHOT OSHOP CS3 User Guide 366 Finish dr awing a path ❖ C om plete a pa th in one of the fo llowing ways: • T o close a path, position the P en tool ov er the f irs t (hollow) ancho r point. A small circle a ppears next to the P en tool poin ter w hen i t is positioned corr ect ly . Click or drag to close the pa th. Not e: T o close a pat h in I ...

  • Adobe Photoshop CS3 - page 374

    PHOT OSHOP CS3 User Guide 367 Pre ss Al t (W indows) o r Option (M ac OS) to te mpor arily ch ange th e Pen too l to the Con vert Poi nt too l. 4 S e l e c tt h eP e nt o o lf r o mt h et o o l b o x ,p o s i t i o nt h eP e nt o o lw h e r ey o uw a n tt h es t r a i g h ts e g m e n tt oe n d ,a n dc l i c k to com plete the straigh t seg men t. ...

  • Adobe Photoshop CS3 - page 375

    PHOT OSHOP CS3 User Guide 368 Dra w using the magnetic pen options The Magnetic P en is an option o f t he F reeform P en tool that lets you dra w a path that snaps to the edges of defined areas in y our image. Y ou can define the ran ge and sensiti vity of the snap ping behavio r , as well as the com plexity o f the resul ting path. The Magnetic P ...

  • Adobe Photoshop CS3 - page 376

    PHOT OSHOP CS3 User Guide 369 Managing paths Pa ths palette overview T h eP a t h sp a l e t t e( W i n d o w >P a t h s )l i s t st h en a m ea n dat h u m b n a i li m a g eo fe a c hs a v e dp a t h ,t h ec u r r e n tw o r kp a t h , and the current vecto r mask. T ur ning th umbnails off can im pro ve perfo rmance. T o view a path, you m us ...

  • Adobe Photoshop CS3 - page 377

    PHOT OSHOP CS3 User Guide 370 Subtract From P ath Area Remo ves the new area from the o verla pping pa th area. Intersect Path A reas Restricts the path to the int ersec tion o f the new area and the existin g area. Exclude Overlapping P ath Areas Excludes the ov erlap ar ea in t he co nsolidated pa th. W h i l ed r a w i n gw i t has h a p et o o ...

  • Adobe Photoshop CS3 - page 378

    PHOT OSHOP CS3 User Guide 371 Editing paths Pa th segments, componen ts, and points A path con sists of one o r more straight or curved segmen ts. Anch or po int s mark the end points of t he pa th segmen ts. On cur ved segments, each selected anc hor poin t displays on e or two di rect ion l ines , endin g in dir ection po ints . The position s of ...

  • Adobe Photoshop CS3 - page 379

    PHOT OSHOP CS3 User Guide 372 Separ ate pa th compo nents sele cted Selec t a pa th Selecting a path co mponen t o r path segment displa ys all o f the ancho r poin ts on the selected portion, in cluding an y direction lines a nd direction points if the selected segment is curved. Direction poin ts appear as filled circles, selected anch or points ...

  • Adobe Photoshop CS3 - page 380

    PHOT OSHOP CS3 User Guide 373 Adjust pa th segments Y ou can edit a path segment at an y time, but editing existing segments is slightly differen t from drawin g them. Keep the follo wing tips in mind when editing segments: • If a n anchor po int connects two segmen ts, moving tha t anchor po int always c hanges both segmen ts. • When drawing w ...

  • Adobe Photoshop CS3 - page 381

    PHOT OSHOP CS3 User Guide 374 Dra g the anc hor poi nt, or dr ag the d irect ion poin t. Not e: Y ou can a lso appl y a tra nsforma tion, s uch as scal ing or r ota tin g, to a segmen t or an chor po int. Delete a segment 1 Select t he Dir ec t Selection tool , and select the segment yo u want to delete . 2 Pres s B acks pace (Windo ws) or Delete ( ...

  • Adobe Photoshop CS3 - page 382

    PHOT OSHOP CS3 User Guide 375 Not e: I n Illustr at or and I nDesi g n, yo u can ch ange th e distan ce of a nud ge by cha nging t he Keyb oard I ncr ement pr eference . When you ch ange th e defaul t increm ent, hold ing do w n Sh ift nud ges 10 time s the speci f ied d istan ce. Adjust pa th components Y ou can reposition a path com p onen t (inc ...

  • Adobe Photoshop CS3 - page 383

    PHOT OSHOP CS3 User Guide 376 Reshape a path component 1 Select the pa th na me in the Pa ths palett e, a nd use the Direct Selection tool to sel ect an anc hor poin t in the path. 2 Drag the point o r its handles to a new locatio n. Merge ov erlapping path components 1 Select t he pa th name in the Pa ths palette, and select the Pa th Selec tion t ...

  • Adobe Photoshop CS3 - page 384

    PHOT OSHOP CS3 User Guide 377 Not e: T o align sha pes tha t ar e on separ ate la yers, use the M ove too l. • T o align co mponents, use the P ath Selection tool to select the com ponents you want to align, and select o ne of the alignment o ptions fro m the option s bar . Al ignment o ptions A. To p B. Ve r t i c a l C e n t e r s C. Bottom D. ...

  • Adobe Photoshop CS3 - page 385

    PHOT OSHOP CS3 User Guide 378 Disable or temporarily o verride automatic P en tool switching Y ou can override automa t ic switching o f the Pen tool to the Add Ancho r Po int tool or the Delete Anchor P oint tool. This is useful when you want t o start a ne w pa t h o n top of an existin g path. • In Pho toshop , deselect Au to Add/Delete in the ...

  • Adobe Photoshop CS3 - page 386

    PHOT OSHOP CS3 User Guide 379 Con ver ti ng a smooth po int to a c orner poin t See also “P ath segments, co mponen ts, and points ” on page 371 C on ver ting betw een paths and selection borders Con vert paths to selection borders Pa ths pro vide smooth outlines that y ou can con vert into p recise s election bor ders. Y ou also can con vert s ...

  • Adobe Photoshop CS3 - page 387

    PHOT OSHOP CS3 User Guide 380 4 Select an Op era tion optio n: N ew Selection S elects only the a rea defined by the path. Add T o S election Adds the a rea defined by the path to the original selec tion. Subtract From Selection Remov es the area defined by the path from the curren t selec tion. Intersect With Selection Selects the area common t o ...

  • Adobe Photoshop CS3 - page 388

    PHOT OSHOP CS3 User Guide 381 Fill a pa th using the current Fill P ath settings 1 Select t he pa th in the Pa t hs palet te. 2 Click the Fill Pa th but ton at the botto m of the P aths palette. Fill a pa th and specify options 1 Select t he pa th in the Pa t hs palet te. 2 Fill the path: • Alt-clic k (Windo ws) or Optio n-click (Mac OS) the Fill ...

  • Adobe Photoshop CS3 - page 389

    PHOT OSHOP CS3 User Guide 382 Strok e a path using the current Strok e Path settings 1 Select t he pa th in the Pa t hs palet te. 2 C l i c kt h eS t r o k eP a t hb u t t o n a tt h eb o t t o mo ft h eP a t h sp a l e t t e .E a c hc l i c ko ft h eS t r o k eP a t hb u t t o nb u i l d su p the opacity of the s troke and , in s o me cases, makes ...

  • Adobe Photoshop CS3 - page 390

    383 C ha pt er 13: Filt ers Y ou can use filter s to a pply s p ecial effects to images o r to perform co mmon image editing tasks, such as sharpening phot os. This s ection pr ovides an ov er view of Adobe Pho toshop CS3 filters and ho w to ap ply them to images. Complet e informa tion o n using some filters is ava ilable in other sections. Search ...

  • Adobe Photoshop CS3 - page 391

    PHOT OSHOP CS3 User Guide 384 See also “ Abou t plug-in modules ” on page 50 Apply a filter fr om the Filter menu Y ou can ap ply a filter to the active la yer , or to a Sma r t Ob je ct. Filter s applied to a S mart Object are no ndestr uctive and can be r eadjusted a t any time. 1 Do one of the f ollowing: • T o app ly a filter to an en tir ...

  • Adobe Photoshop CS3 - page 392

    PHOT OSHOP CS3 User Guide 385 Fil ter Gallery dialog bo x A. Preview B. Filt er ca tegory C. Thumbnai l of s electe d fi lter D. Show/Hide filter th umbnails E. F ilters pop- up menu F. Options for s elected fil ter G. List of filter e ffects to apply or ar range H. Filter effect s elected but not applied I. Filter effects appl ied cumulat ively bu ...

  • Adobe Photoshop CS3 - page 393

    PHOT OSHOP CS3 User Guide 386 • T o app ly a filter to an a rea of a lay er , select that ar ea. • T o a ppl y a filt er no ndestru ctivel y , so yo u can c hang e yo ur filt er setti ngs la ter , select the Sma rt Object that conta ins the image con tent tha t you wan t to filter . 2 Choose Filter > Filter Gallery . 3 Click a filter name to ...

  • Adobe Photoshop CS3 - page 394

    PHOT OSHOP CS3 User Guide 387 T ips for creating special eff ec ts Creating edge eff ec ts Y o uc a nu s ev a r i o u st e c h n i q u e st ot r e a tt h ee d g e so fa ne f f e c ta p p l i e dt oo n l yp a r to fa ni m a g e . T o leav e a d istinct edg e, sim ply a ppl y the filte r . Fo r a soft edge , f eath er the edge, a nd then a ppl y th e ...

  • Adobe Photoshop CS3 - page 395

    PHOT OSHOP CS3 User Guide 388 F ilter effects ref erence Artistic filters Filters from the Artistic submen u help you achieve pain terly and artistic effects f or a fine arts or commer cial pr ojec t. Fo r example , use t he C utou t f ilter f or collages or typogra phy . Thes e filters r eplicate na tural or tradi tional media effects. All the Art ...

  • Adobe Photoshop CS3 - page 396

    PHOT OSHOP CS3 User Guide 389 Befor e (left) and after (righ t) usin g the Lens Blu r filter; the backgr ound is bl urred bu t fore groun d stays s harp Not e: T o apply a B lur filt er to the ed ges of a lay er , dese lect the Lock T rans paren t Pixel op tion in t he Layers pa lette. A verage F i n d st h ea v e r a g ec o l o ro fa ni m a g eo r ...

  • Adobe Photoshop CS3 - page 397

    PHOT OSHOP CS3 User Guide 390 con trols ho w m uch the tonal values of neighboring pixels m ust diverg e from the center pixel value before being part of the bl ur . Pixels wi th tonal value differen ces less than the Threshold value a re excluded fr om the blur . Brush Strok e filters Like the Artistic filters, the B rush Str oke filters give a pa ...

  • Adobe Photoshop CS3 - page 398

    PHOT OSHOP CS3 User Guide 391 Ripple Creates a n undulating pat tern on a selection, like ripples o n the surface of a pond. Fo r greater co ntro l, use the W ave filter . Options inc lude the number and size o f ripples. Shear Distorts an ima ge along a curve. Specify the c urve by dragging the line in the bo x. Y ou can ad just an y point along t ...

  • Adobe Photoshop CS3 - page 399

    PHOT OSHOP CS3 User Guide 392 Pix elate filters The filters in the Pix elate sub menu sharply define a selection b y clump ing pixels o f similar color values in cells. Color Halftone Sim ulates the effect of using an enlar ged halftone screen on each cha nnel of the image. F or each channel, the filter divides t he image int o rectangles and repla ...

  • Adobe Photoshop CS3 - page 400

    PHOT OSHOP CS3 User Guide 393 Sharpen filters The Sharpen filters focus blurr ed images by increasin g the contrast of ad jacent pixe ls. Sharpen and Sharpen More Focus a selection and im pro ve its clarity . The Sharpen Mor e fi l ter applies a s tronger sharpening effect t han does the Sharpen filter . Sharpen Edges and Unsharp Mask Find the area ...

  • Adobe Photoshop CS3 - page 401

    PHOT OSHOP CS3 User Guide 394 Plaster M o l d sa ni m a g ef r o m3 Dp l a s t e r ,a n dt h e nc o l o r i z e st h er e s u l tu s i n gt h ef o r e g r o u n da n db a c k g r o u n dc o l o r . Dark ar eas are raised, an d lig h t areas ar e recessed. Reticulation Sim ulates the con trolled shrinking a nd distortion of film em ulsion to crea te ...

  • Adobe Photoshop CS3 - page 402

    PHOT OSHOP CS3 User Guide 395 T exture filters U se the T exture filters to sim ulate the a ppearance of dep t h o r substance, or to add a n organic look. Craquelure Pain ts an image on to a high-relief plaster surface, p roducing a fine networ k of cracks that fo llow the con tours of the image. U s e this filter to create a n embossin g effect w ...

  • Adobe Photoshop CS3 - page 403

    PHOT OSHOP CS3 User Guide 396 Offset Mo ves a selection a specified ho rizontal or vertical amo unt, leaving an emp ty space at the selection ’ s original location. Y ou can fill the empty ar e a with the curren t background color , with ano ther part o f the image, or with your choice o f fill if t he selection is near the edge o f an image. Dig ...

  • Adobe Photoshop CS3 - page 404

    PHOT OSHOP CS3 User Guide 397 Defining undistorted areas T h eD i s p l a c e ,S h e a r ,a n dW a v ef i l t e r si nt h eD i s t o r ts u b m e n ua n dt h eO f f s e tf i l t e ri nt h eO t h e rs u b m e n ul e ty o ut r e a t areas undefined (or un pro tected) by the filter in the follo wing ways: Wr ap Around Fills the undefined space with co ...

  • Adobe Photoshop CS3 - page 405

    PHOT OSHOP CS3 User Guide 398 Apply the C olor Half tone filt er 1 Choose Filter > Pixela te > Color H alftone. 2 Ente r a value in pixels fo r the maximum radius o f a half to ne dot, from 4 to 127. 3 Ente r a s cr een-angle value (the angle of the do t from the true horizon t al) fo r one or mo re channe ls: • Fo r Grayscale images, use o ...

  • Adobe Photoshop CS3 - page 406

    PHOT OSHOP CS3 User Guide 399 2 Select t he cen ter text box, which r epresen ts t he p ixel being evalua ted. Enter the val ue by which yo u want to mul tiply that p ixel’ s brightness value, fro m –999 to +999. 3 Se lect a text box represe nting an adjac ent pixel. Enter the value by which you want the pixel in this pos ition multi- plied. Fo ...

  • Adobe Photoshop CS3 - page 407

    PHOT OSHOP CS3 User Guide 400 Lighting Eff ec ts types Y ou can choose fro m s everal ligh ting types: Omni Shines light in all dir ections fro m directly above the imag e—like a light bulb o ver a piece of pa per . Directional Shines light from fa r away so tha t the light angle doesn ’ t change—lik e the sun. Spotlight Casts an ellip tical ...

  • Adobe Photoshop CS3 - page 408

    PHOT OSHOP CS3 User Guide 401 Lighting Eff ec ts styles U se the Style men u in the Lig h ting Effects dialog b o x to choose from 17 light styles. Y ou can also cr eate your o wn lighting style by adding lights t o the Default setting. The L igh ting Effects filter requires at least one light s o urce. Only one ligh t can be edited at a time, b ut ...

  • Adobe Photoshop CS3 - page 409

    PHOT OSHOP CS3 User Guide 402 Use the T exture Channel in the Lighting Effects The T exture Channel in the Lighting Ef fects dialog box lets you contr ol ligh ting effects using grayscale imag es (called bump maps )t h a ty o ua d dt oy o u ri m a g ea sa l p h ac h a n n e l s .Y o uc a na d da n yg r a y s c a l ei m a g et oy o u ri m a g ea sa ...

  • Adobe Photoshop CS3 - page 410

    403 C ha pt er 14: T yp e Ty p e in Ado b e Photosho p CS3 co nsists o f vector -bas ed type outlines—ma thematically defined sha pes that describ e the letters, n umbers, and sym b ols o f a typeface . M any typefaces ar e availab le in more than o ne forma t, the most commo n forma ts being T yp e 1 (also called P ostScript fon ts), T r ueT yp ...

  • Adobe Photoshop CS3 - page 411

    PHOT OSHOP CS3 User Guide 404 Entering type There ar e three ways to cr eate type: at a poin t, inside a paragrap h, and along a pa th. • Point t yp e is a horizontal or v er tical line of text tha t begi ns wher e you click in the imag e. Entering text a t a point is a useful way to add a few wor ds to your imag e. • Parag raph ty pe uses boun ...

  • Adobe Photoshop CS3 - page 412

    PHOT OSHOP CS3 User Guide 405 Not e: Y o uc a na l s ot r a n s f o r mp o i n tt y p ew h i l ei ne d i tm o d e .H o l dd o w nt h eC t r l( W i n d o w s )o rC o m m a n d( M a c O S )k e y . A bou ndin g box ap pears a rou nd the type. Y ou ca n grab a ha ndle to sc ale or sk ew the type. Y ou ca n also rot ate t he bounding box. 5 When y ou fi ...

  • Adobe Photoshop CS3 - page 413

    PHOT OSHOP CS3 User Guide 406 Not e: Y o u can transfor m point ty pe while in edit mode . Hold down the Ctr l (W in dows ) or Command (Mac O S) key, and a boun ding bo x appea rs aro und the type. • T o resize the bounding bo x, p osi tion the pointer o ver a handle—the poin ter turns int o a double arro w —and drag. Shift-drag to ma intain ...

  • Adobe Photoshop CS3 - page 414

    PHOT OSHOP CS3 User Guide 407 • Select one or mor e characters y ou want t o edit. 4 Ente r text as desired. 5 Commit the cha nges to the type la yer . See also “F ormatting c haracters ” on page 411 “F ormattin g paragraph s” o n page 422 “Line an d character spacing” o n page 419 “ S caling a nd rota ting type ” on page 421 “F ...

  • Adobe Photoshop CS3 - page 415

    PHOT OSHOP CS3 User Guide 408 Not e: When you use a nti-a liasi ng, type may b e render ed inco nsisten tly a t sma ll sizes an d low re solut ions (suc h as the re solut ion used fo r web gra phics). T o re duce th is inco nsistency , desele ct the Fr actio nal W idt h optio n in the Ch aract er palette m enu. 1 Select t he type la yer in the Laye ...

  • Adobe Photoshop CS3 - page 416

    PHOT OSHOP CS3 User Guide 409 Find and r eplace te x t 1 Do one of the f ollowing: • S e l e c tt h el a y e rc o n t a i n i n gt h et e x ty o uw a n tt of i n da n dr e p l a c e .P l a c et h ei n s e r t i o np o i n ta tt h eb e g i n n i n go ft h e text yo u want to sear ch. • Select a nontype layer if y ou have mo re than one t ext lay ...

  • Adobe Photoshop CS3 - page 417

    PHOT OSHOP CS3 User Guide 410 Examples o f hyphenat ion for diff erent la nguages A. “Cact ophi les ” in En glish USA B. “Cacto phile s ” in Engl ish UK C. “Cactop hiles ” in F rench 1 Do one of the f ollowing: • T o en ter text using a specific languag e dictionary , choose the dictionar y from the pop-up menu in the bot tom left cor ...

  • Adobe Photoshop CS3 - page 418

    PHOT OSHOP CS3 User Guide 411 F ormatting char ac ters About character forma tting Y ou can set type attribu tes befor e yo u en ter character s or reset them to chan ge the appearance of selected cha racters in a type layer . Before yo u can forma t individual character s, you mus t s elect them. Y ou can select one cha racter , a rang e of charac ...

  • Adobe Photoshop CS3 - page 419

    PHOT OSHOP CS3 User Guide 412 Char acter palett e A. Fon t Fam il y B. Fon t S iz e C. Ve r t i c a l S c a l e D. Set T sume op tion E. Tr a c k i n g F. Baselin e Shi ft G. Langu age H. Fo nt S ty l e I. Lead ing J. Hori zontal scal e K. Ke rn ing Not e: Y ou must se lect Show A sian T ext O pt ions in th e T y pe pr eferen ces for t he Set T sum ...

  • Adobe Photoshop CS3 - page 420

    PHOT OSHOP CS3 User Guide 413 The defaul t uni t of measuremen t for typ e is points . One PostScript p oin t is equal to 1/72 o f an inch in a 72-ppi image; howeve r , you can swi tch between using the P ostScript and tradi tional def ini tions of poin t size. Y ou can chan ge the defaul t unit of measuremen t for type in the U nits & R ulers ...

  • Adobe Photoshop CS3 - page 421

    PHOT OSHOP CS3 User Guide 414 5 In the A dobe Color Pick er , locate the colo r range yo u want usin g t he trian gle sliders on the color spectrum bar , a n dt h e nc l i c kt h ed e s i r e dc o l o ri nt h ec o l o rf i e l d .T h ec o l o ry o us e l e c ta p p e a r si nt h et o ph a l fo ft h ec o l o rs w a t c hi n the Ado be C olor P icker ...

  • Adobe Photoshop CS3 - page 422

    PHOT OSHOP CS3 User Guide 415 Specify superscript or subscript characters Superscript and su bscript text (also called super ior and infe rior text) is reduced-size text tha t is raised or lower ed in rela tion to a font ’ s baseline. I f the fon t does not include superscript or subscript cha racters, Photosho p generates faux superscript o r su ...

  • Adobe Photoshop CS3 - page 423

    PHOT OSHOP CS3 User Guide 416 • Ty p e 1 • Tr u e Ty p e • Mu lt i pl e Ma s te r Y ou can turn off the pr evie w fea ture or c hange the poin t size of the fon t names in T ype prefer ences. Choose a font family and style 1 Choose a fon t family from the F ont F amily men u in the Character palette or o ptions ba r . If mo re than on e copy ...

  • Adobe Photoshop CS3 - page 424

    PHOT OSHOP CS3 User Guide 417 Glyph pr otection pr otects against inco rrect, unreadable character s t ha t appear if yo u enter no n-roman text (f or exam ple, Ja panese or Cyrillic) after selecting a ro man fon t. By defaul t, Photoshop p rovides glyph p rotection b y au toma tical ly selecting a n app ropria te fon t. T o dis ab le glyph pro tec ...

  • Adobe Photoshop CS3 - page 425

    PHOT OSHOP CS3 User Guide 418 T y pe wit h the Sta ndar d Liga ture s and Discre tiona r y L igatu res op tions unse lected a nd select ed Cont extual Alternates Are alt ernative cha rac ter s included in some script typefaces to pr ovide better joining behavior . F or exam ple, when using Caflisch Script Pro with con textual alternativ es ena bled ...

  • Adobe Photoshop CS3 - page 426

    PHOT OSHOP CS3 User Guide 419 Line and character spacing Set leading The vertical space between lines of type is called leadin g (rhymes with sledding ). For Roma n type, leading is measured fro m the baseline o f one line of text to the baseline o f the line above it. The baseline is the in visible line o n which most letters si t. Y ou can a pply ...

  • Adobe Photoshop CS3 - page 427

    PHOT OSHOP CS3 User Guide 420 Kern ing an d track ing op tions A. Origina l text B. T ext w it h optica l kernin g C. T ext with man ual kernin g between W and a D. T ext with tr acki ng E. Cumu lative ke rning and tra cking Y ou can also use manual ker ning , which is ideal for adj usting the space between two letters. T racking and ma nual kernin ...

  • Adobe Photoshop CS3 - page 428

    PHOT OSHOP CS3 User Guide 421 Shift the baseline U se Baseline Shift to move selected ch aracters up or do wn rela tive to the baseline of the surro unding text. Shifting the baseline is especially usef ul when yo u’ re hand-setting fractions or ad justing the position o f a picture fo nt. 1 Select t he ch aracters or type objects you wa nt to ch ...

  • Adobe Photoshop CS3 - page 429

    PHOT OSHOP CS3 User Guide 422 Rotate type ❖ D o the fo llowing: • T or o t a t et y p e ,s e l e c tt h et y p el a y e ra n du s ea n yr o t a t ec o m m a n do rt h eF r e eT r a n s f o r mc o m m a n d .F o rp a r a g r a p h type, you ca n also s elect the bounding bo x and use a handle to ro tate the type manually . • T o rota te multip ...

  • Adobe Photoshop CS3 - page 430

    PHOT OSHOP CS3 User Guide 423 • T o app ly forma tting to all pa ragraphs in the la yer , select the type layer in the Laye rs palette. See also “F ormatting c haracters ” on page 411 “Line an d character spacing” o n page 419 “ S caling a nd rota ting type ” on page 421 “Editin g text” o n page 406 Par agraph palette ov erview Y ...

  • Adobe Photoshop CS3 - page 431

    PHOT OSHOP CS3 User Guide 424 The optio ns for v ert ical type are: T op Align T ext Aligns type to the top , leaving the bott om edge of the paragra ph ragged. Cent er T ext Aligns type to the cent er , leaving both the to p and botto m edges of the paragra ph ragged. Bottom Align T ext Aligns type to the botto m, leaving the to p edge of the para ...

  • Adobe Photoshop CS3 - page 432

    PHOT OSHOP CS3 User Guide 425 3 Ente r values for W or d Spacing, Letter Spacing, an d Glyph S pacing. The Minimum an d Maxim um val ues define a rang e of acceptable spacing f or justified paragrap hs only . The Desired value defines the desired spacin g for both justified and un justified paragra phs: W ord Spacing The space between wor ds that r ...

  • Adobe Photoshop CS3 - page 433

    PHOT OSHOP CS3 User Guide 426 Specify hanging punctuation for Roman fon ts Hanging punc tuation contr ols the alignment of p unctuation marks f or a specific paragra ph. Wh en Roman Han ging Punctuatio n is turned on, the follo wing characters a ppear outside the margins: sin gle quotes, doub le quotes, apostr ophes, commas, periods, hyp hens, em d ...

  • Adobe Photoshop CS3 - page 434

    PHOT OSHOP CS3 User Guide 427 2 T o specif y op tions, choose H yphenatio n from the P aragraph pa nel menu, a nd specif y the fo llowing op tions: W ords Longer Than _ L etters Specif ies the minim um number of cha racters for h yphenated w ords. After First _ L etters And Before Last _ Letters Spe cifies the minimum n umber of characters a t the ...

  • Adobe Photoshop CS3 - page 435

    PHOT OSHOP CS3 User Guide 428 Single -line C omposer The Sin g le-line composer offer s a traditional app roach to composing type one lin e at a time. This o ption is useful if you want manual co ntrol over ho w lines br eak. The Single-line C om poser uses the follo wing princi ples when con sid- ering a br ea kpo int: • Longer lines a re favo r ...

  • Adobe Photoshop CS3 - page 436

    PHOT OSHOP CS3 User Guide 429 H orizonta l and vertical type on a clo sed path cr eated b y a shape to ol See also “Dra wing sha pes and paths ” on page 358 “ Shift t he baseline ” on page 421 Enter type along a path 1 Do one of the f ollowing: • Select t he H orizon tal T yp e tool or the V ertical T ype tool . • Select t he H orizon t ...

  • Adobe Photoshop CS3 - page 437

    PHOT OSHOP CS3 User Guide 430 U sing t he Direct Se lection to ol or Pa th Select ion tool to m ove or f l ip type on a path T o move type across a path without changing the dir ec tion of the ty pe, use the Baseline Shift option in the Character palette. F or exam ple, if you cr eated type tha t runs fro m left to r igh t acr oss the to p o f a ci ...

  • Adobe Photoshop CS3 - page 438

    PHOT OSHOP CS3 User Guide 431 2 Do one of the f ollowing: • Select a typ e tool, a nd click the W arp but ton in the option s bar . • Choose L a yer > T ype > W arp T ext. Not e: Y ou can use t he W ar p co mman d to warp text in a type layer . Choose Edit > T rans form > W arp. 3 Choose a warp style f ro m the Style pop-up men u. 4 ...

  • Adobe Photoshop CS3 - page 439

    PHOT OSHOP CS3 User Guide 432 Creat e a type selec tion border When yo u use the Horizon tal T yp e M ask tool or V ertica l T yp e M ask tool, you cr eate a selection in the sha p e o f the type. T ype selec tion s appear o n the ac tiv e layer , and can be mo ved, copied , f illed, or s troked jus t like an y other selecti on. 1 Select t he la ye ...

  • Adobe Photoshop CS3 - page 440

    PHOT OSHOP CS3 User Guide 433 7 (Optional) If the image lay er is the background la yer , double-c lick the image la yer in the Layers palette to con vert it fro m a backgro und layer in to a regula r layer . Not e: Backgro und la yers are l ocked a nd preven t you fro m moving t hem in the La yers palett e. It ’ s necessa r y to c onvert backgro ...

  • Adobe Photoshop CS3 - page 441

    PHOT OSHOP CS3 User Guide 434 Reduce spacing around Asian type char acters Ts u m e reduces the space ar ound a character b y a specif ied percen tage value. A s a result, the cha racter itself is not s t r e t c h e do rs q u e e z e d .I n s t e a d ,t h es p a c eb e t w e e nt h ec h a r a c t e r ’ sb o u n d i n gb o xa n dt h ee mb o xi sc ...

  • Adobe Photoshop CS3 - page 442

    PHOT OSHOP CS3 User Guide 435 Align Asian characters Moj is o ro e is the alignment of characters in A sian type. W hen a line of text co ntains different sizes o f characters, you can specify how to align text to the la rgest cha racters in the line: to the top , cent er , or bott om of the embox (righ t, cent er , and left for v ert ical frames), ...

  • Adobe Photoshop CS3 - page 443

    PHOT OSHOP CS3 User Guide 436 • (Mac OS) F rom the In put pop-u p menu at the right side o f the menu bar , choose Show Character P alette. Not e: (Ma c OS) If the I np ut menu doe s not disp lay in th e menu bar , choose A pple men u > Syst em Prefer ences > I nt er na tion al > I npu t Men u and se lect Char acter P alette a nd Sho w i ...

  • Adobe Photoshop CS3 - page 444

    PHOT OSHOP CS3 User Guide 437 Asian Open T ype options A dditional Open T yp e o ptions ar e availab le, depending on the fo nt. J apanese 78 Substi tutes the s tandard glyph wi th the jp78-varian t g lyp h. J apanese Expert Substit utes the stan dard glyph wi th the exper t-varian t glyphs. J apanese T raditional S ubstitu tes the standar d glyph ...

  • Adobe Photoshop CS3 - page 445

    PHOT OSHOP CS3 User Guide 438 Mo jiku mi Set 3, and M oj ikumi Se t 4 Choose kinsoku shori settings for a paragr aph K insok u shori specifies line breaks for J apanese text. Cha racters that canno t b egin a line or end a lin e are known as kins oku cha racters. P hotoshop incl udes w eak an d maxim um kinsoku sets based o n the J apanese I ndustr ...

  • Adobe Photoshop CS3 - page 446

    PHOT OSHOP CS3 User Guide 439 Specify a kinsoku line -breaking option ❖ From the P aragrap h panel menu, c hoos e Kin s ok u Shori T y pe and then c hoos e on e of the followin g methods: Push In F irst Mo ves characters up to the pr e vious line to pr event pro hibited characters fro m ending o r beginning a line. Push Out F irst M oves cha ract ...

  • Adobe Photoshop CS3 - page 447

    440 C ha pt er 15: Sa v ing a n d exporting images Ad obe Photosh op CS3 suppo r ts a va r iety of file forma ts to suit a wide rang e of ou tput needs. Y ou can sa ve o r export your imag e to any o f these formats. Y ou can also use special Photoshop f eatures t o add informatio n to fi les, set up mul tiple page lay outs, and p lace images in ot ...

  • Adobe Photoshop CS3 - page 448

    PHOT OSHOP CS3 User Guide 441 See also “Dup licate an ima ge ” on page 41 “ Save a camera ra w image in ano ther format ” on page 92 “M ake a snapsh ot of an imag e ” on page 55 Save changes to the curr ent file ❖ Cho ose File > Sa ve. Save a file with a diff erent name, location, or f ormat 1 Choose File > Save A s. Not e: The ...

  • Adobe Photoshop CS3 - page 449

    PHOT OSHOP CS3 User Guide 442 Use Lo wer Case Extension Makes the file extension lo wercase. File Extension options (Mac OS) Specifies the forma t f or file ext ensions. Select A ppend to add the forma t’ s extension to a filename and U se L ow er Cas e to make the ext ension low ercase. Set file saving pref erences 1 Do one of the f ollowing: ? ...

  • Adobe Photoshop CS3 - page 450

    PHOT OSHOP CS3 User Guide 443 See also “Larg e Do cumen t Forma t” o n page 463 “Pho toshop Raw forma t” on pag e 461 “TIFF ” on pag e 466 T esting Photoshop images for mobile devic es with Adobe Devic e Centr al Device C en tral enables Photos hop users to preview how Ph otoshop files will look on a variety of mob ile devices. Crea t i ...

  • Adobe Photoshop CS3 - page 451

    PHOT OSHOP CS3 User Guide 444 12 In the Phot oshop Sa ve Fo r W eb & Dev ices dialog box, make adj ustments, s uch as selecting a differen t forma t or quality fo r export. 13 T o test the file again with the new export settings, click the Device Central bu tton. 14 When yo u are sa tisf ied with the re sults, click Sav e in the Photosho p Save ...

  • Adobe Photoshop CS3 - page 452

    PHOT OSHOP CS3 User Guide 445 2 In the Save Adobe PDF dialog box, choose an Adobe PDF preset specif ying whet her the Photoshop PDF file wi ll b ep r i n t e do nad e s k t o pp r i n t e ro rp r o o f e r ,s e n tt oac o m m e r c i a lp r i n t e r ,d i s t r i b u t e db ye - m a i l ,d i s p l a y e do nt h ew e b , and so on. F or details, see ...

  • Adobe Photoshop CS3 - page 453

    PHOT OSHOP CS3 User Guide 446 A few of the p resets listed below a re not a vailable until yo u move them—as n eeded—f ro m the Extras folder (where they are installed by defaul t) to the Settings folder . T ypically , the Extras and Settings folder s are found in (W indows V ista) Pr ogramDataAdo beAdobePDF , (Windo ws XP) Doc umen ts and Se ...

  • Adobe Photoshop CS3 - page 454

    PHOT OSHOP CS3 User Guide 447 Rich Conten t PDF Creates accessible PD F fi les tha t include tags, hyperlinks, bookmarks, inte rac tive elem ents, and lay ers. This set o f o ptions uses PDF 1.5 a nd em b eds subsets of all fo nts. I t also optimizes files for byte serving. These PDF files can be opened in Acr obat 6.0 and A dobe Reader 6.0 and la ...

  • Adobe Photoshop CS3 - page 455

    PHOT OSHOP CS3 User Guide 448 General options for A dobe PDF Y ou can set the follo wing optio ns in the General se ction o f the Adobe PDF Op tions dialog box: Description Displays the descrip tion from the selected preset, a nd pro vides a place for you t o edit the descr ip tion. Y ou can past e a description f ro m the cli pb oar d. If you edit ...

  • Adobe Photoshop CS3 - page 456

    PHOT OSHOP CS3 User Guide 449 The Comp ression a rea of the Ad obe PDF Options dialog bo x is divided into three sections. Each section pro vides the follo wing optio ns for co mpr essing and r esamplin g images in your a rtwork. Downsampling If you plan to us e the PDF fi le on t he web, u se downs ampling to allow for hig her compressi on. If you ...

  • Adobe Photoshop CS3 - page 457

    PHOT OSHOP CS3 User Guide 450 Color managemen t and PDF/X options for Adobe PDF Y ou ca n set the f ollowing op tions in the Out put section of the A dobe PDF Options dialog box. In teractions between O u t p u to p t i o n sc h a n g ed e p e n d i n go nw h e t h e rC o l o rM a n a g e m e n ti so no ro f fa n dw h i c hP D Fs t a n d a r di ss ...

  • Adobe Photoshop CS3 - page 458

    PHOT OSHOP CS3 User Guide 451 In Ph otoshop , you can sa ve the preset using the A dobe PDF Pr esets command or c licking the Save P reset butt on in t h eS a v eA d o b eP D Fd i a l o gb o x .A d o b eP D Fp r e s e t sa r es a v e da sf i l e sw i t ha. j o b o p t i o n se x t e n s i o n .T h i si su s e f u l ,f o r e x a m p l e ,i fy o uw a ...

  • Adobe Photoshop CS3 - page 459

    PHOT OSHOP CS3 User Guide 452 • T o load an Adobe PDF preset, click the Load but ton, selec t the p reset file, and click the Load butt on. The pr eset is added to the Presets windo w . W h e ny o ub r o w s ef o ra nA d o b eP D Fp r e s e tt ol o a d ,o n l yf i l e sw i t ht h e. j o b o p t i o n se x t e n s i o na r ev i s i b l ei nt h eL ...

  • Adobe Photoshop CS3 - page 460

    PHOT OSHOP CS3 User Guide 453 Not e: T o ha ve Pho toshop pro mpt you befo re sa ving an im age with mul tiple layers, select A sk Befo re Sa v i ng La yered TIFF Files i n the Fil e Han dlin g area o f the Prefer ences d ialog box. See also “TIFF ” on pag e 466 “ Abou t f ile fo rmats and co mpr ession ” on page 459 Save a file in J PEG f ...

  • Adobe Photoshop CS3 - page 461

    PHOT OSHOP CS3 User Guide 454 3 Click OK. See also “PN G format ” on pag e 465 Save a file in GIF f ormat Y ou can use the Save A s command to sa ve RGB, I ndexed Color , Grayscale, or Bi tmap mode images dir ec tly in Comp uS erve GIF (known as GIF) forma t. The image is a utoma tically con verted to Indexed Color mode. 1 Choose File > Save ...

  • Adobe Photoshop CS3 - page 462

    PHOT OSHOP CS3 User Guide 455 Include V ector Data P r e s e r v e sa n yv e c t o rg r a p h i c s( s u c ha ss h a p e sa n dt y p e )i nt h ef i l e .H o w e v e r ,v e c t o rd a t ai nE P S and D CS files is a vailable o nly to other applica tions; vecto r data is rasterized if you r eopen the file in Phot oshop . This optio n is only a vailab ...

  • Adobe Photoshop CS3 - page 463

    PHOT OSHOP CS3 User Guide 456 See also “Pho toshop Raw forma t” on pag e 461 Save a file in BMP f ormat The BMP fo rmat is a n ima ge format for the W indows operating system. The imag es can rang e from black-and-whi te (1 byte per p ixel) up to 24-b it color (16.7 millio n colors). 1 Choose File > Save A s, and choose BMP from the F ormat ...

  • Adobe Photoshop CS3 - page 464

    PHOT OSHOP CS3 User Guide 457 Not e: Y ou ca n ’t sa ve Duoto ne, M ultic hann el, or B itma p mode ima ges in JPEG 2000 fo rmat. T o sa ve these file s in JPEG 2000 forma t, first co nvert them to R GB Color mod e. 1 Choose File > Save A s, and choose JPEG 2000 from the F ormat men u. 2 Specify a fi lena me and location, select sa ving option ...

  • Adobe Photoshop CS3 - page 465

    PHOT OSHOP CS3 User Guide 458 Metadata F ormat Specifies the metadata fo rmats to include in the image file. JPEG2000 XML is JPEG 2000-specific XML data; this op tion is ava i lab le only if the image file con tains this data. XMP is File Inf o data and EXIF is digi tal camera da ta. Color Settings F ormat Specifies the C olo r S et tings Forma t t ...

  • Adobe Photoshop CS3 - page 466

    PHOT OSHOP CS3 User Guide 459 4 Select t he V isible Layers Only o ption if yo u want to export only those la yers that ha ve visibility ena bled in the Layers palet te. U se this option if y ou don ’t wa nt all the layer s exported. T urn off visibility for la yers tha t you don ’ t wan t exp o r ted. 5 Choose a f ile fo rmat from the File T y ...

  • Adobe Photoshop CS3 - page 467

    PHOT OSHOP CS3 User Guide 460 Maximize compa tibility when saving files 1 Choose E di t > Preferences > File H andling (W indows) o r Photosho p > Preferences > File H andling (Mac OS). 2 Choose Alwa ys fr om the M aximize PS D File Com p a tibility menu. This sav es a co mposite (flattened) imag e alon g with the la yers of y our docum ...

  • Adobe Photoshop CS3 - page 468

    PHOT OSHOP CS3 User Guide 461 Not e: EPS TIFF format a nd EPS PICT forma t a re mor e re levan t to ea rlier versions of Phot oshop . The cu rrent version of Phot oshop i nclude s rasteriza tion fea tur es for op ening files t hat i nclude vect or dat a. Photoshop Raw forma t The Phot oshop Raw forma t is a f lexible file forma t for tran sferring ...

  • Adobe Photoshop CS3 - page 469

    PHOT OSHOP CS3 User Guide 462 BMP format BMP is a standar d W indows image f ormat on DOS and W indows-com patible com put ers. BMP forma t supports RGB, I ndexed Colo r , Grayscale, and Bitma p color modes. Y ou ca n specify ei t her W indows or OS/2® fo rmat and a bit depth up to 32 bi ts per ch annel for the image . F or 4-bit and 8-bit image s ...

  • Adobe Photoshop CS3 - page 470

    PHOT OSHOP CS3 User Guide 463 J PEG format Jo int Pho tographic Experts Gro up (JPEG) format is co mmonly used to displa y photogra phs and o ther continuo us- tone images in hypertext mark up languag e (HTML) do cuments over t he W orld W ide W eb and other online s ervices. JPEG fo rmat suppo r ts CMYK, RGB , and Gra ysca le colo r modes, and doe ...

  • Adobe Photoshop CS3 - page 471

    PHOT OSHOP CS3 User Guide 464 PCX PCX forma t is commonly used b y IBM PC- com patible com put ers. Most PC softwa re supports ver sion 5 of PCX forma t. A standar d VGA co lor palette is used with version 3 files, which do not s upport custom colo r palettes. PCX forma t suppo r ts Bi tmap , Grayscale, I ndexed C olo r , and R GB color modes, and ...

  • Adobe Photoshop CS3 - page 472

    PHOT OSHOP CS3 User Guide 465 Y ou can use the Im port command or the Open command t o open a PICT resour ce. When savin g a fi le as a PI CT resour ce, you can s pecif y the resour ce ID and resour ce name. As wi th other PICT files, you also specify bit depth and co mpr ession op tions. Pixar forma t The Pixa r forma t is designed specifically fo ...

  • Adobe Photoshop CS3 - page 473

    PHOT OSHOP CS3 User Guide 466 Ta r g a T h eT a r g a ®( T G A )f o r m a ti sd e s i g n e df o rs y s t e m su s i n gt h eT r u e v i s i o n ®v i d e ob o a r da n di sc o m m o n l ys u p p o r t e db y MS-DOS color a pplicatio ns. T arga forma t supports 16-bi t RGB images (5 bi ts x 3 color cha nnels, plus on e unused bit), 24-b it RGB ima ...

  • Adobe Photoshop CS3 - page 474

    PHOT OSHOP CS3 User Guide 467 M et ada ta that is sto red in other fo rmats, such as Exif, IPT C (IIM), GPS, and TIFF , is synchro nized and described with XMP so that it ca n be more easily viewed and ma naged. Other applica tions an d features (f or exam ple, Ado be V ersion Cue) a lso use XMP to co mmunicate and s tore info rmation such as ver s ...

  • Adobe Photoshop CS3 - page 475

    PHOT OSHOP CS3 User Guide 468 Create a note When adding a no te to your document, y ou can use the standard edi ting commands fo r your system (U ndo, Cu t, Copy , P aste, and Select All) t o edit the text. (W indows) Righ t-click the text area and choose the commands fro m the con text menu . (M ac OS) Choose the co mman ds f r om the Edit and Sel ...

  • Adobe Photoshop CS3 - page 476

    PHOT OSHOP CS3 User Guide 469 Not e: Resi zing an image does not resize the annota tion icons a nd note windows. The icons a nd note windows keep their loc ations relative to th e image . Cropping an imag e remov es any annotati ons f rom th e cropp ed area ; you can re cover the an nota tions b y undoin g the Cr op com mand. Open a note or play an ...

  • Adobe Photoshop CS3 - page 477

    PHOT OSHOP CS3 User Guide 470 Adding digital c opyright informa tion Y ou can add cop yright info rmation to Pho toshop imag es and notify users tha t an image i s copyrigh t pro tected via a digital watermark t ha t uses Digimar c I mageBridge techno log y . The wa termark—a digital code added as no ise to the image—is virtually im perceptible ...

  • Adobe Photoshop CS3 - page 478

    PHOT OSHOP CS3 User Guide 471 Embed a wat ermark T o embed a digital watermark, y ou must first r egister with Digimarc Corpora tion—which maintain s a database of artists, designers, and p hotograph ers and their con tac t info rmation—to get a uniq ue Digimarc ID . Y ou can then embed the Digimarc ID in yo ur images, along wi th information s ...

  • Adobe Photoshop CS3 - page 479

    PHOT OSHOP CS3 User Guide 472 Check the signal strength meter The signal strength meter hel ps you determine whether a wat er mark is durable eno ugh to sur vive the in tended use of the image . ❖ Cho ose Filt er > Digimarc > Read W aterma rk. The signal strength meter appears at the bot tom of the dialog box. Y ou can also displa y the met ...

  • Adobe Photoshop CS3 - page 480

    PHOT OSHOP CS3 User Guide 473 Not e: If you want a fi le to appear more than once in your PDF pres enta tion , selec t the f ile and click D uplicate. Y ou can then d rag th e dupl icate file to t he desi red loca tion in t he Sourc e Files windo w . Dra g gin g a file to a new posit ion in th e list 3 In the Out put Optio ns area of the P DF Prese ...

  • Adobe Photoshop CS3 - page 481

    PHOT OSHOP CS3 User Guide 474 5 Click Sav e. 6 I nt h eS a v ed i a l o gb o x ,e n t e ran a m ef o rt h eP D Fp r e s e n t a t i o n ,s e l e c tad e s t i n a t i o nf o rt h es a v e df i l e ,a n dt h e nc l i c kS a v e . 7 In the Sa ve Ad obe PDF dialog box, choose an A dobe PDF pr eset or specif y sa ve option s for the PD F do cumen t. No ...

  • Adobe Photoshop CS3 - page 482

    PHOT OSHOP CS3 User Guide 475 Selected Images From Bridge U s es imag es displayed in Bridge . All images in Bridge ar e used unless you select specific images before ch o osing the Con tact Sheet II command. Im ages in subf olders are no t included. 3 In the Document ar ea, s p ecify the dimen sions, resol ution, and colo r mode f or the con tac t ...

  • Adobe Photoshop CS3 - page 483

    PHOT OSHOP CS3 User Guide 476 A pictu re packa ge layou t 1 Do one of the f ollowing: • (Photo shop) Choose File > A utomat e > Picture P ackage. If yo u have mul tiple images open, Pictur e Packa ge uses the fron tmost image. • (Bridge) Choose T o ols > Ph otoshop > Pictur e Package . The Picture P ackage co mmand uses the first im ...

  • Adobe Photoshop CS3 - page 484

    PHOT OSHOP CS3 User Guide 477 Ad d an ima ge to a pictur e packa ge by dra gg in g the ima ge from the de sktop i nto a pla ceholder . Y ou can chan ge an y image in the layo ut by clic king a placeholder and b rowsin g to select an image. 3 In the Document ar ea of the Picture P ackage dialog bo x, s elect page size, la you t, resolutio n, and col ...

  • Adobe Photoshop CS3 - page 485

    PHOT OSHOP CS3 User Guide 478 Dra g gin g a placeh older to a new loca tion in t he Pictur e Packa ge layou t 6 In the Grid area o f the Picture Packa ge Edit Layo ut dialog box, select the Snap T o option t o display a grid to help you position the elements in the custom layou t. Enter a value in the Size text box to chan ge the a ppearance of the ...

  • Adobe Photoshop CS3 - page 486

    PHOT OSHOP CS3 User Guide 479 If the page-la yout p rogram cannot p lace Photoshop PS D f iles, fo llow these steps: 1 If yo ur image con tains a transpa rent backgr ound or ar eas that you wa nt to be trans parent, cr eate a clip ping pa th around th e opaqu e area s of t he im age. Even i f you have del eted th e back ground aroun d the im age, y ...

  • Adobe Photoshop CS3 - page 487

    PHOT OSHOP CS3 User Guide 480 Creat e transparency using image clipping paths Y ou can use image cli pping pa t hs t o def ine tran sparent a reas in images yo u place in page-layo ut ap plication s. In addi tion, Mac OS users can em be d Pho toshop images in man y wor d-processor files. Y ou may wan t to use only part of a Ph otoshop image when p ...

  • Adobe Photoshop CS3 - page 488

    PHOT OSHOP CS3 User Guide 481 Printing image clipping pa ths Sometimes an imagesett er cannot int erpret image cli pping pa ths, or an image c lipping pa th is too complex f or a print er , resul ting in a Limitcheck erro r or a general P ostScript error . S ometimes y ou can prin t a comp lex p a th on a low-r esolution prin ter withou t diff icul ...

  • Adobe Photoshop CS3 - page 489

    PHOT OSHOP CS3 User Guide 482 Link or embed a selection or image in an OLE application ❖ D o o ne of the follo wing: • Copy a selection in Photosh op, and inser t it in your OLE con tainer applica tion using the applica tion ’ s Pas te Special command . Refer to yo ur wo rd-pr o cessin g o r page-la yout applica tion do cumenta tion f or more ...

  • Adobe Photoshop CS3 - page 490

    483 C ha pt er 16: Prin tin g Printin g is the process of sending y our image to an o utpu t device. Y ou can p rint on pa per or fi lm (positiv e or negativ e), to a printin g plate, o r directly to a digital prin ting pres s. B efo re printin g, you can pr evie w yo ur image in full color using colo r managemen t option s f ro m the Print dialog ...

  • Adobe Photoshop CS3 - page 491

    PHOT OSHOP CS3 User Guide 484 Mo nitor s display images usin g light, whereas deskto p printers r eproduce imag es using inks, dyes, or p igments. Fo r this reason, a deskt op printer ca n ’t r eproduce all the colo rs display ed on a monito r . H owever , by incorpora ting certain procedur es (such as a color ma nagement syst em) into yo ur work ...

  • Adobe Photoshop CS3 - page 492

    PHOT OSHOP CS3 User Guide 485 Print d ialog box A. Specif y color management and proofing option s B. S p e c i f yp r e p r e s so u t p u to p t i o n s C. Preview prin t D. S et paper orientatio n E. Set prin te r and p r i nt job op tions F. Po sitio n and sca le image Fo r a video on prin ting photos, see www .adobe.com/g o/vid0015 . 2 Do one ...

  • Adobe Photoshop CS3 - page 493

    PHOT OSHOP CS3 User Guide 486 • T o save the print options without closin g the dialog box, hold down Alt (W indows) or Option (Mac OS), and click Remember . Not e: If you get a war ning that your image is larger than the printable area of the paper , click Cancel , choos e File > Print, a n ds e l e c tt h eS c a l eT oF i tM e d i ab o x .T ...

  • Adobe Photoshop CS3 - page 494

    PHOT OSHOP CS3 User Guide 487 • Deselect C en ter Imag e, and drag the image in the p review area. Scale the print size of an image ❖ Cho ose File > Prin t, and do one o f the following: • T o fit the image within the p rintable ar ea of the selec ted pa per , click Scale T o Fit Media. • T o rescale the image n umerically , deselec t Sc ...

  • Adobe Photoshop CS3 - page 495

    PHOT OSHOP CS3 User Guide 488 Choose Colo r Man agement t o displa y options f or prepr ess an d color ma nagement 3 In the Prin t area, select Do cument. The pr ofile is displayed in pa rentheses on the same lin e. 4 In the Optio ns area, fo r C olo r Handling, c hoos e Prin ter Mana ges Colors. 5 (Optional) Choose a rendering in tent f or con ver ...

  • Adobe Photoshop CS3 - page 496

    PHOT OSHOP CS3 User Guide 489 The mor e accurately the pr ofile describ es the behavio r of the out put device and p rinting conditio ns (such as paper type), the more accura tely the color ma nagement syst em can translat e the numeric values of the actual colo rs in a document. (See “Ob taining custom pr ofiles for desk top print ers ” on pag ...

  • Adobe Photoshop CS3 - page 497

    PHOT OSHOP CS3 User Guide 490 Simulate P aper Color Simula tes what co lors look like on the pa per of the simula ted device. U sing this optio n prod uces the most accurate pr oof, but i t is not ava ilable for all pr ofiles. Simulate Black Ink S i m u l a t e st h eb r i g h t n e s so fd a r kc o l o r sf o rt h es i m u l a t e dd e v i c e .U ...

  • Adobe Photoshop CS3 - page 498

    PHOT OSHOP CS3 User Guide 491 Prin ting images to a commer cial printing press Preparing images f or press Fr om Pho toshop , yo u can p repare image files for offset lithogra phy , digital p r in ting, gravur e, and other commercial prin ting processes. Generally , your wo rkf lo w depends on the capab ilities of the pr epres s facility . B efo re ...

  • Adobe Photoshop CS3 - page 499

    PHOT OSHOP CS3 User Guide 492 Page mar ks A. Grad ient tint bar B. Label C. Registra tion marks D. Progressi ve color ba r E. Corner crop m ark F. Center cro p mark G. Descri ptio n H. Star target 1 Choose File > Print. 2 Choose Output fro m the pop-up men u. 3 Set one or mo re of the f ollowing op tions: Calibra tion Bars Prints an 11-step gra ...

  • Adobe Photoshop CS3 - page 500

    PHOT OSHOP CS3 User Guide 493 If yo u prin t separa tions directly to film, y ou p robab ly wa nt a nega tive, although in man y coun tries film positives ar e commo n. Check wi th your prin t shop to determine which is r equired. T o determine the em ulsion side, examine the film under a bright light a fter it has been developed. The dull side is ...

  • Adobe Photoshop CS3 - page 501

    PHOT OSHOP CS3 User Guide 494 H alftone scr eens with pr ocess ink a t differ ent scr een angles; c orrectly r egister ed dots form ro settes. In traditio nal print pr o d uc tion, a halfto ne is produced b y placing a halftone screen between a piece of film and the image and then exposing the film. In Pho toshop , y ou specif y the halftone screen ...

  • Adobe Photoshop CS3 - page 502

    PHOT OSHOP CS3 User Guide 495 Fo r optimal out put on a P ostScript prin ter , t he imag e resolutio n should be 1.5 to 2 times the half to ne screen frequency . I f the resol ution is more than 2.5 times the screen frequency , a n alert message ap p ears. I f yo u a re printing line art or prin t ing to a no n-Pos tS cript printer , see your print ...

  • Adobe Photoshop CS3 - page 503

    PHOT OSHOP CS3 User Guide 496 Prepar e an image with spot channels for printing from another applica tion 1 If the image is a d uotone , convert it t o Multicha nnel color mode. 2 Sav e t he ima ge in D CS 2.0 fo rmat. 3 In the DCS 2.0 Forma t dialog box, deselect the Include H alftone Screen and the Inc lude T ransfer F unction options . 4 Open or ...

  • Adobe Photoshop CS3 - page 504

    PHOT OSHOP CS3 User Guide 497 T rapping to correct misalignment A. Misregistration with no trap B. Misregistration w ith trap T r a pping is in tended to correct the misalignment of s olid colors. In g eneral, you don ’t need traps for co ntinuou s-tone images suc h as photograp hs. Excessive tra pping ma y produce a n outline effect. These probl ...

  • Adobe Photoshop CS3 - page 505

    PHOT OSHOP CS3 User Guide 498 2 Determine the ratio of the final image dimen sions to the original image dimensio ns. Fo r example, the ra tio of a 6-by-9-inch final image to a 2-b y-3-inch original image is 3:1. 3 M ultiply the r esult of st ep 1 by the resul t of step 2. Fo r example , suppose you ar e printing to a n imagesetter with a screen fr ...

  • Adobe Photoshop CS3 - page 506

    PHOT OSHOP CS3 User Guide 499 Con vert an image to duotone 1 Conv er t the imag e to grayscale by choosing I mage > M ode > Grayscale. Only 8-bi t grayscale images can be con verted to duoto nes. 2 Choose Image > M ode > Duoton e. 3 In the Duot one Option s dialog b o x, selec t Pr evie w to p review t he imag e. 4 Fo r the T ype option ...

  • Adobe Photoshop CS3 - page 507

    PHOT OSHOP CS3 User Guide 500 Y ou can use the Info palett e to display ink per centages when yo u’ re working wi th duoto ne images. Set the readout mode to A ctual C olo r to determine what ink percen tages will be applied when the image is p rinted. These values reflect an y change s you ’ve en tered in the Duo tone Curve dialog box. See als ...

  • Adobe Photoshop CS3 - page 508

    PHOT OSHOP CS3 User Guide 501 2 Select the cha nnel you wan t to examine in the Channels palette. 3 Choose E dit > U ndo Multicha nnel to revert to Duotone mode. Printing duot ones When cr eating duot ones, keep in mind that both the o rder in which the inks are p rinted and the screen an g les yo u use have a significan t ef fect on the final o ...

  • Adobe Photoshop CS3 - page 509

    PHOT OSHOP CS3 User Guide 502 • Printin g an image with a spot co lor channel t o a composite co lor print er will print the spot co lor at an o pacity indica ted by the Solidity setting. • Y ou can merg e spot channels with colo r channels, spli tting the spot color in to its colo r channel com ponents. See also “ About c hannels ” on page ...

  • Adobe Photoshop CS3 - page 510

    PHOT OSHOP CS3 User Guide 503 Not e: The Solidity a nd color choice options af fect only the on-sc reen prev iew and the com posite print. They ha ve no effec t on the p rinte d separa tions. See also “ Choos e a spot colo r” on page 123 Con vert an alpha channel to a spot channel 1 Do one of the f ollowing: • Double-click the alp ha channel ...

  • Adobe Photoshop CS3 - page 511

    PHOT OSHOP CS3 User Guide 504 Merge spot channels 1 Selec t the spot cha nnel in the Channels palette. 2 Choose Merge S pot Channel from the palette men u. The spot color is co nverted to an d merged with the color c hannels. The spot chan nel is deleted from the palette. Me rging spot channels flat tens laye red images. The merged co mposite refle ...

  • Adobe Photoshop CS3 - page 512

    505 C ha pt er 17: W eb gr a phics The web tools in A dobe Pho toshop CS3 can help y ou design a nd o ptimize individual web graphics or co mplete pag e lay outs. U s e the Slice tool t o divide a graphic or pa ge into seamlessly in terlocking pieces a nd app ly differen t com pressio n and int eract ivi ty settings to each segment. The Sa ve For W ...

  • Adobe Photoshop CS3 - page 513

    PHOT OSHOP CS3 User Guide 506 • U se the Sav e For W eb & Devices dialog box to sav e rollov er images in a web-com patible f ormat a nd with an optimized file size. See “Op timizing images ” on page 523. When you save r oll over images, use a naming convention to distingui sh the primary (non- rollover sta te) image from the sec ondary ( ...

  • Adobe Photoshop CS3 - page 514

    PHOT OSHOP CS3 User Guide 507 • W ith the Ey edropper tool selected, mo ve the pointe r over the colo r that you wa nt to cop y , and then right-click (W indows) or Con trol-click (M ac OS) and choose Copy Color As HT ML from the con text menu The color is co pied to the clip b oar d as the HTML COLOR a ttribute wi th the hexadecimal value (color ...

  • Adobe Photoshop CS3 - page 515

    PHOT OSHOP CS3 User Guide 508 U ser slices, layer -based slices, an d au to slices look differen t—user slices and lay er-based slices are defined by a solid line, whereas a uto slices a re defined by a do tted line. I n addition, user slices and layer -base d slices display a distinct icon. Y ou can choose to sho w or hide aut o slices, which ca ...

  • Adobe Photoshop CS3 - page 516

    PHOT OSHOP CS3 User Guide 509 A layer -based slic e is updat ed when the sour ce lay er is modified. L a y e r - b a s e ds l i c e sa r el e s sf l e x i b l et h a nu s e rs l i c e s ;h o w e v e r ,y o uc a nc o n v e r t( “ p r o m o t e ” )al a y e r - b a s e ds l i c et oau s e r slice. See “Con vert aut o and layer -based slices to u ...

  • Adobe Photoshop CS3 - page 517

    PHOT OSHOP CS3 User Guide 510 Slice badges The fo llowing badges , or icons, indica te certain condi tions. • U s er slice has I mage con tent. • U s er slice has N o Image co nten t. • Slice is la yer based. Show or hide slice boundaries ❖ C hoose V iew > Show > Slices. T o hide a nd show slices al o ng with other i tems, use the Ext ...

  • Adobe Photoshop CS3 - page 518

    PHOT OSHOP CS3 User Guide 511 Mov e, resize , and snap user slices Y ou can mov e and resize user slices in Pho toshop , but not in the Sa ve Fo r W eb & D evices dialog box. Move or r esize a user slice 1 Selec t on e or more user slices. 2 Do one of the f ollowing: • T o mo ve a slice, mo ve the poin ter inside the slice selection border , ...

  • Adobe Photoshop CS3 - page 519

    PHOT OSHOP CS3 User Guide 512 5 Define how yo u want to divide eac h s elected slice: • Select and enter a val ue for Slices Down o r Slices Acr oss to divide each slice evenly in to the specif ied n umber of slices. • Select and enter a value fo r Pixels P er Slice to crea te slices with the specif ied num ber of pixels. I f t he slice ca nnot ...

  • Adobe Photoshop CS3 - page 520

    PHOT OSHOP CS3 User Guide 513 2 Right-click (W indows) or Ctrl-clic k (Mac OS) and choose Comb ine Slices. Change the stacking order of slices When slices overla p, the last slice you create is the to p slice in the stacking o rder . Y ou can cha nge the stackin g order to ga in access to underlyin g slices. Y ou ca n specif y which slice is on the ...

  • Adobe Photoshop CS3 - page 521

    PHOT OSHOP CS3 User Guide 514 Not e: Y ou cann ot delete auto slic es. If you dele te all us er slice s and layer-b ase d slices in an image , one auto slice cove ring the en tir e image r emai ns. 1 Selec t o ne or more slices. 2 Choose the Slice or Slice Select tool and pr ess the Backspace key or the Delete key . 3 T o delete all us er slices an ...

  • Adobe Photoshop CS3 - page 522

    PHOT OSHOP CS3 User Guide 515 Choose a backgr ound color for a slice Y ou can select a backgro und color to fill the transpar ent ar ea (for Ima ge slices) or en tire area (fo r No I mage slices) of the slice. Phot oshop does not displa y the selec ted backgr ound color —you m ust preview the image in a br owser to view the effect of select ing a ...

  • Adobe Photoshop CS3 - page 523

    PHOT OSHOP CS3 User Guide 516 Add HTML t ext to a slice When yo u choose a slice of type No I mage, yo u can enter t ext to be displayed in the slice a rea of the resul ting web page . This can be plai n text or t ext fo rmat ted wi th sta ndard HTML tags. Y ou can also select vertical and h orizo ntal alignment o ptions. F or mor e informa tion on ...

  • Adobe Photoshop CS3 - page 524

    PHOT OSHOP CS3 User Guide 517 W eb pho to gallery home page Phot oshop pro vides a variety of styles fo r y our galler y , which you can select usin g the W eb Phot o Galler y co mmand. If yo u are an ad vanced user who knows HTML, yo u can creat e a ne w style or cus tomize a style by edi ting a set of HTML tem plate files. Each temp late fo r gal ...

  • Adobe Photoshop CS3 - page 525

    PHOT OSHOP CS3 User Guide 518 • HTML pages in side a pages subf older . • JPEG thum bnail images inside a th umbnails su bfolder . Making sure that y our colors match If yo u work wi th photos in a wide-gam ut color w orking space such as P roPhoto R GB or Ado b e RGB , image colo rs may ch ange when viewed in a web gallery by a bro wser that d ...

  • Adobe Photoshop CS3 - page 526

    PHOT OSHOP CS3 User Guide 519 • Titles U se (A vailable f or some sit e styles) Specif ies op tions for dis playing ca ptions under each ima ge. Select Filename to disp lay the filename, or select Description, Cr edits, Title, a nd Copyright to disp lay description text drawn fro m the File Info dialog bo x. • Fon t and Font Size (A vailab le f ...

  • Adobe Photoshop CS3 - page 527

    PHOT OSHOP CS3 User Guide 520 <TITLE>%TITLE%</TITLE> When Pho toshop generates the galler y using this tem plate file, it replaces the tok en %TITLE% with the text that yo u ent ered for Si te Na me in the W eb Phot o Galler y dialog box. T o better understand an existin g style, you can open an d study its HT ML templa te files using a ...

  • Adobe Photoshop CS3 - page 528

    PHOT OSHOP CS3 User Guide 521 Imp o r t an t: When cus tomizi ng or cre ati ng a temp late f or a gallery style, you sh ould plac e each of th e follo w in g tokens on a sepa ra te lin e in the HTML file: %CURRENTIND EX%, %NEXTIMA GE%, %NEXTIND EX%, %P A GE%, %PRE VIMAGE%, a nd %PREVIND EX%. When gener ati ng speci fic pages o f a gallery , Phot os ...

  • Adobe Photoshop CS3 - page 529

    PHOT OSHOP CS3 User Guide 522 %IMAGE_HEIGHT% Enables the Add W idth And Height A ttributes F or Ima ges check box. This allows the user to download the a ttribut es, reducing do wnload t ime. %IMAGE_HEIGHT_ N UMBER% This token is replaced b y a numeral (only) r epresentin g the width of the image. %IMAGEP AGE% Determines the link to a gallery page. ...

  • Adobe Photoshop CS3 - page 530

    PHOT OSHOP CS3 User Guide 523 %THUMB N AIL_WIDTH_ N UMBER% This token is replaced by a n umeral (only) rep resenting the width of the thu mbn ail. %TITLE% Determines the title of the galler y . %VLI N K% Determines the color o f visited links. Optimizing images About optimization When p reparing imag es for the web an d other online media, you o ft ...

  • Adobe Photoshop CS3 - page 531

    PHOT OSHOP CS3 User Guide 524 Save F or W eb & Devices dia log box A. Display options B. To o l b o x C. Pr eview pop-up men u D. Optimize pop- up menu E. Color T able po p-up menu F. Ani mat io n c ont rol s G. Zoom text bo x H. Origina l image I. Opt imized i mage J. Preview In B rowser m enu Previe w images in the dialog box ❖ Click a tab ...

  • Adobe Photoshop CS3 - page 532

    PHOT OSHOP CS3 User Guide 525 V iew optimized image information and download time The anno tation ar ea below each image in t he Save F or W eb & De vices dialog b o x pro vides optimiza tion info rmation. The anno t a tion for the o rig inal image sh ows the file name and file size. The annota tion for the op timized image shows the curren t o ...

  • Adobe Photoshop CS3 - page 533

    PHOT OSHOP CS3 User Guide 526 7 Click Sav e. 8 In the Sa ve Optimized As dialog box, do the f ollowing, a nd then click Sav e: • Ente r a f ile name, a nd select a loca tion for the re sulting file or files. • Selec t a Fo rmat op tion to s p ecify what kind of files you wa nt to save: HTML file and image files, o nly image files, or onl y an H ...

  • Adobe Photoshop CS3 - page 534

    PHOT OSHOP CS3 User Guide 527 W ork with slices in the Sa ve F or W eb & Devices dialog bo x If y our image con tains m ultiple slices, yo u must specify the slices to be optimized. Y ou can ap ply optimiza tion settings to addi tional slices by linking the s lices. Linked slices in GIF and PNG-8 fo rmat sha re a color palett e and dither pa tt ...

  • Adobe Photoshop CS3 - page 535

    PHOT OSHOP CS3 User Guide 528 Clip T o Artboard (Illustrato r o nly) Clips the artwork size to ma tch the document ’ s Artboard bounda r y . An y artwork outside the Artboar d b o undar y will be deleted. Not e: No ne of the f eatu res i n the I mage S ize palette a re av aila ble for t he SWF and SV G file formats exce pt Clip T o Ar tb o ard . ...

  • Adobe Photoshop CS3 - page 536

    PHOT OSHOP CS3 User Guide 529 The white ar eas of the mask (which include type or sha p es o n shape la yers) indica te the image ar eas t ha t will have t h eh i g h e s tl e v e lo fi m a g eq u a l i t y .T h eb l a c ka r e a sa r et h el e a s ti m p o r t a n tp a r t so ft h ei m a g ea n dw i l lh a v el o w e rJ P E G quality , or the high ...

  • Adobe Photoshop CS3 - page 537

    PHOT OSHOP CS3 User Guide 530 W eb graphics optimiza tion options W eb graphic f ormats W eb graphics forma ts can be ei ther bitmap (raster) o r vector . The b itmap fo rmats—GIF , JPEG, PNG, an d WBMP — are resolu tion-depen dent , meaning tha t a bitma p image ’ s dimensions, a nd possibly image quali ty , will chan ge at differen t mo nit ...

  • Adobe Photoshop CS3 - page 538

    PHOT OSHOP CS3 User Guide 531 Pixels tha t were fully tra nsparen t in the original image ar e f illed with the selected color; pixels tha t were partially transpa rent in the original imag e are blended with the selected color . See also “ Optimize an image fo r the web ” on page 525 GIF and P N G-8 optimization options G I Fi st h es t a n d ...

  • Adobe Photoshop CS3 - page 539

    PHOT OSHOP CS3 User Guide 532 (This palette is also called the web-safe palett e.) U sing the web palett e can create la rger files, and is recomm ended only when a voiding b rowser dither is a high prio rity . • Custom U s es a colo r palette that is crea ted or modifie d b y the us er . If yo u open an existing GIF or PNG-8 file, it will hav e ...

  • Adobe Photoshop CS3 - page 540

    PHOT OSHOP CS3 User Guide 533 Example s of tra nspar ency and matt ing A. Origi nal ima ge B. Transparen cy s elec ted w ith a matte c olor C. T ranspar enc y selected with no matting D. T rans parenc y de sele cted w ith a matt e color T ransparency Dithering When the T ransparency option is selected, you can choose a method fo r di ther ing parti ...

  • Adobe Photoshop CS3 - page 541

    PHOT OSHOP CS3 User Guide 534 Interlace Displays a lo w-resolutio n versio n of the image in a br owser while the full image file is downloading. In ter- lacing can make downloading time seem sho rter and can assur e viewers that do wnloading is in pr ogress. H owever , int erlacing also increases file size. W eb Snap Specifies a tolera nce level f ...

  • Adobe Photoshop CS3 - page 542

    PHOT OSHOP CS3 User Guide 535 Y ou can add and delete co lors in the color tab le, shift selected colors to web-sa fe colors, a nd lock selec ted co lors to prev ent them from being dr opped from the palette. Sort a color table Choose a sort ing o rder from the Color T able palette menu: • U nsorted res tores the original sorting or der . • Sor ...

  • Adobe Photoshop CS3 - page 543

    PHOT OSHOP CS3 User Guide 536 Shift a color Y ou can chan ge a selected colo r in the colo r table to an y other RGB color value. When you regenera te the optimized image, the selected colo r chang es to the new color wherever i t appears in the imag e. 1 Double-clic k the color in the color tab le to display the defa ult colo r picker . 2 Select a ...

  • Adobe Photoshop CS3 - page 544

    PHOT OSHOP CS3 User Guide 537 3 T o revert transpar enc y to o rig inal colo r , do one of the f ollowing: • Select t he co lors you wa nt to revert an d click the Ma p T ranspar enc y bu tton or ch oos e M ap/U nmap Selected Colors T o/Fr om T ranspar ent from the Color T able palette men u. • T o revert all transpar enc y-ma pped colors, choo ...

  • Adobe Photoshop CS3 - page 545

    PHOT OSHOP CS3 User Guide 538 3 Click Sav e. Imp o r t an t: When yo u reloa d the ta ble, all sh ifted co lors will appea r as full swat ches an d w ill be u nlocked. Load a color table 1 Select Load Color T able from the Color T able palette men u. 2 N avigate t o a f ile con taining the color ta ble you wan t to load—either an A dobe Color T a ...

  • Adobe Photoshop CS3 - page 546

    PHOT OSHOP CS3 User Guide 539 SWF optimization options (Illustra tor) The A dobe Flash (SWF) f ile fo r ma t is a vector -based g ra phics file format fo r the creation o f sca lable , compact grap hics for the web . Be ca use the f ile fo rmat is vector -based, the artwork ma intains its ima ge quality at a ny resolu tion. The SWF forma t is ide a ...

  • Adobe Photoshop CS3 - page 547

    PHOT OSHOP CS3 User Guide 540 SVG optimization options (Illustr ator) SV G is a v ec to r forma t that describes images as shapes, paths, text, and filter effec ts. Th e resulting files are co mpact and p rovide high-quality gra phics on the web , in prin t, and even on reso urce-constra ined handheld devices. Opti mizat ion setti ngs for SV G A. F ...

  • Adobe Photoshop CS3 - page 548

    PHOT OSHOP CS3 User Guide 541 • Con vert T o Outlines Con verts type t o v ec to r pa ths. U se this o ption to pr eser ve the visual ap pe ara nce of type in all SV G V iewers. Image Location S p ecifies whether to embed or link t o imag es. Em be dding images increases file size b ut ensures t ha t rasterized images a re always a vailable. CSS ...

  • Adobe Photoshop CS3 - page 549

    PHOT OSHOP CS3 User Guide 542 HTML output options Y ou can set the follo wing optio ns in the HTML set: Output XHTML Creat es web pages meeting the XHTML sta ndard on export. Choosing Out put XHTML disab les other ou tput o ptions tha t might conflict with this standar d. Selec ting this o ption au tomaticall y sets t he T ags Case and A ttribute C ...

  • Adobe Photoshop CS3 - page 550

    PHOT OSHOP CS3 User Guide 543 Default Slice N aming Choose elements from the pop-up menus o r enter text into the fields to create defa ult names for slices. Elemen ts include the document name , t he w ord slice , numbers or lett ers designating slices o r rollover states, the slice cr eation date , punctuation, o r none. Backgr ound output settin ...

  • Adobe Photoshop CS3 - page 551

    544 C ha pt er 18: V i de o and a nimat ion In A dobe Photosho p CS3, you can cr eate frame-based animatio ns by modifying image lay ers to creat e movemen t and cha nge. Y ou can also crea te images for use in video , using one of ma ny pr eset pixel aspect ratios. When yo u’ re done editing, y ou can sav e your work as a n animated GIF file or ...

  • Adobe Photoshop CS3 - page 552

    PHOT OSHOP CS3 User Guide 545 See also “ Creating imag es for video ” on page 549 “Load video actions ” on page 552 “ Adj ustment and fill lay ers ” on page 306 Supported video and image sequence formats (Phot oshop Ex tended) In Pho toshop Extended, y ou can open video files and image sequences in the fo llowing fo r ma ts. QuickT ime ...

  • Adobe Photoshop CS3 - page 553

    PHOT OSHOP CS3 User Guide 546 Animation palett e overview In Ph otoshop , the Animatio n pa lett e (Windo w > Animation) appears in frame mode, showing a thumbna il of each frame in your a nimation. U se t he tools a t the botto m of the palette to naviga te through the frames, set loopin g optio ns, add and delete frames, a nd preview the anima ...

  • Adobe Photoshop CS3 - page 554

    PHOT OSHOP CS3 User Guide 547 Fr ame Delay Time Sets the dura tion of a frame durin g playback. T ween Anima tion Frames A dds a series of frames between two existing frames, va r ying the lay er properties evenly between the new frames. Duplicate Selected Frames A dds a frame to the animatio n by dup licating the selected f ram e in the Animation ...

  • Adobe Photoshop CS3 - page 555

    PHOT OSHOP CS3 User Guide 548 2 Do one of the f ollowing: • Select a size option. • (Phot oshop Extended) In timeline mode, select No ne to display o nly layer nam es. Switch timeline units (Phot oshop Ex tended) In Pho toshop Extended, y ou can displa y the Animation palet te timeline in either frame number o r ti mecode units. • T o select ...

  • Adobe Photoshop CS3 - page 556

    PHOT OSHOP CS3 User Guide 549 Imp o r t an t: Y ou may l ose some interp olated key f rames when conver ting a timeline animation to a frame animation (the appea ra nce of the a nim atio n doesn ’t cha nge). ❖ In the Animation palett e, do any o f the following: • Click the Conv er t T o F rame Animation ico n . • Click the Conv er t T o Ti ...

  • Adobe Photoshop CS3 - page 557

    PHOT OSHOP CS3 User Guide 550 V ideo pr eset file size guides A. A ction safe a rea (ou ter rect angle) B. T itl e safe ar ea (inn er recta ngle) Not e: I fy o ua r ec r e a t i n gc o n t e n tf o rt h ew e bo rf o rC D ,t h et i t l e - s a f ea n da c t i o n - s a f em a r g i n sd on o ta p p l yt oy o u rp r o j e c t beca use the ent ire i m ...

  • Adobe Photoshop CS3 - page 558

    PHOT OSHOP CS3 User Guide 551 4:3 fram e aspect ra tio (left), and wider 16:9 fra me aspect r atio (righ t) Pixel aspect r at io des cribes the ratio o f width to height of a sin g le p ixel in a frame. Pixel as p ect ratios va r y because differen t video systems make vario us assump tions a b o ut the n umber of p ixels requir ed to fill a frame. ...

  • Adobe Photoshop CS3 - page 559

    PHOT OSHOP CS3 User Guide 552 Imp o r t an t: By defa ult, nonsq uare pixe l docu ments open with Pixel As pect Ra tio Correct ion en abled. Th is setti ng scales the i mage so it a ppears as i t would on t he nonsqu are-p ix e l outpu t device (usuall y a v ideo m oni tor). 5 T o view the image as it wo uld appear on a co mpu ter monito r (square ...

  • Adobe Photoshop CS3 - page 560

    PHOT OSHOP CS3 User Guide 553 4 Click Load. See also “ A utoma ting tasks ” on page 610 Adjust pix el aspect ratio Y ou can crea te a custom pixe l aspe ct ratio in existin g do cuments, o r delete or reset pix el aspec t ra tios previously assigned to a document. Assign a pixel aspect ratio v alue to an existing document ❖ W i t had o c u m ...

  • Adobe Photoshop CS3 - page 561

    PHOT OSHOP CS3 User Guide 554 Before yo u export a layered Pho toshop file for use in After Effects, do the fo llowing to red uce p review a nd rendering time and to a void p roblems wi th importing and upda ting Photosho p layers. • Organize and name la yers. I f yo u chan ge a lay er name o r delete a layer in a Photosho p document after you im ...

  • Adobe Photoshop CS3 - page 562

    PHOT OSHOP CS3 User Guide 555 The folder sho uld contain only those images y ou want t o us e as frames. The r esulting anima tion will be more successful if all files have the same p ixel dimensions. T o order frames corr ec tly f or the animatio n, name the files in alpha b etical or n umeric or der . Fo r example , filename001 , filena me002 , f ...

  • Adobe Photoshop CS3 - page 563

    PHOT OSHOP CS3 User Guide 556 Reload footage in a video la yer (Photoshop Extended) If the sour ce fi le fo r a video layer is modified in a differen t app lication, Pho toshop Extended generall y reloads and updates the footage, when you open the doc umen t con t ainin g the video la yer refer encing the ch anged source file. If y o u rd o c u m e ...

  • Adobe Photoshop CS3 - page 564

    PHOT OSHOP CS3 User Guide 557 Alpha channel interpr etation in video and image sequences (Photoshop Extended) V ideo and imag e s equences wi th alpha channels ca n be stra ight or p rem ultiplied. I f you ’ re w orking with video or image sequences con taining alpha cha nnels, it’ s important to specify how Phot oshop Extended interpr ets the ...

  • Adobe Photoshop CS3 - page 565

    PHOT OSHOP CS3 User Guide 558 “Resto re frames in video la yers (Photo shop Extended)” on page 559 “ Create ha nd-drawn anima tions (Photosho p Extended)” on page 576 Cloning cont ent in video and animation frames (Photoshop Extended) In Ph otoshop Extended, y ou can use the Clone Sta mp and H ealing Brush tools to ret ouch or du plicate o ...

  • Adobe Photoshop CS3 - page 566

    PHOT OSHOP CS3 User Guide 559 U se Shi ft + O pt ion (W indows) or S hift + A lt (M ac OS) to tem pora rily sho w the clo ne sour ce overl ay . U se Shift + Optio n-dra g (W indow s) or Shift + A lt-dr ag (M ac OS) to move t he sourc e overla y to the de sire d offset/posi tion. F or mor e info rmatio n on Shortcu ts, see “K eyboar d shortcuts ? ...

  • Adobe Photoshop CS3 - page 567

    PHOT OSHOP CS3 User Guide 560 The Conv er t T o P rofile command (Edi t > C on vert T o Profile) also con verts all pixel edits to the documen t’ s color space. H owever , usin g the Assign P rofile command (E dit > Assign Profile) does not co nvert the pixel edi ts t o a video lay er . U se the Assign Pr ofile command wi th care, especiall ...

  • Adobe Photoshop CS3 - page 568

    PHOT OSHOP CS3 User Guide 561 Open a video file ❖ Cho ose File > Open, select a vide o file, and clic k Open. The video appears o n a video layer in a new document. Add a video file as a new video la yer 1 Fo r the ac tive document, mak e sure the Animation palette is disp layed in timeline mode. 2 Choose L a yer > V ideo L a yers > New ...

  • Adobe Photoshop CS3 - page 569

    PHOT OSHOP CS3 User Guide 562 Layers (I n timel ine mode) with t he layer du rat ion bar sel ected to dr ag • Mo ve t he current-time indicato r to the frame you want as the new In or Out poin t, and from the Anima tion palette menu , choose T rim L ay er Start T o Current T ime or T r im Layer End T o Current T ime. This shortens the layer dura ...

  • Adobe Photoshop CS3 - page 570

    PHOT OSHOP CS3 User Guide 563 Laye rs before a pplyin g the Li ft W ork Ar ea com mand Layers a fter app lying the L ift W ork A rea co mman d Extract work area (Photoshop Extended) Specific portions of an a nimation or video ca n be deleted usin g t he Extract W ork Area comma nd. All layer s are affected by the comma nd. 1 In t he Animation palet ...

  • Adobe Photoshop CS3 - page 571

    PHOT OSHOP CS3 User Guide 564 Resul ting two la yers after usi ng the Sp lit V ideo La yer comm and Group la yers in a video or animation (Photoshop Extended) As yo u add more la yers to yo ur video or animatio n, you might wan t to orga nize them into a hierar chy . One of the easiest ways is t o group the la yers. Pho toshop preserves the frames ...

  • Adobe Photoshop CS3 - page 572

    PHOT OSHOP CS3 User Guide 565 Not e: I n Photo shop Extende d, you can a lso crea te an ima tions usi ng a time lin e and keyframe s. See “Cr ea ting t imel ine an ima tions (Pho tosho p E xtend ed)” on page 572. Illust rat ion of an a nima tion. The un icycle ima ge is on its own layer; the po sition o f the layer c hanges i n each fram e of t ...

  • Adobe Photoshop CS3 - page 573

    PHOT OSHOP CS3 User Guide 566 7. Add more fr ames and edit layers as needed. The num b er o f f ram es you can crea te is limited onl y by the amoun t of system memory availab le to Photosho p. Y ou can genera te new frames with in termediate chan ges between two existing frames in the palett e using the T ween command . This is a quick wa y to mak ...

  • Adobe Photoshop CS3 - page 574

    PHOT OSHOP CS3 User Guide 567 • In the Anima tion palette, click the Selects Ne xt Frame bu tton to select t he ne xt f ram e in t he series as the curr ent frame . • In the Animation palett e, click the Selects Pr evious F rame butt on to select the pr evious frame in the series as the current frame. • In the Anima tion palette, click the Se ...

  • Adobe Photoshop CS3 - page 575

    PHOT OSHOP CS3 User Guide 568 The Pro pagate F rame 1 optio n in the L a yers palette also determines ho w the changes y ou make to at tributes in the first frame will ap ply to the o ther f rames in the sa me layer . When i t is selected, you can c hange an attribu te in the first frame, a nd all subsequent fram es in the act iv e layer will cha n ...

  • Adobe Photoshop CS3 - page 576

    PHOT OSHOP CS3 User Guide 569 pasted la yers ar e visible, and the o rig inal la yers are h idden. In the no n-destination frames, the newly past ed layers are hidden. Paste Befor e Selec tion or P aste After Selec tion A dds the co pied fram es befo re or aft er the desti nati on frame . When you past e frames between images, new lay ers are added ...

  • Adobe Photoshop CS3 - page 577

    PHOT OSHOP CS3 User Guide 570 6 Specify layer p roperties to be varied: Position V aries the position of the la yer’ s con tent in the new frames evenly between the beginning and ending fra mes. Opacity V aries the opacity of the new frames evenl y b etween the beginning an d ending frames. Effect s V aries the paramete r s et tings of layer eff ...

  • Adobe Photoshop CS3 - page 578

    PHOT OSHOP CS3 User Guide 571 • Choose Ot her , enter a val ue in the Set Frame Dela y dialog b ox, a nd click OK. I f you selected multi ple frames, specifying a delay value f or one frame a pplies the value t o all f rames. Choose a disposal method The frame disposal method specif ies whether to discard the curren t frame before disp laying the ...

  • Adobe Photoshop CS3 - page 579

    PHOT OSHOP CS3 User Guide 572 Not e: Loopi ng opt ions ca n also be set in th e Save F or W eb & Devices dia log box. F or mo re inf ormat ion, see “Sa ve F or W eb & Devices overview” o n page 523. Delete an entir e animation 1 (Photosho p Extended) Make sure the Anima tion palette is in frame animation mode. 2 Selec t Delete Anima tio ...

  • Adobe Photoshop CS3 - page 580

    PHOT OSHOP CS3 User Guide 573 4. Add con tent to the lay er . 5. (Optional) A dd a layer mask. A lay er mask can be us ed to r evea l o nly a port io n of the layer ’ s con tent. Y ou can an imate the lay er mask to reveal differen t portions of the la yer’ s cont ent over time . S ee “ Add la yer masks ” on page 319. 6. Move the curr ent t ...

  • Adobe Photoshop CS3 - page 581

    PHOT OSHOP CS3 User Guide 574 See also “ Cho ose in terp ola tion method (Pho toshop Extended)” on page 575 “ Create ha nd-drawn anima tions (Photosho p Extended)” on page 576 Use k eyframes to anima te layer pr oper ties (Photoshop Extended) Y ou can animate dif fer ent layer p roperties, such as position, o pacity , and sty le. E ach chan ...

  • Adobe Photoshop CS3 - page 582

    PHOT OSHOP CS3 User Guide 575 • T o select multiple k eyf ram es, Shift-click the keyframes or dra g a marquee a round the keyframes. • T o select all keyf ra mes for a la yer pro per ty , click the layer p roperty name next to the S topwa tch icon. Move k eyframes (Photoshop Extended) 1 Select one or mor e keyframes. 2 Drag an y of the selecte ...

  • Adobe Photoshop CS3 - page 583

    PHOT OSHOP CS3 User Guide 576 In Pho toshop , the two types of int erp ola tion are linear in terpolation and ho ld interpolation. Linear Interpolation Cr eates an evenly-paced ch ange fro m one keyframe to an other . Chang es created wi th line a r int er pola tion start and sto p abrup t ly a t each keyframe. Hold Interpolation Chan ges the value ...

  • Adobe Photoshop CS3 - page 584

    PHOT OSHOP CS3 User Guide 577 2 Choose L a yer > V ideo Layers an d then choose one of the follo wing: Insert Blank Frame In ser ts a blank video frame in the selected blank video laye r at the current time. Delete Fr ame Deletes the video frame in the selected blank video lay er at the curren t time. Duplicate F rame Adds a co py of the video f ...

  • Adobe Photoshop CS3 - page 585

    PHOT OSHOP CS3 User Guide 578 Onio n ski nni ng A. Curr ent fra me with one fra me after B. Curr ent fram e w it h both one fr ame befor e and after C. Cu rrent fra me with one fra me befor e See also “List of b lending modes” o n page 344 Con vert frame and timeline animations (Phot oshop Ex tended) A frame animation cr eated in ei ther Pho to ...

  • Adobe Photoshop CS3 - page 586

    PHOT OSHOP CS3 User Guide 579 2 In the Layer s pa lette, se lec t the layers you want for the ani mation , and choo se Make Frames From Layers from th e Animation palette men u. Keyframes are genera ted fo r the position, o pacity , a nd style of each layer in the Animation palette so that the o riginal a n i m a t i o ni sp r e s e r v e d .Y o uc ...

  • Adobe Photoshop CS3 - page 587

    PHOT OSHOP CS3 User Guide 580 Pre viewing video or timeline animations (Photoshop Extended) Y our video or anima tion can be previewed in the document window . Photosho p uses R AM pr evie w to p review the video or anima tion during yo ur editing session. W hen you pla y or drag to pr evie w frames, they are a uto matically cached fo r faster pla ...

  • Adobe Photoshop CS3 - page 588

    PHOT OSHOP CS3 User Guide 581 • T o specify the aspe ct ratio o f the display device, choose ei ther Stan dard (4:3) or Widescr een (16:9) fro m the Aspect Ratio menu. Not e: The Aspect Ra tio setti ng determ ines whic h placemen t opt ions ar e avai lable. 4 U nder Ima ge Options, c hoos e a placemen t optio n to determine how the image a ppears ...

  • Adobe Photoshop CS3 - page 589

    PHOT OSHOP CS3 User Guide 582 Optimize animation fr ames After you co mplete y our animatio n, you should op timize it for efficient do wnload to a web br owser . Y ou optimize an anima tion in two wa ys: • Optimize the frames to in clude only ar eas that cha nge from frame t o f ram e. This greatly red uces the fi le size o f the anima ted GIF . ...

  • Adobe Photoshop CS3 - page 590

    PHOT OSHOP CS3 User Guide 583 Export video Not e: I n Photos hop , you ca n export QuickT ime or I mage Sequen ces. I n Photo shop Extende d, you can expo r t ti meli ne an imat ions with video layers. 1 Choose File > Exp o r t > Render V ideo. 2 In the Render V ide o dialog box, en ter a name fo r the video or image sequence. 3 Click the Sel ...

  • Adobe Photoshop CS3 - page 591

    PHOT OSHOP CS3 User Guide 584 MPEG-4 A multimedia stan dard for deli vering audio a nd video streams ov er a range of ba ndwidths. Not e: Phot oshop a lso supports oth er thir d-party forma ts such as A v id A VR Codecs; however , the neces sary Q u ickT ime Codecs must be i nstalle d. 3G export settings Fo r more info rmation o n 3G s ettin gs, s ...

  • Adobe Photoshop CS3 - page 592

    PHOT OSHOP CS3 User Guide 585 Not e: These opt ions ar e ava ilab le only i f your mo vie has a text tr ack, suc h as credi ts, title s, subt itles, a nd so forth. Streaming Choose Streamin g from the pop-u p menu below the File F ormat men u and specify the followin g: • Enable Streaming Crea tes a file for R TSP streaming to QuickT ime Player . ...

  • Adobe Photoshop CS3 - page 593

    PHOT OSHOP CS3 User Guide 586 relia bility of the deliv er y networ k, you may wa nt to increase keyframe freq uenc y to o ne keyframe ever y 1 or 2 secon ds. Limit Data Rate T o S pecif ies the kilob its per se co nd (kbps) during p layback. A higher kbps ra te usually imp roves movie p layback quality ; ho wever , don't choose a data rat e h ...

  • Adobe Photoshop CS3 - page 594

    PHOT OSHOP CS3 User Guide 587 Preserve Aspect Ratio Using Specifies an op tion if the movie needs to be scaled to the new pixel dimensio ns. Le tterbox sc ales t he s ource prop orti onally to f it into t he cle an aper ture, ad ding bl ack b ars to t he top and bottom or sides as necessary . Cr op cent ers, scales, a nd trims to the clean a per tu ...

  • Adobe Photoshop CS3 - page 595

    PHOT OSHOP CS3 User Guide 588 original frame rat es of the source cli ps) but uses mor e disk space. If a vailable, specify how ofte n the keyf ram es are genera ted. Cer tain QuickT ime C odecs use frame differencin g to comp ress the movie file by taking o ne full image frame of video informa tion and generatin g the next num ber of frames b y st ...

  • Adobe Photoshop CS3 - page 596

    PHOT OSHOP CS3 User Guide 589 8 U nder Range, select on e of the follo wing optio ns: All Fr ames Renders all the frames in the Photosho p do cumen t. In Fr ame L ets yo u spe cify the specific f ram es to render . Curr ently Selec ted F rames Renders the frames selected by the wo rk area bar in the Anima tion palette. 9 (Optional) S p ecify render ...

  • Adobe Photoshop CS3 - page 597

    590 C ha pt er 19: T e chnic a l imaging Ad obe Phot oshop CS3 Extended offers powerful tools f or t echnical image analysis and editing, includin g MA TLAB integra tion, sup port for DICO M medical imaging formats, a nd image stack techno log y for sop histicated image enhancemen t. Measuremen t tools let you p recisely measure com plex image con ...

  • Adobe Photoshop CS3 - page 598

    PHOT OSHOP CS3 User Guide 591 7 Click A pply a nd then OK. Connect/disconnect to Photoshop from MA TLAB (Photoshop Extended) ❖ In MA TL AB , do one of the fo llowing: • T o launch o r connect to Phot oshop , typ e ps launch , and then pr ess Enter (W indows) or Return (Mac OS). • T o disconnect f r om Photosho p and quit, type psquit a nd pre ...

  • Adobe Photoshop CS3 - page 599

    PHOT OSHOP CS3 User Guide 592 N ew document attribut es and defaults Ent ering psnewdoc(W,H,R,N,M,F,A,B,P) creates a new document with valu es for the follo wing attribu tes: W Specifies the width of the document using the current uni ts f ro m the U nits & Rulers o ption in the Phot oshop Pref erences dialog box. The defaul t width is 504 pixe ...

  • Adobe Photoshop CS3 - page 600

    PHOT OSHOP CS3 User Guide 593 Open a DIC OM file (Photoshop Extended) Before y ou open a DICO M f ile, yo u can specif y ho w DICOM fram es are opened (as lay ers or in a grid), and set optio ns (in the DICO M File Import dialog box) tha t anon ymize patient metada ta and displa y overla ys. Once you open the file in Photosho p, yo u can perform pa ...

  • Adobe Photoshop CS3 - page 601

    PHOT OSHOP CS3 User Guide 594 DIC OM metadata (Photoshop Extended) Y ou can view and edit several ca tegories o f DICOM metada ta in the Photosho p File Info dialog bo x. Patien t data Includes pa tient name , ID, sex, an d date of b ir th. Study data In cludes study ID , referring ph ysician, study da te and time, and st udy description. Series da ...

  • Adobe Photoshop CS3 - page 602

    PHOT OSHOP CS3 User Guide 595 Image stacks are stored as Smart O bjects . The processing options you can apply to the stack are ca lled st ack modes. A pplying a stack mode to an image stack is a non-destructive edit. Y ou can chan ge stack modes to p roduce different effects; the original image information in the stack remains uncha nged. T o pr e ...

  • Adobe Photoshop CS3 - page 603

    PHOT OSHOP CS3 User Guide 596 Remove stack r endering ❖ Choose La yer s > Sma rt Ob jects > Stac k M ode > N one to rem ov e a ny ren derin g fr om an i mage sta ck a nd con vert it back t o a regular Sma rt Object. Edit an image stack B e c a u s ea ni m a g es t a c ki saS m a r tO b j e c t ,y o uc a ne d i tt h eo r i g i n a li m a ...

  • Adobe Photoshop CS3 - page 604

    PHOT OSHOP CS3 User Guide 597 Use a script to cr eate an image stack (Photoshop Extended) Y ou can use the Statistics script t o auto mate crea ting and rendering a n image stack. 1 Choose File > S crip ts > Statistics. 2 Choose a stack mode f ro m the Choos e Stack M ode menu. 3 A pply the stack mode to curren tly open files, or bro wse to s ...

  • Adobe Photoshop CS3 - page 605

    PHOT OSHOP CS3 User Guide 598 3 Ent er the Logical L ength a nd Logical Uni ts that yo u want to s et equal to t he P ixel Length. Fo r exam ple, if the Pixel Length is 50, and you wan t to set a scale of 50 pixels per micr on, en ter 1 fo r Logical Length, and micr ons fo r the L ogical U nits. 4 Click OK in the M easurement Scale dialog box to se ...

  • Adobe Photoshop CS3 - page 606

    PHOT OSHOP CS3 User Guide 599 Add or replac e scale markers Y ou can place mul tiple scale markers in a document, or r eplace existing markers. Not e: A dditional s cale markers are placed in the same position on the image and may obscure each other , depe nding on thei r length. T o view an un derlying ma rker , turn off t he scale ma rker la yer ...

  • Adobe Photoshop CS3 - page 607

    PHOT OSHOP CS3 User Guide 600 Not e: When you me asure wit h a particular t ool, onl y the dat a poin ts associat ed that t ool will be displa yed in th e log, eve n if othe r data points are sele cted. For e xample, if y ou make a me asurement w ith the Rul er to ol, only the Ru ler to ol dat a poin ts w ill a ppear i n the Me asur ement Log, a lo ...

  • Adobe Photoshop CS3 - page 608

    PHOT OSHOP CS3 User Guide 601 measured a t once, one histogra m file is genera ted for the t otal sele cted ar ea, plus addi tional histogram files fo r each selecti on. Integra ted Density T h es u mo ft h ev a l u e so ft h ep i x e l si nt h es e l e c t i o n .T h i si se q u i v a l e n tt ot h ep r o d u c to fA r e a( i n pixels) a nd Mean G ...

  • Adobe Photoshop CS3 - page 609

    PHOT OSHOP CS3 User Guide 602 Display the Measuremen t Log ❖ D o o ne of the follo wing: • Choose Analysis > Record M e asur ements. • Choose Windo w > Measur ement Log. Select rows in the Log ❖ D o o ne of the follo wing: • Click a ro w in the log to select it. • T o select m ultiple contiguous ro ws, clic k the first ro w a nd d ...

  • Adobe Photoshop CS3 - page 610

    PHOT OSHOP CS3 User Guide 603 2 Do one of the f ollowing: • Choose Exp ort from the M easuremen t L og o ptions men u. • Click the Export icon a t the top of the palette . • Right-clic k in a row , t hen select Export from the pop- up menu. 3 Ent er a f ilename a nd location, an d click Save . The measuremen ts are exported to a co mma-delimi ...

  • Adobe Photoshop CS3 - page 611

    PHOT OSHOP CS3 User Guide 604 Not e: T o recor d a coun t to the M easu remen t Log, you m ust have Cou nt se lected as a meas uremen t dat a point. Ch oose A nalys is > Select Dat a Poi nts > Cust om and se lect the Co unt da ta poi nt in t he Coun t T ool ar ea. Automa tic counting using a selection (Photoshop Extended) U se the Photosh op ...

  • Adobe Photoshop CS3 - page 612

    PHOT OSHOP CS3 User Guide 605 Fo r a video on map ping 2D images o nto 3D models, see ww w .adobe.com/go/vid0020 . Fo r a video on using the 3D camera t ool, see w ww .adobe.com/go/vid0022 . Opening 3D files (Photoshop Extended) Y ou can open a 3D file or add it to a n existing Photosho p f ile as a 3D la yer . W hen opening a 3D file, you will nee ...

  • Adobe Photoshop CS3 - page 613

    PHOT OSHOP CS3 User Guide 606 Move , rotate , or scale a 3D model Y ou can us e the 3D ob je ct e diting tools to rotate a 3D mo del around its x-axis, y-axis, or z-axis; move the model alon g an axis; or scale the object. While yo u manipula te the 3D model the camera view remains fixed. F or toolt ips on eac h 3D too l, c hoose Pa lette Options f ...

  • Adobe Photoshop CS3 - page 614

    PHOT OSHOP CS3 User Guide 607 T o view or edit the numeric val ues for the x, y , a nd z position, rota tion or field of view of the 3D ca mera, click the arro w to the right of the Edit Camera t ools to open the 3D Camera Settings. Select Or thogra phic V iew to display the model in accurat e sc ale view withou t any pers p ective disto rt io n. C ...

  • Adobe Photoshop CS3 - page 615

    PHOT OSHOP CS3 User Guide 608 V iew cross sections Y ou can view a cr oss-sec tion of a 3D model b y int ersecting it with an in visible pla ne that slices through the m o del at an y angle and disp lays con tent only o n one side of the pla ne. 1 Click the Cross Section Settings icon to o pen t he pop- up palette. 2 In the Cr oss S ection Settings ...

  • Adobe Photoshop CS3 - page 616

    PHOT OSHOP CS3 User Guide 609 F o r3 Df i l e ss a v e di nP h o t o s h o pf o r m a t ,t e x t u r ee d i t sa r es a v e dw h e ny o us a v et h ef i l e .F o ro t h e r3 Df i l ef o r m a t st h a t stor e textures in ext ernal f iles, use the Replace T extures comma nd to save y our texture edi ts. Not e: Fo r 3D f ile f ormats su ch as .u3d a ...

  • Adobe Photoshop CS3 - page 617

    610 C ha pt er 20: A ut o mat ing tasks A utoma ting tasks can sa ve yo u time a nd ensure con sistent results for man y types of o perations. Photosho p pr ovides a variety o f ways to auto mate t asks—using actions, dro plets, the Batc h co mmand, scrip ting, templa tes, variab les, and data sets. A utomating with actions About actions An actio ...

  • Adobe Photoshop CS3 - page 618

    PHOT OSHOP CS3 User Guide 611 V iew ac tions by name only ❖ Cho ose But ton M ode f ro m the Actions palett e menu. Choose Butt on Mode again t o return to list mode. Not e: Y ou can ’t view indi vidual co mma nds or sets i n Butt on mode. Select ac tions in the Actions palette ❖ Click an action name. Shift-click action na mes to selec t m ul ...

  • Adobe Photoshop CS3 - page 619

    PHOT OSHOP CS3 User Guide 612 3 ( P h o t o s h o po n l y )S e l e c tP a u s eF o rA u d i oA n n o t a t i o nt oe n s u r et h a te a c ha u d i oa n n o t a t i o ni na na c t i o ni sp l a y e d befor e the next step in the action is initiated . D eselect this optio n if you wan t an action to con tinue while an a udio annota tion is playin g ...

  • Adobe Photoshop CS3 - page 620

    PHOT OSHOP CS3 User Guide 613 Not e: Any actions that you create a re automa tically listed in the A c tions palette, but to truly save a n action and not risk l o s i n gi ti fy o ud e l e t ey o u rp r e f e r e n c e s f i l e( I l l u s t r a t o r )o rA c t i o n sp a l e t t ef i l e( P h o t o s h o p ) ,y o uh a v et os a v ei ta sp a r to ...

  • Adobe Photoshop CS3 - page 621

    PHOT OSHOP CS3 User Guide 614 • T o rena me a set of actions, double-c lick the na me of the set in the A ctions palette or choose Set Options from the Action s palette menu. Then en ter the new name of the set, and c lick OK. • T o replace all actions in the A ct ion s palette w ith a new set, choose Replace Actions f ro m the Actions p alette ...

  • Adobe Photoshop CS3 - page 622

    PHOT OSHOP CS3 User Guide 615 3 Ente r an action name, select an action set, and set additional o ptions: Function K ey Ass ign s a key bo ard short cut to the ac ti on. Y ou c an choos e any combinati on of a fun cti on key , the Ctr l key (W indows) or Command k e y (M ac OS), and the Shift key (for exam ple, Ctrl+Shift+F3), with these exceptio n ...

  • Adobe Photoshop CS3 - page 623

    PHOT OSHOP CS3 User Guide 616 Y ou can also display a s hort message when the action reaches the sto p as a reminder of what n ee ds to be done befo re c o n t i n u i n gw i t ht h ea c t i o n .Y o uc a ni n c l u d eaC o n t i n u eb u t t o ni nt h em e s s a g eb o xi nc a s en oo t h e rt a s kn e e d st ob ed o n e . 1 Choose where to insert ...

  • Adobe Photoshop CS3 - page 624

    PHOT OSHOP CS3 User Guide 617 Insert a non-recordable menu c ommand Y ou canno t recor d the painting and tonin g tools, tool options, V iew co mmands, a nd W indow commands. H owever , you ca n inser t man y non-reco rdable co mmands into a n act io n using the Insert Men u I tem command. Y ou can insert a command when r ecording an action, o r af ...

  • Adobe Photoshop CS3 - page 625

    PHOT OSHOP CS3 User Guide 618 3 If a dia log bo x a ppears, cha nge the settings, and click OK to r ecord them, o r click Cancel to retain the same values. Pr ocessing a ba tch of files Con vert files with the Image Proc essor T h eI m a g eP r o c e s s o rc o n v e r t sa n dp r o c e s s e sm u l t i p l ef i l e s .U n l i k et h eB a t c hc o ...

  • Adobe Photoshop CS3 - page 626

    PHOT OSHOP CS3 User Guide 619 Save As TIFF Sa ves images in TIFF fo rmat within a fo lder called TIFF in the destination folder . LZW Compression Saves the TIFF file using the LZW com pressio n scheme. 6 Set other processing o ptions. Run Action Runs a P hotoshop action. Choose the action set from the first menu an d the ac tion fro m the se co nd ...

  • Adobe Photoshop CS3 - page 627

    PHOT OSHOP CS3 User Guide 620 Import Processes images from a digital camera, scanner , or a PDF document. Opened Files Pr ocesses all open f iles. Bridge Processes selected fi les in A dobe Bridge. I f no f iles ar e selec ted , the f iles in the current B ridge folder are proc ess ed. 4 Set processing, savin g, and file naming optio ns. For descri ...

  • Adobe Photoshop CS3 - page 628

    PHOT OSHOP CS3 User Guide 621 Tips f or cross-platform droplets When cr eating dro plets for both W indows a nd Mac OS, keep the fo llowing com patibili ty issues in mind: • After movin g a droplet cr eated in W indows to M ac OS, you m ust drag the droplet o nto the Pho toshop icon o n your desk top . Photosho p updates the dro plet for use in M ...

  • Adobe Photoshop CS3 - page 629

    PHOT OSHOP CS3 User Guide 622 if you do n't selec t this op tion and the Sav e As command in the action s p ecifies a filename, the Batch co mmand overwrites the same file (the fi le specified in the act io n) each time it processes an image . If you want the Batch comma nd to process files using the or iginal f ile names in the folder you spe ...

  • Adobe Photoshop CS3 - page 630

    PHOT OSHOP CS3 User Guide 623 Not e: Refer to the scrip ting docu ment ation i nclude d w it h your Pho tosho p applic ation i nstal lation: P hotos hop Ap ple- Script Refer ence Guide.pd f, Pho toshop J a vaScr ip t Reference G uide.pdf , Photos hop Scripti ng Guide.p df, an d Photos hop VBScript Refer ence Gu ide.pdf. Th ese guides ca n be found ...

  • Adobe Photoshop CS3 - page 631

    PHOT OSHOP CS3 User Guide 624 3. Create or import the data sets. Y ou can create the da ta sets in the t empla te, or import them from a text file. (See “ Def ine a data set ” o n page 626 a nd “ Creating da ta sets in external fi les ” on page 627.) 4. Previe w the document with each data set. T o see how your final grap hics will look, yo ...

  • Adobe Photoshop CS3 - page 632

    PHOT OSHOP CS3 User Guide 625 T wo versions of a n image based o n the same t empla te A. Vi s i bi l i t y v a r i ab l e B. Pixel Replacem ent varia ble C. T ext Replacement va riable Y ou cannot define variables f or the Background la yer . 1 Choose I mage > V ariables > Def ine. 2 Select a layer from the Lay er pop-up men u that con tains ...

  • Adobe Photoshop CS3 - page 633

    PHOT OSHOP CS3 User Guide 626 6 T o define variables for another lay er , choose a la yer from the Layer pop-up men u. An asterisk appears next to the name of a la yer that co ntains va ri ab les. Y ou can use the naviga tion arro ws to move between la yers. 7 Click OK. Rename a variable 1 Choose I mage > V ariables > Def ine. 2 Choose the la ...

  • Adobe Photoshop CS3 - page 634

    PHOT OSHOP CS3 User Guide 627 Generate gr aphics using data sets After yo u define variables and one or more d a ta sets, you c an outp ut, in bat ch mode, images using the data s et va lues. Y ou can ou tput imag es as PSD files. 1 Choose File > Exp o r t > Da ta S ets As Files. 2 Ente r a bas e nam e for all files generated. Y ou may cr eat ...

  • Adobe Photoshop CS3 - page 635

    PHOT OSHOP CS3 User Guide 628 All variables defined in the PSD document m ust be defined in t he te xt f ile. An erro r is display ed if t he n umber of variables in the text file does not ma tch the number in the document. Exam ple data set: U sing a t empla te fo r flowers that holds variables for tulip and sunflower , yo u can set u p a t ext fi ...

  • Adobe Photoshop CS3 - page 636

    629 C ha pt er 21: K e y bo ar d shortcuts Keyboard sho r tcuts mak e you mor e productive in Pho toshop . Y ou can use the defa ult shortcuts listed her e, or add and custo mize shortcuts t o suit your needs. C ustomizing k eyboard shortcuts About customizing k eyboard shortcuts Photos hop lets yo u view a list of all shortcuts, and edit or create ...

  • Adobe Photoshop CS3 - page 637

    PHOT OSHOP CS3 User Guide 630 • T o return a new shortcut t o the default, clic k U se Default. • T o export the displayed set of sho rtcuts, click Summarize . Y ou can use this HTML file to displa y the set of shortcuts in a we b browser . • T o discard all chan ges and exit the dialog box, c lick Cancel. Not e: I fy o uh a v e n ’ ts a v ...

  • Adobe Photoshop CS3 - page 638

    PHOT OSHOP CS3 User Guide 631 Slice tool Slice Select tool KK Spot Healing Brush tool Healing Brush tool Pat ch tool Red Eye tool JJ Brush tool Pencil tool Color Replacement tool BB Clone Stamp tool Patt ern Stamp tool SS History Brush tool Art H istory Brush tool YY Eraser tool † Background Eraser tool Magic Eraser tool EE Gradient tool Paint Bu ...

  • Adobe Photoshop CS3 - page 639

    PHOT OSHOP CS3 User Guide 632 Ke ys for selecting tools in the Extract toolbox Ke ys for selecting tools in the Liquify toolbo x Rectangle tool Rounded Rectangle tool Ellipse tool Poly gon tool Line tool Custom Shape tool UU Notes tool Audio Annotation tool NN Eyedropper t ool † Color Sampler tool Measure tool Count tool * II Hand tool † HH Zoo ...

  • Adobe Photoshop CS3 - page 640

    PHOT OSHOP CS3 User Guide 633 Ke ys for w orking with Ex tract, Liquify , and Patt ern Maker T urbulence tool T T Fr eeze Mask tool F F Thaw Mask tool D D Result (Extract, Liquify , and Pattern Maker) Windo ws Mac OS Cycle thr ough controls on right from top T ab T ab Cycle thr ough controls on right from bottom Shift + T ab Shift + T ab T emporari ...

  • Adobe Photoshop CS3 - page 641

    PHOT OSHOP CS3 User Guide 634 Cycle thr ough Display menu in preview from bottom to top Shift + F Shift + F Decrease/increase brush size b y 1 Down Arrow/Up Arr ow in Brush Size text box † Down Arrow or Up Arr ow in Brush Size text box † Decrease/increase brush size b y 1 Left Arrow/Right Arro w with Brush Size Slider showing † Left Arrow/Rig ...

  • Adobe Photoshop CS3 - page 642

    PHOT OSHOP CS3 User Guide 635 Ke ys for using the F ilter Galler y Ke ys for using the Refine Edge dialog bo x Ke ys for using the Black-and- White dialog bo x Ke ys for using the C amera Raw dialog bo x Result Windo ws Mac OS Apply a new filter on top of selected Alt-click a filter Option-click a filter Open/close all disclosure triangles Alt-clic ...

  • Adobe Photoshop CS3 - page 643

    PHOT OSHOP CS3 User Guide 636 Ke ys for using the C ur v es dialog box Rotate image right R R Zoom in Control + + (plus) Command + + (plus) Zoom out Control + - (h yphen) Command + - (hyphen) T emporarily switch to Zoom In tool (Doesn’ t work when Straighten tool is selected. If Crop tool is active, tempor arily switches to Straighten tool .) Con ...

  • Adobe Photoshop CS3 - page 644

    PHOT OSHOP CS3 User Guide 637 Ke ys for using Photomer ge Ke ys for using V anishing Point Set a point to the composite curve Control-click the image Command-click the image Set a point to the channel curves Shift + Contr ol- click the image Shift + Command-click the image T oggle grid size Alt-click the field Option-click the field Result Windo ws ...

  • Adobe Photoshop CS3 - page 645

    PHOT OSHOP CS3 User Guide 638 Ke ys for w orking with blending modes Decrease brush hardness (Brush, Stamp tools) Shift + [ Shift + [ Undo last action C ontrol + Z Command + Z Redo last action Control + Shift + Z C ommand + Shift + Z Deselect all Control + D Command + D Hide selection and planes Control + H Command + H Move selection 1 pixel Arrow ...

  • Adobe Photoshop CS3 - page 646

    PHOT OSHOP CS3 User Guide 639 Ke ys for viewing images This is no t a com plete list of keyb oard shortcuts. This table lists only those sho r tcuts that are n ot displa yed in men u commands o r tool tips. Darken Shift + Alt + K Shift + Option + K Multiply Shift + Alt + M Shift + Option + M Color Burn Shif t + Alt + B Shift + Option + B Linear Bur ...

  • Adobe Photoshop CS3 - page 647

    PHOT OSHOP CS3 User Guide 640 Ke ys for selecting and moving objects This is no t a com plete list of keyb oard shortcuts. This table lists only those sho r tcuts that are n ot displa yed in men u commands o r tool tips. Result Windo ws Mac OS Cycles thr ough open documents Control + T ab Control + T ab Close a file in Photoshop and open Bridge Shi ...

  • Adobe Photoshop CS3 - page 648

    PHOT OSHOP CS3 User Guide 641 Ke ys for editing pa ths This is no t a com plete list of keyb oard shortcuts. This table lists only those sho r tcuts that are n ot displa yed in men u commands o r tool tips. Result Windo ws Mac OS Reposition marquee while selecting ‡ Any marquee tool (ex cept single column and single row) + spacebar-drag Any marqu ...

  • Adobe Photoshop CS3 - page 649

    PHOT OSHOP CS3 User Guide 642 Ke ys for painting objects This is no t a com plete list of keyb oard shortcuts. This table lists only those sho r tcuts that are n ot displa yed in men u commands o r tool tips. Result Windo ws Mac OS Select multiple anchor points Direct selec tion tool + Shift-click Direct selection tool + Shift-click Select entire p ...

  • Adobe Photoshop CS3 - page 650

    PHOT OSHOP CS3 User Guide 643 Ke ys for tr ansforming selections, selec tion bor ders, and paths This is no t a com plete list of keyb oard shortcuts. This table lists only those sho r tcuts that are n ot displa yed in men u commands o r tool tips. Ke ys for selecting, editing , and navigating thr ough text This is no t a com plete list of keyb oar ...

  • Adobe Photoshop CS3 - page 651

    PHOT OSHOP CS3 User Guide 644 Ke ys for slicing and optimizing Ke ys for using palettes This is no t a com plete list of keyb oard shortcuts. This table lists only those sho r tcuts that are n ot displa yed in men u commands o r tool tips. Result Windo ws Mac OS Align left, center , or right Horizon tal type tool + Control + Shift + L, C, or R Hori ...

  • Adobe Photoshop CS3 - page 652

    PHOT OSHOP CS3 User Guide 645 Ke ys for using the A c tions palette Result Windo ws Mac OS Set options (except for A ctions, Animation, Styles, Brushes, T ool Presets, and Lay er Comps palettes) Alt-click New button Option-click New button Delete without confirma tion (ex cept f or the Brushes palette) Alt-click Delete button Option- click Delete b ...

  • Adobe Photoshop CS3 - page 653

    PHOT OSHOP CS3 User Guide 646 Ke ys for using the Anima tion palette Ke ys for using the A nimation palette T imeline Mode (Photoshop Extended Only) Ke ys for using the Clone Sourc e Result Windo ws Mac OS Select/deselect multiple contiguous frames Shift- click second frame . Shif t-click second frame. Select/deselect multiple discontiguous frames ...

  • Adobe Photoshop CS3 - page 654

    PHOT OSHOP CS3 User Guide 647 Ke ys for using the Brushes palette Ke ys for using the Channels palette Ke ys for using the C olor palette Ke ys for using the History palette Result Windo ws Mac OS Delete brush Alt-click brush Option- click brush Rename brush Double -click brush Double -click brush Decrease/increase brush size [ or ] [ or ] Decrease ...

  • Adobe Photoshop CS3 - page 655

    PHOT OSHOP CS3 User Guide 648 Ke ys for using the Inf o palette Ke ys for using the La yer C omps palette Ke ys for using the La yers palette Step backward through image states Control + Alt + Z C ommand + Option + Z Duplicate any image stat e, except the current state Alt-click the image state Option- click the image state Permanently clear hist o ...

  • Adobe Photoshop CS3 - page 656

    PHOT OSHOP CS3 User Guide 649 Select next layer down/up Alt + [ or ] Option + [ or ] Move target lay er down/up Control + [ or ] Command + [ or ] Merge a cop y of all visible layers into target layer Control + Shift + Alt + E Command + Shift + Option + E Merge down Contr ol + E Command + E Move layer t o bottom or top Control + Shift + [ or ] Comma ...

  • Adobe Photoshop CS3 - page 657

    PHOT OSHOP CS3 User Guide 650 Ke ys for using the P aths palette Ke ys for using the S watches palette Ke ys for using Measur ement (Photoshop Extended Only) Create vector mask that hides all/selection Control + Alt-click Add Layer Mask button Command + Option- click A dd Layer Mask button Display layer g roup properties Right-click layer group or ...

  • Adobe Photoshop CS3 - page 658

    PHOT OSHOP CS3 User Guide 651 Ke ys for using 3D tools (Phot oshop Ex tended) Ke ys for w orking with DICOM files (Photoshop Extended) F unc tion k eys Extend/shorten selec ted measur ement in increments Shift + left/right arrow key Shift + left/right arrow key Rotate selected measurement Control + arrow key Command + arrow key Rotate selected meas ...

  • Adobe Photoshop CS3 - page 659

    PHOT OSHOP CS3 User Guide 652 Show/Hide Color palette F6 F6 Show/Hide Layers palette F7 F7 Show/Hide Info palette F8 F8 Show/Hide Actions palette F9 Option + F9 Revert F12 F12 Fill Shift + F5 Shift + F5 Feather Selection Shif t + F6 Shift + F6 Inverse Selection Shift + F7 Shift + F7 Result Windo ws Mac OS ...

  • Adobe Photoshop CS3 - page 660

    653 In d e x N umerics 16 bpc images 60 32 bpc images 81 3D files formats supported 604 opening 605 saving 609 3D layers 609 3D models editing textures from 608 placing against a background 609 transforming 605 8 bpc images 60 A Accented Edges filter 390 accessibility of Help 4 Acrobat. See Adobe Acrobat action playback speed 611 action sets 613 ac ...

  • Adobe Photoshop CS3 - page 661

    INDEX 654 options for 272 saving 441 saving selection in 273 ALT HTML element 515 alternate glyphs OpenType fonts 417 anchor points adding or deleting 377 converting 378 moving and nudging 373, 374 rules for adjusting 373 angle brush option 335 global lighting 302 Angled Strokes filter 390 Angular Gradient tool 348 animated GIFs. See animations ani ...

  • Adobe Photoshop CS3 - page 662

    INDEX 655 bitmap images about 58 resolution of 59 transparency in 59 Bitmap mode about 111, 113 converting to Grayscale 115 Custom Pattern option 114 Paint Bucket tool 352 using type 403 Black & White command 170 Black Body option 118 black point compensation 149 black-and-white images, creating 188 Blend Clipped Layers As Group option 295 blen ...

  • Adobe Photoshop CS3 - page 663

    INDEX 656 maximum number of 265 merging 268 mixing 179 optimizing images with 528 options for 272 Quick Mask 270 saving selections in 273 selecting 266 sequence of 273 source 180 splitting into separate images 268 thumbnails 265, 266 viewing 266 viewing in Histogram palette 153 Channels palette about 265 changing display of 266 rearranging channels ...

  • Adobe Photoshop CS3 - page 664

    INDEX 657 Color palette See also color palettes about 124 alerts 122 selecting web-safe colors with 122 color palettes See also Color palette Adaptive 116 customizing 117 Exact 115 for indexed-color conversions 115 Mac OS 115, 118 matte color 116 number of colors 116 Perceptual 116 Selective 116 specifying background color 116 specifying colors 116 ...

  • Adobe Photoshop CS3 - page 665

    INDEX 658 Create Droplet command in Automate submenu 620 Create Layers command 305 Create Plane tool, in vanishing point 225 Create Slice From Guides command 508 Create Work Path command (for type) 431 Crop tool 37, 190, 192 Crosshatch filter 390 Crystallize filter 392 CSS layers, generating 528 curly quotes 407 Current Path command 321 curves draw ...

  • Adobe Photoshop CS3 - page 666

    INDEX 659 document size about 66 viewing 40 document window, viewing file information in 39 documents, keyboard shortcuts for 639 Dodge tool 204 double-byte type. See Asian type downloads 10 updates, plug-ins, and tryouts 10 downsampling about 64 in PDF files 448 dpi (dots per inch) 59 drawing about 358 circle or square 354 curves followed by strai ...

  • Adobe Photoshop CS3 - page 667

    INDEX 660 for nonsupported previews 460 supporting paths 370 file information area, in status bar 40 file size about 62 required for alpha channels 265 scanning and 498 tracking 291 filename extensions, preferences for saving 442 files extensions for 442 saving preferences 442 Fill command 352, 353 fill layers about 306 creating 307 editing 308 mer ...

  • Adobe Photoshop CS3 - page 668

    INDEX 661 mapping tonal range to 189 transparency 348, 349 Grain filter 395 Graphic Pen filter 393 grayscale images about 111 colorizing 98, 170 converting from Bitmap mode 115 converting to black-and-white images 188 converting to indexed color 115 creating by mixing channels 179 creating from color images 113, 187 halftone screen attributes for 4 ...

  • Adobe Photoshop CS3 - page 669

    INDEX 662 image noise about 207 reducing 205 image noise, defined 102 Image Previews option 441 Image Processor 618 image resolution 59 image size 61 Image Size command changing pixel dimensions 65 using Auto option 66 image stacks about 594 converting to a layer 595 creating 595, 597 editing 595 stack modes 595 images applying perspective 213 bit ...

  • Adobe Photoshop CS3 - page 670

    INDEX 663 K kerning 419, 420 keyboard shortcuts full list of 629 in Help 4 keystone distortion, correcting 192 kinsoku shori. See Asian type knockouts and spot colors 504 creating 294 Kotoeri Character palette 435 L Lab Color mode about 111 in Adobe Color Picker 121 Lab color model 111 Lab images blending modes for 293 channel display in 266 langua ...

  • Adobe Photoshop CS3 - page 671

    INDEX 664 Lighting Effects filter about 392, 399 adding 401 creating styles with 401 textures in 402 Lighting Effects filter styles 401 Lighting Effects types 400 Line tool, measuring distances with 37 Linear Burn mode 344 Linear Dodge mode 344 Linear Gradient tool 347 Linear Light mode 345 lines adjusting angle and length 373 drawing 326 drawing, ...

  • Adobe Photoshop CS3 - page 672

    INDEX 665 Merge To HDR command 79 Merge Visible Layers command 292 merging adjustment or fill layers 308 all visible layers 291 channels 268 layers 291 stamped layers 292 meshes, saving with Liquify filter 224 MESSAGE HTML element 515 metadata about 466 Mezzotint filter 392 midtones, adjusting with Levels 162 Minimum and Maximum filter 395 modal co ...

  • Adobe Photoshop CS3 - page 673

    INDEX 666 painting options 343 tools for 325 with a color in vanishing point 225 with patterns 326 with sampled pixels in vanishing point 225 Palette Knife filter 388 palettes See also panels about 14 keyboard shortcuts for 644 panel menu, displaying 15 panels See also palettes about 14 collapsing to icons 19 docking 16 grouping 17 moving 17 showin ...

  • Adobe Photoshop CS3 - page 674

    INDEX 667 perspective adjusting 205 applying 216 changing by cropping 192 correcting 205 transforming 192 perspective planes working with vanishing point 225 Photo CD files 73 Photo Filter command about 182 cooling filters 182 custom color filters 182 warming filters 182 photo frames 190 photo galleries creating 516 styles 519 using tokens in 519, ...

  • Adobe Photoshop CS3 - page 675

    INDEX 668 selection boundary 255 video and animation in the timeline 580 Print command 483, 484 print dimensions, changing 66, 486 Print One Copy command 484 Print Options command 483 printer driver color management 487 printer profile targets 490 printer resolution 63 printer’s marks 491 printer’s points 42 printing about 483 color management ...

  • Adobe Photoshop CS3 - page 676

    INDEX 669 rulers about 41 changing settings 42 zero origin 41 Run Length Encoding (RLE) compression 459 S Sampled Blur filter 389 sampling from layers 282 images with a tool 195, 198, 200 saturation about 109 adjusting 168, 204 adjusting a specific color range 98 Saturation mode 345 saturation, adjusting 204 Save A Version command 440 Save Actions ...

  • Adobe Photoshop CS3 - page 677

    INDEX 670 previewing, using Refine Edge option 255 refining edges of 255 refining with Color Range command 251 removing fringe pixels from 257 removing halos around 257 replacing in channel 274 saving as a mask 273 saving to a channel 273 selecting similar pixels in 255 selecting unselected areas of 253 smoothing 255 snapping behavior of 43 softeni ...

  • Adobe Photoshop CS3 - page 678

    INDEX 671 Snap Neutral Midtones option of Auto Color 186 Snapshot command 55 snapshots clearing 52 of state 52 Soft light mode 344, 345 soft proofs 159 soft-proofing about 137 in Acrobat 138 in Photoshop, Illustrator and InDesign 137 software activation 1 downloads 10 registration 1 Solarize filter 394 Sort By Hue command 535 Sort By Luminance comm ...

  • Adobe Photoshop CS3 - page 679

    INDEX 672 Hue/Saturation command 168 made in Curves dialog box 164 made with adjustment layers 158 Match Color command 178 Replace Color command 178 saving 159 slices 509 using tools and commands for 158 tonal range adjusting with Curves 164, 165 changing with adjustment layers 158 checking in histogram 151 remapping pixels in channel 188 tool hots ...

  • Adobe Photoshop CS3 - page 680

    INDEX 673 paragraph spacing 425 scaling 421 spacing between words 424 with Paragraph palette 423 typeface. See fonts typographers’ quotes 407 U underlining. See type Underpainting filter 388, 396 Undo command 51 Ungroup command 323 Uniform color palette 116 Unsharp Mask filter 208, 393 about 207, 209 after resampling 64 selective sharpening 210 U ...

  • Adobe Photoshop CS3 - page 681

    INDEX 674 work paths about 358 converting selection to 380 creating 369, 370 working spaces, color 146 workspaces customizing 20 customizing menus in 24 deleting menus from 25 menu colors in 25 X XHTML-compliant web pages 542 XMP (Extensible Metadata Platform) 466 XMP sidecar files in Camera Raw 103 viewing in Bridge 104 XMP Software Development Ki ...

メーカー Adobe カテゴリー Photo

Adobe Photoshop CS3のメーカーから受け取ることができるドキュメントは、いくつかのグループに分けられます。その一部は次の通りです:
- #BRANDの図面#
- Photoshop CS3の取扱説明書
- Adobeの製品カード
- パンフレット
- またはAdobe Photoshop CS3の消費電力シール
それらは全部重要ですが、デバイス使用の観点から最も重要な情報は、Adobe Photoshop CS3の取扱説明書に含まれています。

取扱説明書と呼ばれる文書のグループは、Adobe Photoshop CS3の取り付け説明書、サービスマニュアル、簡易説明書、またはAdobe Photoshop CS3のユーザーマニュアル等、より具体的なカテゴリーに分類されます。ご必要に応じてドキュメントを検索しましょう。私たちのウェブサイトでは、Adobe Photoshop CS3の製品を使用するにあたって最も人気のある説明書を閲覧できます。

関連する取扱説明書

Adobe Photoshop CS3デバイスの取扱説明書はどのようなものですか?
取扱説明書は、ユーザーマニュアル又は単に「マニュアル」とも呼ばれ、ユーザーがAdobe Photoshop CS3を使用するのを助ける技術的文書のことです。説明書は通常、全てのAdobe Photoshop CS3ユーザーが容易に理解できる文章にて書かれており、その作成者はその分野の専門家です。

Adobeの取扱説明書には、基本的な要素が記載されているはずです。その一部は、カバー/タイトルページ、著作権ページ等、比較的重要度の低いものです。ですが、その他の部分には、ユーザーにとって重要な情報が記載されているはずです。

1. Adobe Photoshop CS3の説明書の概要と使用方法。説明書にはまず、その閲覧方法に関する手引きが書かれているはずです。そこにははAdobe Photoshop CS3の目次に関する情報やよくある質問、最も一般的な問題に関する情報を見つけられるはずです。つまり、それらはユーザーが取扱説明書に最も期待する情報なのです。
2. 目次。Adobe Photoshop CS3に関してこのドキュメントで見つけることができる全てのヒントの目次
3. Adobe Photoshop CS3デバイスの基本機能を使うにあたってのヒント。 Adobe Photoshop CS3のユーザーが使い始めるのを助けてくれるはずです。
4. トラブルシューティング。Adobe Photoshop CS3に関する最も重要な問題を診断し、解決するために役立つ体系化された手続き
5. FAQ。よくある質問
6. 連絡先。一人では問題を解決できない場合に、その国におけるAdobe Photoshop CS3のメーカー/サービスへの連絡先に関する情報。

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